RosePacatte

Ever since I saw this made-for-TV film when it first aired, and then on video many times, I had wondered about the book on which it is based.

The book is entitled "The Scarlet Pimpernel of the Vatican," by J. P. Gallagher. It is the story of Irish Monsignor Hugh O'Flaherty who was a minor Vatican official during World War II. Right under the noses of Vatican officials who looked the other way, and the German army, he helped smuggle allied soldiers out of Rome to safety in the months before the liberation of Rome. Rome and the Vatican were supposed to be neutral; if the Germans found out that the monsignor was helping the allies, who knows what would have happened.

I was able to find a copy of the book several years ago but have lost it. I do recall though that it had even more incredible stories about how O'Flaherty helped allied soldiers. One of the best (that is not in the movie) was about one American soldier whose appendix burst and he needed it removed. O'Flaherty dressed him as a German soldier, called the German army, they came and took him to their hospital - and O'Flaherty managed to get the soldier out before he even woke up because of the general confusion in the military hospital.

The Scarlett Pimpernel reference, is of course, to the British spy who helped save people from being beheaded during the French Revolution. That's another good book and the movie, with Anthony Andrews and Jane Seymour, are both excellent (though the movie changed the ending...).

A unique take on this biblical figure and Schaech plays the psychologically conflicted Judas in a very believable way. I enjoyed the drama very much. I liked exploring what might have > made Judas do what he did - rather than just see him as the epitome of evil. Playing Judas as a real human being must have been a challenge and I think Schaech understood the role well. The most difficult part is of course Judas' despair and suicide and the sequence that is the most blest is when some of the apostles take him down from the tree in charity. Some people might not care for the contemporary dialog in what looks like a classic biblical story, but I think it will appeal to teens and adults (the casting of Schaech as Judas and J. Scarfe as Jesus will bear that out.) A lasting contribution to the Jesus story genre.

I thought this was a fitting finale to the trilogy. Nothing will ever surpass The Matrix, and part II was just a bridge, but this one has ideas, relationships, dramatic confusion ... it's smart and ultimately hopeful. Good sci-fi.