82
Metascore
37 reviews · Provided by Metacritic.com
- 91The Film StageJared MobarakThe Film StageJared MobarakThis is a very personal story to Marder and it shows in the intricate ways he uses sound to place us within Ruben’s plight.
- 90Film ThreatAlex SavelievFilm ThreatAlex SavelievHere’s a film so quietly visceral it can sear through metal, “quietly” being the keyword. Don’t come in expecting a no-holds-barred assault on the senses. Nor is this a metal music extravaganza. The bulk of the film is silent, deliberate. We are thrust inside Ruben’s mind to hear what he hears, a pulsating, muted nothing, which is then jarringly contrasted with everyday sounds when we’re yanked back out of his head. The sound mixing and editing are nothing short of phenomenal in Sound of Metal.
- 88The Globe and Mail (Toronto)Barry HertzThe Globe and Mail (Toronto)Barry HertzA movie perfectly engineered for home viewing. Particularly with the best set of headphones that you own.
- 85Paste MagazineJoi ChildsPaste MagazineJoi ChildsAn experiment of sound design paired with a stellar lead performance makes for a captivating film.
- 83The PlaylistCharles BramescoThe PlaylistCharles BramescoMarder believes devoutly in the power of actors and acting, preferring to get out of the way and let them show their stuff. Ahmed returns the favor by delivering career-best work by a wide margin.
- 80The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeA film about the sudden onset of deafness that is too attentive to specifics of character and setting to ever feel like a rote disability drama.
- 75Slant MagazineDerek SmithSlant MagazineDerek SmithDarius Marder’s film captures, with urgency and tenderness, just how enticing the residue of the past can be.
- While Sound of Metal doesn’t venture to unexpected places, director Darius Marder — working from a script based on a story by “Blue Valentine” director Derek Cianfrance — keeps it all rooted in a heartfelt reality.