Leviathan

From the first five minutes, I was appealed to this movie more than 3/4 of what I've seen this year. It was dark, it was beautifully shot, and established its characters nicely. People complain it took too long for the characters to be established and that the story took too long to unfold. Haven't you heard of visual storytelling? As it plays out, you find out the dark shadows that follow each character and who they really are in the situation they're in. From the wife (most interesting character), to the step- son of the wife. The father is a dark character that is strained beyond limits, and the fantastic acting portrayed by the father is just one of the great performances done by all the actors and actresses. It fights the bond of love, land, and power. The corruption that still stands tall in Russia and its small towns that surround the leviathan that is the story. It unravels extremely slow, but thats what makes more of an impact. The over-thirty second shot of the woman in court explaining the case is so well done, you can really just see the effort put into each role in the film. If only American films could be so well thought out. For any person who has the near two and a half hour time to watch a superb film, sit down and immerse yourself into the gloomy world that inhabits these characters. It teaches you, it haunts you, it stays with you.

From the very beginning up to very end you can feel the tension and the emotions up to a pure exaggeration! This is not at all something negative! The photography is absolutely enchanting and offers to the viewer that beautiful heartbeat that in a such a film is essential. Amazing, unforgettable landscapes!

You cannot resist in taking sides when you see and understand the heroes battling with their demons and their enemies, that seem to be surrounding everything that makes their lives...

Andrey Zvyagintsev after the wonders of drama, passion and mystic lyricism (Vozvrashchenie and Izgnanie) offers yet another one similar of his creations, adding though, a "spicy" allow me to say subject, a taboo, about corruption in modern day Russia and how all those things which are considered as high values to the Russian State and people, seem to be part in this injustice, destroying peoples' lives.

cold, cruel, minimalistic. the force of image and the silence. the atmosphere from The Return, the characters from Elena. and the fight against almighty corrupt system. the lost of each pillar of existence and the desire to demonstrate your truth. inspired cast and strange landscapes. and, sure, a lot of controversies. in fact, the film is only tool for remind the heart of reality. a manifesto without enthusiasm. a verdict. it is beautiful and deep bitter. because it reflects the forms of falling world. the solitude as last solution. the pressure of system. the fight for survive. a film who reminds basic things. and a great director as inspired guide in the heart of reality. one of Rusian movies who could remind many masterpieces. but it is not Tarkovsky, it is not Abuladze, it remains a Zvyagintsev. his confession. about a reality and about new Job.

"All power comes from God. As long as it suits Him, fear not."

After receiving an Oscar nomination for best foreign film, I finally decided to watch this 140 minute long movie. I was hopeful I was finally going to see Russians not having to play villains, but to my surprise this film attacks its own society and the corruption behind its government and official church. It takes a while to get into but after the slow opening twenty minutes the plot began to hook me and the next two hours flew by as the plot got better and better. Despite being a film that brilliantly attacks the corruption of its own government and society, it does so in a universal way so we can all relate to these issues. Loosely based on the biblical story of Job, we follow the main character go through one injustice after another. Director Andrey Zvyagintsev brilliantly captures the humanity of this working class family who are forced out of their own property by the corrupt local Mayor. It is the universal tale of an everyday man struggling against the injustices of an oppressive system (The Clash's "I Fought the Law" song came to mind several times while watching this film). We get glimpses of hope when a friend of the family comes to their defense and tries to confront the big man by uncovering some dirt from his past, but some interesting twists take place and the family dynamics are shaken. The final fifteen minutes of this film were brilliant and I am glad Zvyaginstsev didn't sell out for an easy or feel good ending. The cinematography is also gorgeous thanks to the beautiful location. The film takes place in a small coastal town near the Barents Sea and we get several amazing shots of the waves crashing into the rocks. The beautiful landscape is a huge contrast with the darkness of the corrupt characters. Leviathan is a brilliant film that works as a social satire. Leviathan is a monstrous sea creature mentioned in the Bible, and it is the perfect title for a film that focuses on a small man facing monstrous obstacles. I was surprised that I ended up enjoying this film as much as I did. I still have a lot of catching up with my foreign films, but so far this is my favorite and my frontrunner for the Oscars.

The performances in this film were also great. Aleksey Serebryakov plays the lead character and he captures the essence and humanity of the hard working class. He has built his own home were he lives with his wife and child working as a mechanic. His wife works at a fish factory. He is desperate and angry for the injustice he is suffering knowing that he is about to lose his home and property. His good friend who is now a lawyer in Moscow has come to his rescue. He is also brilliantly played by Vladimir Vdovichenkov. He is the voice of reason in the film and is always trying to calm down Nikolay who has a strong temper. The corrupt lawyer is played by Roman Madyanov. He makes it easy for the audience to hate him because he represents all the injustice and corruption that we face. Nikolay's wife is played by the beautiful Elena Lyadova and she does a great job of portraying this fragile character. However my favorite supporting performance came from Anna Ukolova who plays a friend of the family and also works with Nikolay's wife. She always has some sarcastic comment about men or officials and she delivers most of the laughs in the movie. Her character helped lighten up the mood at times. The other thing that lightens the mood is the constant drinking in the movie (warning: you might get drunk just by watching them jug down those Vodka bottles). The harsh conditions that these people face force them to find refuge in their alcohol in order to suppress their pain (something many people can relate to as well). What really stands out in this film is that instead of portraying some of the key scenes Zvyaginstev decides to omit them and we are only exposed to the results and its consequences.

I was so impressed with this movie: it just has it all. The story is about a man, Kolya, who risks to loose his property because of the arrogance of the corrupted major, the leviathan. The film opens with a beautiful sequence of landscape - cinematography is remarkable and shows the wide, desolate environment that reflects the isolation of the characters themselves. The screenplay is intriguing and well written - nothing's taken for granted and both the story and the dialogs are deeply constructed.

Kolya's character, sustained with a sincere performance, needs to be saved even though his freedom might have dangerous consequences. He refuses his friend's, Dimitry, advice to move on and build a new life somewhere else and chooses to fight for his house. The role of the woman is that of a submitted wife always watching and never taking part of any conversation or decision. She is weak and we notice it also from the relationship she has with Kolya's son. Dimitry, instead, is seen as a hero: he is admired by Kolya and fascinates Lilya (Kolya's wife). The character's unsolved dilemmas are the real trap that drags them to despair - the leviathan is inside themselves in the first place. It's a movie that is worth seeing because of his richness in humanity. It reminds us that we are all waiting for someone who can save us, maybe putting our needs in front of everyone without realizing that our decision might harm people near us.