Screen Australia has committed almost $360,000 in funding to assist 15 filmmaking teams and three new internships.
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
- 5/20/2013
- by Staff Writer
- IF.com.au
Janice Dickinson won't stop at having a reality show surrounding her modeling career. The self-proclaimed the world's number 1 supermodel is brewing a new reality show which sees her as a cougar feeding on young men to serve the purpose of her romantic life.
The project is made as a dating kind of show where "boy toys" will compete for her attention by "waiting on her hand and foot", TMZ reported. The 55-year-old is teaming up with Wikked Entertainment in getting the work done but she has not had any network to air it yet.
Known for her relationship with a lot of men in Hollywood, Dickinson has been married three times to three different persons. With Simon Fields, she has a son named Nathan who also appeared on her show "The Janice Dickinson Modeling Agency". She has a daughter too named Savannah from boyfriend Michael Birnbaum.
The project is made as a dating kind of show where "boy toys" will compete for her attention by "waiting on her hand and foot", TMZ reported. The 55-year-old is teaming up with Wikked Entertainment in getting the work done but she has not had any network to air it yet.
Known for her relationship with a lot of men in Hollywood, Dickinson has been married three times to three different persons. With Simon Fields, she has a son named Nathan who also appeared on her show "The Janice Dickinson Modeling Agency". She has a daughter too named Savannah from boyfriend Michael Birnbaum.
- 3/1/2010
- by AceShowbiz.com
- Aceshowbiz
It looks like vampires are the new cool. "Twilight" is looking to break box office records this forthcoming weekend, while "True Blood" continues its successful first season on HBO. Now "House Of Night", a series of nine vampire novels, is being slated for a big screen adaptation. Producers Michael Birnbaum and Jeremiah Chechik have used their own coin to option screen rights to the "House Of Night", a series of nine young adult novels by P.C. Cast and Kristin Cast. The series, published by St. Martin's Griffin, just reached its fourth installment with the recently released "Untamed." "House Of Night" takes the vampire myth in a "Harry Potter"-esque direction. In the series, "vampyres" are accepted in society; they possess a genetic anomaly that manifests itself in some people at...
- 11/23/2008
- www.ohmygore.com/
"Harry Potter" comparisons have rightly or wrongly followed Stephanie Meyer's "Twilight" series for some time now, partly because both are supernatural stories targeted at young adults and both have achieved wild success. It appears we have a property that seems to blend the two, called "House of Night" written by P.C. and Kristin Cast, which was just optioned (all nine books) by producers Michael Birnbaum and Jeremiah Chechik (TV's "The Middleman"). The timing of the news is oddly coincidental considering the adaptation for Meyer's first book bows this weekend. Given Twilight's thunder of impending box office domination, might Birnbaum and Chechik be sly opportunists hoping to nab the next big thing? "Night" is said to be equal parts vampires and prep school. Teenagers attend the House of Night to learn about their night-feeding abilities once they manifest in puberty - traits categorized as a genetic anomalies. The school...
- 11/19/2008
- by Kevin Powers
- firstshowing.net
P.C. Cast and Kristin Cast’s nine volume House of Night series has been optioned by producers Michael Birnbaum (John Tucker Must Die) and Jeremiah Chechik (Benny and Joon) according to Variety.
The young adult novel series is yet another to feature teens and vampires, a sub-genre exemplified by Stephenie Meyer’s Twilight. The conceit, according to the trade, "’vampyres’ are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are ‘marked’ and sent to the House of Night, a school that offers training necessary to become an adult vampyre.”
The lead character, 16 year old Zoey Redbird, has just been turned into a vampire and switches schools with all the attendant teen issues plus the vampire factor.
The series kicked off just last year with Marked. The fourth book, Untamed, was released in September by St. Martin's Griffin.
"P.C. and...
