Turbo Kid

Turbo Kid can basically be summarised as 'The Road Warrior' on bicycles. Basic post-apoc tropes apply, and it makes no attempt to be anything other than what it is. And it does so admirably. The story is simple (in a good way), the soundtrack admirable and the scenery is appropriately bleak.

'B-movies' like this are hard to judge in terms of acting, but the actors play their parts admirably. It may be cringe worthy or cheesy to some, but its grand nonetheless. The effects are 'cheap', over the top and feel very 'dated', but in a good way.

If you love cheesy 80s action flicks, enjoyed Kung Fury and the like you'll feel right at home. Grab the SO, some popcorn and relax. It'll be a fun time.

...that I had to check at the end to see if they made it(as a note it turns out they are still in business but didn't make this one). Personally a fan of the B movie classics like Toxie and et al, but to each his own.

To the movie... campy but fun. Very low budget and it looks it. Acting over done. Special effects over done 80s vintage. Script is shallow but amusing...well you get the idea.

Bottom line if Plan B or the Toxic Avenger bring a smile, if you can't wait for the next Tarantino film or next Sharknado flick then you will likely enjoy this film.

"Turbo Kid" is a post-apocolypic comedy that I've seen described as "Mad Max meets BMX." I don't know if I'd agree that, however. "Turbo Kid" feels a lot more like its own thing. "Mad Max" is set in the Wasteland, and the latest MM film had a multi-million dollar budget. "Turbo Kid," in contrast, was Canadian funded (ouch) and is set in Canada (in November, it looks like) and everyone rides bicycles.

Yeah.

I like this movie: in fact, I watched a lot of it with a smile on my face. It's almost a perfect movie, except for one thing: Apple and "The Kid" have too many "moments" together. You know, "moments?" Too many times when they lock eyes, stare for a moment, and then both smile slowly-- gah. Also, a lot of their dialogue is a bit too awkward for my tastes, but tastes are as arbitrary as... film reviews (teehee.)

However, "moments" aside, a lot of this movie is just great. Apart from its fight scenes, which are both glorious and hilarious, a lot of "Turbo Kid's" charm stems from its celebration of the 80's and 90's. Everything from its kicking soundtrack, Commander Keen (and flannel!) costumes, and even its title is a retro sendup. Seriously: there's a campfire scene where they're using VHS tapes instead of logs. Brill!

Michael Ironside is also great. I only knew him as Sam Fisher, a henchman from "Total Recall," and the dude rockin' the awesome mullet in "Highlander 2," but after "Turbo Kid" I've learned that Ironside is a treasure-- and he's funny in this. Laurence Leboeuf deserves a shoutout too, even though she's essentially playing the "Manic Pixie Dream Girl" stereotype. However, she deserves credit because she takes what could be extremely awkward material ("moments") and just runs with it. And the I like that she doesn't cover up her Quebecois accent.

Actually, you know what? *Everyone* is great in this-- Skeletron, your wild eyes rocks my socks, and Frederic, you're hilarious because your super-intense character lampoons Mel Gibson. A lot heart went into "Turbo Kid." That's what makes it a loving parody.

Maybe in 30 years we'll see 2010 kids make a movie lampooning reality TV, social media, and dumb phrases like "FTW" and "be awesome." Or maybe by then we'll have moved on from "meta" culture--I don't know. But "Turbo Kid" is a both brilliant parody and a loving tribute to 80's and 90's pop culture, and it has a lot of heart.

Definitely worth watching.

I don't really have any previous knowledge of most of the actors or seen or heard anything prior to watching the movie apart from the trailer.

I won't go into plot details as there are other reviews that did that way better.

What I do want to say though is: set your expectations right!!! If you liked what you saw in the trailer, hey...if you liked the poster and know what "homage" means as a genre then go see it! But if you are not aware of those things....please don't come back here giving ratings of 1 and saying how bad this movie was.

It's one of those artsy movies that you'd better watch on your own in my opinion. The universe is very captivating. The characters are likable and relatable. They are pure and innocent in a way. There is no nudity in the movie. And the gore is 80's style, but you could probably go with a tween or a teen. It's way safer than what Hollywood offers to that audience.

