A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer's identity.A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer's identity.A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer's identity.
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When I saw the trailer for this movie I admit I rolled my eyes and groaned that they were trotting out the circular time gimmick again. It was of course classic in Groundhog Day, but never seemed to click since then. I was dubious, but after seeing it with my own eyes, I can say I had a great time. I'm not sure if Blum House intended it to be funny, but it had a lot of humor in it, enough I would say to qualify it as a dark comedy. The cast was superb and while it didn't offer anything groundbreaking in terms of murders/deaths, I didn't mind because the story was so well connected and it really had me guessing right up until the end. Another litmus test for the quality of this movie is that the audience was rather quiet during the presentation. I've been to enough of these films to know that when you get a young audience seated in the dark and the film is a snooze, they'll start to talk and whisper and just annoy the Hell out of you. This movie managed to hold the attention of the entire audience and in this day and age I must say, that is an achievement in and of itself. I wasn't prepared to enjoy Happy Death Day as much as I did, but even I can admit when I was wrong. It worked from start to finish. I wasn't aware that Scott Lobdell wrote the script, but when I saw his name in the credits, I realized another reason I enjoyed it. I am familiar with his writing in the comic book industry and he is one of the more notable scribes. It's good to see the skills transfer.
Saw 'Happy Death Day' as somebody who was fascinated by the concept, found the advertising interesting and good enough to warrant a view and who appreciates horror when done well. Seeing it just before Halloween as part of my Halloween celebrations, will admit to not being as bowled over by the film as would have liked but enjoying it a good deal.
As surprisingly interesting as the advertising was (and there has been some dreadful advertising this year, a notable recent example being the completely mis-marketed 'Geostorm'), it is also misleading. One would expect a truly frightening film judging from the trailers, but actually 'Happy Death Day' happened to be much more than what was indicated and wasn't what one would call terrifying or sleep-with-the-light-on-for-a-week. The good news is that 'Happy Death Day' actually makes the most of its concept, refreshing having seen films recently that had concepts that they didn't do anywhere near enough with. The not so good news is that as enjoyable as it was it did feel like something was missing.
It is easy to see why lots of people will like, and have liked 'Happy Death Day'. It is just as easy to see why it will be, and has been, a let-down for others. My opinion has shades of both, leaning towards the former. 'Happy Death Day' may be somewhat standard (while the concept is a pretty unique one, some of the story elements aren't), superficial (other than the lead character, the characters are developed very flimsily) and some parts don't make as much sense as they could and feel unfinished.
Was expecting more from the killer twist reveal, which is not as clever and surprising as one would like and the whole ending felt rather silly and rushed to me (the killer's motive also came over as really trivial for an elaborate set-up). A little slow to begin with too, it's once the concept kicks in when 'Happy Death Day' properly comes to life and maintains that energy for the rest of the film.
For all those faults though, 'Happy Death Day' is also refreshingly self-aware, almost very much aware of its standard-ness and superficiality and acknowledges it, and manages to be lots of fun, creepy-suspenseful and surprisingly thought-provoking. Gruesomely funny sums it up very well.
'Happy Death Day' is a long way from amateurish visually, the photography is stylish rather than slapdash, the editing has suitably unnerving moments and the lighting is atmospheric. Christopher Landon never lets it get too heavy while not diluting the fun or scares, and the at times haunting and at others times funky soundtrack adds a lot.
When it comes to the script, 'Happy Death Day' is full of knowing humour and never removes its tongue from its cheek, instead keeping it firmly intact throughout which proved to come off really well. It also really makes one think. The story execution is not perfect, but it's never dull and has some neat twists and turns that stops it from being predictable and repetitive.
Jessica Rothe should become a bigger star after her excellent lead turn here, she has been acting a few years before this but this is the first time where she really held my attention and allowed me to take proper notice of her. Israel Broussard is also very believable and the two have great chemistry together. The acting on the whole is solid but essentially it's all about Rothe and she is one of the main reasons why 'Happy Death Day' is worth a viewing.
