A biologist signs up for a dangerous, secret expedition in which the laws of nature don't apply.A biologist signs up for a dangerous, secret expedition in which the laws of nature don't apply.A biologist signs up for a dangerous, secret expedition in which the laws of nature don't apply.
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Featured reviews
The main cast, led with a certain gravitas, tries valiantly to bring depth to their roles, which are unfortunately penned with little sense and surrounded by weak character development. Their strong efforts starkly contrast with the uninspiring performances from the side cast, creating a jarring imbalance that disrupts the overall harmony of the film.
Dialogue throughout "Annihilation" feels forced and unnatural, often serving as clumsy exposition rather than meaningful character interaction. This issue is compounded by a soundtrack that, while fitting the film's theme, cannot compensate for the narrative deficiencies.
Perhaps the most glaring issue is the film's conclusion, which is riddled with logic flaws and does not make sense within the established context of the story. This not only leaves the viewer unsatisfied but also questions the coherence of the entire narrative.
In sum, "Annihilation" is a film that might attract viewers with its interesting premise and notable lead performances, but it quickly reveals itself as a frustrating experience, lacking in engaging storytelling and logical consistency. A classic case of a great idea that required much better execution to truly shine. This movie is only for die hard fans of paraterrestial films. Others better look into "Arrival".
Can definitely see why 'Annihilation' has proven to be so polarising with audiences and IMDb reviewers. Had problems with it myself and it didn't quite match up to the brilliance of the idea, but had also a lot of admiration for its brave if imperfect execution and bold ambition. It almost does live up to its idea, but doesn't quite. As somebody who has seen her fair share of films with potentially good concepts marred by underwhelming, and in a lot of cases terrible, execution, that was refreshing.
'Annihilation' is uneven and has problems. Most of the characters, apart from Lena and to a lesser extent Ventress (there was a little with Cass but only for two or so lines in one short scene), are underwritten archetypes, Josie was not very memorable and there was absolutely no point to the man in the stuff with the affair.
Lena's back-story was mixed. It is very nuanced and affecting in the scenes between her and Kane, but is far from successful in the stuff with the affair, which felt out of place, pointless, came out of nowhere when introduced, was ended very quickly and never heard from again. The dialogue is very clunky at times, particularly with Anya and some of the back-story, while there are some less than logical character behaviours and some bogus science, especially the explanation for the mutated insides (beyond moronic and nearly ruined one of the film's most stay-with-the-viewer scenes).
Not entirely sure what my stance on the final half an hour is. It is choreographed cleverly in movement, is visually stunning, is an atmosphere whirlwind and does probe though and discussion. It is also one of the strangest last 30 minutes of any film seen in a while and it takes a lot for me to be confused, this portion of the film was a head-scratcher for me and the aftermath discussion with my sister didn't really clear things up. If it was meant to be ambiguous or open-ended, it for my tastes was taken too far, don't mind being challenged but being confused is a no-no (in no way intended to be snobbish).
However, 'Annihilation' looks wonderful, one of the best-looking films seen by me recently. Some of the landscapes are pretty spectacular, as is the look of the shimmer. The creatures are very well done, especially the bear creature, and evoke a great deal of creepiness. It's beautifully and atmospherically shot and stylishly edited.
The music is haunting and ominous, doing a great providing slow-building suspense and mystery without making it too obvious prematurely. Some clever use of sound too. Some of the dialogue is thought-provoking, like with the interrogations.
Regardless of any reservations with some of the storytelling, 'Annihilation' is a triumph in terms of atmosphere and as an experience film. There is a slow-building tension that doesn't become dull, enough of it is thought-provoking, tense and emotional and there is a subtle tension. Two scenes stand out, and are two of the most disturbing scenes of any film in a long time. One was with the mutated insides, word of warning- don't watch this while eating, being someone who made that mistake. The other was the second bear attack, a creepy build up then crescendoing in a way that was unnerving and truly frightening. The film is also thematically interesting, familiar themes in both the genre and in Garland's previous work but built on a grander level.
Most of the acting was good, especially the astonishing Natalie Portman giving one of her better performances since 'Black Swan'. Oscar Isaac and Jennifer Jason Leigh are the best in support and Gina Rodriguez fares quite well. Tessa Thompson is too underused to make an impression and her character too bland. Garland directs with great skill.
Overall, not quite brilliant and sometimes frustrating but ambitious, admirable and interesting. 7/10 Bethany Cox
But I still really liked it. It's creepy and atmospheric and more concerned with the psychology of people on a suicide mission than on the nuts and bolts of scientific investigation. It's often intense , usually beautiful, well acted, and had some really weird and mesmerizing moments.
I won't argue that you should forgive it for its plot holes, or that it has any deep meaning, or anything like that. In fact, it's probably easier to make a convincing argument against the movie than for it. I'm just saying, I really liked it.
ADDENDUM: I looked at the user reviews recently (2024) and the top reviews are no longer lists of plot holes. The people who enjoyed the movie, like me, have since my review pushed the naysayers down. Which I fully support.
The first half is so patiently mediocre that the second half almost feels like a completely different movie, making the movie a mixed bag but one that's totally worth it. Some of the performances are great, some are okay, and at least one is noticeably bad. Natalie Portman turns in a great performance (she carries the entire film) and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype. The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad. Oscar Isaac is very good.
Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory (the last twenty minutes are truly a thing to behold). The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.
I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.
Storyline
Did you know
- TriviaDue to a poorly received test screening, David Ellison, a financier at Paramount, became concerned that the film was "too intellectual" and "too complicated," and demanded changes to make it appeal to a wider audience, including making Natalie Portman's character more sympathetic and changing the ending. Producer Scott Rudin sided with Garland in his desire to not alter the film, defending the film and refusing to take notes. Rudin had final cut.
- GoofsSentries would never light the inside of a watchtower, which would illuminate themselves and make it impossible for them to see anything outside.
- Quotes
Lena: Why did my husband volunteer for a suicide mission?
Dr Ventress: Is that what you think we're doing? Committing suicide?
Lena: You must have profiled him. You must have assessed him. He must have said something.
Dr Ventress: So you're asking me as a psychologist?
Lena: Yeah.
Dr Ventress: Then, as a psychologist, I think you're confusing suicide with self-destruction. Almost none of us commit suicide, and almost all of us self-destruct. In some way, in some part of our lives. We drink, or we smoke, we destabilize the good job... and a happy marriage. But these aren't decisions, they're... they're impulses. In fact, you're probably better equipped to explain this than I am.
Lena: What does that mean?
Dr Ventress: You're a biologist. Isn't the self-destruction coded into us? Programmed into each cell?
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Annihilation (2018)
- SoundtracksHelplessly Hoping
Performed by Crosby Stills & Nash (as Crosby Stills and Nash)
Written by Stephen Stills
Licensed courtesy of Warner Music UK
Published by Gold Hill Music Inc (BMI)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Aniquilación
- Filming locations
- Former RAF Bentwaters, Woodbridge, Suffolk, England, UK(Exterior shots of army base)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $32,732,301
- Opening weekend US & Canada
- $11,071,584
- Feb 25, 2018
- Gross worldwide
- $43,070,915
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1