There is something clearly uncomfortable about serial killer Tony Benson, the title character in director Gerard Johnson’s 2009 English film, “Tony.” From shot one we see Tony walking confusedly along litter-strewn streets, a look of bewilderment on his face as he seemingly tries to make sense of what’s around him. This is accentuated by the way Johnson and cinematographer David Higgs (Dp on Guy Ritchie’s “RocknRolla” and the 1983 segment of the wonderful “Red Riding” trilogy) shoot the film, infusing it with harsh and pointed lighting and cold colors that give the entire look of the picture an uneasiness. Additionally, Peter Ferdinando’s awkward and chilling portrayal of Tony is striking. Kept frequently in long to medium shots as he roams the streets, Tony and his relationship to his environment is regularly called to attention. Despite being surrounded, Tony is visibly alone, situated in isolation within the frame and...
- 4/5/2010
- Moving Pictures Magazine
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