Movie News
And the winner is: “Simon of the Mountain.”
The film, directed by Federico Luis – and marking his feature debut – was awarded Cannes’ Critics Week Grand Prix.
Sold by Luxbox, the Argentina-Chile-Uruguay production stars Lorenzo “Toto” Ferro, the lead in breakout “El Angel,” as Simon, 21, a lonely only son who falls in with a group of discapacitated kids, feigning a discapacity. Thanks to their friendship he flowers, discovering love, sex and a sense of belonging.
“I am thinking not only about what it means to us, but also about what it means to the people in Argentina who, over the course of the next four years, will struggle, trying to make local films,” said Luis, accepting the award.
“At home, there are people who still think we make films no one wants to see. I hope this will change it and that Argentinian people – and then the whole world – will watch Argentinian cinema.
The film, directed by Federico Luis – and marking his feature debut – was awarded Cannes’ Critics Week Grand Prix.
Sold by Luxbox, the Argentina-Chile-Uruguay production stars Lorenzo “Toto” Ferro, the lead in breakout “El Angel,” as Simon, 21, a lonely only son who falls in with a group of discapacitated kids, feigning a discapacity. Thanks to their friendship he flowers, discovering love, sex and a sense of belonging.
“I am thinking not only about what it means to us, but also about what it means to the people in Argentina who, over the course of the next four years, will struggle, trying to make local films,” said Luis, accepting the award.
“At home, there are people who still think we make films no one wants to see. I hope this will change it and that Argentinian people – and then the whole world – will watch Argentinian cinema.
- 5/22/2024
- by Marta Balaga
- Variety Film + TV
A remake of Heaven Can Wait is in early development at Paramount with Glen Powell, The Hollywood Reporter has confirmed.
Stephen Gaghan, an Oscar winner for his script for Steven Soderbergh’s 2000 crime film Traffic, is writing the project for Powell to star. Based on Harry Segall’s play of the same name, the original 1978 movie Heaven Can Wait starred Warren Beatty and was nominated for nine Oscars including best picture, with the film notching a win for best art direction.
Heaven Can Wait centered on Beatty as an NFL quarterback who dies prematurely due to an antsy angel and returns to Earth in the body of a recently murdered millionaire. Beatty directed the film with Buck Henry and co-wrote the script with Elaine May.
Segall’s play Heaven Can Wait had previously been adapted for the 1941 feature Here Comes Mr. Jordan, with the lead character being a boxer, and...
Stephen Gaghan, an Oscar winner for his script for Steven Soderbergh’s 2000 crime film Traffic, is writing the project for Powell to star. Based on Harry Segall’s play of the same name, the original 1978 movie Heaven Can Wait starred Warren Beatty and was nominated for nine Oscars including best picture, with the film notching a win for best art direction.
Heaven Can Wait centered on Beatty as an NFL quarterback who dies prematurely due to an antsy angel and returns to Earth in the body of a recently murdered millionaire. Beatty directed the film with Buck Henry and co-wrote the script with Elaine May.
Segall’s play Heaven Can Wait had previously been adapted for the 1941 feature Here Comes Mr. Jordan, with the lead character being a boxer, and...
- 5/21/2024
- by Ryan Gajewski and Borys Kit
- The Hollywood Reporter - Movie News
A24 has nabbed U.S. rights to “The Death of Robin Hood,” one of the hottest packages at this year’s Cannes. The Sherwood Forest-set film stars Hugh Jackman and Jodie Comer and is directed by Michael Sarnoski, the filmmaker behind the critically acclaimed “Pig” and this summer’s “A Quiet Place: Day One.”
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
- 5/21/2024
- by Brent Lang
- Variety - Film News
Kodak, which had a momentous 2023 with more than 60 movies shot on film has gotten off to a promising start in 2024 with Luca Guadignino’s “Challengers” and Jane Shoenbrun’s “I Saw the TV Glow, which A24 released wide May 17. Upcoming releases include Jeff Nichols’ “The Bikeriders” and Robert Eggers’ “Nosferatu.”
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
- 5/27/2024
- by Bill Desowitz
- Indiewire
In the "Star Trek: Deep Space Nine" episode "Sanctuary", the station is visited by a previously-unseen species called the Skrreeans, appearing out of the nearby wormhole to the Gamma Quadrant. The Skrreeans have trouble communicating at first, as the station's universal translator can't get a handle on their language. Eventually, the translator kicks in, and a woman named Haneek (Deborah May) steps forward to speak for the Skrreeans. She explains that their species was recently conquered by the military force of T-Rogorans and kept under military occupation for years. It wasn't until the T-Rogorans were conquered by an even more powerful military — the Dominion — that they were freed. Now the Skrreeans wander the galaxy, lost and homeless, looking for a new homeworld.
At first Major Kira (Nana Visitor) seems amenable to the idea of the Skrreeans settling on her nearby home planet of Bajor ... until she learns that there are millions of them.
At first Major Kira (Nana Visitor) seems amenable to the idea of the Skrreeans settling on her nearby home planet of Bajor ... until she learns that there are millions of them.
- 5/23/2024
- by Witney Seibold
- Slash Film
Eddie Murphy is back with a badge for the fourth franchise installment of his beloved series, with “Beverly Hills Cop: Axel F.”
The upcoming Netflix film, which teased a first look earlier this year, marks Murphy’s long-rumored reprisal the iconic character Detective Axel Foley. The ’80s-era franchise first began with Foley as a Detroit detective turned temporary L.A. police officer for an uncover mission. Now, after having worked in L.A. sporadically for decades, Foley teams up with his estranged daughter Jane (Taylour Paige) to take down yet another conspiracy.
Along the way, Foley lands a new partner (Joseph Gordon-Levitt) and police captain (Kevin Bacon), but his old confidantes, including Billy Rosewood (Judge Reinhold) and John Taggart (John Ashton), are still in the mix. Also returning? Franchise co-stars Paul Reiser and Bronson Pinchot.
“Beverly Hills Cop: Axel F” is directed by Mark Molloy from a script by Will Beall,...
The upcoming Netflix film, which teased a first look earlier this year, marks Murphy’s long-rumored reprisal the iconic character Detective Axel Foley. The ’80s-era franchise first began with Foley as a Detroit detective turned temporary L.A. police officer for an uncover mission. Now, after having worked in L.A. sporadically for decades, Foley teams up with his estranged daughter Jane (Taylour Paige) to take down yet another conspiracy.
Along the way, Foley lands a new partner (Joseph Gordon-Levitt) and police captain (Kevin Bacon), but his old confidantes, including Billy Rosewood (Judge Reinhold) and John Taggart (John Ashton), are still in the mix. Also returning? Franchise co-stars Paul Reiser and Bronson Pinchot.
