Metacritic reviews

So, yeah, Kin is a bit of a biker movie, too. More important, it’s also a family drama. In their first-time feature-directing effort, twin brothers Jonathan and Josh Baker — speaking of kin — turn Cain and Abel inside out and upside down. Why be east of Eden when you end up that far west of Motown?

All the genre elements play like an afterthought, and that's frustrating because the rest of the movie isn't quite spry enough to stay interesting without action, adventure, or at least little more weirdness.

It’s a simple idea, to take this working-class family and introduce what amounts to a high-tech ray gun, but the hook is so effective that it buys Kin a fair amount of time before the story turns from scrappy to stupid.

Newcomer Myles Truitt inhabits the role with an earthbound soulfulness — what you might call the opposite of heroic flash — and even when the film’s progress feels more mechanical than organic, he’s easy to root for.

This mash-up of family drama and science fiction is a pleasant but unconvincing adventure with strong adolescent appeal and music by Mogwai.

It never feels complete or thought through enough, either as a story or more crucially, an emotional experience — which is exactly what audiences would need in order to want to see more.

Kin never feels like more than uninspired borrowings from other, better genre films; it’s a story about family without any heart.

I hated this clunker long before the third act “twists” that are supposed to make it better, make it make sense and give us hope that this is a future franchise.

Jonathan and Josh Baker's Kin, a feature that comprises little more than an extended introduction to its characters, resembles a TV pilot that's been released into theaters as a standalone property.

Kin is a movie about a child with an all-powerful firearm that makes him feel important and special and powerful. On a one-to-ten scale of moral fecklessness, this ranks about a thousand.