The young adult novel series is yet another to feature teens and vampires, a sub-genre exemplified by Stephenie Meyer’s Twilight. The conceit, according to the trade, "’vampyres’ are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are ‘marked’ and sent to the House of Night, a school that offers training necessary to become an adult vampyre.”
The lead character, 16 year old Zoey Redbird, has just been turned into a vampire and switches schools with all the attendant teen issues plus the vampire factor.
The series kicked off just last year with Marked. The fourth book, Untamed, was released in September by St. Martin's Griffin.
"P.C. and...
- 11/19/2008
- by Robert Greenberger
- Comicmix.com
I guess vampires are pretty much the hottest thing out there at the moment. While the first "Twilight" is currently awaiting release, news comes of a new vampire series being prepped for a transition to the big screen.
Variety reports producers Michael Birnbaum and Jeremiah Chechik have acquired the rights to adapt "House of Night," a series of novels written by P.C. Cast and Kristin Cast.
In the series, so-called "vampyres" are already accepted in society, although they carry special marks and attend a special school where they get the right training to become adult vampyres.
The protagonist in these books is a girl whose life takes a drastic turn when she becomes a vampyre and must change schools.
"Untamed," the fourth book in the series, was recently released. No word yet on how the whole thing will look like on the big screen. If a first movie turns out to be successful,...
Variety reports producers Michael Birnbaum and Jeremiah Chechik have acquired the rights to adapt "House of Night," a series of novels written by P.C. Cast and Kristin Cast.
In the series, so-called "vampyres" are already accepted in society, although they carry special marks and attend a special school where they get the right training to become adult vampyres.
The protagonist in these books is a girl whose life takes a drastic turn when she becomes a vampyre and must change schools.
"Untamed," the fourth book in the series, was recently released. No word yet on how the whole thing will look like on the big screen. If a first movie turns out to be successful,...
- 11/18/2008
- by Franck Tabouring
- screeninglog.com
P.C. Cast and Kristin Cast’s nine volume House of Night series has been optioned by producers Michael Birnbaum (John Tucker Must Die) and Jeremiah Chechik (Benny and Joon) according to Variety.
The young adult novel series is yet another to feature teens and vampires, a sub-genre exemplified by Stephenie Meyer’s Twilight. The conceit, according to the trade, "’vampyres’ are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are ‘marked’ and sent to the House of Night, a school that offers training necessary to become an adult vampyre.”
The lead character, 16 year old Zoey Redbird, has just been turned into a vampire and switches schools with all the attendant teen issues plus the vampire factor.
The series kicked off just last year with Marked. The fourth book, Untamed, was released in September by St. Martin's Griffin.
"P.C. and...
The young adult novel series is yet another to feature teens and vampires, a sub-genre exemplified by Stephenie Meyer’s Twilight. The conceit, according to the trade, "’vampyres’ are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are ‘marked’ and sent to the House of Night, a school that offers training necessary to become an adult vampyre.”
The lead character, 16 year old Zoey Redbird, has just been turned into a vampire and switches schools with all the attendant teen issues plus the vampire factor.
The series kicked off just last year with Marked. The fourth book, Untamed, was released in September by St. Martin's Griffin.
"P.C. and...
- 11/18/2008
- by Robert Greenberger
- Comicmix.com
Here's one unsurprising result of the amazing, still not entirely understood Twilight phenomenon-- young adult novels featuring vampires are about to become required reading for studio execs. Already two producers, Michael Birnbaum and Jeremiah Chechik, have put up their own money to buy the rights to House of Night, a nine-book series featuring adolescent bloodsuckers. As described by Variety, the books actually sound more like Harry Potter than Twilight-- vampires possess a genetic anomaly that only manifests at puberty, so when they turn into vampires they're sent away to the House of Night, a school that teaches them how to function as adults. Oh, and in this book, it's spelled "vampyre." No clue why. The fourth book has just been published, which means there's an even bigger opportunity to create a publishing phenomenon if the movie is a hit (the Twilight series, on the other hand, is complete). There's , of...
