As the calendar changes to March, Paramount+ is ringing in the month with its latest list of library additions, film and series premieres, and more. Get ready for the Paramount+ Original coming-of-age feature “Little Wing,” starring Brooklynn Prince, Che Tafari, Brian Cox and Kelly Reilly, midway through the month, as well as a sequel follow-up to the groundbreaking 2005 documentary “The Aggressives,” the feature follow-up “The Thundermans Return,” and Season 5 premiere of “Never Seen Again.”
The new month will also include many additions and exclusive premieres available only to Paramount+ with Showtime subscribers, like the premiere of “A Gentleman in Moscow,” Ewan McGregor, Mary Elizabeth Winstead, Leah Harvey, Johnny Harris, and more. March will also mark the debut of the streaming premieres of two recent award winners: the 2022 Cannes Caméra d’Or winner “War Pony” and the 2023 SXSW Film Festival Grand Jury Award-winning British horror film “Raging Grace.”
Subscribers and potential...
The new month will also include many additions and exclusive premieres available only to Paramount+ with Showtime subscribers, like the premiere of “A Gentleman in Moscow,” Ewan McGregor, Mary Elizabeth Winstead, Leah Harvey, Johnny Harris, and more. March will also mark the debut of the streaming premieres of two recent award winners: the 2022 Cannes Caméra d’Or winner “War Pony” and the 2023 SXSW Film Festival Grand Jury Award-winning British horror film “Raging Grace.”
Subscribers and potential...
- 3/1/2024
- by Ashley Steves
- The Streamable
Riley Keough and Gina Gammell’s War Pony embodies the unconventional spirit that’s marked the former’s acting career. Shot on location at the Pine Ridge Indian Reservation in South Dakota and starring a cast of indigenous Lakota non-actors, the film details the daily struggles of a hustler, Bill (Jojo Bapteise Whiting), and a neglected middle-schooler, Matho (Ladainian Crazy Thunder). Structured in intertwining storylines, War Pony possesses a gritty essence, but for however uncompromising its glimpse into Bill and Matho’s stagnantly bleak existences may be, the film also feels generic in execution.
This can be chalked up to War Pony’s glaring, almost frustrating lack of nuance or specificity, as the filmmakers never effectively detail the characters’ relation to the various cultural, psychological, or historical intricacies of their milieu. Instead, they’re almost stubbornly focused on capturing an unflinchingly unvarnished view of day-to-day life on society’s fringes.
This can be chalked up to War Pony’s glaring, almost frustrating lack of nuance or specificity, as the filmmakers never effectively detail the characters’ relation to the various cultural, psychological, or historical intricacies of their milieu. Instead, they’re almost stubbornly focused on capturing an unflinchingly unvarnished view of day-to-day life on society’s fringes.
- 7/23/2023
- by Wes Greene
- Slant Magazine
Editor’s note: This review was originally published at the 2022 Cannes Film Festival. Momentum Pictures releases the film in theaters on Friday, July 28.
In the summer of 2015, Riley Keough met a pair of remarkable young men, cast as extras in Andrea Arnold’s “American Honey,” at a motel in South Dakota. Both members of the Lakota nation and residents of the nearby Pine Ridge reservation, Bill Reddy and Franklin Sioux Bob took quickly to the actress. The trio — later joined by Keough’s producing partner Gina Gammell — formed a fast friendship that eventually spawned Keough and Gammell’s directorial debut, “War Pony.”
Franklin Sioux Bob and Reddy are credited as co-writers on the project, alongside Keogh and Gammell (who also produced it), while Franklin Sioux Bob also appears in a small, but pivotal role in the film. Steeped in their own stories, “War Pony” follows two young Oglala Lakota men...
