Indie News
Quebecois filmmaker Denis Villeneuve should be running a victory lap after his sci-fi sequel “Dune: Part Two” earned over $700 million at the box office this year and after recently receiving the Academy Icon Award at the 2024 Canadian Screen Awards on May 31, but the current lack of audiences showing up to movie theaters this summer is bringing him down.
Speaking to the press after receiving the award, Villeneuve said, “I think we need movies that are theatrical experiences, that will fully embrace the power of the theater, and I’m not just talking about ‘Dune 2.’ Of course I’m talking about many movies. A movie like ‘Civil War,’ for instance, is a strong example of a movie that absolutely used the power of the theater. I was lucky that ‘Part Two’ did reach the audience, I wish it would happen more often, honestly.”
“Dune: Part Two” remains the highest grossing...
Speaking to the press after receiving the award, Villeneuve said, “I think we need movies that are theatrical experiences, that will fully embrace the power of the theater, and I’m not just talking about ‘Dune 2.’ Of course I’m talking about many movies. A movie like ‘Civil War,’ for instance, is a strong example of a movie that absolutely used the power of the theater. I was lucky that ‘Part Two’ did reach the audience, I wish it would happen more often, honestly.”
“Dune: Part Two” remains the highest grossing...
- 6/3/2024
- by Harrison Richlin
- Indiewire
Norman Lear was not a man to shy away from controversy. If anything, he sprinted toward it, knowing that doing so would help open people’s minds to pervasive American issues related to discrimination, human rights, and more. Through his landmark sitcoms like “All in the Family,” “Maude,” “Sanford and Son,” “One Day at a Time” (twice!), and “Good Times” (also twice!), Lear helped American families address thorny political and social topics by bringing those circumstances into their living rooms every week.
But one episode has long stood out as his most controversial: “Maude’s Dilemma,” a two-part episode airing in the first season, wherein the lead character (played by Bea Arthur) decides to get an abortion. At the time, abortions were legal in the state of New York (where Maude and her family lived), but the Roe v. Wade verdict was still two months away. CBS was wary about...
But one episode has long stood out as his most controversial: “Maude’s Dilemma,” a two-part episode airing in the first season, wherein the lead character (played by Bea Arthur) decides to get an abortion. At the time, abortions were legal in the state of New York (where Maude and her family lived), but the Roe v. Wade verdict was still two months away. CBS was wary about...
- 6/2/2024
- by Ben Travers
- Indiewire
Time is an obsession of Richard Linklater’s. His films, from “Slacker” to the “Before” trilogy to “Boyhood,” have been thorough examinations of its passage on scales large and small, but his latest ongoing project, an adaptation of Stephen Sondheim’s under-appreciated musical gem “Merrily We Roll Along,” aims to be Linklater’s biggest canvas yet. The musical tracks the deterioration of a 20-year friendship between three creatives with one specific feature: the entire story is told in reverse, beginning with the end and slipping back into the past to show how things go so bad and eventually why they were so good together.
“It’s the kind of thing I’ve thought a lot about my entire life: What could transform me?” Linklater said in a recent interview with The New York Times Magazine. “I was probably more in the camp of we’re fixed, give or take whatever little percentage around the edges.
“It’s the kind of thing I’ve thought a lot about my entire life: What could transform me?” Linklater said in a recent interview with The New York Times Magazine. “I was probably more in the camp of we’re fixed, give or take whatever little percentage around the edges.
- 6/2/2024
- by Harrison Richlin
- Indiewire
“What took you so long?”
That was the general vibe of the “Suits” reunion panel Sunday afternoon, where stars Patrick J. Adams, Sarah Rafferty, Dulé Hill, Amanda Schull, and executive Jeff Wachtel gathered to discuss the legal drama that aired for nine seasons on USA Network but gained an expanded following when it hit Netflix in June 2023.
“The people in this room know it’s hard to make TV, and it’s really hard to make good TV, let alone great TV,” Wachtel said. “But on some level, when people ask me if I was surprised [by the resurgence on Netflix], I’m like, what took you so long?”
Wachtel, who was the head of programming at USA Network when “Suits” premiered, praised the cast as well as the casting director who put them together, Bonnie Zane, who was watching from the audience.
“We knew how great this show was, and it was very successful at USA Network,...
That was the general vibe of the “Suits” reunion panel Sunday afternoon, where stars Patrick J. Adams, Sarah Rafferty, Dulé Hill, Amanda Schull, and executive Jeff Wachtel gathered to discuss the legal drama that aired for nine seasons on USA Network but gained an expanded following when it hit Netflix in June 2023.
“The people in this room know it’s hard to make TV, and it’s really hard to make good TV, let alone great TV,” Wachtel said. “But on some level, when people ask me if I was surprised [by the resurgence on Netflix], I’m like, what took you so long?”
Wachtel, who was the head of programming at USA Network when “Suits” premiered, praised the cast as well as the casting director who put them together, Bonnie Zane, who was watching from the audience.
“We knew how great this show was, and it was very successful at USA Network,...
- 6/2/2024
- by Ben Travers
- Indiewire
With the 2024 Tony Awards a few weeks away and the record-breaking Broadway run of “Merrily We Roll Along” coming to a close in a little over a month, three-time Tony nominee Jonathan Groff is looking back on the roles that shaped this first stage in his career. In an interview in The New Yorker, Groff recalled the impact performing in the visually-stunning and narratively-meta film “The Matrix Resurrections” had on his psyche.
“Getting to play Agent Smith really unlocked rage inside of me that I didn’t know was there,” Groff said. “That’s helped me so much with ‘Merrily,’ particularly in the first act. Learning the kung fu was, like, months of fight training. They called me the Savage, because I was so into it. We were shooting a big fight sequence with Keanu, and, after the first few takes, I remember Lana [Wachowski] at the monitor, like, ‘Jonathan, come over here.
“Getting to play Agent Smith really unlocked rage inside of me that I didn’t know was there,” Groff said. “That’s helped me so much with ‘Merrily,’ particularly in the first act. Learning the kung fu was, like, months of fight training. They called me the Savage, because I was so into it. We were shooting a big fight sequence with Keanu, and, after the first few takes, I remember Lana [Wachowski] at the monitor, like, ‘Jonathan, come over here.
- 6/2/2024
- by Harrison Richlin
- Indiewire
One year ago, as the WGA strike was just getting underway and the SAG strike was still looming, Beau Willimon and Greg Iwinski took part in a panel at the Atx TV Festival to rally support and better explain what their unions were fighting to secure. Sunday, with both strikes in the rearview mirror following major victories for both parties, the two WGA East members returned to the festival with SAG member and national board representative Dulé Hill to discuss what they won and what work still needs to be done.
“Strikes aren’t necessarily for the membership now,” Hill said. “Strikes are for the members who are coming. […] I cannot let there be rollbacks so I receive more than the next generations receive. I cannot let that happen.”
Part of that responsibility extends beyond the specific unions to the broader labor movement, especially when it comes to IATSE, the...
“Strikes aren’t necessarily for the membership now,” Hill said. “Strikes are for the members who are coming. […] I cannot let there be rollbacks so I receive more than the next generations receive. I cannot let that happen.”
Part of that responsibility extends beyond the specific unions to the broader labor movement, especially when it comes to IATSE, the...
- 6/2/2024
- by Ben Travers
- Indiewire
Following the inspiring true story of American competition swimmer and Olympic athlete Trudy Ederle, the first woman to swim 21 miles across the English channel, “Young Woman and the Sea” aims to offer audiences a more hopeful viewing experience than they’ve been used to lately. Speaking with A. Frame, the film’s director Joachim Rønning, stars Daisy Ridley and Tilda Cobham-Hervey, and producer Jerry Bruckheimer share how moved they were upon reading the script and why they think this is the story to bring summer moviegoers into theaters.