- 11/18/2008
- cinemablend.com
The success of True Blood on HBO and the forthcoming Twilight have appeared to motivate two producers into honing in on another vampire series you can find lurking on the shelves of your local bookstore. According Variety , the rights to the young adult series "House of Night" have been snatched up by producers Michael Birnbaum ( John Tucker Must Die and Jeremiah Chechik (the helmer behind the U.S. remake of Diabolique ). P.C. Cast and Kristin Cast are the authors behind the story arc which is said to stretch out through nine books (their fourth has just been released). In the series, "vampyres" are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are "marked" and sent to the House...
- 11/18/2008
- shocktillyoudrop.com
It looks like vampires are the new cool. Twilight is looking to break box office records this forthcoming weekend, while True Blood continues its successful first season on HBO (you really should check it out). Now Producers Michael Birnbaum and Jeremiah Chechik have used their own coin to option screen rights to the House Of Night, a series of nine young adult novels by P.C. Cast and Kristin Cast. The series, published by St. Martin's Griffin, just reached its fourth installment with the recently released "Untamed." "House of Night" takes the vampire myth in a "Harry Potter"-esque direction. In the series, "vampyres" are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are "marked" and sent to the House of Night, a school that offers training necessary to become an adult vampyre.
- 11/18/2008
- bloody-disgusting.com
Twilight hits theaters this week and if fan riots and sold out midnight shows are any indication, it will be a huge success. Which is why Vampires, rather young adult novels about vampires are a hot commodity in Hollywood right now. According to the trades, producers Michael Birnbaum (John Tucker Must Die) and Jeremiah Chechik have optioned screen rights to House of Night, a series of nine young adult novels by P.C. Cast and Kristin Cast. The series takes the vampire myth in a Harry Potter-esque direction. "Vampyres" are accepted in society; they possess a genetic anomaly that manifests itself in some people at puberty. Vampyres are "marked" and sent to the House of Night, a school that offers training necessary to become an adult Vampyre. The protagonist is Zoey Redbird, whose ordinary life is thrown into disarray when she becomes a vampyre and must change schools and enter a brand new world.
- 11/18/2008
- by James Cook
- TheMovingPicture.net
Wow, don’t make your desire to ape the success of Twilight any more obvious, all right guys? Variety announced this morning that Michael Birnbaum and Jeremiah Chechik have optioned the films rights to House of Night, a series of vampire-themed young adult novels by P.C. & Kristin Cast.
In the House of Night series, vamps are accepted members of society; it’s a gene anomaly that presents itself at puberty. When it does, the kids are shipped off to the titular school, where they learn how to control their abilities. The books center on Zoey Redbird, who hits puberty and becomes a bloodsucker and now must deal with her life in upheaval.
So it’s Harry Potter mixed with Twilight and a dash of “True Blood”. Just what we need! I’m sure we’ll be hearing a lot more about this in the coming months, even if we don’t want to,...
In the House of Night series, vamps are accepted members of society; it’s a gene anomaly that presents itself at puberty. When it does, the kids are shipped off to the titular school, where they learn how to control their abilities. The books center on Zoey Redbird, who hits puberty and becomes a bloodsucker and now must deal with her life in upheaval.
So it’s Harry Potter mixed with Twilight and a dash of “True Blood”. Just what we need! I’m sure we’ll be hearing a lot more about this in the coming months, even if we don’t want to,...
- 11/18/2008
- by Johnny Butane
- DreadCentral.com
There's a new movie franchise on the way. It's based on a series of vampire novels aimed at young adults, it's popular with the goth set, it's got a female voice, and it's aiming to replace Harry Potter. No, I'm not talking about Twilight. Producers Michael Birnbaum (John Tucker Must Die) and director Jeremiah Chechik (National Lampoon's Christmas Vacation) have optioned the rights to the House of Night series, Variety says.