“Beverly Hills Cop: Axel F” is directed by Mark Molloy from a script by Will Beall,...
- 5/23/2024
- by Samantha Bergeson
- Indiewire
Is Beverly Hills ready for the return of Axel Foley? The iconic character is back in familiar territory for “Beverly Hills Cop: Axel F.” Netflix’s new film sees Eddie Murphy reprise the role, one that helped define blockbuster action comedies. Times have changed, though — Foley’s daughter is at the center of this story. She’s facing danger and a father determined to help her no matter what it takes.
Continue reading ‘Beverly Hills Cop: Axel F’ Trailer: Eddie Murphy Returns As His Iconic Cop In July On Netflix at The Playlist.
Continue reading ‘Beverly Hills Cop: Axel F’ Trailer: Eddie Murphy Returns As His Iconic Cop In July On Netflix at The Playlist.
- 5/23/2024
- by Valerie Thompson
- The Playlist
"The Godfather Part III," "Terminator 3: Rise of the Machines," "Jaws 3-D," "Superman III" ... there are tons of examples of film trilogies that feature a dramatic drop in quality in their third entries. "Beverly Hills Cop III" definitely belongs on that list; the 1994 stinker, directed by John Landis, plopped Eddie Murphy's beloved fish-out-of-water Detroit cop character Axel Foley back in Beverly Hills, but this time, it takes place largely in a ... theme park. Thanks to scripting issues and scheduling problems, the film also broke up the beloved trio of Murphy, John Ashton, and Judge Reinhold, the latter of whom play Taggart and Rosewood, the Beverly Hills police officers who go from being Axel's pesky babysitters in the first movie to lifelong pals and de facto partners in the second. Ashton dodged a bullet by not appearing in the third film at all, and that movie's lousy script didn't do...
- 5/23/2024
- by Ben Pearson
- Slash Film
Everyone knows that comedy can be socially dangerous, but what about when it's actually dangerous to a person's health? Physical comedy can require actors to put their bodies on the line in the name of laughs, and that means sometimes a comedian has to know when to take a step back and let a stunt person take the fall instead. After all, aside from maybe Johnny Knoxville, the most adept comedy stars still aren't trained in stunt work and could really hurt themselves. On the long-running FX sitcom series, "It's Always Sunny in Philadelphia," there have been plenty of opportunities for the stars to show off their physical comedy chops and potentially put themselves in harm's way, but there was at least one stunt that was just way too much for septuagenarian actor Danny DeVito.
In an interview with The New York Times, "It's Always Sunny" stunt coordinator Marc Scizak...
In an interview with The New York Times, "It's Always Sunny" stunt coordinator Marc Scizak...
- 5/23/2024
- by Danielle Ryan
- Slash Film
It’s been 30 years since a film from India has been selected in the main competition at Cannes, but that finally changed this year.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
- 5/23/2024
- by Ritesh Mehta
- Indiewire
Even though the movie isn't hitting theaters for another two months, "Deadpool & Wolverine" is already breaking box office records. According to AMC Theatres CEO Adam Aron, the latest entry in the Marvel Cinematic Universe has set a new record for ticket sales in a single day for an R-rated movie for the theater chain. Given that AMC is the largest theater chain in the world, that's no small thing. It's a big enough thing to provide some hope after a slow start to the summer with the box office feeling like it's on life support. Marvel to the rescue, it seems.
Many big movies will open in May, June & July. Including Deadpool & Wolverine starring Ryan Reynolds and Hugh Jackman. Opens July 25. Some 200,000 movie fans have bought their AMC tickets already. This is more Day 1 ticket sales at AMC than for any other R-rated movie ever.... pic.twitter.com...
Many big movies will open in May, June & July. Including Deadpool & Wolverine starring Ryan Reynolds and Hugh Jackman. Opens July 25. Some 200,000 movie fans have bought their AMC tickets already. This is more Day 1 ticket sales at AMC than for any other R-rated movie ever.... pic.twitter.com...
- 5/23/2024
- by Ryan Scott
- Slash Film
‘Paintings are still around, people still go to museums,’ the actor has said, trying to sound positive about the future of cinema. But if you crunch the numbers, this isn’t reassuring
Sometimes there is nothing so depressing as reassurance. Seth Rogen is currently making a Larry Sanders-style comedy for Apple TV+ entitled The Studio, in which a bunch of Hollywood executives collectively freak out about the imminent death of cinema as we know it. The good news is that Seth Rogen has used a new episode of Variety’s Awards Circuit podcast to announce how bullish he is about the future of cinema in real life. The bad news is that he had to invoke museums.
“I think if movies were going to go away, they would have a long time ago,” he said. “Paintings are still around. People still go to museums! There’s things flashier or...
Sometimes there is nothing so depressing as reassurance. Seth Rogen is currently making a Larry Sanders-style comedy for Apple TV+ entitled The Studio, in which a bunch of Hollywood executives collectively freak out about the imminent death of cinema as we know it. The good news is that Seth Rogen has used a new episode of Variety’s Awards Circuit podcast to announce how bullish he is about the future of cinema in real life. The bad news is that he had to invoke museums.
“I think if movies were going to go away, they would have a long time ago,” he said. “Paintings are still around. People still go to museums! There’s things flashier or...
- 5/23/2024
- by Stuart Heritage
- The Guardian - Film News
Miguel Gomes’ Grand Tour impressed critics on Screen International’s Cannes jury grid while Karim Aïnouz’s Motel Destino saw mixed results.
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
- 5/23/2024
- ScreenDaily
Screen is running this regularly updated page with the latest film festival and market dates from across the world.
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
Cannes Film Festival, France - May 14-25
Docaviv, Israel - May 23-June 1
IndieLisboa International Film Festival, Portugal - May 23-June 2
May
Inside Out Toronto 2Slgbtq+ Film Festival, Canada - May 24-June 1
Romford Film Festival,...
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
Cannes Film Festival, France - May 14-25
Docaviv, Israel - May 23-June 1
IndieLisboa International Film Festival, Portugal - May 23-June 2
May
Inside Out Toronto 2Slgbtq+ Film Festival, Canada - May 24-June 1
Romford Film Festival,...
- 5/23/2024
- by Ben Dalton
- ScreenDaily
Over 150 women came together in Cannes to celebrate Black women in international film, including producer and former Netflix exec Fiona Lamptey, Rocks producer Ameenah Ayub Allen and founders of distribution and exhibition specialist We Are Parable, Anthony and Teanne Andrews.
“’Do better’ was our message to Cannes Film Festival leadership in May 2022,” said Yolonda Brinkley, founder of grassroots equality movement, Diversity in Cannes.”In [the festival’s] 75-year history, they’d only selected one Black women in competition. Two years later the number has increased to two.