In the summer of 2015, Riley Keough met a pair of remarkable young men, cast as extras in Andrea Arnold’s “American Honey,” at a motel in South Dakota. Both members of the Lakota nation and residents of the nearby Pine Ridge reservation, Bill Reddy and Franklin Sioux Bob took quickly to the actress. The trio — later joined by Keough’s producing partner Gina Gammell — formed a fast friendship that eventually spawned Keough and Gammell’s directorial debut, “War Pony.”
Franklin Sioux Bob and Reddy are credited as co-writers on the project, alongside Keogh and Gammell (who also produced it), while Franklin Sioux Bob also appears in a small, but pivotal role in the film. Steeped in their own stories, “War Pony” follows two young Oglala Lakota men...
- 5/21/2022
- by Kate Erbland
- Indiewire
Protagonist Pictures have boarded Riley Keough’s directorial debut “War Pony” (previously known as “Beast.”)
Keough (“Mad Max: Fury Road”) co-directed the feature with Gina Gammell (“Manodrome”). It is set to premiere at Cannes next month in the Un Certain Regard strand of the festival.
Protagonist will rep international sales on the project while CAA Media Finance is handling North American sales.
Inspired by real events and starring Jojo Bapteise Whiting and Ladainian Crazy Thunder, “War Pony” tells the story of two boys – 23-year-old Bill and 12-year-old Matho – growing up on Pine Ridge Reservation in the U.S. While Bill is reaching for the American Dream, Matho is desperate to become a man and seeks approval from his father. “Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood,” reads the logline.
Keough and Gammell...
Keough (“Mad Max: Fury Road”) co-directed the feature with Gina Gammell (“Manodrome”). It is set to premiere at Cannes next month in the Un Certain Regard strand of the festival.
Protagonist will rep international sales on the project while CAA Media Finance is handling North American sales.
Inspired by real events and starring Jojo Bapteise Whiting and Ladainian Crazy Thunder, “War Pony” tells the story of two boys – 23-year-old Bill and 12-year-old Matho – growing up on Pine Ridge Reservation in the U.S. While Bill is reaching for the American Dream, Matho is desperate to become a man and seeks approval from his father. “Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood,” reads the logline.
Keough and Gammell...
- 4/27/2022
- by K.J. Yossman
- Variety Film + TV
The second edition of the Transmissions ’13: A Festival of Independent Cinema organised by the Lightcube Film Society will be held in Sri Aurobindo Centre for Arts and Communication, New Delhi from November 14-18, 2013.
The festival will showcase experimental films, short films, feature films and student films. The festival will also host panel discussions, video sessions, lectures, post-film discussions. Film literature, film criticism magazines, posters will also be up for sale during the festival.
Some of the films to be screened are 23 Winters by Rajesh Jala, City of Photos by Nishtha Jain, Chitrasutram by Vipin Vijay, Riyaaz by Gurvinder Singh and Ekti Naadir Naam by Anup Singh.
The pass to the festival will cost Rs 500 for general public and Rs 300 for students. Buy tickets from here. For more details call at 7838340196 or 9910161947 or write to lightcubefilmsociety@gmail.com / anuj.malhotra@lightcube.in
Schedule:
14th November 2013
4:30 Pm – 5 Pm: Opening
6:30 Pm: 23 Winters (2013)
Dir.
The festival will showcase experimental films, short films, feature films and student films. The festival will also host panel discussions, video sessions, lectures, post-film discussions. Film literature, film criticism magazines, posters will also be up for sale during the festival.
Some of the films to be screened are 23 Winters by Rajesh Jala, City of Photos by Nishtha Jain, Chitrasutram by Vipin Vijay, Riyaaz by Gurvinder Singh and Ekti Naadir Naam by Anup Singh.
The pass to the festival will cost Rs 500 for general public and Rs 300 for students. Buy tickets from here. For more details call at 7838340196 or 9910161947 or write to lightcubefilmsociety@gmail.com / anuj.malhotra@lightcube.in
Schedule:
14th November 2013
4:30 Pm – 5 Pm: Opening
6:30 Pm: 23 Winters (2013)
Dir.
