In this dark satire, a film crew follows a ruthless thief and heartless killer as he goes about his daily routines. But complications set in when the film crew loses their abjectness and begin lending a hand.
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter. Written by
Ed Sutton <email@example.com>
According to an essay André wrote, Ben's family didn't know anything about the plot of the film. Ben's mother and grandparents thought they were filming raw footage of Ben, and had no idea that the footage was going to be used in a film in which Ben is a serial killer. Ben's mother was shocked to see her son behind bars, when she comes to visit him in prison. See more »
When Ben gets a holster for his birthday, he asks them to bring his revolver so he can try it out. But they don't bring a revolver, they bring him a semi-automatic pistol. See more »
I'd have to rank this with "Henry, Portrait Of A Serial Killer" as one of the sickest and disturbing films I've ever seen. But like "Henry," it's fascinating.....and certainly different.
It is a fake (thank goodness!) documentary with sleazy cameramen following around a serial killer as the latter murders a bunch of people while spouting philosophy between killings. Some of the demented killer's words are downright funny because of their absurdity. Perhaps that is why this is labeled by some as a black comedy, but this is so dark it is difficult for me to rate this as a comedy, even though it's there.
Most of the killings are not gruesome but there are a few that qualify for that status. They don't dwell on the blood but they don't spare anything in here, either. This film is so strange, so bizarre that one has to see it believe it. That is not just a cliché. You have not seen a film like this: I guarantee it.
A couple of Belgians - Benoit Poelvoorde, Remy Belvaux and Andre Bonzel
did almost all the work on this movie: writing, directing, editing
and acting. They were new to the business, had little money and wanted to make a film with those limited resources....and they succeeded very well.
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