In 2016 BC, a kind farmer leads an uprising in the city of Mohenjo Daro.In 2016 BC, a kind farmer leads an uprising in the city of Mohenjo Daro.In 2016 BC, a kind farmer leads an uprising in the city of Mohenjo Daro.
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Manish Chaudhari
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Tried to make an interesting story around the historic city, but failed to make any interesting impact. By picking usual things from great movies, it frames just to be a standard average movie. Hrithik again impresses with his amazing body language and acting skills. These type of roles looks perfect on him. Ashutosh Gowariker didn't work too hard for this. Hence, the result shows nothing but a good cinematography.
Storyline Rating: 2 Content: 2 Commercialization: 4 Entertainment: 2
Acting Rating: 3 Hrithik Roshan: 4 Pooja Hegde: 2 Kabir Bedi: 2 Arunoday Singh: 3 Piyush Mishra: 3
Direction Rating: 2
Music Rating: 2
Cinematography: 4
Editing: 2
Storyline Rating: 2 Content: 2 Commercialization: 4 Entertainment: 2
Acting Rating: 3 Hrithik Roshan: 4 Pooja Hegde: 2 Kabir Bedi: 2 Arunoday Singh: 3 Piyush Mishra: 3
Direction Rating: 2
Music Rating: 2
Cinematography: 4
Editing: 2
Mohenjo Daro was one of my most anticipated movies of 2016, and well, it wasn't good. This is probably the most disappointing movie I've seen all year unfortunately. Even though it's directed by the great Ashutosh Gowariker, it has so many problems that make it a very disappointing movie.
As always, I'll start with the positives. Hrithik Roshan is great in this role and by far the best part of the movie. Pooja Hegde is good as the female lead and I can see her as a future Bollywood star. A. R. Rahman's music is phenomenal and certain action scenes were done well. That's about it.
My biggest problem with the film is that it doesn't know what kind of movie it wants to be. There's so many story-lines that are left hanging by the end of the film. The plot is so muddled and somewhere in there is a good movie with a good story. Kabir Bedi as the villain is pretty disposable but his character's son is even worse. The last 30 minutes of the movie are a complete awful shoehorned in subplot trying to make Hrithik's character looking like Noah and Moses.
Overall, Mohenjo Daro is an extremely disappointing movie and wasted potential. This could have been another masterpiece for Gowariker but it is a mess of a movie.
Mohenjo Daro gets a D.
As always, I'll start with the positives. Hrithik Roshan is great in this role and by far the best part of the movie. Pooja Hegde is good as the female lead and I can see her as a future Bollywood star. A. R. Rahman's music is phenomenal and certain action scenes were done well. That's about it.
My biggest problem with the film is that it doesn't know what kind of movie it wants to be. There's so many story-lines that are left hanging by the end of the film. The plot is so muddled and somewhere in there is a good movie with a good story. Kabir Bedi as the villain is pretty disposable but his character's son is even worse. The last 30 minutes of the movie are a complete awful shoehorned in subplot trying to make Hrithik's character looking like Noah and Moses.
Overall, Mohenjo Daro is an extremely disappointing movie and wasted potential. This could have been another masterpiece for Gowariker but it is a mess of a movie.
Mohenjo Daro gets a D.
How much we knew about Mohenjo Daro before watching this movie? now I analyze how much do I know about Mohenjo Daro? As we all know from our text books that nothing much is available about this civilization but only the ruins which were discovered around 1920.
So it is safe to say that we see an outright fictionalized account of Mohenjo Daro, it is centered in 2016 BC, where farmers from a small village grow indigo and sell it in Mohenjo Daro. Sarman (Hrithik Roshan), a young man, who sees visions of one-horned animal, vows to go to Mohenjo Daro as he ruminates and thinks he has a connection with Mohenjo Daro. His father Durjan (Nithish Bhardwaj) sends him reluctantly, giving an amulet and warns to open it only when in extreme jeopardy. He comes to Mohenjo Daro, got besotted by Chaani (Pooja Hegde) and engulfs himself in the malevolent and evil practices of the king Maham (Kabir Bedi) and his son Moonja (Arunoday Singh).