“They continue to disregard us. Therefore, Diversity in Cannes is delighted to partner with the BFI,...
“’Do better’ was our message to Cannes Film Festival leadership in May 2022,” said Yolonda Brinkley, founder of grassroots equality movement, Diversity in Cannes.”In [the festival’s] 75-year history, they’d only selected one Black women in competition. Two years later the number has increased to two.
“They continue to disregard us. Therefore, Diversity in Cannes is delighted to partner with the BFI,...
- 5/23/2024
- ScreenDaily
“Lord of the Rings” owner Embracer Group delivered a mixed bag during its fourth-quarter 2024 earnings Thursday, revealing that while its adjusted operating profit had risen by 56% to 1.4 billion Swedish krona ($132 million), sales in its entertainment and services division – which currently houses its Tolkien and “Tomb Raider” IP – had dropped by 15%.
The Swedish-based gaming conglomerate also revealed CFO and deputy CEO Johan Ekström is set to step down after five years for personal reasons. He will stay with the company until next March although from Sept. 1 he will be focused on splitting Embracer into three companies.
Ekström will be replaced as CFO by current deputy CFO Müge Bouillon while Phil Rogers will take on the role of deputy CEO of Embracer in addition to his current roles as CEO of Crystal Dynamics-Eidos and leader of Middle-earth Enterprises & Friends, one of the three new companies that will emerge out of the shell of Embracer.
The Swedish-based gaming conglomerate also revealed CFO and deputy CEO Johan Ekström is set to step down after five years for personal reasons. He will stay with the company until next March although from Sept. 1 he will be focused on splitting Embracer into three companies.
Ekström will be replaced as CFO by current deputy CFO Müge Bouillon while Phil Rogers will take on the role of deputy CEO of Embracer in addition to his current roles as CEO of Crystal Dynamics-Eidos and leader of Middle-earth Enterprises & Friends, one of the three new companies that will emerge out of the shell of Embracer.
- 5/23/2024
- by K.J. Yossman
- Variety - Film News
There’s plenty to still admire in Indy’s second outing but it remains an ungainly and, at times, culturally offensive adventure
Indiana Jones and the Temple of Doom begins with an action sequence that’s almost exactly 20 minutes long, starting with a show-stopping east-meets-west rendition of Anything Goes at a Shanghai nightclub in 1935 and ending in the whitewater rapids at the foot of the Himalayas. For the director Steven Spielberg, whose Raiders of the Lost Ark had instantly been canonized as an all-time great adventure movie only three years before, the only option was to top himself, to make a sequel so breathlessly paced and technically proficient that audiences would be whisked along relentlessly. At one point, it literally becomes a rollercoaster ride, with runaway cars zipping through a mine shaft like Space Mountain.
But the opening action sequence does end. And while there’s a generous array of...
Indiana Jones and the Temple of Doom begins with an action sequence that’s almost exactly 20 minutes long, starting with a show-stopping east-meets-west rendition of Anything Goes at a Shanghai nightclub in 1935 and ending in the whitewater rapids at the foot of the Himalayas. For the director Steven Spielberg, whose Raiders of the Lost Ark had instantly been canonized as an all-time great adventure movie only three years before, the only option was to top himself, to make a sequel so breathlessly paced and technically proficient that audiences would be whisked along relentlessly. At one point, it literally becomes a rollercoaster ride, with runaway cars zipping through a mine shaft like Space Mountain.
But the opening action sequence does end. And while there’s a generous array of...
- 5/23/2024
- by Scott Tobias
- The Guardian - Film News
Glen Powell plays a mild-mannered professor posing as a contract killer to catch would-be criminals in this diverting noir comedy loosely based on a true story
For this thoroughly entertaining comedy thriller, Richard Linklater finds the distinctive and weirdly uncomplicated register of sunny geniality that he so often gives us – when he’s not working on more demanding movies like Boyhood or the Before series. And yet the question of criminal violence presented in terms of goofy unreality gives this film the flavour of something by the Coen brothers.
It is loosely based on the true story of Gary Johnson, an undercover law enforcement officer in Houston, Texas. Johnson specialised in posing as a “hitman” in exotic disguises, setting up meets with people who wanted other people offed, secretly taping them while they said so explicitly leading to them being charged with conspiracy to murder, while always at risk of...
For this thoroughly entertaining comedy thriller, Richard Linklater finds the distinctive and weirdly uncomplicated register of sunny geniality that he so often gives us – when he’s not working on more demanding movies like Boyhood or the Before series. And yet the question of criminal violence presented in terms of goofy unreality gives this film the flavour of something by the Coen brothers.
It is loosely based on the true story of Gary Johnson, an undercover law enforcement officer in Houston, Texas. Johnson specialised in posing as a “hitman” in exotic disguises, setting up meets with people who wanted other people offed, secretly taping them while they said so explicitly leading to them being charged with conspiracy to murder, while always at risk of...
- 5/23/2024
- by Peter Bradshaw
- The Guardian - Film News
Fresh from its Cannes premiere George Miller’s “Furiosa: A Mad Max Saga” dashed into the lead at the South Korea cinema box office. In doing so, it deposed “The Roundup: Punishment,” the local crime actioner that has dominated Korean cinemagoing for the past month.
“Furiosa” earned $575,000 from 75,400 ticket sales on Wednesday, giving it a Korean total of $597,000, including a sprinkling of preview showings, according to data from the Kobis tracking service that is operated by the Korean Film Council (Kofic).
South Korea was not the only territory to enjoy the “Furiosa” release on May 22 – others included France, Belgium, Sweden, Denmark, Taiwan, Singapore, Indonesia, Thailand and Philippines – but by virtue of its geography and reliable, publicly-available data, it becomes the first to report the film’s commercial credentials.
Korea is also an important box office market. It had ranked as the world’s fourth largest in the pre-pandemic era, helped...
“Furiosa” earned $575,000 from 75,400 ticket sales on Wednesday, giving it a Korean total of $597,000, including a sprinkling of preview showings, according to data from the Kobis tracking service that is operated by the Korean Film Council (Kofic).
South Korea was not the only territory to enjoy the “Furiosa” release on May 22 – others included France, Belgium, Sweden, Denmark, Taiwan, Singapore, Indonesia, Thailand and Philippines – but by virtue of its geography and reliable, publicly-available data, it becomes the first to report the film’s commercial credentials.
Korea is also an important box office market. It had ranked as the world’s fourth largest in the pre-pandemic era, helped...
- 5/23/2024
- by Patrick Frater
- Variety - Film News
Hot Docs, the Toronto-based North American documentary festival and market, is temporarily closing its Ted Rogers Cinema in the city as it seeks to “recalibrate and strategically plan a sustainable future.”
