A woman's search to uncover the mysterious disappearance of her husband leads her to the Congo, where she's forced to seek the truth about what happened to the man she loved.A woman's search to uncover the mysterious disappearance of her husband leads her to the Congo, where she's forced to seek the truth about what happened to the man she loved.A woman's search to uncover the mysterious disappearance of her husband leads her to the Congo, where she's forced to seek the truth about what happened to the man she loved.
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This story started off very well and can certainly be called a thriller, lots of intrigue and mystery. The scenery in the DRC is a true reflection of what the place really looks like, as well as the behavior of its notorious corrupted leaders, militia and elite citizens.
One can imagine truth in this story, but fortunately it is a fabricated tale and enjoyable to binge watch. Kate Beckinsale's performance was admirable, but the end plot less so.
Life in the DRC is not pleasant but many happenings seen in this series is based on fact.
One can imagine truth in this story, but fortunately it is a fabricated tale and enjoyable to binge watch. Kate Beckinsale's performance was admirable, but the end plot less so.
Life in the DRC is not pleasant but many happenings seen in this series is based on fact.
First off, yes, Kate Beckinsale's Botoxed lips are noticeable but not all that distracting. If you knew what she look like without them (lovely), then you wonder "WHY?". If not, it's not a big deal. I loved the premise, the scenery is lovely, the supporting performances pretty strong, and the plot engaging enough. I like a couple of the sub-plots involving sympathetic (if complex) secondary characters. They don't seem extraneous to me, just a welcome distraction. There is enough tension to keep me worried....but never for too long. Unfortunately, she takes risks without seeming to break a sweat that just stretch credulity too much. She puts others in danger, which is one of my major pet peeves with action shows or those involving revenge and single-minded quests. I think Beckinsale's acting is pretty good, but her character is underdeveloped in a lot of ways. She is supposed to be psychologically damaged and complex and twisted but she never seems multi-dimensional enough to make it work. Still, it's decent watch. I'm not sure they need another season though.
Watched it straight through while home sick with a virus going around. The Widow is not great, but is good and very enjoyable. I liked the actors and their characters, the themes about what is happening to the people of Africa due to greed, and the pacing. However, there are plot holes in places, and the ending seems rushed. And this is Africa but no wildlife? Bizarre. Still, the series was good company for a sick watcher and helped me get through.
I would class The Widow as very good overall. There's always a risk with eight part dramas that you got a flat lull in the middle, this one doesn't suffer from that, it's dramatic and entertaining the whole way through, until the final episode, which isn't great.
Superb acting throughout, everyone is excellent. Beckinsale does a great job, I just wish they'd given her a better hair extension, which doesn't alter with fights, chases, or anything. Ólafur Darri Ólafsson and Shalom Nyandiko are both superb throughout.
It has some terrifying moments of realism, the militia and child involvement the main ones, but there are times when you feel the need to suspend belief.
Very watchable, but who was Owen?
Superb acting throughout, everyone is excellent. Beckinsale does a great job, I just wish they'd given her a better hair extension, which doesn't alter with fights, chases, or anything. Ólafur Darri Ólafsson and Shalom Nyandiko are both superb throughout.
It has some terrifying moments of realism, the militia and child involvement the main ones, but there are times when you feel the need to suspend belief.
Very watchable, but who was Owen?
So a few thoughts to this show:
camera and director do many many things very right here. first of all: the show's pace. The tale follows a certain pace that you don't find often especially on TV. It's focus is more of a psychological one instead of hitting you in the face with action yet it always keeps a steady tension that drawns you to the story. It doesn't work with changes like shows that would build up a tension, release full blown action for the sake of it and then slows down to give you a contrast. This show keeps the pace for all but the last episode. Scenes that show a lot of action aren't hectic, scenes that show investigating, or characters thinking don't slow down boringly; yet the whole thing doesn't feel mushy - because of the way the story is told -
The story isn't told linear. You find multiple temporal levels. There's a now, there's a then and there's a before then. And even within the same time period the story doesn't always follow the course of time. Some people may find this annoying, I absolutely dig it. Of course it requires some attention and certainly isn't light fare. In addition, while the show hints you at details it doesn't explain those details right away. Sometimes you have to wait an episode or two to get shown the scene missing in the episode you're watching. Jumps to scenes from the past create a tessellation of the background information to understand what's really going on and why everything in the now is like it is. But it's only offered in pieces and creates an analogy to Beckinsale's character - as she collects bit per bit, so does the viewer.
Due to this style your perception of the characters change. People who seem like good people at the time may not seem as good while you suddenly feel a certain empathy with people that you deemed being bad after you're fed some background. These kind of twists are very well made. They don't try to sell you black for white by a completely unbelievable explanation, they just show that life is often not black nor white; we're all broken and in the end we all got our reasons. Of course this being a mini-series you can't expect a character development/assessment on the scope of The Sopranos or The Wire but with what little time they have they do an outstanding job. As for characters' actions it was good to see believable actions for a change. Everyone's acting within their logical and ethical limits and you don't have for example Kate Beckinsale running around like a madman with a shotgun to seek justice.
