Armani Jackson (Grey’s Anatomy), Bella Shepard (The Wilds), Chloe Rose Robertson, and Tyler Lawrence Gray are joining the Wolf Pack as the upcoming Paramount+ supernatural series casts its lead stars. According to Variety, Jackson and Shepard will play the two main teenagers, Everett and Blake, while Rose Robertson and Lawrence Gray will play Luna and Harlan, the adopted teens of a park ranger. Developed by Jeff Davis (Criminal Minds), Wolf Pack is based on the book series of the same name by Canadian horror author Edo Van Belkom and follows two teenagers caught in a wildfire and wounded by a supernatural creature. The two teens later discover they’re werewolves and develop a deep bond together. They team up with two other teenagers whose father went through a similar strange wildfire 16 years ago. Davis, known for creating another werewolf-based series, Teen Wolf, will write and executive produce the project. Joe Genier...
- 6/21/2022
- TV Insider
New Projects is a weekly round up of movies and TV shows recently announced and currently in development for the near future.
See, Netflix isn’t just in the business of producing multiple Adam Sandler movies. Their next big original film deal will likely help them compete even more with HBO, as they’re teaming up with Leonardo DiCaprio and his Appian Way Pictures to produce a series of environmental documentaries as Netflix originals.
DiCaprio executive produced Virunga, a documentary about mountain gorillas in the Congo, that was eventually released by Netflix and was nominated for an Oscar this year. Now DiCaprio will continue to produce or executive produce original documentaries or ones acquired through film festivals, all part of a multi-year deal between Netflix and Appian Way.
“Working with Netflix on Virunga has sparked a shared vision about projects that we want to develop and bring to viewers,” said DiCaprio via The Hollywood Reporter.
See, Netflix isn’t just in the business of producing multiple Adam Sandler movies. Their next big original film deal will likely help them compete even more with HBO, as they’re teaming up with Leonardo DiCaprio and his Appian Way Pictures to produce a series of environmental documentaries as Netflix originals.
DiCaprio executive produced Virunga, a documentary about mountain gorillas in the Congo, that was eventually released by Netflix and was nominated for an Oscar this year. Now DiCaprio will continue to produce or executive produce original documentaries or ones acquired through film festivals, all part of a multi-year deal between Netflix and Appian Way.
“Working with Netflix on Virunga has sparked a shared vision about projects that we want to develop and bring to viewers,” said DiCaprio via The Hollywood Reporter.
- 3/5/2015
- by Brian Welk
- SoundOnSight
The third Hippodrome Festival of Silent Cinema - which opened with contemporary crowd-pleaser The Artist on Wednesday, kicked off a weekend of classics last night with a gala performance of Gloria Swanson's 1925 romantic comedy Stage Struck.
While Swanson is probably most familiar to modern audiences as the bitter and washed-up star of Billie Wilder's Sunset Blvd, which is currently touring the UK courtesy of a restored Park Circus print, Stage Struck sees her at the other end of the spectrum - as put-upon waitress Jenny, who longs to become an actress in the hopes of impressing her would-be sweetheart, diner wheat-cake flipper Orme (Lawrence Gray).
The film is a feel-good mix of charm and sight gags, with early scenes in the crowded diner giving Swanson a chance to shine at slapstick, while the opening sequence - shot in two-strip technicolor - sees her mercilessly...
While Swanson is probably most familiar to modern audiences as the bitter and washed-up star of Billie Wilder's Sunset Blvd, which is currently touring the UK courtesy of a restored Park Circus print, Stage Struck sees her at the other end of the spectrum - as put-upon waitress Jenny, who longs to become an actress in the hopes of impressing her would-be sweetheart, diner wheat-cake flipper Orme (Lawrence Gray).
The film is a feel-good mix of charm and sight gags, with early scenes in the crowded diner giving Swanson a chance to shine at slapstick, while the opening sequence - shot in two-strip technicolor - sees her mercilessly...
- 3/16/2013
- by Amber Wilkinson
- eyeforfilm.co.uk
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