“Jeff Nathanson’s script was one of the best scripts I’ve ever read — if not the best script I ever read,” Rønning said, “and it just had everything I’m looking for in a story: It’s dramatic, it’s very emotional, it’s funny, it’s scary, it’s inspirational. It’s a true underdog story about someone that were...
“Jeff Nathanson’s script was one of the best scripts I’ve ever read — if not the best script I ever read,” Rønning said, “and it just had everything I’m looking for in a story: It’s dramatic, it’s very emotional, it’s funny, it’s scary, it’s inspirational. It’s a true underdog story about someone that were...
- 6/2/2024
- by Harrison Richlin
- Indiewire
Hollywood loves a buzz word and for the last few years, it feels like “nepo-baby” has been the buzziest. When you really think about it though, family giving family a leg up in life — in most cases — is rather innocuous. And the concept doesn’t only apply to work in the entertainment industry, but in every field. Or at least this is what Maya Hawke — daughter of Ethan Hawke and Uma Thurman — would want you to believe. Talking to The Times of London for a recent interview, Hawke defended her benefiting from her parents’ fame and admits she can’t help the life she was born into.
“‘Deserves’ is a complicated word… There are so many people who deserve to have this kind of life who don’t, but I think I’m comfortable with not deserving it and doing it anyway,” Hawke said when asked if she deserves the work she’s been given.
“‘Deserves’ is a complicated word… There are so many people who deserve to have this kind of life who don’t, but I think I’m comfortable with not deserving it and doing it anyway,” Hawke said when asked if she deserves the work she’s been given.
- 6/2/2024
- by Harrison Richlin
- Indiewire
Lots of ways to describe how bad it is for theaters. Here’s one: A year ago, the #2 film “The Little Mermaid” grossed $41.4 million; this weekend, the top four films grossed $44.4 million combined.
“The Garfield Movie” (Sony) took over #1 with $14 million and a 10-day total about $2 million better than last week’s #1, “Furiosa: A Mad Max Saga.” (Warner Bros.). George Miller’s $160 million-budget prequel dropped 59 percent from a disappointing start and is in a tight battle for #2 with “If” (Paramount). The family fantasy with Ryan Reynolds tentatively stands at $50,000 ahead; to its credit, WB wasn’t aggressive in its estimate. (Tomorrow will tell the actual result).
The good news is we have touched bottom for the summer and it will get better from here. Both “Garfield” and “If” had strong holds: “Garfield” dropped 41 percent in its second weekend after a holiday Sunday and “If” dropped 33 percent and now is at...
“The Garfield Movie” (Sony) took over #1 with $14 million and a 10-day total about $2 million better than last week’s #1, “Furiosa: A Mad Max Saga.” (Warner Bros.). George Miller’s $160 million-budget prequel dropped 59 percent from a disappointing start and is in a tight battle for #2 with “If” (Paramount). The family fantasy with Ryan Reynolds tentatively stands at $50,000 ahead; to its credit, WB wasn’t aggressive in its estimate. (Tomorrow will tell the actual result).
The good news is we have touched bottom for the summer and it will get better from here. Both “Garfield” and “If” had strong holds: “Garfield” dropped 41 percent in its second weekend after a holiday Sunday and “If” dropped 33 percent and now is at...
- 6/2/2024
- by Tom Brueggemann
- Indiewire
[This story includes spoilers for the Season 3 finale of “Hacks.”]
For three seasons, “Hacks” fans have watched up-and-coming comedienne Ava Daniels (Hannah Einbinder) learn the ins-and-outs of finding success as a woman in the entertainment industry by helping aging stand-up Deborah Vance (Jean Smart) revitalize her career. Though Ava and Deborah seem to be kindred spirits, it’s clear they both struggle through their partnership, with Deborah’s old ways often coming into conflict with Ava’s more progressive outlook. Now, at the end of the television series’ third season, Ava finally takes a lesson out of Deborah’s book, threatening to reveal negative information about her to the press in order to assure her dream job as head writer for Deborah’s new late night show.
Discussing the finale in a recent interview with The New York Times, showrunners Lucia Aniello, Paul W. Downs, and Jen Statsky address this shift in power dynamics and what it means for the future.
For three seasons, “Hacks” fans have watched up-and-coming comedienne Ava Daniels (Hannah Einbinder) learn the ins-and-outs of finding success as a woman in the entertainment industry by helping aging stand-up Deborah Vance (Jean Smart) revitalize her career. Though Ava and Deborah seem to be kindred spirits, it’s clear they both struggle through their partnership, with Deborah’s old ways often coming into conflict with Ava’s more progressive outlook. Now, at the end of the television series’ third season, Ava finally takes a lesson out of Deborah’s book, threatening to reveal negative information about her to the press in order to assure her dream job as head writer for Deborah’s new late night show.
Discussing the finale in a recent interview with The New York Times, showrunners Lucia Aniello, Paul W. Downs, and Jen Statsky address this shift in power dynamics and what it means for the future.
- 6/2/2024
- by Harrison Richlin
- Indiewire
Lance Oppenheim, a 2019 25 New Face who is something of a non-fiction poet laureate of contemporary loneliness, oddball institutional rituals, and the ways in which fantasy and reality commingle in American life, premieres his latest documentary series, Ren Faire, tonight on HBO. Produced by Elara Pictures, with executive producers including Josh Safdie, Benny Safdie and Ronnie Bronstein, the three-part series tells a Succession-like drama involving an aging “king,” George Coulam, in the midst of deciding which of his employees will take over his sprawling and lucrative Texas-based Renaissance theme park. The series follows Oppenheim’s excellent Spermworld, for which the […]
The post Trailer Watch: Lance Oppenheim’s HBO Documentary Series, Ren Faire first appeared on Filmmaker Magazine.
The post Trailer Watch: Lance Oppenheim’s HBO Documentary Series, Ren Faire first appeared on Filmmaker Magazine.
- 6/2/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Lance Oppenheim, a 2019 25 New Face who is something of a non-fiction poet laureate of contemporary loneliness, oddball institutional rituals, and the ways in which fantasy and reality commingle in American life, premieres his latest documentary series, Ren Faire, tonight on HBO. Produced by Elara Pictures, with executive producers including Josh Safdie, Benny Safdie and Ronnie Bronstein, the three-part series tells a Succession-like drama involving an aging “king,” George Coulam, in the midst of deciding which of his employees will take over his sprawling and lucrative Texas-based Renaissance theme park. The series follows Oppenheim’s excellent Spermworld, for which the […]
The post Trailer Watch: Lance Oppenheim’s HBO Documentary Series, Ren Faire first appeared on Filmmaker Magazine.
The post Trailer Watch: Lance Oppenheim’s HBO Documentary Series, Ren Faire first appeared on Filmmaker Magazine.
- 6/2/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
After a three-year hiatus, “We Are Lady Parts” is back with a triumphant second season, filled with brilliant, catchy music, fantastical comedy sequences, and dynamite performances from the entire ensemble. Unlike a lot of contemporary filmmakers who make the jump from movies to TV, creator Nida Manzoor got to return to her roots after debuting a feature between seasons.
Season 2 (certified Fresh) finds Lady Parts — the all-female punk outfit composed of Amina (Anjana Vasan), Saira (Sara Kameela Impey), Aisha (Juliette Motamed), Bisma (Faith Omole), and manager Momtaz (Lucy Shorthouse) — enjoying a successful run of tours and an actual, engaged fan base. With their sights set on recording an album, the band faces financial struggles and a major opportunity that threatens to break them apart.