- 11/18/2008
- by Arya Ponto
- JustPressPlay.net
Twilight, you just might have a lot to answer for. With the first movie adapted from Stephenie Meyer’s wildly successful series of teen vampire novels set to make a big splash at the Us box office this weekend, Hollywood is already scouting around for projects in a similar vein.And producers Michael Birnbaum and Jeremiah Chechik may have just hit paydirt. They’ve snapped up the rights to House Of Night, a series of nine novels written by P.C. Cast and Kristin Cast for young adults. The series, which starts with Marked and has just reached its fourth instalment, Untamed, takes place in an alternate reality where humans and vampires, or vampyres, co-exist. In fact, vampyres – whose powers manifest themselves at puberty (hello, X-Men) – must go to a special school, House Of Night, to learn about being a bloodsucker. The novels and mooted films will follow Zoey Redbird,...
- 11/18/2008
- EmpireOnline
Variety reports that, as Twilight prepares to hit theaters, another series of vampire-themed young-adult novels is heading to the big screen. The film rights to P.C. Cast and Kristin Cast’s House Of Night best sellers have been optioned by producers Michael Birnbaum and Jeremiah Chechik.
In the books, the bloodsuckers, known as “vampyres,” have assimilated into society, and when their special traits begin to appear during the onset of puberty, they’re sent to the titular school for training to become adult vampyres. The ongoing story follows young Zoey Redbird as she discovers her true identity and tries to adapt to her new “lifestyle.” “P.C. and Kristin Cast created a thrilling world that juxtaposes teen drama with supernatural suspense, using the transition from human to vampire as a metaphor for the transition from adolescence to adulthood,” Birnbaum tells the trade. No creative talent has been attached to...
In the books, the bloodsuckers, known as “vampyres,” have assimilated into society, and when their special traits begin to appear during the onset of puberty, they’re sent to the titular school for training to become adult vampyres. The ongoing story follows young Zoey Redbird as she discovers her true identity and tries to adapt to her new “lifestyle.” “P.C. and Kristin Cast created a thrilling world that juxtaposes teen drama with supernatural suspense, using the transition from human to vampire as a metaphor for the transition from adolescence to adulthood,” Birnbaum tells the trade. No creative talent has been attached to...
- 11/18/2008
- Fangoria
AUSTIN -- On paper, it sounds like a carbon copy of "Fargo": A desperate man in a snow-packed small town turns to crime in an effort to avoid bankruptcy; his plan is thwarted by bad luck, oddball goons and an investigator who simply won't quit.
The similarities multiply from there, as "The Big White" also traffics in black humor leavened by a very un-noirlike sympathy for its protagonists. There are even some funny accents, though this film's sense of place is a good deal shakier than that of its predecessor. Where the Coen brothers' film was sure-footed in its odd blend of tones, "The Big White" never completely finds its balance.
The film is screening at the Fantastic Fest in Austin.
Leading an unusually strong indie cast, Robin Williams plays Paul Barnell, a travel agent whose wife, Margaret (Holly Hunter), suffers from some behavioral problem (possibly Tourette Syndrome) that the couple's health insurance won't cover. When he finds a dead body in a dumpster, Paul tries to pass it off as his long-lost brother and collect on a million-dollar life-insurance policy.
Naturally, Paul's brother chooses this moment to end his five-year absence, while the criminals who stashed the body to begin with track it to Paul. Both parties make Paul's life terribly awkward while a suspicious claims adjuster (Giovanni Ribisi, looking a bit like a corpse himself) sniffs around.
The film shows its nasty sense of humor early on, as Paul brutalizes the cadaver to fit it into a refrigerator. Soon the violence spreads to living victims, with beatings dished out at one point or another to much of the cast. The most successful bit of slapstick comes from Margaret, who bewilders an intruder with a barrage of unexpected projectiles.
