In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he's helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole's wall. While Cole's men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld. Written by
The movie makes recurring use of the Black Strobe's "I'm a man" in the soundtrack. Black Strobe became famous in the 90's for their hit "Me & Madonna", referring to the famous singer, Guy Ritchie's former wife. See more »
Majority of the Russian lines in the movie don't correspond to the translation shown. Mostly the overall approximate meaning of a passage or dialogue is preserved, but even that is not always the case. See more »
People ask the question... what's a RocknRolla? And I tell 'em - it's not about drums, drugs, and hospital drips, oh no. There's more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he's different. Why? Because a real RocknRolla wants the fucking lot.
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There is a scene in the closing credits: the complete scene of One Two dancing with Handsome Bob at the gay bar. See more »
After some failures in his career as a director, Guy Ritchie is back with a fast paced, frenetic movie. A film about a Russian mobster orchestrates a crooked land deal, millions of dollars are up for grabs, and all of London?s criminal underworld wants in on the action. Everyone from a dangerous crime lord to a sexy accountant, a corrupt politician and down-on-their-luck petty thieves conspire, collude and collide with one another in an effort to get rich quick. The story is interesting and the plot is very well developed. Its a film with lots of action and adventure, it has also a very good amount of black humor, characteristic from Ritchie's movies, and full of twists and an unexpected ending.The direction from Ritchie is excellent, the first hour might be a little slow but from the second hour till the end the movie takes a very fast rhythm and the fast forwards and slow motions increases the intensity of the movie. The cast is amazing, Gerard Butler gives a formidable performance, Thandie Newton also very good, Tom Wilkinson flawless as always and the secondary roles from Toby Kebbell (Johnny Quid), Idris Elba (Mumbles) and Mark Strong (Archie) gave the movie a very good support. In conclusion, RocknRolla is a entertaining movie you will enjoy and that will keep you on the edge of your seat.
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