It’s been three years since “We Are Lady Parts” premiered, but Season 2 picks up shortly after Season 1. For writer/director Nida Manzoor, most of the...
Season 2 (certified Fresh) finds Lady Parts — the all-female punk outfit composed of Amina (Anjana Vasan), Saira (Sara Kameela Impey), Aisha (Juliette Motamed), Bisma (Faith Omole), and manager Momtaz (Lucy Shorthouse) — enjoying a successful run of tours and an actual, engaged fan base. With their sights set on recording an album, the band faces financial struggles and a major opportunity that threatens to break them apart.
It’s been three years since “We Are Lady Parts” premiered, but Season 2 picks up shortly after Season 1. For writer/director Nida Manzoor, most of the...
- 6/2/2024
- by Proma Khosla
- Indiewire
Because of the 2023 WGA and SAG strikes, a lot of the initial conversations surrounding artificial intelligence in Hollywood has focused on whether A.I. will be used to produce film scripts or recreate performances. But the highly controversial technology is already being used behind the scenes on your favorite television shows, as a tool to help stimulate the creative process. On Saturday afternoon at the Atx TV Festival, a group of craft artists discussed the perils and premiums of AI on their industry, during a wide-ranging discussion on their respective programs.
“We’re very computer-heavy, software-heavy in my art department,” Seth Reed, the production designer on the acclaimed Apple series “For All Mankind,” said during the panel. “So for us, they’re all tools. There’s an AI component to these things [that can help.] It can add textures and do things that seem way beyond what a concept artist would do in Photoshop or whatever.
“We’re very computer-heavy, software-heavy in my art department,” Seth Reed, the production designer on the acclaimed Apple series “For All Mankind,” said during the panel. “So for us, they’re all tools. There’s an AI component to these things [that can help.] It can add textures and do things that seem way beyond what a concept artist would do in Photoshop or whatever.
- 6/2/2024
- by Ben Travers
- Indiewire
IATSE, the International Alliance of Theatrical Stage Employees, announced Saturday, June 1 that it has for now concluded the second of two scheduled weeks of Area Standards Agreement (Asa) negotiations with the Alliance of Motion Picture and Television Producers (AMPTP). While no deal was reached, both parties agreed to continue negotiations later this month.
After not initially reaching a Basic Agreement with the AMPTP following negotiations, IATSE shifted attention onto the Asa, which covers film and TV workers outside of Los Angeles and consists of another 23 locals around the country. This all comes after IATSE’s 13 individual locals reached a tentative deal with the AMPTP on issues specific to their locals.
In a statement from IATSE, International President Matthew D. Loeb stated, “I want to thank the Asa Negotiating Committee for their thorough work to prepare for these negotiations. Their contribution helped ensure we have the momentum we need at the table.
After not initially reaching a Basic Agreement with the AMPTP following negotiations, IATSE shifted attention onto the Asa, which covers film and TV workers outside of Los Angeles and consists of another 23 locals around the country. This all comes after IATSE’s 13 individual locals reached a tentative deal with the AMPTP on issues specific to their locals.
In a statement from IATSE, International President Matthew D. Loeb stated, “I want to thank the Asa Negotiating Committee for their thorough work to prepare for these negotiations. Their contribution helped ensure we have the momentum we need at the table.
- 6/2/2024
- by Harrison Richlin
- Indiewire
Nearly six months after it opened theatrically in the U.S./Canada, Toho’s Oscar Special Effects-winning “Godzilla Minus One” is finally available at home.
As of Saturday June 1, the Takashi Yamazaki film is now available free for subscribers on Netflix. It is also on VOD for $5.99 as a 48-hour rental or $14.99 as a digital download on platforms like iTunes (where it is already #1), Fandango, and Amazon Prime VideoAmazon Prime[/link].
It is unheard of for a Saturday to be a VOD release date, and very unusual for Netflix. That suggests the contractual agreement between Toho and Legendary Pictures (the producers of “Godzilla x Kong: The New Empire”), which called for delayed availability for the Japanese title, specifically set June 1 as the earliest for home release.
A six-month window for home release is unheard of these days. Christopher Nolan’s “Oppenheimer” had a four-month delay before hitting PVOD. Streaming came after seven months.
As of Saturday June 1, the Takashi Yamazaki film is now available free for subscribers on Netflix. It is also on VOD for $5.99 as a 48-hour rental or $14.99 as a digital download on platforms like iTunes (where it is already #1), Fandango, and Amazon Prime VideoAmazon Prime[/link].
It is unheard of for a Saturday to be a VOD release date, and very unusual for Netflix. That suggests the contractual agreement between Toho and Legendary Pictures (the producers of “Godzilla x Kong: The New Empire”), which called for delayed availability for the Japanese title, specifically set June 1 as the earliest for home release.
A six-month window for home release is unheard of these days. Christopher Nolan’s “Oppenheimer” had a four-month delay before hitting PVOD. Streaming came after seven months.
- 6/2/2024
- by Tom Brueggemann
- Indiewire
Right as generative AI was becoming the hot-button issue of last summer’s WGA and SAG-AFTRA strikes, Charlie Brooker, creator of beloved Netflix television anthology series “Black Mirror,” was ready to skewer the topic with his season 6 premiere, “Joan Is Awful.” Following a woman named Joan (Annie Murphy) as her life slowly unravels due to its constant depiction on an app called Streamberry, the episode delves into the slippery slope we’ve all signed up for by signing our data away to companies and computers with potentially dubious intentions. Released a month into the 2023 strikes, “Joan Is Awful” became a touchstone for artists raising alarms on the entertainment industry’s new investment into AI programs like ChatGPT and Midjourney.
“It was really odd,” Brooker said in a recent interview with The Hollywood Reporter. “So, I must have written it in June-July in 2022. When we shot it, it was September-October.
“It was really odd,” Brooker said in a recent interview with The Hollywood Reporter. “So, I must have written it in June-July in 2022. When we shot it, it was September-October.
- 6/1/2024
- by Harrison Richlin
- Indiewire
Richard Linklater and Glen Powell love movies. Making them and talking about them. In a recent promotional video posted by Netflix on X, formerly known as Twitter, the “Hit Man” screenwriting duo went through some of their favorite films for any given situation. When asked of his favorite Scorsese film, Linklater said, “‘Raging Bull’ was in that top slot for a couple decades before ‘Goodfellas’ kind of knocked it off.”
Later, when asked of films he can quote every line of, the director again referenced “Goodfellas,” saying he could recite “some version of it” and “can act every role.”
When thinking of films they’re embarrassed they hadn’t seen, Powell referenced a recent screening of their film “Hit Man.” He said, “I feel like we discovered this the other night when people were asking inspirations for the movie and they say ‘This kind of feels like ‘Grosse Pointe Blank’ and I was like,...
Later, when asked of films he can quote every line of, the director again referenced “Goodfellas,” saying he could recite “some version of it” and “can act every role.”
When thinking of films they’re embarrassed they hadn’t seen, Powell referenced a recent screening of their film “Hit Man.” He said, “I feel like we discovered this the other night when people were asking inspirations for the movie and they say ‘This kind of feels like ‘Grosse Pointe Blank’ and I was like,...
- 6/1/2024
- by Harrison Richlin
- Indiewire
As a child actress in film and television, Gaby Hoffmann was known for roles that leaned, as she called it in a recent interview with The Independent, “punchy” and “precocious.” Being a kid of New York City in the ‘80s, surrounded by parents who were actors and their artist friends, perhaps she was always destined to have a unique sense of freedom in her presence. Starring in the recent Netflix miniseries “Eric” with Benedict Cumberbatch, which takes place in ‘80s New York City, Hoffmann plays a mother whose son has gone missing. Stepping back into the past has made Hoffmann reflect on some of the choices she’s made during her career, like giving up acting for college.