The move comes a few months after the organisation called for more financial support from audiences and the Canadian government and saw a mass exit of programmers in the run-up to its April 25-May 5 thirty-first edition.
The Ted Rogers Cinema, which screens first-run Canadian and international documentary films year-round, will close on June 12 for what Hot Docs said would be approximately three months. The closure will “necessitate temporary layoffs for a portion of staff,...
The move comes a few months after the organisation called for more financial support from audiences and the Canadian government and saw a mass exit of programmers in the run-up to its April 25-May 5 thirty-first edition.
The Ted Rogers Cinema, which screens first-run Canadian and international documentary films year-round, will close on June 12 for what Hot Docs said would be approximately three months. The closure will “necessitate temporary layoffs for a portion of staff,...
- 5/23/2024
- ScreenDaily
You only have to take a quick look at a ranking of the Palme d’Or winners to recognize that the winners circle for the prize represents some of cinema’s greatest accomplishments. “Taxi Driver,” “Apocalypse Now,” “Parasite,” “Paris, Texas,” “The Leopard,” and many more masterpieces were correctly bestowed Cannes’ highest honor, and the swaths of great films to receive the Palme since the festival’s beginning in 1946 have given the prize a prestige that arguably surpasses the Oscar or more widely recognizable trophies.
But the quality of any film is a subjective matter, and every Palme d’Or is ultimately decided not by an exact science, but by a small jury handpicked every year to judge the titles in the festival’s main competition. So, for all the great movies in the Palme pantheon, there are plenty that haven’t aged well in the decades since, or those that...
But the quality of any film is a subjective matter, and every Palme d’Or is ultimately decided not by an exact science, but by a small jury handpicked every year to judge the titles in the festival’s main competition. So, for all the great movies in the Palme pantheon, there are plenty that haven’t aged well in the decades since, or those that...
- 5/23/2024
- by Wilson Chapman
- Indiewire
Anya Taylor-Joy said an interview with British GQ that she has often fought for her characters to express rage on screen. It turns out there have been several films where in the script her character is supposed to cry, but Taylor-Joy just didn’t think that was the right emotional beat. She decided to speak up for herself and successfully convinced her directors to let her character have more rage.
“I’ve developed a bit of a reputation for fighting for feminine rage, which is a strange thing, because I’m not promoting violence – but I am promoting women being seen as people,” Taylor-Joy told the publication. “We have reactions that are not always dainty or un-messy.”
Taylor-Joy first fought for her character’s rage on her feature acting debut, Robert Eggers’ “The Witch.” It was written that her character, Thomasin, would cry during a scene in which she is...
“I’ve developed a bit of a reputation for fighting for feminine rage, which is a strange thing, because I’m not promoting violence – but I am promoting women being seen as people,” Taylor-Joy told the publication. “We have reactions that are not always dainty or un-messy.”
Taylor-Joy first fought for her character’s rage on her feature acting debut, Robert Eggers’ “The Witch.” It was written that her character, Thomasin, would cry during a scene in which she is...
- 5/22/2024
- by Zack Sharf
- Variety - Film News
Gary Oldman is clarifying what he really regrets about playing Sirius Black in the “Harry Potter” film franchise.
At Cannes, Oldman cleared up any confusion about the time in December 2023 that he called his performance in the movies “mediocre.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” Oldman said. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
Readers can watch the video of the Cannes press conference below.
Oldman added that he was not trying to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character, who I think is much beloved.” Yet, according to the actor,...
At Cannes, Oldman cleared up any confusion about the time in December 2023 that he called his performance in the movies “mediocre.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” Oldman said. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
Readers can watch the video of the Cannes press conference below.
Oldman added that he was not trying to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character, who I think is much beloved.” Yet, according to the actor,...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
Cannes film festival
A young man on the run from a mob boss lands an unlikely job in a brutally functional love motel and starts a passionate affair with the manager’s wife
As motel names go, it’s certainly more portentous than “Bates”. But destiny of a sort, shaped by class and money and family abuse, is waiting for the hero and heroine of this movie. This is an erotic noir thriller from Karim Aïnouz; a noir lit mostly by bright sunshine, shot with garish glee by Hélène Louvart. It takes place in a brutally functional love motel near the beach in the north-eastern Brazilian state of Ceará; this is a place from which the couple are fated to be expelled naked, like Adam and Eve from the Garden of Eden.
Motel Destino is co-written by Wislan Esmeraldo and Mauricio Zacharias and directed by Aïnouz who had a film...
A young man on the run from a mob boss lands an unlikely job in a brutally functional love motel and starts a passionate affair with the manager’s wife
As motel names go, it’s certainly more portentous than “Bates”. But destiny of a sort, shaped by class and money and family abuse, is waiting for the hero and heroine of this movie. This is an erotic noir thriller from Karim Aïnouz; a noir lit mostly by bright sunshine, shot with garish glee by Hélène Louvart. It takes place in a brutally functional love motel near the beach in the north-eastern Brazilian state of Ceará; this is a place from which the couple are fated to be expelled naked, like Adam and Eve from the Garden of Eden.
Motel Destino is co-written by Wislan Esmeraldo and Mauricio Zacharias and directed by Aïnouz who had a film...
- 5/22/2024
- by Peter Bradshaw
- The Guardian - Film News
Welcome to the Motel Destino, which may be some distance from the Hotel California, but is very much programmed to receive — or give, if that’s your preference. With mirrors on the ceiling but definitely no pink champagne on ice, the run-down roadside sex den that houses most of Karim Aïnouz’s Olympically horny new film isn’t so much a palace of pleasure as a this-will-do hideaway for the illicitly amorous couples checking into any of its hastily wiped-down rooms. It’s a dream setting, however, for one of the most sweat-drenched neo-noirs — or neon-noirs, in this case, given its eye-scorching tropical palette — to hit the screen since Kathleen Turner and William Hurt soaked through their shirts in “Body Heat.”
As an erotic thriller, it’s more preoccupied with the first half of that term than the second, and that’s just fine. Slow like honey and heavy with mood — to quote Fiona Apple,...
As an erotic thriller, it’s more preoccupied with the first half of that term than the second, and that’s just fine. Slow like honey and heavy with mood — to quote Fiona Apple,...
- 5/22/2024
- by Guy Lodge
- Variety - Film News
Raimi Productions, the genre-focused company run by Sam Raimi and Zainab Azizi, has signed a first-look film and television deal with Ara Keshishian and Petr Jákl’s development and financing company Zq Entertainment.
The deal extends the long-standing relationship between the two companies, which most recently collaborated on the upcoming thriller “Locked,” directed by David Yaroveksy and starring Bill Skarsgård and Anthony Hopkins, and the horror-thriller “Don’t Move,” which was acquired by Netflix earlier this month.
