The 15th annual Antimatter Film Festival is grinding out, as it always does, an incredible program of avant-garde and experimental short films and features from all over the world. The visual smorgasbord is assaulting Victoria, British Columbia on Oct. 12-20.
Some of the features include Matt McCormick‘s lyrical travelogue road trip The Great Northwest, Sabine Gruffat‘s Detroit & Dubai contrast and comparison I Have Always Been a Dreamer and Ben Rivers‘ acclaimed pastoral odyssey Two Years at Sea.
On the short film front, there’s Salise Hughes‘ vanishing Erasable Cities, Deborah Stratman‘s reworked silent film Village, silenced, Matt McCormick‘s meditation on abandoned spaces Future So Bright, Jem Cohen‘s portrait doc Crossing Paths With Luce Vigo, Lyn Elliot‘s stop-motion Another Dress, Another Button, Alyssa Timon‘s A Dog Wearing Glasses; and tons more.
Plus, there’s the special “Home Movie Day” tribute to Victoria, BC on Oct.
Some of the features include Matt McCormick‘s lyrical travelogue road trip The Great Northwest, Sabine Gruffat‘s Detroit & Dubai contrast and comparison I Have Always Been a Dreamer and Ben Rivers‘ acclaimed pastoral odyssey Two Years at Sea.
On the short film front, there’s Salise Hughes‘ vanishing Erasable Cities, Deborah Stratman‘s reworked silent film Village, silenced, Matt McCormick‘s meditation on abandoned spaces Future So Bright, Jem Cohen‘s portrait doc Crossing Paths With Luce Vigo, Lyn Elliot‘s stop-motion Another Dress, Another Button, Alyssa Timon‘s A Dog Wearing Glasses; and tons more.
Plus, there’s the special “Home Movie Day” tribute to Victoria, BC on Oct.
- 10/15/2012
- by Mike Everleth
- Underground Film Journal
Student-run at the University of Wisconsin, Milwaukee, the Milwaukee Underground Film Festival will once again screen a selection of phenomenal experimental and avant-garde short films from all over the world. The 2012 edition will run May 4-5 at various locations around Milwaukee, including the Uwm Union Theatre, Walker’s Point Center for the Arts and the the Peck School of the Arts Kenilworth Studios.
Some films to look out for at the fest include Georg Koszulinski‘s tranquil landscape experimental documentary The Search for Norumbega; new animation films by Jodie Mack (Point de Gaze) and Ben Popp (Lazslo Lassu); Clint Enns‘ environmental search for the spiritual, Connecting With Nature; two films by Winnipeg’s Aaron Zeghers, The Story of Thomas Edison and I See a Light; a visually arresting Chromadepth experiment from Kerry Laitala, Chromatic Cocktail 180 Proof; plus, films by Jim Haverkamp, Lyn Elliot, Tony Gault, Kelly Sears and more.
The...
Some films to look out for at the fest include Georg Koszulinski‘s tranquil landscape experimental documentary The Search for Norumbega; new animation films by Jodie Mack (Point de Gaze) and Ben Popp (Lazslo Lassu); Clint Enns‘ environmental search for the spiritual, Connecting With Nature; two films by Winnipeg’s Aaron Zeghers, The Story of Thomas Edison and I See a Light; a visually arresting Chromadepth experiment from Kerry Laitala, Chromatic Cocktail 180 Proof; plus, films by Jim Haverkamp, Lyn Elliot, Tony Gault, Kelly Sears and more.
The...
- 4/30/2012
- by Mike Everleth
- Underground Film Journal
It’s the 50th anniversary of the Ann Arbor Film Festival and they’re preparing an all-out blowout on March 27 to April 1 to celebrate! The fest is crammed to the gills with the latest and greatest in experimental and avant-garde film, in addition to a celebration of classic work from Ann Arbors past.
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
- 3/7/2012
- by Mike Everleth
- Underground Film Journal
The 3rd annual Strange Beauty Film Festival unspools on Feb. 16-18 with three nights, and one afternoon, of great underground short films from all over the world. The fest screens at the Man Bites Dog Theater in Durham, Nc.