The camera work is in my opinion very good. The angles, the colours, the composition is just very harmonic and offers good immersion. The cut isn't too fast and doesn't distract from what's happening. This of course puts greater pressure on the actors and the script to transport the story to the viewer. Now Kate Beckinsale with utmost certainty isn't the greatest actress of the 21st century but must say, she did a really solid job and I was pleasantly surprised. The other actors also performed reasonably well. As I see reviews here criticizing the acting in this show I really wonder what they're used to because I generally have seen a lot worse performances. As for the mediocre/bad: I really disliked the last episode. It breaks with everything I've so far liked. It suddenly changes the pace, it skips the details and backgrounds and presents you with what seems to be an ending to fit the research of the studio as to how to appeal to the biggest audience - unfortunately not necessarily the audience that will watch all other episodes before. They should have probably gone with a different ending, but even going with this one it should have been either turned it into a 12-episode piece giving the events time to unfold instead of rushing through it in the last episode or just turned it into a written epilogue telling you the keypoints of what's happening in 5 sentences to the sound of violins.
Also when you got the whole story in front of you in the end there's slight disappointment since it's rather simple really and there are a lot of potentials or rather would have been that unfortunately can't be tapped due to the ending. There would have been enough material for a second season or a decent spin-off but unfortunately this has been blown.
Overall I can only say, go and watch it. You might want to go through it fast as I think it's not really meant to watch with lengthy interruptions. When you're looking for some light-hearted entertainment to shut your mind off to, this is probably not the show for you. Otherwise you're in for a treat.
camera and director do many many things very right here. first of all: the show's pace. The tale follows a certain pace that you don't find often especially on TV. It's focus is more of a psychological one instead of hitting you in the face with action yet it always keeps a steady tension that drawns you to the story. It doesn't work with changes like shows that would build up a tension, release full blown action for the sake of it and then slows down to give you a contrast. This show keeps the pace for all but the last episode. Scenes that show a lot of action aren't hectic, scenes that show investigating, or characters thinking don't slow down boringly; yet the whole thing doesn't feel mushy - because of the way the story is told -
The story isn't told linear. You find multiple temporal levels. There's a now, there's a then and there's a before then. And even within the same time period the story doesn't always follow the course of time. Some people may find this annoying, I absolutely dig it. Of course it requires some attention and certainly isn't light fare. In addition, while the show hints you at details it doesn't explain those details right away. Sometimes you have to wait an episode or two to get shown the scene missing in the episode you're watching. Jumps to scenes from the past create a tessellation of the background information to understand what's really going on and why everything in the now is like it is. But it's only offered in pieces and creates an analogy to Beckinsale's character - as she collects bit per bit, so does the viewer.
Due to this style your perception of the characters change. People who seem like good people at the time may not seem as good while you suddenly feel a certain empathy with people that you deemed being bad after you're fed some background. These kind of twists are very well made. They don't try to sell you black for white by a completely unbelievable explanation, they just show that life is often not black nor white; we're all broken and in the end we all got our reasons. Of course this being a mini-series you can't expect a character development/assessment on the scope of The Sopranos or The Wire but with what little time they have they do an outstanding job. As for characters' actions it was good to see believable actions for a change. Everyone's acting within their logical and ethical limits and you don't have for example Kate Beckinsale running around like a madman with a shotgun to seek justice.
The camera work is in my opinion very good. The angles, the colours, the composition is just very harmonic and offers good immersion. The cut isn't too fast and doesn't distract from what's happening. This of course puts greater pressure on the actors and the script to transport the story to the viewer. Now Kate Beckinsale with utmost certainty isn't the greatest actress of the 21st century but must say, she did a really solid job and I was pleasantly surprised. The other actors also performed reasonably well. As I see reviews here criticizing the acting in this show I really wonder what they're used to because I generally have seen a lot worse performances. As for the mediocre/bad: I really disliked the last episode. It breaks with everything I've so far liked. It suddenly changes the pace, it skips the details and backgrounds and presents you with what seems to be an ending to fit the research of the studio as to how to appeal to the biggest audience - unfortunately not necessarily the audience that will watch all other episodes before. They should have probably gone with a different ending, but even going with this one it should have been either turned it into a 12-episode piece giving the events time to unfold instead of rushing through it in the last episode or just turned it into a written epilogue telling you the keypoints of what's happening in 5 sentences to the sound of violins.
Also when you got the whole story in front of you in the end there's slight disappointment since it's rather simple really and there are a lot of potentials or rather would have been that unfortunately can't be tapped due to the ending. There would have been enough material for a second season or a decent spin-off but unfortunately this has been blown.
Overall I can only say, go and watch it. You might want to go through it fast as I think it's not really meant to watch with lengthy interruptions. When you're looking for some light-hearted entertainment to shut your mind off to, this is probably not the show for you. Otherwise you're in for a treat.
Storyline
Did you know
- TriviaAlthough the series is set in the Democratic Republic of the Congo, that country was deemed too dangerous for cast and crew. Jungle and rural scenes were filmed in the KwaZulu province of South Africa and the interiors were shot in Cape Town. Filming in the former British colony of South Africa (now the Republic of South Africa) explains why the vehicles have right hand drive as in the United Kingdom.
- GoofsThere are a lot of strange uses of the French language and several African speakers have the wrong accent. Some have a nearly perfect France accent, others sound American, nearly none actually speaks like people from Rwanda (which has few French speakers) or DRC.
- ConnectionsFeatured in Jeremy Vine: Episode #2.69 (2019)
- How many seasons does The Widow have?Powered by Alexa
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