“I knew it wasn’t a knee-jerk reaction,” she said of eventually returning to the profession. “Or something I was doing because I had done it and didn’t know what else to do,...
“I knew it wasn’t a knee-jerk reaction,” she said of eventually returning to the profession. “Or something I was doing because I had done it and didn’t know what else to do,...
- 6/1/2024
- by Harrison Richlin
- Indiewire
Rebecca Ferguson is quickly becoming a titan of the entertainment industry and she’s embracing it. She’s starred in blockbuster franchises like “Mission Impossible” and “Dune,” runaway hits like the musical “The Greatest Showman,” and is now — along with her lead role on the show — taking on the position of executive producer on the Apple TV+ smash “Silo.” In a recent interview on the “Unwrapped” podcast, Ferguson shared how her declining the role of Juliette Nichols led to her being brought on to the larger production team.
“They’re asking for a big dedication here,” Ferguson said of being offered the part. “It’s asking for me to do four seasons of a show. I need to be yearning for this. And there were a couple of things that I wasn’t really loving. So I turned it down and then they came back and they were like, what...
“They’re asking for a big dedication here,” Ferguson said of being offered the part. “It’s asking for me to do four seasons of a show. I need to be yearning for this. And there were a couple of things that I wasn’t really loving. So I turned it down and then they came back and they were like, what...
- 6/1/2024
- by Harrison Richlin
- Indiewire
It’s been nearly two years since “Industry” last aired, but the Season 3 premiere wastes no time getting the hot young bankers of London’s high finance world back into trouble. On Friday night in Austin, TX, HBO presented the first episode in its entirety at the Atx Television Festival, and the nearly full theater was whipped into a frenzy by the time the credits rolled. Multiple gasps were heard throughout the hourlong screening — the causes of which will not be spoiled here — and, especially lucky for the fans in the theater, co-creators Konrad Kay and Mickey Down were on-hand for post-show Q&a to help talk through select scenes and prepare viewers for what’s coming up next.
“We do want it to be super intense,” Kay said from the stage.
“Episode 2 is just intense, intense, intense, intense,” Down said. “Episode 3 they go to Switzerland [and take a little break], and then it’s just incredibly intense again.
“We do want it to be super intense,” Kay said from the stage.
“Episode 2 is just intense, intense, intense, intense,” Down said. “Episode 3 they go to Switzerland [and take a little break], and then it’s just incredibly intense again.
- 6/1/2024
- by Ben Travers
- Indiewire
Critic, podcaster, and film journalist Scott Wampler passed away on May 31 due to unknown causes, as shared by his “Kingcast” co-host Eric Vespe on Friday.
But, as sad as his passing is, we expect that Scott Wampler wouldn’t want tears. He would want you screaming. He would want you wailing in agony, convulsing in terror, blood shooting out of every orifice. He would want you laughing until you cried, thinking in ways that didn’t make your brain hurt, and engaging with one another cause he knew that it’s the only way to make sense of this silly, scary world.
He spent his professional life making genre entertainment, particularly horror, accessible to the masses and sharing his passion with not just outsized glee, but downright fervor. He loved movies and television that made you squirm and he made us love them too. He found beauty and art in...
But, as sad as his passing is, we expect that Scott Wampler wouldn’t want tears. He would want you screaming. He would want you wailing in agony, convulsing in terror, blood shooting out of every orifice. He would want you laughing until you cried, thinking in ways that didn’t make your brain hurt, and engaging with one another cause he knew that it’s the only way to make sense of this silly, scary world.
He spent his professional life making genre entertainment, particularly horror, accessible to the masses and sharing his passion with not just outsized glee, but downright fervor. He loved movies and television that made you squirm and he made us love them too. He found beauty and art in...
- 6/1/2024
- by Harrison Richlin
- Indiewire
The conventional wisdom when it comes to the early days of cinema is that five major studios — Paramount, Fox, Universal, MGM, and Warner Bros. — were responsible for key innovations of Hollywood filmmaking, such as the star system, the birth of the feature film, and the creation of nationwide and international distribution networks. In fact, the now largely forgotten Vitagraph Studios did all of these things before the five majors even existed, but the company’s ultimate demise and sale to Warner Bros. in 1925 (where it was renamed Vitaphone and created as an independent unit to produce early sound shorts) led to its near erasure from mainstream film history.
While intrepid souls like film historians Andrew A. Erish and Anthony Slide have tried to raise and sustain awareness of Vitagraph’s contributions, their efforts have often been impeded by the scarcity of the films themselves — even for those of us interested in Vitagraph’s output,...
While intrepid souls like film historians Andrew A. Erish and Anthony Slide have tried to raise and sustain awareness of Vitagraph’s contributions, their efforts have often been impeded by the scarcity of the films themselves — even for those of us interested in Vitagraph’s output,...
- 6/1/2024
- by Jim Hemphill
- Indiewire
After weeks of teasing an upcoming appearance in a mystery Marvel movie, actor Giancarlo Esposito’s role in the Marvel Cinematic Universe has been revealed. Well, mostly. In a new report about reshoots for the upcoming “Captain America: Brave New World,” a film starring Anthony Mackie, THR reveals that Esposito’s secret role is in that film. Not much else is known, including who the actor actually plays, but his role is said to be villainous and rumored to be something more like a cameo.
Continue reading Giancarlo Esposito’s Marvel Role Revealed: A Villain In ‘Captain America: Brave New World’ at The Playlist.
Continue reading Giancarlo Esposito’s Marvel Role Revealed: A Villain In ‘Captain America: Brave New World’ at The Playlist.
- 6/1/2024
- by Edward Davis
- The Playlist
The indigenous Yanomami tribe living in the Amazon rainforest on the border between Brazil and Venezuela is dwindling. Only 35,000 remain. They live extraordinary lives that some might classify as primitive, as they exist primarily without any modern technology. They live off the land, so to say, hunting and gathering their food, traveling on foot, and living in houses made of natural materials, without electricity or material comforts. They essentially live as if the past 500 years of humanity, or maybe 2500 for that matter, did not happen.
Continue reading <strong>‘The Falling Sky’ Review: Documentary About An Indigenous Tribe Is An Ecological Parable [Cannes]</strong> at The Playlist.
Continue reading <strong>‘The Falling Sky’ Review: Documentary About An Indigenous Tribe Is An Ecological Parable [Cannes]</strong> at The Playlist.
- 6/1/2024
- by Ankit Jhunjhunwala
- The Playlist
Ernest Cole, the first Black freelance photographer in South Africa, is known today for his contribution to documenting the Apartheid in the 1960s and racial attitudes in America in the 1970s. Born in 1940, he grew up in segregated South Africa before moving to the United States in his youth to evade persecution for his work. He died in 1990 in New York City, in a state of near homelessness, vagrancy, and ignominy.
Continue reading ‘Ernest Cole: Lost and Found’ Review: An Engrossing Portrait Of A Norm-Shattering Photographer [Cannes] at The Playlist.
Continue reading ‘Ernest Cole: Lost and Found’ Review: An Engrossing Portrait Of A Norm-Shattering Photographer [Cannes] at The Playlist.
- 6/1/2024
- by Ankit Jhunjhunwala
- The Playlist
Mike Flanagan is a fan of monologues. From his films (like “Doctor Sleep” and “Gerald’s Game”) to his TV series (including “The Haunting of Hill House” and “Midnight Mass”), many a Flanagan character has embarked on a long speech — often uncut but always meticulously edited.
But when he was in talks to direct the next iteration of “The Exorcist” franchise, the executives in charge were “concerned” about the film getting too talky.