We see large set depicting the old era, where Sarman fights with an artificial Crocodile and it looked atrocious, we are living in the period where we have seen an immaculate versions of CGI technology, people cannot distinguish real or fake. Why can the filmmakers not make use of it? And why are they presenting these stale graphics to the people who have seen Bahubali and some of them just seen The Jungle Book?
The screenplay is filled with clichés because once it is a loud love story then a revenge saga then a rescue operation of mankind against a goddamn dam.
The characterization is hackneyed as characters were introduced by characters. Here we again loose the leading lady, she has only one expression and could not even do justice to a scene where her father dies. Other actors play their parts flawlessly as everyone were seasoned. However, a sloppy script has never been saved by an ensemble cast.
The costume design is appalling; it could have been better because we can see the amount of money thrown into every frame. A.R. Rahmans's music is ordinary and it does not have the melody which we have heard before.
Overall, a boredom with cheesy script and clichéd characters. If you are a hardcore Hrithik Roshan fan and want to see one or two good fight sequences, watch it or wait till it airs on one the TV channels.
5/10.
So it is safe to say that we see an outright fictionalized account of Mohenjo Daro, it is centered in 2016 BC, where farmers from a small village grow indigo and sell it in Mohenjo Daro. Sarman (Hrithik Roshan), a young man, who sees visions of one-horned animal, vows to go to Mohenjo Daro as he ruminates and thinks he has a connection with Mohenjo Daro. His father Durjan (Nithish Bhardwaj) sends him reluctantly, giving an amulet and warns to open it only when in extreme jeopardy. He comes to Mohenjo Daro, got besotted by Chaani (Pooja Hegde) and engulfs himself in the malevolent and evil practices of the king Maham (Kabir Bedi) and his son Moonja (Arunoday Singh).
We see large set depicting the old era, where Sarman fights with an artificial Crocodile and it looked atrocious, we are living in the period where we have seen an immaculate versions of CGI technology, people cannot distinguish real or fake. Why can the filmmakers not make use of it? And why are they presenting these stale graphics to the people who have seen Bahubali and some of them just seen The Jungle Book?
The screenplay is filled with clichés because once it is a loud love story then a revenge saga then a rescue operation of mankind against a goddamn dam.
The characterization is hackneyed as characters were introduced by characters. Here we again loose the leading lady, she has only one expression and could not even do justice to a scene where her father dies. Other actors play their parts flawlessly as everyone were seasoned. However, a sloppy script has never been saved by an ensemble cast.
The costume design is appalling; it could have been better because we can see the amount of money thrown into every frame. A.R. Rahmans's music is ordinary and it does not have the melody which we have heard before.
Overall, a boredom with cheesy script and clichéd characters. If you are a hardcore Hrithik Roshan fan and want to see one or two good fight sequences, watch it or wait till it airs on one the TV channels.
5/10.
Ashutosh Gowariker has again come up with an interesting theme, but too bad, the execution falls through.
Sarman (Roshan) is an inquisitive farmer-cum-merchant who travels to the city of Mohenjo Daro to sell his yields against the wishes of his well-wishers. He is an outspoken and courageous fellow who enters the city, sells his first batch, and immediately falls in love with Chaani (Hegde), a princess of some kind who is widely known in the city to be a ray of hope for the citizens. Chaani reciprocates and Sarman pledges his alliance of love. However, Chaani's hand in marriage has already been given to Moonja (Singh), heir of the crown which is currently held by the dark-eyed, evil Maham (Bedi). Soon Sarman gets embroiled in the city's merchant market and becomes the voice of the poor against Maham and Moonja, the evidently autocratic rulers. His love for Chaani gives him power and helps him avenge a hidden truth and save the entire civilization from an inevitable flood.
The story is clichéd, no doubt about it. But, even the arcs that take the running time to about 150 minutes, are muddled with clichés and usualness. What an average viewer would expect from a theme like this is some novel insights into how the civilization worked, its market, its people, its culture. But, all we see is mockery of the civilization; introducing a unicorn and basing your cultural dance on it is not the way to go for a historical film. I personally do not know much about the city other than what my grade X history books taught me, but I was expecting something else - not 21st century AD in the disguise of 21st century BC.