First, Strange Beauty’s home state of North Carolina is properly represented with several short films, such as Jim Kellough’s Red Rocks, Josh Gibson’s Kudzu Vine, Heather D. Freeman’s Pennipotens, Charlotte Taylor’s The Edge of Summer and several more.
Plus, Winnipeg, Manitoba, Canada is heavily represented by Leslie Supnet‘s Spectroscopy, Kevin Kelly’s 367 Years in Montreal, Aaron Zegher has two films in the fest: I See a Light and The Story of Thomas Edison; and Winnipeg expat Clint Enns will screen Connecting With Nature. However, most exciting on the Winnipeg front is a screening of Jaimz Asmundson‘s thoroughly amazing The Magus, which was the 2nd...
First, Strange Beauty’s home state of North Carolina is properly represented with several short films, such as Jim Kellough’s Red Rocks, Josh Gibson’s Kudzu Vine, Heather D. Freeman’s Pennipotens, Charlotte Taylor’s The Edge of Summer and several more.
Plus, Winnipeg, Manitoba, Canada is heavily represented by Leslie Supnet‘s Spectroscopy, Kevin Kelly’s 367 Years in Montreal, Aaron Zegher has two films in the fest: I See a Light and The Story of Thomas Edison; and Winnipeg expat Clint Enns will screen Connecting With Nature. However, most exciting on the Winnipeg front is a screening of Jaimz Asmundson‘s thoroughly amazing The Magus, which was the 2nd...
- 1/24/2012
- by Mike Everleth
- Underground Film Journal
The Atlanta Underground Film Festival will roll out their 8th annual edition at the Goat Farm Arts Center on Sep. 22-25, taking over two screening rooms with a lineup of feature films, shorts and documentaries.
On the features front, Drew Bolduc and Dan Nelson’s hilariously offensive The Taint — about a world taken over by foaming-at-the-mouth misogynists — continues with its international underground takeover with a stop at Auff for an appropriately late-night screening on the 24th. Read the Bad Lit: The Journal of Underground Film’s review here.
In the short films lineups, be on the lookout for the annual Robot Hand infiltration with Brian Lonano‘s Martian Precursor and Kevin Lonano’s Carny lurking in the Horror Shorts collection on the 23rd. Plus, scattered throughout the fest are Greg Hanson and Casey Regan‘s immensely fun Thy Kill Be Done, Dean Packis‘ grotesque and funny animation Premie Petey in Extreme Makeovary,...
On the features front, Drew Bolduc and Dan Nelson’s hilariously offensive The Taint — about a world taken over by foaming-at-the-mouth misogynists — continues with its international underground takeover with a stop at Auff for an appropriately late-night screening on the 24th. Read the Bad Lit: The Journal of Underground Film’s review here.
In the short films lineups, be on the lookout for the annual Robot Hand infiltration with Brian Lonano‘s Martian Precursor and Kevin Lonano’s Carny lurking in the Horror Shorts collection on the 23rd. Plus, scattered throughout the fest are Greg Hanson and Casey Regan‘s immensely fun Thy Kill Be Done, Dean Packis‘ grotesque and funny animation Premie Petey in Extreme Makeovary,...
- 8/25/2011
- by Mike Everleth
- Underground Film Journal
Language is deliciously skewered in Lyn Elliot‘s charmingly entertaining short film Know What You Mean, embedded above. What’s a bored girl (Lila Corwin Berman) to do except zero in on her dull dinner date’s (Dan Berman) appalling mangling of popular English idioms? She’s got to keep herself occupied somehow! Perhaps this film will only appeal to any and all language nerds, but if you enjoy a good playful deconstruction on proper speech then this is a real hoot and a hambone.
Figures of speech haven’t been maimed so much since Biff Tannen uttered nonsense like “Make like a tree and get out of here” in the Back to the Future movies. In Elliot’s film above, the male dining companion drops mixed-up whoppers like “Not my piece of cake” and “Come back to bite me in the face.”
But, the real fun here is how...
Figures of speech haven’t been maimed so much since Biff Tannen uttered nonsense like “Make like a tree and get out of here” in the Back to the Future movies. In Elliot’s film above, the male dining companion drops mixed-up whoppers like “Not my piece of cake” and “Come back to bite me in the face.”
But, the real fun here is how...
- 1/27/2011
- by Mike Everleth
- Underground Film Journal
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