“Part of what I said to Blumhouse and Universal when we were discussing this was I don’t think this is a monologue project,” Flanagan said while speaking on a panel at the Atx TV Festival. “The ritual itself is something of a monologue, but we’ve seen that. We’ve seen somebody shout prayers at somebody. That was scary 50 years ago, I don’t see that working here.”
Still, given Flanagan’s history, he said he understood why they would be concerned.
But when he was in talks to direct the next iteration of “The Exorcist” franchise, the executives in charge were “concerned” about the film getting too talky.
“Part of what I said to Blumhouse and Universal when we were discussing this was I don’t think this is a monologue project,” Flanagan said while speaking on a panel at the Atx TV Festival. “The ritual itself is something of a monologue, but we’ve seen that. We’ve seen somebody shout prayers at somebody. That was scary 50 years ago, I don’t see that working here.”
Still, given Flanagan’s history, he said he understood why they would be concerned.
- 6/1/2024
- by Ben Travers
- Indiewire
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Peering Eyes and Multiple Endings
Sliver really should be mandatory viewing for any “Basic Instinct” fan — or any lover of Sharon Stone noirs, for that matter. Stone reunites with “Basic Instinct” screenwriter Joe Eszterhas for this 1993 erotic thriller that feels more like a Brian De Palma-esque satire on the genre itself. Mixed with the paranoia of surveillance technology, the voyeurism of “Body Double,” and the dual campy performances from Billy Baldwin and Tom Berenger as part of a twisted love triangle, “Sliver” is the ‘90s film you’ve never heard of but will adore.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Peering Eyes and Multiple Endings
Sliver really should be mandatory viewing for any “Basic Instinct” fan — or any lover of Sharon Stone noirs, for that matter. Stone reunites with “Basic Instinct” screenwriter Joe Eszterhas for this 1993 erotic thriller that feels more like a Brian De Palma-esque satire on the genre itself. Mixed with the paranoia of surveillance technology, the voyeurism of “Body Double,” and the dual campy performances from Billy Baldwin and Tom Berenger as part of a twisted love triangle, “Sliver” is the ‘90s film you’ve never heard of but will adore.
- 6/1/2024
- by Samantha Bergeson and Alison Foreman
- Indiewire
When it comes to epic new character challenges for Chris Hemsworth, the question isn’t “Can he do it?” The question is “Does he have it in him… to make it epic?”
From “The Avengers” and “Blackhat” to more Avengers and “Furiosa: A Mad Max Saga,” Hemsworth has been chewing through action roles since he was first cast as Captain Kirk’s dad in the 2009 “Star Trek” reboot that launched a thousand IMDb pages. He’s known across the world and throughout the Marvel Cinematic Universe as Thor: an ancient god dedicated to protecting Earth and the “Guardians of the Galaxy” IP with a heart of gold and a hammer the size of Rocket Raccoon. Sometimes he’s brave. Sometimes he’s goofy. And shaggy or shaven, the man sure can make a cape and eyepatch sexy.
Although the Thor role may have made Hemsworth a household name, he...
From “The Avengers” and “Blackhat” to more Avengers and “Furiosa: A Mad Max Saga,” Hemsworth has been chewing through action roles since he was first cast as Captain Kirk’s dad in the 2009 “Star Trek” reboot that launched a thousand IMDb pages. He’s known across the world and throughout the Marvel Cinematic Universe as Thor: an ancient god dedicated to protecting Earth and the “Guardians of the Galaxy” IP with a heart of gold and a hammer the size of Rocket Raccoon. Sometimes he’s brave. Sometimes he’s goofy. And shaggy or shaven, the man sure can make a cape and eyepatch sexy.
Although the Thor role may have made Hemsworth a household name, he...
- 6/1/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
Summer is no time for sadness, with new shows debuting throughout the season. With the official 2024 Emmys deadline now in the rearview, June is when the TV calendar resets, with new and returning shows now eligible for next year’s awards ceremony… but we’re getting ahead of ourselves.
June’s new TV lineup includes a handful of book adaptations, including Hulu’s “Queenie” starring Dionne Brown, Apple’s “Presumed Innocent” with Renate Reinsve and Jake Gyllenhaal as well as Eva Longoria-starrer “Land of Women,” and Prime Video’s “My Lady Jane,” based on the YA series The Lady Janies (and loosely on some Tudor history… very loosely). Shows like “Clipped” and “Becoming Karl Lagerfeld” stem from books about real people and events, while on the reality front there’s also Peacock’s “Queer Planet” and a docuseries about the Dallas Cowboys’ Cheerleader squad on Netflix. Disney+ expands the...
June’s new TV lineup includes a handful of book adaptations, including Hulu’s “Queenie” starring Dionne Brown, Apple’s “Presumed Innocent” with Renate Reinsve and Jake Gyllenhaal as well as Eva Longoria-starrer “Land of Women,” and Prime Video’s “My Lady Jane,” based on the YA series The Lady Janies (and loosely on some Tudor history… very loosely). Shows like “Clipped” and “Becoming Karl Lagerfeld” stem from books about real people and events, while on the reality front there’s also Peacock’s “Queer Planet” and a docuseries about the Dallas Cowboys’ Cheerleader squad on Netflix. Disney+ expands the...
- 5/31/2024
- by Proma Khosla
- Indiewire
In the finale of “The Curse,” Whitney (Emma Stone) wakes up to discover her husband, Asher (Nathan Fielder), experiencing some unexplained form of reverse gravity on the ceiling above their bed. Panicked, the couple assumes it’s a result of an air pocket in their airtight, eco-friendly, passive home. But panic mounts to full-blown terror after Asher, with great physical effort and agility, navigates his way outside, and the only thing stopping him from being launched into the heavens is a large tree limb he holds onto for dear life.
While Asher spends the season concerned he’s been cursed by a tenant’s daughter (Hikmah Warsame), and the series composer John Medeski’s score more than hints at the cosmic, there was nothing that explains or prepares the audience for the surreal, seemingly-out-nowhere 40 minutes that concludes the season.
While on IndieWire’s Filmmaker Toolkit podcast, Benny Safdie made clear...
While Asher spends the season concerned he’s been cursed by a tenant’s daughter (Hikmah Warsame), and the series composer John Medeski’s score more than hints at the cosmic, there was nothing that explains or prepares the audience for the surreal, seemingly-out-nowhere 40 minutes that concludes the season.
While on IndieWire’s Filmmaker Toolkit podcast, Benny Safdie made clear...
- 5/31/2024
- by Chris O'Falt
- Indiewire
Belt-tightening and cost-cutting continues across Hollywood as the Peak TV era has come to a close, and another legacy TV brand is being shuttered as a result.
Sony Television is shutting down its TriStar Television banner, which recently has been responsible for series like “Lucky Hank” (AMC), “The Afterparty” (Apple TV+), “On Becoming a God in Central Florida” (Showtime), “The Last Tycoon” (Amazon), and “Good Girls Revolt” (Amazon). In its heyday, TriStar TV produced and distributed “The Nanny,” “Mad About You,” and many more series.
A source says the decision is part of a larger shift around Sony Pictures Television’s boutique labels, not unlike the shuttering of the Gemstone brand several years ago, and that the hope is to weave all of TriStar’s values and goals into the bigger studio.
As THR first reported, TriStar TV’s active productions will be absorbed into the larger Sony Television operation,...
Sony Television is shutting down its TriStar Television banner, which recently has been responsible for series like “Lucky Hank” (AMC), “The Afterparty” (Apple TV+), “On Becoming a God in Central Florida” (Showtime), “The Last Tycoon” (Amazon), and “Good Girls Revolt” (Amazon). In its heyday, TriStar TV produced and distributed “The Nanny,” “Mad About You,” and many more series.