The reason I rate this a 5 is because of the action sequences, the production setup, and an average execution. It's very clear that the writers did less-to-no research for this film, or they purposely tried to mix fictional romance into a topic held sacred by so many. Otherwise, it would have been a much interesting watch.
Roshan and Bedi perform well among the cast. Hegde should take more acting lessons. Music is not exhilarating and neither is the CGI. That's it; not much to talk about.
BOTTOM LINE: Ashutosh Gowariker's Mohenjo Daro is a disappointment; but we were warned, weren't we? Wait for TV premiere.
Can be watched with a typical Indian family? YES
Sarman (Roshan) is an inquisitive farmer-cum-merchant who travels to the city of Mohenjo Daro to sell his yields against the wishes of his well-wishers. He is an outspoken and courageous fellow who enters the city, sells his first batch, and immediately falls in love with Chaani (Hegde), a princess of some kind who is widely known in the city to be a ray of hope for the citizens. Chaani reciprocates and Sarman pledges his alliance of love. However, Chaani's hand in marriage has already been given to Moonja (Singh), heir of the crown which is currently held by the dark-eyed, evil Maham (Bedi). Soon Sarman gets embroiled in the city's merchant market and becomes the voice of the poor against Maham and Moonja, the evidently autocratic rulers. His love for Chaani gives him power and helps him avenge a hidden truth and save the entire civilization from an inevitable flood.
The story is clichéd, no doubt about it. But, even the arcs that take the running time to about 150 minutes, are muddled with clichés and usualness. What an average viewer would expect from a theme like this is some novel insights into how the civilization worked, its market, its people, its culture. But, all we see is mockery of the civilization; introducing a unicorn and basing your cultural dance on it is not the way to go for a historical film. I personally do not know much about the city other than what my grade X history books taught me, but I was expecting something else - not 21st century AD in the disguise of 21st century BC.
The reason I rate this a 5 is because of the action sequences, the production setup, and an average execution. It's very clear that the writers did less-to-no research for this film, or they purposely tried to mix fictional romance into a topic held sacred by so many. Otherwise, it would have been a much interesting watch.
Roshan and Bedi perform well among the cast. Hegde should take more acting lessons. Music is not exhilarating and neither is the CGI. That's it; not much to talk about.
BOTTOM LINE: Ashutosh Gowariker's Mohenjo Daro is a disappointment; but we were warned, weren't we? Wait for TV premiere.
Can be watched with a typical Indian family? YES
Ashutosh Gowarikar is a genius and you just cannot complain much about the direction. The sets and cinematography are top-notch which has made it a visual treat. The action sequences are very well executed. About the music, Mohenjo Mohenjo and Tu Hai songs create magic on screens. The background score is sheer brilliance and gives you goosebumps. About the performance, Hrithik Roshan undoubtedly has delivered one of his career best performance. He nails the character head on and proves that only he could have played such character. His transformation from a small former to a lover and then to a fighter is legendary.Pooja Hedge makes a good debut. You will fall for her innocence and grace at the same time. She makes a good pair with Hrithik Roshan too. But we wished to see her more in the film. The supporting cast is OK. As a whole, it's a brilliant movie. Go watch it.
Storyline
Did you know
- TriviaThe current location of the historical Mohenjo Daro ruins is in the Sindh province of Pakistan.
- GoofsIn the end of the movie when Sarman sees his father's skeleton after around 20 plus years, its been reduced to only bone, everything else is gone but still pieces of its cloths are remaining.
- Crazy creditsBefore turning into English, the title of the film appears in Harappan script.
- ConnectionsReferenced in The Kapil Sharma Show: Team Mohenjo Daro in Kapil's Show (2016)
- SoundtracksMohenjo Mohenjo
Vocals by A.R. Rahman, Arijit Singh, Bela Shende, Sanah Moidutty
Lyrics by Javed Akhtar
Music by A.R. Rahman
- How long is Mohenjo Daro?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Мохенджо Даро
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,264,339
- Opening weekend US & Canada
- $747,791
- Aug 14, 2016
- Gross worldwide
- $1,630,231
- Runtime2 hours 35 minutes
- Color
- Aspect ratio
- 2.35 : 1
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