sts-26
Joined Jan 2008
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sts-26's rating
Yup, it was the seventies that was the golden age of the miniseries, and it was the British who ruled, with PBS acting as as kind of Prince Regent, offering up such televisual feasts as Upstairs Downstairs, Poldark, and the Duchess of Duke Street.
To people over a certain age, Gemma Jones will be forever remembered as Louisa Trotter, the plucky lower middle class girl, practically sold into service by her selfish mother, who works her way up in the world to become the proprietress of the best gentle-person's hotel in London, the lover of the Prince of Wales, and a legend in her own time.
The Duchess of Duke Street is an artifact of a crossroads of two very special times - the 1960's, when there was a serious interest in the not-too-distant past (the Belle Epoque, the Edwardian Period, the Roaring Twenties, etc.), and the 1980's when the interest in the past had more to do with escapism and romanticism and produced some of the most beautiful visuals in film history. Because of this, The Dutchess is a treat, full of historical detail, with wonderful fictionalizations of Edwardian fact (Prince Edwards practice of taking mistresses for example).
The series paved the way for some of the great miniseries to come - including Brideshead Revisited, the 1980's production of Love in a Cold Climate, Flickers, and To Serve Them All My Days - and ensured that a certain segment of television viewers had grand images of Edwardian London and Art Nouveau imprinted in its memory.
To people over a certain age, Gemma Jones will be forever remembered as Louisa Trotter, the plucky lower middle class girl, practically sold into service by her selfish mother, who works her way up in the world to become the proprietress of the best gentle-person's hotel in London, the lover of the Prince of Wales, and a legend in her own time.
The Duchess of Duke Street is an artifact of a crossroads of two very special times - the 1960's, when there was a serious interest in the not-too-distant past (the Belle Epoque, the Edwardian Period, the Roaring Twenties, etc.), and the 1980's when the interest in the past had more to do with escapism and romanticism and produced some of the most beautiful visuals in film history. Because of this, The Dutchess is a treat, full of historical detail, with wonderful fictionalizations of Edwardian fact (Prince Edwards practice of taking mistresses for example).
The series paved the way for some of the great miniseries to come - including Brideshead Revisited, the 1980's production of Love in a Cold Climate, Flickers, and To Serve Them All My Days - and ensured that a certain segment of television viewers had grand images of Edwardian London and Art Nouveau imprinted in its memory.
With both the novel and the movie so popular, one need not go into great detail regarding the plot, or differences in the story lines. The fact is that both were great works and wonderfully of their time. And those involved in the movie exploited the fact that film is a visual medium, and piled on the styling, adding to Updike's tale and perfectly catching the over-stylized, romantic feel of the mid-to-late eighties. The movie and book are a pairing though, and I believe that one should really not experience one and not the other. Certainly one should not just see the movie, as it does lack the depth and significance of the novel. But then that is usually the case with an adaption.