A source says the decision is part of a larger shift around Sony Pictures Television’s boutique labels, not unlike the shuttering of the Gemstone brand several years ago, and that the hope is to weave all of TriStar’s values and goals into the bigger studio.
As THR first reported, TriStar TV’s active productions will be absorbed into the larger Sony Television operation,...
- 5/31/2024
- by Brian Welk
- Indiewire
A new game’s afoot and fans are foaming at the mouth for more information. Not because they’ve been poisoned, but because Rian Johnson’s latest installment in the “Knives Out” mystery series is starting to peek out through the fog. Day-by-day, new information has been revealed, from the title announcement to a plethora of casting details, and based on what we already know, the third mystery in the chronicles of Southern sleuth Benoit Blanc is shaping up to be another star-filled whodunnit and one of next year’s most anticipated sequels.
Earning almost 8x its budget and rave reviews across the board, “Knives Out” (2019) was a runaway hit and remains one of the greatest mystery films of all time. The fact that it came as a wholly original concept from Johnson makes it all the more unique. Perhaps not since “The Matrix” has a non-ip project made this...
Earning almost 8x its budget and rave reviews across the board, “Knives Out” (2019) was a runaway hit and remains one of the greatest mystery films of all time. The fact that it came as a wholly original concept from Johnson makes it all the more unique. Perhaps not since “The Matrix” has a non-ip project made this...
- 5/31/2024
- by Harrison Richlin
- Indiewire
Depending on how Russian your sense of humor is, Anton Chekhov’s “The Cherry Orchard” could be classified as either the darkest of comedies or a tragedy that sometimes manages to be mildly humorous. The play follows a past-their-prime family of Russian aristocrats who are forced to sell their eponymous orchard, which they spent most of their lives ignoring and neglecting. But once it’s time to actually part ways, they become overwhelmed by morose nostalgia as they struggle to let go of something that they assumed would always be there. It’s both a brilliant satire of wealth-induced decadence and a somber exploration of how humans struggle to say goodbye at the ends of their eras.
So it’s fitting that, whether she knows it or not, Lillian Hall’s (Jessica Lange) upcoming turn as Madame Lyubov Andreievna Ranevskaya in “The Cherry Orchard” will be her final performance. Michael Cristofer...
So it’s fitting that, whether she knows it or not, Lillian Hall’s (Jessica Lange) upcoming turn as Madame Lyubov Andreievna Ranevskaya in “The Cherry Orchard” will be her final performance. Michael Cristofer...
- 5/31/2024
- by Christian Zilko
- Indiewire
Lily Tomlin’s message to Jennifer Aniston and Diablo Cody: you’re going to have to work longer hours than “9 to 5” to update the 1980 film for the present day.
Tomlin told People magazine that expanding on the comedic revenge storyline that dealt with sexism in the workplace is a “tough” task for today’s corporate environment. Aniston’s production banner Echo Films announced in 2024 that a reboot is in the works at 20th Century Studios, with Oscar-winner Cody writing the script.
“It’s going to be tough to make [the movie] happen. My sympathies are with Jennifer and her writer Diablo, who is a good writer,” Tomlin said.
Tomlin also admitted that at first she felt “rejected” upon the announcement of the remake. She and fellow original “9 to 5” co-stars Jane Fonda and Dolly Parton had tried for decades to get a sequel made.
“I felt sort of...
Tomlin told People magazine that expanding on the comedic revenge storyline that dealt with sexism in the workplace is a “tough” task for today’s corporate environment. Aniston’s production banner Echo Films announced in 2024 that a reboot is in the works at 20th Century Studios, with Oscar-winner Cody writing the script.
“It’s going to be tough to make [the movie] happen. My sympathies are with Jennifer and her writer Diablo, who is a good writer,” Tomlin said.
Tomlin also admitted that at first she felt “rejected” upon the announcement of the remake. She and fellow original “9 to 5” co-stars Jane Fonda and Dolly Parton had tried for decades to get a sequel made.
“I felt sort of...
- 5/31/2024
- by Samantha Bergeson
- Indiewire
With Warner Media merging with Discovery back in 2022 and consolidation within the entertainment industry on the rise ever since, many fans of TCM — which is owned by Warner — fear their favorite home for cinema history might fall victim to these drastic cuts. Thankfully the channel continues to sparkle and shine like the Hollywood of old with filmmakers Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson jumping on board to help curate and boost recognition of the channel. With their help, other directors have also come aboard — Guillermo del Toro, Wes Anderson, and Jason Reitman to name a few — offering their picks each month in the hopes of bringing in more viewers and keeping the love for classic cinema alive. This month’s curator is multi-hyphenate Viggo Mortensen, whose second directorial effort, “The Dead Don’t Hurt,” was released today.
In reflecting on his cinematic influences, Mortensen reached back to one of the heydays of Hollywood,...
In reflecting on his cinematic influences, Mortensen reached back to one of the heydays of Hollywood,...
- 5/31/2024
- by Harrison Richlin
- Indiewire
Charlie Hunman is headed back to TV, and in a big way. Deadline reports that the British actor will lead the upcoming Prime Video series based on Ed Brubaker‘s graphic novel series “Criminal.” He joins a cast that already includes Adria Arjona, Richard Jenkins, and Kadeem Hardison. So will Hunman supply the onscreen magic that helped make FX‘s “Sons Of Anarchy” such a smash hit, or will “Criminal” be more like the actor’s last stint in television, the short-lived Apple TV+ series “Shantaram“?
Continue reading ‘Criminal’: Charlie Hunman To Star In Prime Video Adaptation Of Ed Brubaker’s Graphic Novel Series at The Playlist.
Continue reading ‘Criminal’: Charlie Hunman To Star In Prime Video Adaptation Of Ed Brubaker’s Graphic Novel Series at The Playlist.
- 5/31/2024
- by Ned Booth
- The Playlist
TV takes on familiar IP isn’t new these days, although the quality of those series runs the gamut. For every show like Prime Video‘s “Mr. & Mrs. Smith” and “Dead Ringers,” there are others, like Paramount+‘s “Sexy Beast,” that are utterly forgettable. In short, IP-turned-tv varies in quality, but that’s not stopping Warner Bros. from remaking one of Zack Snyder‘s biggest films into series form.
Continue reading ‘300’: Warner Bros. Television Has A Prequel TV Series In The Works, Zack Snyder In Talks To Direct at The Playlist.
Continue reading ‘300’: Warner Bros. Television Has A Prequel TV Series In The Works, Zack Snyder In Talks To Direct at The Playlist.
- 5/31/2024
- by Ned Booth
- The Playlist
Step aside, Netflix — there’s a new churn leader in town.
Amazon Prime Video boasts the lowest rate of customer cancellations in the streaming industry, according to a new study by Parks Associates. Prime Video’s current annual churn rate is 8 percent, which means eight out of 100 Prime Video members cancel their service within a 12-month period. (A customer who returns within the same time frame would be counted as both churn and current subscriber.)
By comparison, it sounds like “90-Day Fiancé” is not creating many 365-day subscribers: The Discovery+ annual churn rate is a whopping 43 percent.
There’s a pretty big gap between the churn rates of league-leaders Prime Video and Netflix and the other major streaming platforms. From April 1, 2023 to March 31, 2024, Hulu’s churn rate was 15 percent, Max’s (fka HBO Max) was 17 percent, as was Peacock’s; the Disney+ churn rate was 21 percent and Paramount+ was 24 percent.
Amazon Prime Video boasts the lowest rate of customer cancellations in the streaming industry, according to a new study by Parks Associates. Prime Video’s current annual churn rate is 8 percent, which means eight out of 100 Prime Video members cancel their service within a 12-month period. (A customer who returns within the same time frame would be counted as both churn and current subscriber.)