Overall, a long way from perfect but quite enjoyable. 6/10 Bethany Cox
As surprisingly interesting as the advertising was (and there has been some dreadful advertising this year, a notable recent example being the completely mis-marketed 'Geostorm'), it is also misleading. One would expect a truly frightening film judging from the trailers, but actually 'Happy Death Day' happened to be much more than what was indicated and wasn't what one would call terrifying or sleep-with-the-light-on-for-a-week. The good news is that 'Happy Death Day' actually makes the most of its concept, refreshing having seen films recently that had concepts that they didn't do anywhere near enough with. The not so good news is that as enjoyable as it was it did feel like something was missing.
It is easy to see why lots of people will like, and have liked 'Happy Death Day'. It is just as easy to see why it will be, and has been, a let-down for others. My opinion has shades of both, leaning towards the former. 'Happy Death Day' may be somewhat standard (while the concept is a pretty unique one, some of the story elements aren't), superficial (other than the lead character, the characters are developed very flimsily) and some parts don't make as much sense as they could and feel unfinished.
Was expecting more from the killer twist reveal, which is not as clever and surprising as one would like and the whole ending felt rather silly and rushed to me (the killer's motive also came over as really trivial for an elaborate set-up). A little slow to begin with too, it's once the concept kicks in when 'Happy Death Day' properly comes to life and maintains that energy for the rest of the film.
For all those faults though, 'Happy Death Day' is also refreshingly self-aware, almost very much aware of its standard-ness and superficiality and acknowledges it, and manages to be lots of fun, creepy-suspenseful and surprisingly thought-provoking. Gruesomely funny sums it up very well.
'Happy Death Day' is a long way from amateurish visually, the photography is stylish rather than slapdash, the editing has suitably unnerving moments and the lighting is atmospheric. Christopher Landon never lets it get too heavy while not diluting the fun or scares, and the at times haunting and at others times funky soundtrack adds a lot.
When it comes to the script, 'Happy Death Day' is full of knowing humour and never removes its tongue from its cheek, instead keeping it firmly intact throughout which proved to come off really well. It also really makes one think. The story execution is not perfect, but it's never dull and has some neat twists and turns that stops it from being predictable and repetitive.
Jessica Rothe should become a bigger star after her excellent lead turn here, she has been acting a few years before this but this is the first time where she really held my attention and allowed me to take proper notice of her. Israel Broussard is also very believable and the two have great chemistry together. The acting on the whole is solid but essentially it's all about Rothe and she is one of the main reasons why 'Happy Death Day' is worth a viewing.
Overall, a long way from perfect but quite enjoyable. 6/10 Bethany Cox
I think people going to see this movie are expecting wayyyy to much from a slasher movie. I'm rating it based on what I expected, and I was certainly impressed. This movie wasn't trying to be anything more than another murder movie, but what made me want to see it was the idea of taking Groundhog Day (which it fully admitted to ripping the idea from) and turning it into a slasher film. I was actually surprised it held back on gore and blood. I was fully expecting it to be all the tropes of gross-out killings, but it was instead focused more on character development and the story. I admit the characters are a bit one-dimensional, but again, it's a slasher movie. It's trying to win any academy awards here. In many ways I think it's parodying those one-dimensional characters of college trope characters and the "last girl" in horror movies because it goes all-in on establishing the main characters as somebody you're meant to hate at first. The ending genuinely took me in a direction I didn't anticipate, and then it took me back to what I was expecting, but did it in a way that I felt fresh. All in all, I had fun watching this movie, which I think what this movie was meant to be: Fun.
I've been looking forward to this ever since I saw the teaser trailer, sadly it's taken me this long to get around to it.
So did it live up to expectations? Not entirely, but I walked away happy regardless.
