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In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Bruce Banner, a brilliant scientist with a cloudy past about his family, is involved in an accident in his laboratory causing him to become exposed to gamma radiation and Nanomeds (A tiny life-form that is supposed to heal wounds but has killed everything with which they have made contact). Confused and curious about his survival, Banner discovers that since the accident, whenever he becomes angry he transforms into a giant green monster destroying everything in sight in an act of fury. Bruce's mysterious past and the answer to why the radiation had this effect becomes revealed to him as his Birth Father David Banner intervenes with hopes to continue experimenting on him. Written by
According to director Ang Lee, the film's screenplay drew influences from monster tales like King Kong (1933) and Frankenstein (1931); fantasies like Dr. Jekyll & Mr. Hyde, Beauty & the Beast and Faust; and most particularly Greek mythological tragedies. See more »
When Talbot first talks to Betty as she's entering the building, the screen cuts in half as per usual throughout the movie. In one shot, Betty's hand is on the upper part of her pocketbook strap. In the other shot, it is not. The two shots are not in sync. See more »
The Marvel logo features comic-book images of the Hulk in its pages; it's shaded green, the Hulk's traditional colour; and after it fully forms it bubbles out of the frame, reflecting the biological experiments carried out. See more »
"Hulk" is a film which is widely considered a failure, both financially and artistically. Yet in the latter category this movie has a lot on offer: masterful editing, good acting and the direction of a true master.
What Ang Lee has tried to achieve, namely merging the pulp-story of the Hulk with the scale and drama of a Greek tragedy has been well achieved. The scope of the story and its effects on the characters are only to be taken seriously on a truly grand scale, and by supplying the protagonists with interwoven back-stories Lee and his screenwriters are making it clear that this is not to be seen as a realistic story, but an epic metaphor.
Special kudos goes to Timothy Squyres, who does one marvelous job of creating an editing similar to a comic's design. This pays tribute to the source material's pulp origins as well making an impressive visual statement. "Hulk" looks and feels like no other film, which makes it one of the most interesting, if not one of the best comic- adaptations of all time.
The crux is that this movie does not know who it's aimed at. The intellectual Ang Lee- connoisseur picks his nose when it comes to the Hulk, simply due to its humble roots, while the average popcorn-cinema-goer is slightly irritated when confronted with the films "odd" approach to comic-movies. This means that only viewers which are a bit of both can truly appreciate this masterpiece.
All the other elements for a good piece of entertainment are there and present: Eric Bana is, as usual, fine as the tormented soul which manifests itself in green rage, Jennifer Connelly is as solid as ever and Nick Nolte steals the show with what is a truly weird turn as Bruce Banner's/the Hulk's dad. The visual effects are beautifully executed as well. There is not much left to be desired.
It's a pity such an interesting and brave film gets a rating of slightly above 6 at IMDb.
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