By comparison, it sounds like “90-Day Fiancé” is not creating many 365-day subscribers: The Discovery+ annual churn rate is a whopping 43 percent.
There’s a pretty big gap between the churn rates of league-leaders Prime Video and Netflix and the other major streaming platforms. From April 1, 2023 to March 31, 2024, Hulu’s churn rate was 15 percent, Max’s (fka HBO Max) was 17 percent, as was Peacock’s; the Disney+ churn rate was 21 percent and Paramount+ was 24 percent.
- 5/31/2024
- by Tony Maglio
- Indiewire
“The Chosen” has cornered the American market for Biblical cities.
A historical drama about the life of Jesus, the series is a phenomenon partly because it constructs its first-century settings with such care. The sumptuous visuals deliver the sheen of prestige TV, which has helped garner over 200 million viewers, not to mention the attention of platforms as diverse as Hulu, Netflix, and Peacock. They’re all streaming at least part of the first three seasons, while Season 4 was screened in cinemas this spring in advance of its streaming debut June 2.
To maintain its production standards, the show has constructed a 1,200-acre backlot in Midlothian, Texas. It’s an impressive facility, at least judging by drone videos producers have released, but it doesn’t give “The Chosen” everything it needs. The series also films at a replica of ancient Jerusalem that’s part of a motion picture campus in Utah owned...
A historical drama about the life of Jesus, the series is a phenomenon partly because it constructs its first-century settings with such care. The sumptuous visuals deliver the sheen of prestige TV, which has helped garner over 200 million viewers, not to mention the attention of platforms as diverse as Hulu, Netflix, and Peacock. They’re all streaming at least part of the first three seasons, while Season 4 was screened in cinemas this spring in advance of its streaming debut June 2.
To maintain its production standards, the show has constructed a 1,200-acre backlot in Midlothian, Texas. It’s an impressive facility, at least judging by drone videos producers have released, but it doesn’t give “The Chosen” everything it needs. The series also films at a replica of ancient Jerusalem that’s part of a motion picture campus in Utah owned...
- 5/31/2024
- by Mark Blankenship
- Indiewire
Is the “Alien” franchise on the cusp of a renaissance moment? On paper, it certainly appears that way, with Fede Álvarez‘s “Alien: Romulus” hitting theaters in August and Noah Hawley‘s FX series on the way next year. But both projects remain shrouded in secrecy despite the imminent release of “Romulus,” leaving fans flush with questions. So what’s Álvarez up to in his film, the seventh in a franchise full of highs and lows?
Continue reading ‘Alien: Romulus’: Fede Álvarez Teases That His New Film Is A Hybrid Of Scott’s Film & Cameron’s Sequel: “How Do I Do Both?” at The Playlist.
Continue reading ‘Alien: Romulus’: Fede Álvarez Teases That His New Film Is A Hybrid Of Scott’s Film & Cameron’s Sequel: “How Do I Do Both?” at The Playlist.
- 5/31/2024
- by Ned Booth
- The Playlist
Happy post-conviction day? Yesterday, Donald Trump became the first former American President to be convicted of felony crimes as a jury found him guilty on all 34 charges in his scheme to influence the 2016 election with his hush-money payments to porn star Stormy Daniels who said the two engaged in sex while he was married to his current wife. Trump has also been in the news for the film, “The Apprentice,” starring Sebastian Stan, which premiered at the recent Cannes Film Festival to solid reviews.
Continue reading ‘The Apprentice’: Netflix & All The Big Streamers & Studios Have Reportedly Passed On The Cannes Donald Trump Film at The Playlist.
Continue reading ‘The Apprentice’: Netflix & All The Big Streamers & Studios Have Reportedly Passed On The Cannes Donald Trump Film at The Playlist.
- 5/31/2024
- by Rodrigo Perez
- The Playlist
Another bit of casting news this Am, which sees buzzy actor Barry Keoghan ready to join one of Amazon MGM‘s equally buzzy upcoming projects. Deadline reports that the “Saltburn” actor is in talks to join Chris Hemsworth and Mark Ruffalo for “Crime 101,” Bart Layton‘s adaptation of Don Winslow‘s 2021 crime novella.
Continue reading ‘Crime 101’: Barry Keoghan In Final Talks To Join Chris Hemsworth & Mark Ruffalo In Upcoming Crime Thriller at The Playlist.
Continue reading ‘Crime 101’: Barry Keoghan In Final Talks To Join Chris Hemsworth & Mark Ruffalo In Upcoming Crime Thriller at The Playlist.
- 5/31/2024
- by Ned Booth
- The Playlist
On June 6, the 2024 IndieWire Honors ceremony will celebrate 13 creators and stars responsible for some of the most stellar work of the TV season. Curated and selected by IndieWire’s editorial team, the event is a new edition of previous IndieWire Honors ceremonies, this time focused entirely on television. We’re showcasing their work with new interviews leading up to the Los Angeles celebration.
Dakota Fanning is ready to argue. You name the time, the place, and she’s ready to go.
“I can argue. I can outargue the best of ’em,” said Fanning. “My whole family and everyone that knows me [knows] I missed my calling: I could have been a good lawyer.”
Fanning’s portrayal of Marge Sherwood in Netflix’s “Ripley” suggests that the aspiring American writer who’s relocated to the Italian seaside may have missed her calling, too. Hiding behind that chirp of a name is a...
Dakota Fanning is ready to argue. You name the time, the place, and she’s ready to go.
“I can argue. I can outargue the best of ’em,” said Fanning. “My whole family and everyone that knows me [knows] I missed my calling: I could have been a good lawyer.”
Fanning’s portrayal of Marge Sherwood in Netflix’s “Ripley” suggests that the aspiring American writer who’s relocated to the Italian seaside may have missed her calling, too. Hiding behind that chirp of a name is a...
- 5/31/2024
- by Dana Harris-Bridson
- Indiewire
Short films generated by artificial intelligence are popping up at more and more film festivals, and the largest event yet is dedicating an entire section to AI-generated movies.
The 2024 Tribeca Festival announced Friday it will host Sora Shorts, a new program featuring five original short films all made using OpenAI’s text-to-video AI model Sora. It’s not the first time AI films have made their way to a major film festival, but it is the first time movies made with Sora have.
Sora still hasn’t been released to the public and is new even for the most seasoned AI filmmakers, but OpenAI gave the cohort of five directors early access to the program — so long as they each agreed to the filmmaking terms surrounding AI as negotiated last year with the DGA, WGA, and SAG-AFTRA guilds.
Nikyatu Jusu, the director of the Sundance Grand Jury Prize winner “Nanny,...
The 2024 Tribeca Festival announced Friday it will host Sora Shorts, a new program featuring five original short films all made using OpenAI’s text-to-video AI model Sora. It’s not the first time AI films have made their way to a major film festival, but it is the first time movies made with Sora have.
Sora still hasn’t been released to the public and is new even for the most seasoned AI filmmakers, but OpenAI gave the cohort of five directors early access to the program — so long as they each agreed to the filmmaking terms surrounding AI as negotiated last year with the DGA, WGA, and SAG-AFTRA guilds.
Nikyatu Jusu, the director of the Sundance Grand Jury Prize winner “Nanny,...
- 5/31/2024
- by Brian Welk
- Indiewire
Alfonso Cuarón knew he wanted franchise installment “Harry Potter and the Prisoner of Azkaban” to be different from the other “Potter” films. So the professor assigned his Hogwarts, Ravenclaw, Slytherin, and Hufflepuff students some homework.
The director wanted the 2004 “Harry Potter” feature to have a “noir” tone, which Cuarón believed would best present the coming-of-age moment for both the trio of characters played by Daniel Radcliffe, Emma Watson, and Rupert Grint, as well as for the film series itself.