“Don’t Move” follows a seasoned serial killer (Finn Witrock) who injects a grieving woman (Kelsey Asbille) with a paralytic agent while the two of them are isolated deep in the forest. As the agent gradually takes over her body, she must run, hide and fight for her life before her entire nervous system shuts down.
“Sam Raimi is truly one of the pioneers in the genre space, as a filmmaker and producer and we...
The deal extends the long-standing relationship between the two companies, which most recently collaborated on the upcoming thriller “Locked,” directed by David Yaroveksy and starring Bill Skarsgård and Anthony Hopkins, and the horror-thriller “Don’t Move,” which was acquired by Netflix earlier this month.
“Don’t Move” follows a seasoned serial killer (Finn Witrock) who injects a grieving woman (Kelsey Asbille) with a paralytic agent while the two of them are isolated deep in the forest. As the agent gradually takes over her body, she must run, hide and fight for her life before her entire nervous system shuts down.
“Sam Raimi is truly one of the pioneers in the genre space, as a filmmaker and producer and we...
- 5/22/2024
- by Katcy Stephan
- Variety - Film News
The MonsterVerse has, somewhat quietly, become one of the most reliable franchises going in Hollywood at the moment. For a full decade dating back to 2014's "Godzilla" right up through this year's "Godzilla x Kong: The New Empire," these films have built up a loyal audience with no signs of fatigue on the part of the viewers. While Warner Bros. and Legendary are quickly looking to get a new installment going, they will need a new director, as we recently learned that Adam Wingard will not be returning to the helm. So, who should take his place?
Wingard is the only filmmaker to direct two MonsterVerse installments, having helmed 2021's "Godzilla vs. Kong" as well as "The New Empire," which now ranks as the highest-grossing "Godzilla" movie ever. So sure, the studio would probably have liked him to return, but he's busy with other projects. Besides, that just opens the...
Wingard is the only filmmaker to direct two MonsterVerse installments, having helmed 2021's "Godzilla vs. Kong" as well as "The New Empire," which now ranks as the highest-grossing "Godzilla" movie ever. So sure, the studio would probably have liked him to return, but he's busy with other projects. Besides, that just opens the...
- 5/22/2024
- by Ryan Scott
- Slash Film
Nihilism and neon-popped lust collide in Brazilian filmmaker Karim Aïnouz’s Portuguese-language “Motel Destino,” set in a love motel so sordid that lay tourists should best avoid it, and only criminals and castaways are likely to check in. The “Invisible Life” director’s steamy psychosexual thriller set in the sweatiest armpit of the equator speaks melodrama and noir but with a Brazilian accent, Aïnouz returning to his home state of Ceará to shoot on his own turf for the first time in five years. The writer/director lifts from classics such as Lawrence Kasdan’s “Body Heat” and Billy Wilder’s “Double Indemnity” but also from ‘70s Brazilian sex comedies to tell a perverse yarn of extramarital betrayal turned murderous. But while the pre-“Body Heat” noirs he’s channeling could only suggest rather than spell out sex, Aïnouz goes graphic — and relentlessly — in an arthouse-only erotic genre piece that...
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
It’s not always easy to find out which movies hit theaters each week, especially after the Hollywood strikes led to many release date changes. With the WGA and actors strikes resolved and summer blockbusters starting to roll in, May is filled with both big budget flicks and new indie releases.
Premiering May 24 is George Miller’s “Furiosa: A Mad Max Saga,” which tells the origin story of the wasteland warrior princess before her run-in with Mad Max starring Anya Taylor-Joy, Chris Hemsworth, Tom Burke and Alyla Browne. Also hitting theaters is family film “The Garfield Movie” and Richard Linklater’s “Hit Man,” which follows a straight-edge professor who discovers his calling as a fake assassin starring Glen Powell, Adria Arjona, Austin Amelio and Molly Bernard. Two films getting limited releases this week are Disney’s “The Beach Boys,” a documentary about the legendary surf-rock band, and “Solo,” a foreign...
Premiering May 24 is George Miller’s “Furiosa: A Mad Max Saga,” which tells the origin story of the wasteland warrior princess before her run-in with Mad Max starring Anya Taylor-Joy, Chris Hemsworth, Tom Burke and Alyla Browne. Also hitting theaters is family film “The Garfield Movie” and Richard Linklater’s “Hit Man,” which follows a straight-edge professor who discovers his calling as a fake assassin starring Glen Powell, Adria Arjona, Austin Amelio and Molly Bernard. Two films getting limited releases this week are Disney’s “The Beach Boys,” a documentary about the legendary surf-rock band, and “Solo,” a foreign...
- 5/22/2024
- by Pat Saperstein and Jack Dunn
- Variety - Film News
A Native American costume designer sued Apple on Wednesday, alleging that her contributions to “Killers of the Flower Moon” were overlooked during the studio’s awards campaign.
Kristi Marie Hoffman, who was credited as an assistant costume designer, also alleges that she was subject to racial discrimination on set.
Hoffman filed a discrimination complaint with the Equal Employment Opportunity Commission, which resulted in a confidential settlement in December 2022. Subsequently, Hoffman alleges that the studio retaliated by denying her credit and accolades and “attempting to erase her contributions.”
Apple did not immediately respond to a request for comment.
Hoffman sued Apple, the Costume Designers Guild, and Jacqueline West, the costume designer who hired her.
In the complaint, she states that she was brought on because West needed someone with the cultural competency to handle the project, and West also wanted to make sure that Native Americans were represented among the crew.
Kristi Marie Hoffman, who was credited as an assistant costume designer, also alleges that she was subject to racial discrimination on set.
Hoffman filed a discrimination complaint with the Equal Employment Opportunity Commission, which resulted in a confidential settlement in December 2022. Subsequently, Hoffman alleges that the studio retaliated by denying her credit and accolades and “attempting to erase her contributions.”
Apple did not immediately respond to a request for comment.
Hoffman sued Apple, the Costume Designers Guild, and Jacqueline West, the costume designer who hired her.
In the complaint, she states that she was brought on because West needed someone with the cultural competency to handle the project, and West also wanted to make sure that Native Americans were represented among the crew.
- 5/22/2024
- by Gene Maddaus
- Variety - Film News
Renny Harlin's "The Strangers: Chapter 1" is the third film in the "Strangers" series, but is intended to be the first film in a new rebooted trilogy sporting a unique continuity. Not that "The Strangers" possessed a complicated mythology; each movie follows a trio of mute, masked killers -- perhaps a family -- who have made a sport of breaking into people's houses and torturing them for kicks. In the credits of "Chapter 1," the killers are credited only as Dollface, Pin-Up Girl, and Scarecrow (previously called The Man in the Mask). This time around, they are played by Olivia Kreutzova, Letizia Fabbri, and Matúš Lajčák, respectively.
