A twisted take on 'Little Red Riding Hood' with a teenage juvenile delinquent on the run from a social worker traveling to her grandmother's house and being hounded by a charming, but sadistic, serial killer/pedophile.
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter. Written by
Ed Sutton <firstname.lastname@example.org>
The filmmakers were very nervous while shooting the rape scene. The actress who played the rape victim was very supportive of cause of the film, however, and let the filmmakers do their thing. This gave comfort to the crew; especially Rémy Belvaux, who was very shy about his nude scene. See more »
At the beginning, Benoît says that four times a child's body weight is needed to sink a dead child. However, at the bar where they drink Dead Baby Boys, Benoît asks René for the weight ratio needed to sink a child, to which René replies "Twice," and Benoit says, "Right!" See more »
You can tan while you make love. When you're through you've got a brown ass.
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I can understand why people have certain problems with Man Bites Dog. Really I can. I just think they're wrong.
Yes it's gruesome. Yes it displays a very warped sense of humour. Yes it sometimes goes to far in trying to repulse and cloud the moral sensibilities of its audience (I'm thinking of the repulsive gang rape/murder scene in particular).
But you either get it or you don't. The makers have not set out to make a movie intended to titilate the viewer, or to satisfy our morbid curiosities concerning serial killers. If that had been their intention they wouldn't have shot the film on cataract-inducing grainy black and white film.
They've made a movie that examines the role of violence in society and more importantly in movies. They've made a purposefully repulsive character that only seeks to prove that old Hollywood moral conundrum - if the protagonist makes us laugh and occupies a large amount of screen time, we, the audience will forgive him no matter what he does.
I'm not really into serial killer movies as a rule - I think most of them fall foul of the criticisms hurled at Man Bites Dog. But I have NEVER seen another film that is anything like this. And I don't think I ever will.
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