Cuarón was the first new director to step in after Chris Columbus directed the first two films.
“Chris [Columbus] would help them with intonation and get them excited; Alfonso was treating them as young adults: what are you feeling?” the franchise’s producer David Heyman recalled to Total Film for a 20th-anniversary retrospective interview.
Part of getting the core cast to grow up onscreen was to have each actor meditate on their respective characters’ motivations.
The director wanted the 2004 “Harry Potter” feature to have a “noir” tone, which Cuarón believed would best present the coming-of-age moment for both the trio of characters played by Daniel Radcliffe, Emma Watson, and Rupert Grint, as well as for the film series itself.
Cuarón was the first new director to step in after Chris Columbus directed the first two films.
“Chris [Columbus] would help them with intonation and get them excited; Alfonso was treating them as young adults: what are you feeling?” the franchise’s producer David Heyman recalled to Total Film for a 20th-anniversary retrospective interview.
Part of getting the core cast to grow up onscreen was to have each actor meditate on their respective characters’ motivations.
- 5/31/2024
- by Samantha Bergeson
- Indiewire
It often seemed like the production of “Hacks” season three was cursed. After 32 Emmy nominations and six wins over its first two seasons, the one surviving hit HBO Max, er, Max program took two years to return to the streamer. There were unfortunate health issues for star Jean Smart and both the WGA and SAG strikes last summer, but the Lucia Aniello, Paul W. Downs, and Jen Statsky comedy series finally returned this spring with, perhaps, its finest season yet.
Continue reading ‘Hacks’ Showrunners Breakdown That Shocking Season Three Finale [Interview] at The Playlist.
Continue reading ‘Hacks’ Showrunners Breakdown That Shocking Season Three Finale [Interview] at The Playlist.
- 5/31/2024
- by Gregory Ellwood
- The Playlist
In this week’s episode of The Discourse, host Mike DeAngelo roams the forest searching for his next victim while discussing “In A Violent Nature.” The movie follows a resurrected killer through the woods as he stalks his victims, all while searching for his stolen necklace. The film is written and directed by Chris Nash and stars Ry Barrett, Josh Lucas, Andrea Pavlovic, Cameron Love, Reece Presley, and more.
Continue reading ‘In A Violent Nature’: Director Chris Nash Talks Unexpected Arthouse Inspirations For Horror, Extensive Reshoots, Sequels & More [The Discourse Podcast] at The Playlist.
Continue reading ‘In A Violent Nature’: Director Chris Nash Talks Unexpected Arthouse Inspirations For Horror, Extensive Reshoots, Sequels & More [The Discourse Podcast] at The Playlist.
- 5/31/2024
- by Mike DeAngelo
- The Playlist
With Chris Wilcha’s recommended documentary Flipside opening today — including at NYC’s IFC Center — from Oscilloscope, we’re reposting Vikram Murthri’s deep dive interview below. — Editor In his first feature, The Target Shoots First, Chris Wilcha documented his tenure at Columbia House, the mail-order music service whose ads famously promised “12 CDs for a penny.” Then a recent NYU philosophy graduate, Wilcha landed the job partly due to his familiarity with “alternative culture,” a burgeoning new market at the time (Nirvana’s In Utero was soon to be released), and brought a sardonic Gen X sensibility to chronicling his time […]
The post Hard Drives Full of Abandoned Projects: Chris Wilcha on Flipside first appeared on Filmmaker Magazine.
The post Hard Drives Full of Abandoned Projects: Chris Wilcha on Flipside first appeared on Filmmaker Magazine.
- 5/31/2024
- by Vikram Murthi
- Filmmaker Magazine-Director Interviews
With Chris Wilcha’s recommended documentary Flipside opening today — including at NYC’s IFC Center — from Oscilloscope, we’re reposting Vikram Murthri’s deep dive interview below. — Editor In his first feature, The Target Shoots First, Chris Wilcha documented his tenure at Columbia House, the mail-order music service whose ads famously promised “12 CDs for a penny.” Then a recent NYU philosophy graduate, Wilcha landed the job partly due to his familiarity with “alternative culture,” a burgeoning new market at the time (Nirvana’s In Utero was soon to be released), and brought a sardonic Gen X sensibility to chronicling his time […]
The post Hard Drives Full of Abandoned Projects: Chris Wilcha on Flipside first appeared on Filmmaker Magazine.
The post Hard Drives Full of Abandoned Projects: Chris Wilcha on Flipside first appeared on Filmmaker Magazine.
- 5/31/2024
- by Vikram Murthi
- Filmmaker Magazine - Blog
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Kate Hudson on Launching a Music Career, Two Decades Into Acting Stardom: ‘It Would Have Felt Too Vulnerable in My 20s — I Don’t Have That Fear of Rejection Anymore’
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- Variety - Film News
Kate Hudson on Launching a Music Career, Two Decades Into Acting Stardom: ‘It Would Have Felt Too Vulnerable in My 20s — I Don’t Have That Fear of Rejection Anymore’
- 6/2/2024
- by Chris Willman
- Variety - TV News
Katy Perry Re-Edits Harrison Butker’s Controversial Commencement Speech: “Fixed This”
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- The Hollywood Reporter - Movie News
Taylor Momsen Was Bitten by Bat While Opening for AC/DC, Must Undergo Rabies Shots
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- The Hollywood Reporter - Movie News
Jennifer Lopez Is the Ultimate Latina Rom-Com Queen
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- Popsugar.com
Aida Rodriguez: Unpacking My Childhood Traumas Through Comedy Is Cathartic
- 5/6/2024
- by Aida Rodriguez
- Popsugar.com
How Erik Rivera Uses Comedy to Heal and Help Others
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- Popsugar.com
Ian Lara: Comedy Gave Me the Strength to Overcome My Mother's Death
- 5/6/2024
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- Popsugar.com
Box Office: ‘Garfield’ Wins Sluggish Weekend With $14M as ‘Furiosa’ Runs Out of Gas
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- The Hollywood Reporter - Movie News
The ‘Maude’ Abortion Episode Wouldn’t Air Today —Norman Lear Tried, and ‘It Wasn’t Green Lit’
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- Indiewire
Richard Linklater Looks Beyond His 20-Year ‘Merrily We Roll Along’ Project: ‘I See Myself Making a Film When I’m Like 94’
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- Indiewire
This 14-Minute Short Isn't The First Sci-Film, But It Came Close
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- Slash Film
‘Suits’ Sets Season 9 Netflix Release and Announces New Podcast at Atx TV Festival Reunion Panel
- 6/2/2024
- by Ben Travers
- Indiewire
‘3 Body Problem’ to End With Season 3 on Netflix
- 6/1/2024
- by Loree Seitz, Drew Taylor
- The Wrap
The ‘Maude’ Abortion Episode Wouldn’t Air Today —Norman Lear Tried, and ‘It Wasn’t Green Lit’
- 6/2/2024
- by Ben Travers
- Indiewire Television
‘Suits’ Sets Season 9 Netflix Release and Announces New Podcast at Atx TV Festival Reunion Panel
- 6/2/2024
- by Ben Travers
- Indiewire Television
Kate Hudson on Launching a Music Career, Two Decades Into Acting Stardom: ‘It Would Have Felt Too Vulnerable in My 20s — I Don’t Have That Fear of Rejection Anymore’
- 6/2/2024
- by Chris Willman
- Variety - TV News
‘Suits’ Star Patrick J. Adams Says Cast and Creator Are Interested in a Reunion Movie: ‘I Think It Is Possible’
- 6/2/2024
- by Emily Longeretta
- Variety - TV News