The plot of "Chapter 1" is as simple as can be: A young city couple (Madelaine Petsch and Froy Gutierrez) is driving to Portland, Oregon when they get waylaid in a small town called Venus. Naturally, their car breaks down and they have to...
The plot of "Chapter 1" is as simple as can be: A young city couple (Madelaine Petsch and Froy Gutierrez) is driving to Portland, Oregon when they get waylaid in a small town called Venus. Naturally, their car breaks down and they have to...
- 5/22/2024
- by Witney Seibold
- Slash Film
Life’s a (permanent) beach for Pedro Pascal in a new Corona commercial titled “La Vida Más Fina (The Finest Life),” a play on the beer’s tagline “La Cerveza Más Fina.”
“I, Tonya” filmmaker Craig Gillespie directs the outrageous short film that captures Pascal wandering through bars, restaurants, and town centers as sand, flora, and fauna beckon him back to the beach. It’s very much a fantasy sequence considering the busy actor has no actual time to vacation.
Pascal will appear in Ridley Scott’s “Gladiator II,” Ari Aster’s “Eddington,” and soon make his Marvel debut in the new “Fantastic Four.” Plus, he’s back for “The Last of Us” Season 2 — find a first look here. Oh, and did we mention that Pascal also is teaming up with Dakota Johnson for Celine Song’s romance drama “Materialists”?
He’s cheers-ing to that one. Pascal told GQ that...
“I, Tonya” filmmaker Craig Gillespie directs the outrageous short film that captures Pascal wandering through bars, restaurants, and town centers as sand, flora, and fauna beckon him back to the beach. It’s very much a fantasy sequence considering the busy actor has no actual time to vacation.
Pascal will appear in Ridley Scott’s “Gladiator II,” Ari Aster’s “Eddington,” and soon make his Marvel debut in the new “Fantastic Four.” Plus, he’s back for “The Last of Us” Season 2 — find a first look here. Oh, and did we mention that Pascal also is teaming up with Dakota Johnson for Celine Song’s romance drama “Materialists”?
He’s cheers-ing to that one. Pascal told GQ that...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
Richard Linklater sits in awe of Paul Mescal during production on “Merrily We Roll Along.”
Linklater is adapting the Stephen Sondheim musical across two decades, with Mescal playing the composer character Franklin Shepard. Ben Platt and Beanie Feldstein are also in the cast.
Linklater told The Times UK that Mescal is “transcendent” in the role, which he took on still as a rising star — in other words, before his Oscar nomination for “Aftersun.”
“He’s just a transcendent talent,” Linklater said of Mescal, “and he can really sing…I’m just so happy we connected right before he went supernova.”
Mescal previously showed off his singing range in the musical “Carmen.” He also presented his stage acting skills during a West End revival of “A Streetcar Named Desire.”
“I just love it,” Mescal told British Vogue of acting on stage. “It’s so gratifying – it’s a very difficult thing...
Linklater is adapting the Stephen Sondheim musical across two decades, with Mescal playing the composer character Franklin Shepard. Ben Platt and Beanie Feldstein are also in the cast.
Linklater told The Times UK that Mescal is “transcendent” in the role, which he took on still as a rising star — in other words, before his Oscar nomination for “Aftersun.”
“He’s just a transcendent talent,” Linklater said of Mescal, “and he can really sing…I’m just so happy we connected right before he went supernova.”
Mescal previously showed off his singing range in the musical “Carmen.” He also presented his stage acting skills during a West End revival of “A Streetcar Named Desire.”
“I just love it,” Mescal told British Vogue of acting on stage. “It’s so gratifying – it’s a very difficult thing...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
In “I Am Not Your Negro” (2016), his profound and lacerating portrait of James Baldwin, the director Raoul Peck traced the haunted connection between two things: Baldwin’s staggering perception of what it was to be Black in America, and the depth of Baldwin’s struggle with melancholy, self-doubt, and his merciless ability to see truth. For Baldwin, the personal and political came together in uniquely despairing and revealing ways.
Peck’s new documentary, “Ernest Cole: Lost and Found,” could be considered a companion piece to that earlier monumental film. No, it isn’t as powerful. But it, too, is the penetrating portrait of a Black artist — the photographer Ernest Cole, who was born in 1940 in Eersterust, South Africa, and who beginning in the late ’50s took his camera into the streets to chronicle the evils and everyday experience of life under apartheid. He escaped the regime and came to New...
Peck’s new documentary, “Ernest Cole: Lost and Found,” could be considered a companion piece to that earlier monumental film. No, it isn’t as powerful. But it, too, is the penetrating portrait of a Black artist — the photographer Ernest Cole, who was born in 1940 in Eersterust, South Africa, and who beginning in the late ’50s took his camera into the streets to chronicle the evils and everyday experience of life under apartheid. He escaped the regime and came to New...
- 5/22/2024
- by Owen Gleiberman
- Variety - Film News
Sarah Friedland made Filmmaker‘s 25 New Faces list last year as her she finished her Movement Exercises trilogy of short films and was completing production on her debut feature, Familiar Touch. Now, as Familiar Touch finishes post, Video Data Bank is streaming Movement Exercises for free on its website until June 11. From my 25 New Face profile: Realized from 2017 to 2022, Friedland’s Movement Exercises Trilogy consists of three short films exploring the ways in which movement contextualized within specific settings encodes personal, social and political meanings. The first of the trilogy, Home Exercises, depicts older adults navigating the […]
The post Trailer Watch: Sarah Friedland’s Movement Exercises Trilogy first appeared on Filmmaker Magazine.
The post Trailer Watch: Sarah Friedland’s Movement Exercises Trilogy first appeared on Filmmaker Magazine.
- 5/22/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
Reacher's back -- unfortunately, he's not alone. Author Lee Child's airport-paperback novel series famously stars a hero that can only be described as a walking, talking tank. Prime Video's "Reacher" series has neatly translated the franchise's popularity on the page to the streaming era, thanks in large part to Alan Ritchson (recently the scene-stealing star of Guy Ritchie's "The Ministry of Ungentlemanly Warfare") as Jack Reacher. A far cry from Tom Cruise's capable (if not even remotely book-accurate) casting in the two movies, Ritchson embodies all the physicality described in the original books. After two successful seasons throughout the last few years, however, Reacher is due for his biggest challenge yet ... speaking extremely literally, of course.
Reacher's greatest enemy now has an equally as formidable actor attached to the role. According to CinemaBlend, the hulking villain known as Paulie will be played by Olivier Richters in all his seven feet,...
