Dope

Grab a coming-of-age film with 3 innocent teens, slap an R (MA15+) rating on it and you get this very 'dope' film. Dope is easily one of the most interesting and by far unique films of the last few years. You go in expecting one thing, and come out of it getting something far from what you wanted. Usually that would be a bad thing, but this film was so intelligent and different that you can't help but leave with a smile on your face. I was expecting some sort of run of the mill coming-of-age comedy after seeing the trailer, but the film is much more complex than that, incorporating lots of themes and ideas that make you think while also keeping up the fun entertainment the whole way through. It was just a really refreshing thing to see in a world where most films today are just borrowing from other successful films. This movie has fantastic performances, an entertaining and fun plot that takes turns you never expect, and a great visual style that makes this stand out on its own in the Coming-Of-Age film genre.

Lets talk about these performances shall we, because these are three that will most likely get severely overlooked this year but i don't think it is the last we have heard of some of these actors. Your main guy Shameik Moore did an incredible job at playing Malcolm, this teenager who is trying to keep in line with school and college whilst all of these problems come his way that force him to be someone more than just the geek. He was great at conveying that this guy really wants to do good in the world but sometimes things happen that force you to act against your own instincts. He handled the serious intense scenes well, he delivered so great on the comedy and has definitely opened the door on his movie career. The other great performance was Tony Revolori who was so funny and witty and played his character well. I loved him in last years 'The Grand Budapest Hotel' so i had no doubt he would be great in this and he did not disappoint. His character could very easily been the dopey side character who is only around for comic relief but he proved to be an integral part of the film. But my favourite performance had to be by Kiersey Clemons who absolutely killed it in what is her breakout roll. She brought so much life and personality not only to her character but also to the film and made it infinitely more funny and entertaining. I can't wait to see her in more things because i loved her in this.

Lets talk about the plot, storytelling and structure of this film because it was mostly very very well made and told. I have to give a load of credit to the writers of this film because the plot for this film did not go in any direction i could've thought of in a million years. It was so engaging and there was a sense of urgency to the film, like, you always are wanting to know what will happen next and where the film is going to take you. Incredible writing that worked really really well. While i was watching the film i wasn't so thrilled with the first 15 minutes or so, i felt that it was taking too long to introduce these characters and showing things that didn't look like they were leading anywhere. But by the end of the film, everything about the beginning pays off, you get this very interesting before and after that incorporates some interesting themes about being yourself and thats where the film does great at incorporating some positive messages.

The film got a little patchy at times, where it was kind of dwelling on one thing when i wanted to move on to see what was going on with something else, but that was very quick and minor and didn't hurt it that much. In the end, this film was full of awesome, refreshing ideas that took the coming-of-age genre i love to new heights. Packed with comedy, some well used action, as well as incorporating crime and drama elements, this really was a complete package and is an indie film you should definitely check out and have a 'dope' ride. - 8.4

The trailer was a great visual feast but it doesn't show the scale of the movie and how excellent it is. 3 kids from Inglewood, CA, a town we're usually not asked to care about, have to wise up about drug dealing. I actively tried to find a bad performance, and I couldn't find a single one. Unlike many other "black" films, this one has comedic elements and tries to get you to laugh using memes and potty humor. Typically, this would carry a negative connotation, but in the case of this movie it is excellently executed and the pace is so quick that you don't even care how juvenile it is. I encourage everyone to watch this movie when it releases in June, specifically on the 19th. I'm sure it won't have the story it did at Sundance, however. Open Road may change a few elements of the story, which would be a shame. I'm giving this one a 9/10, just in case the movie isn't as good as it once was at Sundance, so bear that in mind.

DOPE review by Mike Smith

Life changes for Malcolm, a geek who's surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.

This movie stuck with me for days. The story was rich, it kept me glued; it was exciting, crazy, funny, and all around a good watch. I connected with this film which is odd because I only share a small fraction of experience with this story. DOPE made me wanting more.

I really like that most of the cast is not well known; Shameik Moore is a great lead and his acting style reminds me of Don Cheadle. The fact that this was his first lead roll and he kept me glued to the screen makes me want to see what else he will do in his career. Tony Revolori is more of a comedic relief and Kiersey Clemons is more the voice of reason in the 3 person crew. DOPE has a big cast but everyone else is in and out really quickly. One person who made me laugh as soon as he hit the screen was Blake Anderson as the stoner hacker. There is so much to this movie that there could be another one made of just the co stars.

Sure this film is similar to others we have all seen in the past, the cuts and rewinds were well done and it felt different because it's been a while since I saw it in a film. I'm not a hip hop fan and not all of the music is hip hop and rap but I enjoyed it.

This film may not connect with you but I liked it. At times the film does drag a bit; most of the first act is forgettable and be prepared for more "N" words than Django unchained. Cheers and remember like won't suck as long as there is a good movie to watch.

7.5 out of 10

edited by Samantha Locke

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If you watch a lot of films, you develop an instinct for what is happening behind the camera. Some films -- heck, most films -- are all about the money, the box office, the payoff.

Not so with auteur Rick Famuyiwa's DOPE. Running at an overlong 1:45, you sense that money might have been the last thing on this writer/director's mind when he crafted the script; created some of the most endearing characters in modern film; carefully snuck into the dialog his puns, life lessons and bon mots; extracted top performances from his team; and ultimately created an experience that more "overwhelms" the viewer with images and ideas than "overpowers."

I liked it. I really liked it. But I go out of my way to catch films that most mainstream viewers don't, because film as a medium fascinates me.

The other IMDb members have done some great reviews and I don't want to repeat what has been said.

I do want to add this: technically the film is almost perfect. There is nothing obviously wrong with any scene, trope, performance ... it all works. And passion? There is tons of passion, nicely hidden in the script, obvious only in the way the film alternates back and forth between fast noisy action, and contemplative self-absorbed scenes of the type you would be more likely to find in a Woody Allen picture. Even with voice-over.

It has everything but pacing -- and that is the critical flaw. Famuyiwa tried so hard to cram so much into DOPE that the film lacks internal rhythm. By the very end, the viewer, while appreciative of the characters and the story, is pretty much lost.

One hopes that in his next project Famuyiwa will pay more attention to the viewers and less to his own "bucket list" of things he wants to cram into the story.

In that way, what starts as merely good ... could be great.

"Dope" is not the movie that you probably expect when hearing the title. I want to stress that. The word itself has negative connotations (with most thinking immediately of drugs when they hear it), and though it certainly deals with things of that sort, it isn't really that simple. The few definitions of the word are addressed at the beginning of the film, most notably as a slang term referring to something that is "very good". This definition, my favorite of the few, seems to capture the movie in the best light.

Essentially, this is a coming-of-age picture. Our main character is Malcolm, a high-school senior who's obsessed with 90s hip-hop culture, and who constantly shows this affection by emulating the fashion and language of the time. He's a straight-A student with perfect SAT scores and seems to have everything under control - despite a few bullies - until he finds himself taking a chance invitation to a drug dealer's birthday party along with his two best friends. From there, he's taken on a crazy adventure littered with bad choice after bad choice, all the while juggling college applications and interviews that will surely determine his future.

Writer/Director Rick Famuyiwa strips the film of any tired clichés or stereotypes for African-American characters, and surprisingly manages to infuse details that question the issues of racism and class discrimination. But above all, he makes a really fun movie. The writing is sharp and humorous, with the acting from the main trio - Shameik Moore, Tony Revolori, and Kiersey Clemons - complimenting it excellently. And though it's undoubtedly rough around the edges, its wit and ceaseless energy make it irresistible.