- 11/11/2013
- by NewsDesk
- DearCinema.com
When Japanese director Ishii Gakuryu released indie drama Isn't Anyone Alive in 2012 it was met with a certain degree of confusion. It wasn't the film itself sparking questions, really, but the name of the director. You see, Ishii Gakuryu had - up until that point - built a reputation as one of Japan's finest and most challenging directors but had done it under the name of Ishii Sogo, under which moniker he had released classic titles such as Crazy Thunder Road, Angel Dust, Gojoe and Electric Dragon 80 000 Volts. With a long and successful career already under his belt, why the name change?Well, with the impending release of his second feature as Gakuryu it becomes abundantly clear why. He simply wants to make...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/6/2013
- Screen Anarchy
The series that kicked off the Ultraman franchise is returning to Japanese TV with some high profile directing talent at the helm.The 1966 television series Ultra Q is where it all began for the hugely popular and enduring Ultra franchise and in 2013 the show will finally get a second season. Tsuburaya Productions and Japanese broadcaster Wowow have enlisted a number of feature film directors - among them cult giant Gakuryu Ishii (Crazy Thunder Road and Gojoe director Sogo Ishii's new nom de plume) and indie darling Yu Irie (8000 Miles) - to create the twelve episode Neo Ultra Q to air in 2013.Personally I'm immensely curious to see how much of their unique styles the directors involved will be allowed to bring to...
- 6/17/2012
- Screen Anarchy
Fall is the best time of year for music and film fans in Montreal. Festivals and shows a-plenty, for most it becomes a draconian decision between what to see and what to miss. A select few become so totally fixated on this decision making process that they fail to see anything at all.
For those living under a rock, Montreal’s premiere film festival Pop Montreal starts up this week. Though it’s diverse set of musical shows big and small are often the highlight, it is truly a multi-disciplinary fest and has a bit of everything, including a mini-film festival. Film Pop’s programming is helmed by Kier-La Janisse. For those who don’t recognize the name, she is the founder of Montreal’s own Montreal’s Psychotronic Film Centre, Blue Sunshine. A fan of all things cinema, there are few people more qualified to organize a kick-ass line-up as she is.
For those living under a rock, Montreal’s premiere film festival Pop Montreal starts up this week. Though it’s diverse set of musical shows big and small are often the highlight, it is truly a multi-disciplinary fest and has a bit of everything, including a mini-film festival. Film Pop’s programming is helmed by Kier-La Janisse. For those who don’t recognize the name, she is the founder of Montreal’s own Montreal’s Psychotronic Film Centre, Blue Sunshine. A fan of all things cinema, there are few people more qualified to organize a kick-ass line-up as she is.
- 9/20/2011
- by Justine
- SoundOnSight
Things have gone rather quiet around director Sogo Ishii. His latest film dates from 2005 and didn't exactly enjoy a broad release (still eagerly waiting for the DVD myself). A terrible shame, though it does give one the chance to catch up on some of his older, lesser known films. And so I sat down in front of August In The Water, one of the hidden gems, yet to be discovered even by most fans.
Even more so than Shinya Tsukamoto, Sogo Ishii is the godfather of Japanese punk cinema. Crazy Thunder Road and Burst City put punk on the map a decade before Tsukamoto could even get started on Tetsuo. But Ishii also has a softer streak, put to maximum effect in Kysohin, his latest film. An ode to nature and humanity, far away from all the grit, dirt and noise so often featured in his films. Kyoshin seemed to...
Even more so than Shinya Tsukamoto, Sogo Ishii is the godfather of Japanese punk cinema. Crazy Thunder Road and Burst City put punk on the map a decade before Tsukamoto could even get started on Tetsuo. But Ishii also has a softer streak, put to maximum effect in Kysohin, his latest film. An ode to nature and humanity, far away from all the grit, dirt and noise so often featured in his films. Kyoshin seemed to...
- 3/15/2010
- Screen Anarchy
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