IMDb RATING
6.0/10
1.8K
YOUR RATING
When Myriam, the mother of two young children, decides--despite the reluctance of her husband--to resume her activity in a law firm, the couple starts looking for a nanny.When Myriam, the mother of two young children, decides--despite the reluctance of her husband--to resume her activity in a law firm, the couple starts looking for a nanny.When Myriam, the mother of two young children, decides--despite the reluctance of her husband--to resume her activity in a law firm, the couple starts looking for a nanny.
- Awards
- 2 nominations total
Réhab Mehal
- Wafa
- (as Rehab Mehal)
Featured reviews
I don't know if I want to watch this.
The Theme of Mommy-Guilt is currently a popular plotline.
If the Nanny isn't ideal... If there is a problem... Then Mom should have stayed Home.
The Theme of Mommy-Guilt is currently a popular plotline.
If the Nanny isn't ideal... If there is a problem... Then Mom should have stayed Home.
The nanny is par excellence evil: from "the omen" to "the nanny " to "to the hand that rocks the cradle" ,they are a nuisance to live with at home .
"Chanson douce " is actually closer to Claude Chabrol's "la cérémonie" ,based on Ruth Rendell 's absorbing novel ,which had spawned another (Canadian) version before . The problem is that,not only Lucie Borteleau does not possess Chabrol's mastery ,but the main actress is left to her own devices ,with no other actor providing a credible counterpart :in "la cérémonie" ,servant Sandrine Bonnaire was joined by green-grocer Huppert ,and both made a sensational pair.
Karine Viard is the ONLY reason why you would see this movie through ;one of the best contemporary French actresses,everything rests on her shoulders ;everything! a very complex woman ,she makes the viewer think she's irrational from her very first scene : she's too perfect, too nice ,too madonna-like ,too devoted ; little by little ,cracks appear in the mirror: she's so possessive she does not want HER children to play with the others in the park ; she urges the little girl to coax her parents into making a little baby; sometimes she may be almost frightening when she plays the wolf ;the actress is so gifted and so convincing one can wonder why her director felt compelled to introduce a "monster" crawling out of the sink !Filler indeed and too facile!
Unfortunately ,the other characters are cardboard : mom is ,as it is often the case ,if we are to believe the screenwriters ,a lawyer ,and she and mainly her hubby are totally bland ; there could have been an interesting issue when the man screams :"she's our employee",but the social relationship is only skimmed over ; the rich bourgeois's wasting -Louise is absolutely right,as far as the yogourts are concerned- might have fitted the "chanson douce" concept.But grandma ,whose favorite pastime is to play the fool with her grandchildren (to infuriate the nanny?),it takes the biscuit!the actress is so unbearable it's a blessing her screen time is short.If it weren't for Viard's performance , the movie would be devoid of any dramatic progression and the ending would not make any sense (and would not justify the mother's misgivings in the first scene.)
The novel on which the movie is based was awarded the Prix Goncourt 2016. The movie is not worth a Cesar but I give an extra star to the movie , dedicated to Miss Viard .
"Chanson douce " is actually closer to Claude Chabrol's "la cérémonie" ,based on Ruth Rendell 's absorbing novel ,which had spawned another (Canadian) version before . The problem is that,not only Lucie Borteleau does not possess Chabrol's mastery ,but the main actress is left to her own devices ,with no other actor providing a credible counterpart :in "la cérémonie" ,servant Sandrine Bonnaire was joined by green-grocer Huppert ,and both made a sensational pair.
Karine Viard is the ONLY reason why you would see this movie through ;one of the best contemporary French actresses,everything rests on her shoulders ;everything! a very complex woman ,she makes the viewer think she's irrational from her very first scene : she's too perfect, too nice ,too madonna-like ,too devoted ; little by little ,cracks appear in the mirror: she's so possessive she does not want HER children to play with the others in the park ; she urges the little girl to coax her parents into making a little baby; sometimes she may be almost frightening when she plays the wolf ;the actress is so gifted and so convincing one can wonder why her director felt compelled to introduce a "monster" crawling out of the sink !Filler indeed and too facile!
Unfortunately ,the other characters are cardboard : mom is ,as it is often the case ,if we are to believe the screenwriters ,a lawyer ,and she and mainly her hubby are totally bland ; there could have been an interesting issue when the man screams :"she's our employee",but the social relationship is only skimmed over ; the rich bourgeois's wasting -Louise is absolutely right,as far as the yogourts are concerned- might have fitted the "chanson douce" concept.But grandma ,whose favorite pastime is to play the fool with her grandchildren (to infuriate the nanny?),it takes the biscuit!the actress is so unbearable it's a blessing her screen time is short.If it weren't for Viard's performance , the movie would be devoid of any dramatic progression and the ending would not make any sense (and would not justify the mother's misgivings in the first scene.)
The novel on which the movie is based was awarded the Prix Goncourt 2016. The movie is not worth a Cesar but I give an extra star to the movie , dedicated to Miss Viard .
Karin Viard's performance is just excellent: she's subtly unhinged, creepily obsessive and in the end plainly scary. Her character's background is barely delineated but we can see everything through her every move and word.
The parents are also good in their own way, but they don't have much script to work with: despite having to deal with an increasingly weird (to be kind) nanny, they seem to be unable to face the problem and act passively in most occasions (especially the mom). This creates an imbalance of tension in the movie and the natural climax doesn't feel as devastating as it should be.
The parents are also good in their own way, but they don't have much script to work with: despite having to deal with an increasingly weird (to be kind) nanny, they seem to be unable to face the problem and act passively in most occasions (especially the mom). This creates an imbalance of tension in the movie and the natural climax doesn't feel as devastating as it should be.
Screen adaptations of novels can be hit and miss and I'm afraid this one is firmly in the 'miss' category for me. It's extremely slow, fails to build any kind of suspense or tension, and I frankly didn't care for any of the characters or their fate, including the two children, as harsh as that may sound.
The ending is rather predictable too and lacks the shock factor the director would have hoped to achieve. Perhaps the only positive is the acting - Karin Viard puts in a good performance as main character Louise and at least makes the film watchable.
All-in-all, another disappointing and unnecessary screen adaptation of a popular thriller novel.
The ending is rather predictable too and lacks the shock factor the director would have hoped to achieve. Perhaps the only positive is the acting - Karin Viard puts in a good performance as main character Louise and at least makes the film watchable.
All-in-all, another disappointing and unnecessary screen adaptation of a popular thriller novel.
Whilst the acting is good the storyline isn't and really it's all rather pointless right up to the rather twisted ending. It's a story that's been told before and better in films like The Hand That Rocks The Cradle.
I can't recommend it I'm afraid.
I can't recommend it I'm afraid.
Storyline
Did you know
- TriviaIt was not foreseen in the script that Karin Viard watch TV naked. "I suggested it to Lucie, who was obviously delighted because she didn't dare ask me. I wanted to show the abandonment. And I couldn't see myself doing it any other way than through this "uncomfortable" nudity. Even in the cinema, you have to manage to create this fourth wall, which we talk about in the theater. My character can pick his toenails naked, I don't care. I put aside my modesty as an actress, otherwise I wouldn't be right for the role," Viard says.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Sweet Song
- Filming locations
- 23 Rue Jean-Pierre Timbaud, Paris 11, Paris, France(Myriam & Paul's apartment building)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,701,077
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.85 : 1
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