Directed by
Michael Sellers |
Writing Credits (in alphabetical order)
Ed Reilly | ... | (prologue) |
Michael Sellers | ||
Carroll Stewart | ... | (Ploesti sequence/epilogue) |
Nick Timmer | ... | (story introduction) |
Cast (in credits order)
Produced by
Jean Koznarek | ... | assistant producer |
Nancy Rose | ... | consulting producer |
Michael Sellers | ... | producer |
Cinematography by
Michael Sellers |
Editing by
Michael Sellers |
Sound Department
Luke Deardoff | ... | recording engineer |
Scott Gutierrez | ... | recording engineer / sound mixer (ploesti voiceover segment) |
Tyler Murray | ... | recording engineer |
Bryn Neuenschwander | ... | sound supervisor |
Eliott Taylor | ... | re-recording mixer / sound effects editor |
Chris White | ... | recording engineer |
Visual Effects by
Will Boisture | ... | visual effects artist: europe map |
Kim Lee | ... | visual effects artist: airfield recreation |
Dana Schechter | ... | visual effects artist |
Anthony Ventolora | ... | visual effects artist: control tower |
Paul Waszak | ... | visual effects artist: tactical maps/P-51 model |
Camera and Electrical Department
Rachel Bull | ... | assistant camera |
Nik Coleman | ... | camera operator: delf chapel scene / drone camera op |
Nicole Gilliam | ... | assistant camera |
Lace Ormrod | ... | assistant camera |
Lord Paul | ... | drone operator |
Editorial Department
Christina Aceto | ... | assistant editor |
Susan Araujo | ... | assistant editor |
Alan Dubin | ... | colorist |
Anthony Ventolora | ... | assistant editor |
Additional Crew
David M. Cuppage | ... | law services |
Sally Gates | ... | social media execution |
Scott Stewart | ... | publicity material |
Matt Taylor | ... | copy editor |
Jonathan C. Wolnik | ... | law services |
Thanks
Christina Aceto | ... | grateful acknowledgment |
Philip Aceto | ... | grateful acknowledgment |
Douglas Haase | ... | Haaseline Entertainment |
Larry LaFond | ... | grateful acknowledgment |
Larry Star | ... | American Airpower Museum |