I really enjoyed the movie. If you have open mind, some time and know what to expect it's a nice treat at the beginning of the autumn. If some of those things do not apply to you, then you'd probably skip or leave the cinema.

When it comes to plot, Turbo Kid isn't exactly the most cerebral. A lot of the runtime focuses on the friendship between The Kid and Apple, and how her happy-go-lucky attitude is a stark contrast to his coy, safe existence. There's some backstory flashbacks inserted every now and then that shows a connection between The Kid and Zeus, and the conflict between them establishes a reason for all the action.

But the plot is fairly superfluous to Turbo Kid's true purpose, and that's 80s nostalgia and homage. The whole thing feels like a post-apocalyptic movie made in the 80s, with nods to the movies of the time wherever you look. My favourite of which is everyone riding around on BMX bikes and chopper-cycles, reminiscent of movies like E.T. and The Goonies, and yet when you think about it, it actually makes perfect sense in a post-apocalyptic world where fuel is probably non-existent.

Another great aspect of the 80s angle is the special effects. There isn't a whole lot of CGI in Turbo Kid, but what CGI we do get is deliberately cheap and obvious. The Kid's arm weapon shoots out bright lights and lasers that look ripped straight out of Highlander, and the nuclear winter clouds are recreated with clever liquid mixtures that are super-imposed in the sky above landscapes, landscapes of which that are super reminiscent of the original Mad Max. The level of blood and gore is typically over-the-top as well, with blood spurting and spraying all over the place whenever someone loses an appendage or gets cut in half (which actually happens a lot, The Kid's weapon literally vaporises people, and Skeletron has a projectile circular saw on his arm). Fight scenes become blood baths, and uses how over-the-top and silly it is to it's advantage. For instance in the final fight scene, a goon ends up wearing a tower of torsos and legs of his comrades in a comedic pile-up.

Of course a massive 80s homage like Turbo Kid wouldn't work without a suitable synthcore score, and in that regard Turbo Kid fails to disappoint. Almost every scene is punctuated by staccato synth bass and electro dance drums pulsing away with twinkly keyboard sounds and arpeggios coursing out the melody. There's even an appearance from John Farnham's Thunder in Your Heart which is about as 80s as synth-rock gets (listened to by the character of a tape walkman, of course).

Now I'd be lying if I didn't say the dialogue and scripting was awful and cheesy as hell, or that a number of the actors overdid their deliveries, but in a way that all just added to the charm of the movie. When you really think about it, dialogue and acting wasn't typically great in a lot of the most iconic movies from the 80s, filled with lines and exchanges that today seem really cliché and cheesy. What would usually be a criticism in any other movie, here just feels like another layer to the homage of 80s classics and B-movies.

Of course when it comes to acting, the standout is Laurence LeBoeuf as the zany, overly optimistic Apple who befriends The Kid. Her smile is infectious and she takes every scene in her stride, becoming the true heart and soul of the entire movie. Munro Chambers certainly does an admirable job as The Kid, following the path of coward-turned-hero naturally and fluidly, and embracing the audience surrogate through this 80s adventure. Aaron Jeffrey seems to have a lot of fun as the cowboy Frederic, delivering every cheesy one-liner with all the panazz and cliché accentuation that the homage deserves, while Michael Ironside likewise seems to have a lot of fun as the villainous Zeus, tearing up and dominating every scene he's in. Edwin Wright as well, despite not having any lines of dialogue at all, turns Skeletron into a figure befitting of nightmares.

Turbo Kid is a deliberately cheesy exploration of an apocalyptic wasteland. It's been coined as a Mad Max love story on BMX bikes, and honestly that's about as accurate a description as you can get. Every scene uses 80s love and appreciation, and it never fails to warm your heart and make you squirm at graphic spurts of blood, sometimes simultaneously. In some respects it is awful, and yet that only adds to it's genuine charm, and often feels like a deliberate choice. You can tell the budget wasn't particularly huge, but that often plays in it's favour. Turbo Kid was a thoroughly enjoyable romp that stands out from many of today's more expensive endeavours. I give it an 8/10, and would recommend to anyone with a fundamental love of 80s movies.