For those unaware it's Groundhog Day (1993) with murder as we see a girl repeatedly being killed off only to start to day anew. Personally I loved this idea and was curious with where they were going to go with it.
The traditional slasher tropes are all present, some great dark humor is in the script and the cast are all on point. Notable especially is our leading lady Jessica Rothe who was excellent though I spent half the movie baffled by just how much she looks like Melissa Benoist.
I'm not sure the finale was up to the same quality as the rest of the film and that is perhaps why it's receiving a 7 not an 8. Something about it just felt inferior and saw the movie go out with a bit of a fizzle.
Regardless I can see why the film was so successful, congratulations to everyone involved because though I didn't find it as mind blowing as I'd hoped I can't deny that this is a very inventive fun little film.
The Good:
Jessica Rothe
Cast are all great
Fantastic concept
Some great ideas
The Bad:
Weak soundtrack for a movie of this ilk
Finale was underwhelming
Hearing the same dialogue repeatedly can get frustrating
So did it live up to expectations? Not entirely, but I walked away happy regardless.
For those unaware it's Groundhog Day (1993) with murder as we see a girl repeatedly being killed off only to start to day anew. Personally I loved this idea and was curious with where they were going to go with it.
The traditional slasher tropes are all present, some great dark humor is in the script and the cast are all on point. Notable especially is our leading lady Jessica Rothe who was excellent though I spent half the movie baffled by just how much she looks like Melissa Benoist.
I'm not sure the finale was up to the same quality as the rest of the film and that is perhaps why it's receiving a 7 not an 8. Something about it just felt inferior and saw the movie go out with a bit of a fizzle.
Regardless I can see why the film was so successful, congratulations to everyone involved because though I didn't find it as mind blowing as I'd hoped I can't deny that this is a very inventive fun little film.
The Good:
Jessica Rothe
Cast are all great
Fantastic concept
Some great ideas
The Bad:
Weak soundtrack for a movie of this ilk
Finale was underwhelming
Hearing the same dialogue repeatedly can get frustrating
Jessica Rothe shines through in this tongue in cheek horror. It's a film that doesn't take itself too seriously, the characters, means of death, and outlandish humour move it into the horror comedy genre.
I loved the reference to Groundhog Day at the end of the film, I would imagine there was some sort of in joke there, and of course any film that involves the loop storyline will have reference to the great Bill Murray film.
There were some great twists and turns, the best one coming at the end. This was very enjoyable. 7/10
I loved the reference to Groundhog Day at the end of the film, I would imagine there was some sort of in joke there, and of course any film that involves the loop storyline will have reference to the great Bill Murray film.
There were some great twists and turns, the best one coming at the end. This was very enjoyable. 7/10
Storyline
Did you know
- TriviaAccording to director Christopher Landon, Tree Gelbman's punchline, "Who takes their first date to Subway? It's not like you have a footlong," was improvised by Jessica Rothe.
- GoofsWhen Tree wakes up for the last time, you can see a camera lens and matte box pulling away from her in the bottom-left corner of the screen as she sits up in bed.
- Quotes
Tree Gelbman: [to her father] It's been so much worse. All of this running and hiding has made me so miserable. And I think I finally figured it out. I mean, it took something, like, totally crazy, but... but I'm here. And I love you. And I'm so, so sorry that I hurt you.
- Crazy creditsThe opening Universal logo gets abruptly sucked into oblivion and then restarts, referencing the film's time loop element. This happens twice before the logo finally plays uninterrupted.
- ConnectionsFeatured in FoundFlix: Happy Death Day (2017) Ending Explained (2017)
- SoundtracksBusy Day Birthday
Written by Stephen Baird and Robert Stripling
Performed by The Trak Kartel
Courtesy of John Fulford Music
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Feliz día de tu muerte
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,800,000 (estimated)
- Gross US & Canada
- $55,683,845
- Opening weekend US & Canada
- $26,039,025
- Oct 15, 2017
- Gross worldwide
- $125,479,266
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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