(The screenplay is littered with suggestions that Margaret's illness is imaginary, but this is never resolved. Whatever the case, Hunter is always active with some sort of business, whether cursing at a friendly neighborhood kid or bunny-hopping from room to room.)
Like so much of the film, the production design is deliberately quirky -- from an all-white insurance company office to the tacky '70s decor in the Barnell home. The look doesn't quite ring true, and neither do many of the screenplay's little curveballs: the kidnapper who frets over the meals he cooks for his hostage, the girlfriend who works for a psychic hotline, the old-lady neighbor who wields a Ted Nugent-sized bowhunting rig. Strangely, one of the film's most conventional elements is its score, which was penned by Devo's Mark Mothersbaugh.
At heart, the film wants to be about a husband who loves his wife so much that he'll do bad, stupid things to provide for her. But the mainstream audiences who most would identify with this theme are likely to be alienated by the movie's violence and quirks, while the indie/art house market might not see anything here they haven't seen done better elsewhere. Distributors might lure a crowd with big names and slapstick, but few viewers will recommend "The Big White" to friends with much enthusiasm.
THE BIG WHITE
Ascendant Pictures
Credits: Director: Mark Mylod; Screenwriter: Collin Friesen; Producers: Christopher Eberts, David Faigenblum, Chris Roberts; Executive producers: Michael Birnbaum, Andreas Grosch, Sharon Harel, Kia Jam, Hannah Leader, John Schimmel, Andreas Schmid; Director of photography: James Glennon; Production designer: Jon Billington; Music: Mark Mothersbaugh; Co-producer: Elaine Dysinger; Costumes: Darena Snowe; Editor: Julie Monroe. Cast: Paul Barnell: Robin Williams; Margaret Barnell: Holly Hunter; Ted: Giovanni Ribisi; Tiffany: Alison Lohman; Gary: Tim Blake Nelson; Jimbo: W. Earl Brown; Raymond: Woody Harrelson.
MPAA rating R, running time 104 minutes.
The similarities multiply from there, as "The Big White" also traffics in black humor leavened by a very un-noirlike sympathy for its protagonists. There are even some funny accents, though this film's sense of place is a good deal shakier than that of its predecessor. Where the Coen brothers' film was sure-footed in its odd blend of tones, "The Big White" never completely finds its balance.
The film is screening at the Fantastic Fest in Austin.
Leading an unusually strong indie cast, Robin Williams plays Paul Barnell, a travel agent whose wife, Margaret (Holly Hunter), suffers from some behavioral problem (possibly Tourette Syndrome) that the couple's health insurance won't cover. When he finds a dead body in a dumpster, Paul tries to pass it off as his long-lost brother and collect on a million-dollar life-insurance policy.
Naturally, Paul's brother chooses this moment to end his five-year absence, while the criminals who stashed the body to begin with track it to Paul. Both parties make Paul's life terribly awkward while a suspicious claims adjuster (Giovanni Ribisi, looking a bit like a corpse himself) sniffs around.
The film shows its nasty sense of humor early on, as Paul brutalizes the cadaver to fit it into a refrigerator. Soon the violence spreads to living victims, with beatings dished out at one point or another to much of the cast. The most successful bit of slapstick comes from Margaret, who bewilders an intruder with a barrage of unexpected projectiles.
(The screenplay is littered with suggestions that Margaret's illness is imaginary, but this is never resolved. Whatever the case, Hunter is always active with some sort of business, whether cursing at a friendly neighborhood kid or bunny-hopping from room to room.)
Like so much of the film, the production design is deliberately quirky -- from an all-white insurance company office to the tacky '70s decor in the Barnell home. The look doesn't quite ring true, and neither do many of the screenplay's little curveballs: the kidnapper who frets over the meals he cooks for his hostage, the girlfriend who works for a psychic hotline, the old-lady neighbor who wields a Ted Nugent-sized bowhunting rig. Strangely, one of the film's most conventional elements is its score, which was penned by Devo's Mark Mothersbaugh.
