Like Sunday, Like Rain

I enjoyed very much this story: the encounter of Eleanor and Reggie.Leanore needs a work and a place to stay, Reggie is a solitary music prodigy, who lives quite alone and he has had troubles with his former caretakers.Then appears Eleanor and little will grow a friendship: both are musicians and then a relationship with a lot of tenderness and affection. This film is also about self-improvement: Eleanor will discover again her pleasure to play music. The performances of Leighton Meester and Julian Shatkin are really very good.

10/10 Masterpiece. Some are calling this melancholy, but I think bittersweet is a better word. Above all, it's a story about a 12 year-old music prodigy being played by a c. 12 year-old acting prodigy. As good as child acting has gotten, few if any could have pulled this off as well. What's the significance of 12? It's that age where you're as mature as you're going to get before the onset of puberty. But what if your emotional maturity and profound awareness outstrip your physical growth? It's about resigning yourself to your solitude, until.... The result is a bittersweet gulf between two otherwise kindred souls. This isn't about dramatic friction, it's about something distinctive, enigmatic and fleeting. It's like playing a beautiful tune on a cello in an empty swimming pool with good acoustics. It's like Sunday, like rain.

Maybe the best "child" performance ever.

There are always some mysterious things about human beings that cannot be clarified. Some people get along for a lifetime but never know each other. Some people can penetrate each other in the moment of meeting. It's like the tearful line in the movie, "It's really hard to believe that I have only been with you for a few months, and it feels like I have known you all my life." Yes, this movie has a very strange, alternative, and even unclear emotional line setting. A wealthy little boy with an IQ and EQ that surpasses his age and a downcast nanny. When they get along for a few months, they have developed an unprecedented and thorough mutual understanding between them. It is a friendship that transcends age and exceeds friendship. Closeness, and something like extreme love that can never be defined as love. This film has brilliantly dismantled all the definitions of stubbornness, so that those well-defined secular concepts are completely invalid in front of these two people.

This drama paints a striking portrait of Reggie (Julian Shatkin), a wealthy and neglected twelve-year-old prodigy with the maturity of a middle-aged man; and Eleanor ( Leighton Meester), a broke ex-musician in her twenties recently out of work, boyfriend and home, who lands a job as Reggie's au pair for the summer in Manhattan while his mother (Debra Messing) travels overseas. Written and directed by Frank Whaley, produced by Uri Singer, and breathtaking cinematography by James Jones.

This film took a very different, almost romantic approach with a charming, artistic, sensitive yet domineering child rather than the traditional spoiled brat who hates the nanny. The two hit it off right away. Eleanor naturally accepts his maturity and treats him as an equal when she realizes that trying to be the grown-up in the relationship is pointless in the company of a genius. In many ways, Reggie takes better care of her than she does of him.

The conflict doesn't stem from the relationship between these two unlikely friends, but from their personal lives. This could have been why it felt a bit lacking in conflict overall, because no major problems arise between the two main characters. However, this blossoming friendship is where the unexpected bulk of the humor comes from, with witty and surprising dialogue between these very different but equally troubled characters learning how to co-exist.

Several things were set up or talked about that were never paid off, which underplayed the conflict and there wasn't enough of a resolution. Rather than showing how the characters have grown or been changed and strengthened by one another, the whole final act kind of feels like a montage of shots of them missing each other while trying to go back to their previous lives.

Very good acting, Julian Shatkin is phenomenal, the film is worth watching for his performance alone; not to take away from the rest of the cast. Leighton Meester is very natural in her role, Debra Messing is quite funny as an unjustifiably stressed-out woman whose normal routine includes going to the spa and on exotic vacations; and Georgia Ximenes Lifsherr is hilarious as Eleanor's best friend Silvia. Even Eleanor's parents who, while not in much of the film, manage to stay memorable with their hostile quirks. We weren't very impressed with Billie Joe Armstrong's performance as Dennis, Eleanor's boyfriend. His style was pretty over-the-top and childlike, very "acty," not terribly believable. Overall film score: 9/10. Here's the breakdown:

– Story: 8/10 — Characters: 10/10 — Acting: 9/10 (would be 10/10 if not for Billie Joe's performance) — Cinematography: 10/10 — Soundtrack: 10/10 — Most Lacked: Conflict & Character Arc

When Brooklyn waitress Eleanor has a sudden break-up with her fractious boyfriend, she needs a new job and roof over her head as soon as possible. She lucks out finding a position as live-in nanny to precocious, privileged Reggie who lives in a luxurious apartment on the upper west side of NYC. Both characters deal with their dysfunctional family backgrounds by maintaining reserved exteriors, and this unusual small-scale film portrays the developing relationship between a blue-collar young woman and the neglected twelve year old.

The story begins slowly and continues at a leisurely pace throughout. Although nothing very dramatic occurs, their bond gradually deepens as they spend time with one another and discover a common interest in music. Leighton Meester and Julian Shatkin give nicely observed performances in the lead roles, but the script doesn't give them anywhere especially interesting to go, although there are some emotional ripples when Reggie accompanies Eleanor back to her upstate home due to a family crisis. Their story eventually arrives at an understated conclusion.