Reacher's greatest enemy now has an equally as formidable actor attached to the role. According to CinemaBlend, the hulking villain known as Paulie will be played by Olivier Richters in all his seven feet,...
- 5/22/2024
- by Jeremy Mathai
- Slash Film
Trite as it certainly sounds, the saccharine label of a “lover letter to cinema” applies all too precisely to French director Arnaud Desplechin’s enchanting docufiction effort “Filmlovers!” (“Spectateurs!”). But even with that obnoxiously overused denomination hanging over it, this multifaceted personal essay succeeds at rekindling or reaffirming one’s own relationship with the miracle of this young art form that we so often take for granted.
Continue reading ‘Filmlovers!’ Review: Arnaud Desplechin Pays Tribute To The Miracle Of Cinema On Enchantingly Personal Docufiction [Cannes] at The Playlist.
Continue reading ‘Filmlovers!’ Review: Arnaud Desplechin Pays Tribute To The Miracle Of Cinema On Enchantingly Personal Docufiction [Cannes] at The Playlist.
- 5/22/2024
- by Carlos Aguilar
- The Playlist
Welcome to It’s a Hit! In this series, IndieWire speaks to creators and showrunners behind a few of our favorite television programs about the moment they realized their show was breaking big.
“Diarra from Detroit” starts simply enough. Months into a separation from her husband, Diarra Brickland (Diarra Kilpatrick) pushes herself into a blind date. It goes well — very well — but then she doesn’t hear from him. It’s like… poof. He’s gone. What happened? Is he busy? Sick? In trouble? Diarra’s friends mock her for ignoring the most obvious answer — she’s been ghosted — but the inquisitive school teacher can’t shake the feeling that something else is going on.
She’s right, and “Diarra from Detroit,” available on BET+, gradually develops into a winding mystery, then a shocking thriller, then a tender romance. Soon, it’s living within all these genre at once, plus...
“Diarra from Detroit” starts simply enough. Months into a separation from her husband, Diarra Brickland (Diarra Kilpatrick) pushes herself into a blind date. It goes well — very well — but then she doesn’t hear from him. It’s like… poof. He’s gone. What happened? Is he busy? Sick? In trouble? Diarra’s friends mock her for ignoring the most obvious answer — she’s been ghosted — but the inquisitive school teacher can’t shake the feeling that something else is going on.
She’s right, and “Diarra from Detroit,” available on BET+, gradually develops into a winding mystery, then a shocking thriller, then a tender romance. Soon, it’s living within all these genre at once, plus...
- 5/22/2024
- by Ben Travers
- Indiewire
Six decades or so ago, television was dominated by "wholesome" American family sitcoms, with shows like "Leave It to Beaver," "The Andy Griffith Show," and "Father Knows Best" serving as not only entertainment but as a model guide for viewers to emulate their own "perfect family." Assimilation was the key to an idyllic existence, but that doesn't make for an exciting TV lineup. Each network had its standard American family show, but in an attempt to motivate viewers not to touch that dial, they started diversifying what a family looked like.
No, that diversity did not come in the form of families of non-white races ("Good Times" wouldn't launch until 1974), but it did come with magical beings like "I Dream of Jeannie" and "Bewitched," or monstrously weird like "The Addams Family" and "The Munsters." Both "The Addams Family" and "The Munsters" are so beloved that the shows have been reimagined...
No, that diversity did not come in the form of families of non-white races ("Good Times" wouldn't launch until 1974), but it did come with magical beings like "I Dream of Jeannie" and "Bewitched," or monstrously weird like "The Addams Family" and "The Munsters." Both "The Addams Family" and "The Munsters" are so beloved that the shows have been reimagined...
- 5/22/2024
- by BJ Colangelo
- Slash Film
IndieWire and Paramount+ are proud to announce a Consider This FYC event to take place in Los Angeles on June 8, featuring Kelsey Grammer and David Oyelowo, plus creators and talent from “Star Trek: Discovery” and “Star Trek: Strange New Worlds,” “A Gentleman in Moscow,” “Colin from Accounts,” “Fellow Travelers,” “Frasier,” and “Lawmen: Bass Reeves.”
Emmy voters and guild members can request an invitation to attend here.
The event will feature a reception with food and drinks. It will begin at 10:00am Pt and run until 2:30pm Pt, including lunch.
“Consider This Live is essential to our growing collection of creator- and artisan-driven live events that include IndieWire Honors and Pass the Remote,” said Dana Harris-Bridson, senior VP and Editor-in-Chief of IndieWire. “We’re proud to celebrate the Paramount+ lineup.”
“We’re thrilled to bring back Consider This Live exclusively with Paramount+,” said IndieWire SVP & Publisher James Israel. “We...
Emmy voters and guild members can request an invitation to attend here.
The event will feature a reception with food and drinks. It will begin at 10:00am Pt and run until 2:30pm Pt, including lunch.
“Consider This Live is essential to our growing collection of creator- and artisan-driven live events that include IndieWire Honors and Pass the Remote,” said Dana Harris-Bridson, senior VP and Editor-in-Chief of IndieWire. “We’re proud to celebrate the Paramount+ lineup.”
“We’re thrilled to bring back Consider This Live exclusively with Paramount+,” said IndieWire SVP & Publisher James Israel. “We...
- 5/22/2024
- by Christian Blauvelt
- Indiewire
Zachary Levi might be done with his superhero role as Shazam, but that doesn’t mean he’s done with franchises. However, his new franchise is aiming its sights on a younger demographic.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer for “Harold and the Purple Crayon,” Zachary Levi stars as a grown up version of the title character, based on the popular children’s book.
Continue reading ‘Harold And The Purple Crayon’ Trailer: Zachary Levi Brings The Children’s Book To Life In August at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer for “Harold and the Purple Crayon,” Zachary Levi stars as a grown up version of the title character, based on the popular children’s book.
Continue reading ‘Harold And The Purple Crayon’ Trailer: Zachary Levi Brings The Children’s Book To Life In August at The Playlist.
- 5/22/2024
- by Martin Miller
- The Playlist
A family-authorized George Floyd biopic titled “Daddy Changed the World” is in the works from Radar Pictures, 8 Queens Film & Media Productions and Night Fox Entertainment. Floyd’s daughter, Gianna Floyd, and her mother, Roxie Washington, are involved in the making of the film, serving as executive producers.
Gregory R. Anderson (“Stomp the Yard”) will write the screenplay for the movie, which will capture the life of the man whose murder in 2020 sparked a global racial reckoning and fueled the movement against police brutality. The film is still in search for a director. Ted Field serves as producer for Radar Pictures, alongside Dr. Kaeita Rankin for 8 Queens and Timothy Christian for Night Fox.