At heart, the film wants to be about a husband who loves his wife so much that he'll do bad, stupid things to provide for her. But the mainstream audiences who most would identify with this theme are likely to be alienated by the movie's violence and quirks, while the indie/art house market might not see anything here they haven't seen done better elsewhere. Distributors might lure a crowd with big names and slapstick, but few viewers will recommend "The Big White" to friends with much enthusiasm.
THE BIG WHITE
Ascendant Pictures
Credits: Director: Mark Mylod; Screenwriter: Collin Friesen; Producers: Christopher Eberts, David Faigenblum, Chris Roberts; Executive producers: Michael Birnbaum, Andreas Grosch, Sharon Harel, Kia Jam, Hannah Leader, John Schimmel, Andreas Schmid; Director of photography: James Glennon; Production designer: Jon Billington; Music: Mark Mothersbaugh; Co-producer: Elaine Dysinger; Costumes: Darena Snowe; Editor: Julie Monroe. Cast: Paul Barnell: Robin Williams; Margaret Barnell: Holly Hunter; Ted: Giovanni Ribisi; Tiffany: Alison Lohman; Gary: Tim Blake Nelson; Jimbo: W. Earl Brown; Raymond: Woody Harrelson.
MPAA rating R, running time 104 minutes.
- 10/10/2005
- The Hollywood Reporter - Movie News
20th Century Fox has adopted John Tucker, acquiring the script from scribe Jeff Lowell for Bob Cooper's Landscape Entertainment to produce. John Tucker is described as a high school take on The First Wives Club, centering on a group of girls who band together to seek revenge on the school's resident stud, who has broken their hearts. Landscape topper Cooper will produce with the company's Michael Birnbaum. Karen Lunder will serve as executive producer. At the studio, the project is being overseen by TCF senior vp Debbie Liebling for division topper Hutch Parker. Lowell previously penned Romantic Comedy, also a Landscape project, and served as a writer on Just Shoot Me and Spin City. He is repped by UTA and manager Peter Safran. Cooper produced the upcoming MGM comedy Sleepover, directed by Joe Nussbaum.
- 3/21/2004
- The Hollywood Reporter - Movie News
NEW YORK -- British helmer Mark Mylod has been attached to direct the feature comedy The Big White for Landscape Pictures and Ascendant Pictures from a script by Collin Friesen. Landscape said Monday that the project is in active development, with Mylod involved in supervising the final script. Artisan Pictures is on board to distribute the film domestically, with Ascendant's Christopher Eberts and Chris Roberts producing with Empire Pictures' Michael Birnbaum. David Faigenblum is also shouldering producing duties. Set in Alaska, Big White follows a hapless travel agent whose wife suffers from psychosomatic Tourette's Syndrome. Convinced a warmer climate might cure her ailment, he hatches a scheme to cash in on a million-dollar life insurance policy by stealing a corpse and pretending it's his long-missing brother.
- 10/23/2002
- The Hollywood Reporter - Movie News
After six months as president of Artisan Entertainment's Landscape Pictures unit, Michael Birnbaum is stepping down to return to full-time producing duties.
Birnbaum had served as president of Landscape Pictures since February. Sources said he is in negotiations to maintain a producer role within Landscape. It is unclear whether he will be involved in projects outside the Landscape banner.
Artisan confirmed Birnbaum's departure Monday.
Sources close to the company said the president post will not be refilled. Landscape chairman and Artisan Pictures CEO Bob Cooper is expected to manage the division.
Birnbaum had served as president of Landscape Pictures since February. Sources said he is in negotiations to maintain a producer role within Landscape. It is unclear whether he will be involved in projects outside the Landscape banner.
Artisan confirmed Birnbaum's departure Monday.
Sources close to the company said the president post will not be refilled. Landscape chairman and Artisan Pictures CEO Bob Cooper is expected to manage the division.
- 8/27/2002
- The Hollywood Reporter - Movie News
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