A sitcom about the relationships between a group of people who live in the same apartment building.A sitcom about the relationships between a group of people who live in the same apartment building.A sitcom about the relationships between a group of people who live in the same apartment building.
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Did you know
- TriviaThe series is credited as "Based on the novel by Tommy Wiseau" although no novel was ever released to the public before or since the release of the first episode. A similar thing happened with Wiseau's film The Room (2003) where the director claimed to have written the story as a play and novel before making the film.
- ConnectionsFeatured in Shut Up and Talk: Tommy Wiseau (2015)
Featured review
Let's start off frank and honest, because I don't want my excellent score of 10 out of 10 to be misleading for the casual IMDb reader. This is most certainly not a perfect 10 when it comes to quality. In fact, quite the opposite. This is an incompetent, inept, amateurish mess, boasting a completely lack of focus and talent in front of and behind the camera. A cheap, no-budget train-wreck of proportions best described as epic in scope, dragged down virtually every minute but a laundry-list of faults, including...
-Story lines that are nonsensical and lack any form or structure. A- plots often go without proper establishment and are hastily brought up and sort-of "resolved" during the final moments of an episode. Sub- plots are casually introduced without any set-up and then hastily dropped without resolution.
-Characters are paper-thin clichéd archetypes we've seen before. Characters personify negative racial or gender stereotypes that are meant to be "idenfiable", but come off as mean-spirited parodies of themselves.
-Production values are on the same level as a first-year film student's, with cheap image quality and jarring camera-work, combined with terrible audio-mixing and boring stock-music that is replayed over and over again.
-The so-called acting is laughable and atrocious. Performers akin to cardboard cut-outs who punctuate their dialog with seemingly random emphasis and screaming for their big "dramatic lines."
-Abysmal editing with no regard for flow or continuity, leading to blatant errors including characters and objects frequently disappearing or moving large distances between shots, or angle-changes so drastic they give the viewing a sense of stylistic whiplash.
-And it's impossible to tell if the show is honestly "that bad" on its own, or merely absurd self-parody that attempts to come off as "that bad." It's just so terrible, you can't help but think they're trying purpose to be terrible... yet you have the lingering feeling that this might be an honest effort that is simply crumbling apart due to a lack of thought and reason behind-the-scenes.
So why am I giving it a perfect 10?
Entertainment value, entertainment value, entertainment value!
You see, this series is the newest work from the almost mythological figure in film known as Tommy Wiseau- a strange being who clearly loves life, loves cinema and loves entertainment, yet can't wrap his mind around how to create quality work himself.
He is of course best known for his cinematic blunder/achievement "The Room"- an independent drama film that became notorious for it's nonsensical script, bizarre sense of direction and so-bad-it's-good style. And it has gone on to become a celebrated cult phenomenon- a sort-of modern-day "Rocky Horror Picture Show" with fans around the world who gather for screenings and eat up every scene in all its furiously confusing glory.
And this very much does feel like a "Tommy Wiseau Production" worthy of the same cult-status as that glorious film. "The Neighbors" is essentially on the same sort-of storytelling plane as "The Room", merely lacking the surprisingly high production-value and experience crew of that film, instead being traded in for a shoestring budget. Which frankly, makes it all the more entertaining.
This is one of those "perfect storms" of awfulness. In its handful of episodes, it provides enough comedic fodder and hilarious (and unintentional) laughs to be an ideal viewing choices for groups of friends who want to sit back and behold a spectacle of badness.
It has become our new go-to for movie-nights, and we have already watched the series (thus far) several times, each time enjoying it more and more.
For "so bad, it's good" entertainment value, this easily earns a perfect 10, and is well-worth checking out for fans of such films and series. Particularly those already familiar with Wiseu's "The Room."
-Story lines that are nonsensical and lack any form or structure. A- plots often go without proper establishment and are hastily brought up and sort-of "resolved" during the final moments of an episode. Sub- plots are casually introduced without any set-up and then hastily dropped without resolution.
-Characters are paper-thin clichéd archetypes we've seen before. Characters personify negative racial or gender stereotypes that are meant to be "idenfiable", but come off as mean-spirited parodies of themselves.
-Production values are on the same level as a first-year film student's, with cheap image quality and jarring camera-work, combined with terrible audio-mixing and boring stock-music that is replayed over and over again.
-The so-called acting is laughable and atrocious. Performers akin to cardboard cut-outs who punctuate their dialog with seemingly random emphasis and screaming for their big "dramatic lines."
-Abysmal editing with no regard for flow or continuity, leading to blatant errors including characters and objects frequently disappearing or moving large distances between shots, or angle-changes so drastic they give the viewing a sense of stylistic whiplash.
-And it's impossible to tell if the show is honestly "that bad" on its own, or merely absurd self-parody that attempts to come off as "that bad." It's just so terrible, you can't help but think they're trying purpose to be terrible... yet you have the lingering feeling that this might be an honest effort that is simply crumbling apart due to a lack of thought and reason behind-the-scenes.
So why am I giving it a perfect 10?
Entertainment value, entertainment value, entertainment value!
You see, this series is the newest work from the almost mythological figure in film known as Tommy Wiseau- a strange being who clearly loves life, loves cinema and loves entertainment, yet can't wrap his mind around how to create quality work himself.
He is of course best known for his cinematic blunder/achievement "The Room"- an independent drama film that became notorious for it's nonsensical script, bizarre sense of direction and so-bad-it's-good style. And it has gone on to become a celebrated cult phenomenon- a sort-of modern-day "Rocky Horror Picture Show" with fans around the world who gather for screenings and eat up every scene in all its furiously confusing glory.
And this very much does feel like a "Tommy Wiseau Production" worthy of the same cult-status as that glorious film. "The Neighbors" is essentially on the same sort-of storytelling plane as "The Room", merely lacking the surprisingly high production-value and experience crew of that film, instead being traded in for a shoestring budget. Which frankly, makes it all the more entertaining.
This is one of those "perfect storms" of awfulness. In its handful of episodes, it provides enough comedic fodder and hilarious (and unintentional) laughs to be an ideal viewing choices for groups of friends who want to sit back and behold a spectacle of badness.
It has become our new go-to for movie-nights, and we have already watched the series (thus far) several times, each time enjoying it more and more.
For "so bad, it's good" entertainment value, this easily earns a perfect 10, and is well-worth checking out for fans of such films and series. Particularly those already familiar with Wiseu's "The Room."
- TedStixonAKAMaximumMadness
- May 20, 2015
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- Runtime24 minutes
- Color
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