The 46-year-old Floyd was killed on May 25, 2020, after Minneapolis police officer Derek Chauvin knelt on his neck for more than nine minutes while Floyd was handcuffed and forced to lie face-down on the street. Floyd...
Gregory R. Anderson (“Stomp the Yard”) will write the screenplay for the movie, which will capture the life of the man whose murder in 2020 sparked a global racial reckoning and fueled the movement against police brutality. The film is still in search for a director. Ted Field serves as producer for Radar Pictures, alongside Dr. Kaeita Rankin for 8 Queens and Timothy Christian for Night Fox.
The 46-year-old Floyd was killed on May 25, 2020, after Minneapolis police officer Derek Chauvin knelt on his neck for more than nine minutes while Floyd was handcuffed and forced to lie face-down on the street. Floyd...
- 5/22/2024
- by Ethan Shanfeld
- Variety - Film News
Federico Luis’ Simon Of The Mountain won the Cannes Critics’ Week Grand Prize on Wednesday night (May 22).
The Argentinian first feature is a coming-of-age story about a boy with a disability wrestling through life. Luxbox is handling international sales for the film produced by Argentina’s 20/20 in coproduction with Chile’s Planta, Uruguay’s Mother Superior and Los Angeles and Mexico City-based Twelve Thirty Media.
The jury prize went to US director Constance Tsang’s first feature Blue Sun Palace about Chinese immigrants living in Queens. Charades is handling international sales and WME has North American rights to the film...
The Argentinian first feature is a coming-of-age story about a boy with a disability wrestling through life. Luxbox is handling international sales for the film produced by Argentina’s 20/20 in coproduction with Chile’s Planta, Uruguay’s Mother Superior and Los Angeles and Mexico City-based Twelve Thirty Media.
The jury prize went to US director Constance Tsang’s first feature Blue Sun Palace about Chinese immigrants living in Queens. Charades is handling international sales and WME has North American rights to the film...
- 5/22/2024
- ScreenDaily
It was only a matter of time before “The Munsters” got a reboot. But the upcoming series, titled “1313,” appears to be a very unique take on the classic sitcom.
According to Deadline, it appears that UCP is developing a new version of “The Munsters” with a series called “1313.” The report claims this is a “darker reimagining” of the sitcom, whatever that means. Are we looking at a prestige drama attempt for “The Munsters” or just a show that leans more into the monster aspects of the premise.
Continue reading ‘1313’: A New, Dark Reimagining Of ‘The Munsters’ In Development at The Playlist.
According to Deadline, it appears that UCP is developing a new version of “The Munsters” with a series called “1313.” The report claims this is a “darker reimagining” of the sitcom, whatever that means. Are we looking at a prestige drama attempt for “The Munsters” or just a show that leans more into the monster aspects of the premise.
Continue reading ‘1313’: A New, Dark Reimagining Of ‘The Munsters’ In Development at The Playlist.
- 5/22/2024
- by Martin Miller
- The Playlist
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/22/2024
- by Wilson Chapman
- Indiewire
When it comes to the wild success of the film industry in Hungary, which is the largest production hub in continental Europe and second in Europe only to the U.K., film commissioner Csaba Káel is quick to credit a rich cinematic legacy dating back more than 100 years. “There is a huge tradition,” he said. “We have a special film DNA in Hungary.”
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
- 5/22/2024
- by Christopher Vourlias
- Variety - Film News
Sideshow and Janus Films have acquired North American rights for Gints Zilbalodis’ animated adventure film “Flow,” which premiered in Un Certain Regard at the 2024 Cannes Film Festival.
“We were so excited to see what Gints Zilbalodis would do after his surprising debut feature ‘Away’ in which he did almost all of the work single-handedly,” said Sideshow and Janus Films in a joint statement. “‘Flow’ did not disappoint. It’s one of the most remarkably original works we have seen in some time. We know audiences of all ages will embrace this tremendously moving and heartwarming story, and we can’t wait to bring Gints Zilbalodis’ work to a much wider audience across North America.”
According to an official logline, in “Flow,” “the world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood,...
“We were so excited to see what Gints Zilbalodis would do after his surprising debut feature ‘Away’ in which he did almost all of the work single-handedly,” said Sideshow and Janus Films in a joint statement. “‘Flow’ did not disappoint. It’s one of the most remarkably original works we have seen in some time. We know audiences of all ages will embrace this tremendously moving and heartwarming story, and we can’t wait to bring Gints Zilbalodis’ work to a much wider audience across North America.”
According to an official logline, in “Flow,” “the world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood,...
- 5/22/2024
- by Jack Dunn
- Variety - Film News
Did you know it’s been nearly two years since there were reports that Marvel Studios was developing a series surrounding the return of Vision, played by Paul Bettany. At the time, it was another series from “WandaVision” head writer, Jac Shaeffer, and seemed to be on the fast track to happening. But then, nothing. Not only did we not hear anything about the series for months, but there was also news that Disney CEO Bob Iger was quietly canceling Marvel projects behind the scenes.
Continue reading Marvel Studios Hires ‘Picard’ Showrunner To Develop New Vision Series For 2026 at The Playlist.
Continue reading Marvel Studios Hires ‘Picard’ Showrunner To Develop New Vision Series For 2026 at The Playlist.
- 5/22/2024
- by Martin Miller
- The Playlist
Hot Docs, the Toronto-based documentary film festival, has announced it will temporarily close its flagship Hot Docs Ted Rogers Cinema and will lay off a portion of its staff to combat “urgent financial challenges” faced by the organization.
The news arrives less than a month after Hot Docs wrapped its 31st edition of its festival, and the organization says it hopes to reopen the year-round theater’s doors after three months. It will close June 12. The number of staff layoffs was not disclosed.
The Globe and Mail reported that according to documents from the Canada Revenue Agency, Hot Docs had a deficit of just over $2 million as of the financial period ending May 2023. The organization says this year’s Hot Docs was a success, with box office revenue exceeding target projections by 12 percent, and that box office receipts at the Ted Rogers Cinema throughout the year are up 59 percent compared...
The news arrives less than a month after Hot Docs wrapped its 31st edition of its festival, and the organization says it hopes to reopen the year-round theater’s doors after three months. It will close June 12. The number of staff layoffs was not disclosed.
The Globe and Mail reported that according to documents from the Canada Revenue Agency, Hot Docs had a deficit of just over $2 million as of the financial period ending May 2023. The organization says this year’s Hot Docs was a success, with box office revenue exceeding target projections by 12 percent, and that box office receipts at the Ted Rogers Cinema throughout the year are up 59 percent compared...
- 5/22/2024
- by Brian Welk
- Indiewire
Where were you when the Brat Pack took over Hollywood?
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
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