Speak No Evil

The Wicker Man (1973), The Vanishing (1988), Speak No Evil (2022) - three exceptionally good European horror movies with chillingly dark endings. All of them have been remade by American film studios and this is the latest. I'm trying to imagine the thinking behind the process: 1. This movie has been really successful but it's foreign. 2. Americans don't watch foreign films. 3. If we remake it as an American film Americans will watch it. 4. The ending though! It's really dark. We need to rewrite that and give it an ending people will enjoy more! - Wrong, wrong, wrong! I like James McAvoy and he's excellent in this movie, easily switching between charismatically charming and unsettlingly sinister. All the actors are good. The film is coherent. The plot holds. It's suitably tense with an undeniably exciting finale. On balance it's a fine film but it's been stripped of many of the elements that made the original a success. There was a time, notably the '70s, when America made genuinely outstanding original horror films - The Exorcist, Halloween, The Omen, Carrie - but those days seem long gone. I honestly can't fault this film and I enjoyed it but I'd urge anyone to seek out the originals and enjoy what made them different.

A holiday overseas with wife and daughter, leads to friendship (with another family of three) when out on a sunny saunter, back at home a card arrives, come and see how well we thrive, spend a night or three within, our bricks and mortar. You take up the invitation and set off, unaware of just how this couple like to trough, or indeed how they behave, and the trinkets that they crave, if you did, it may just cause a mighty scoff. It's fair to say that your encounter's like no other, it doesn't end in the same way as Danish brother (or sister), which is a shame as that was better, it was unshackled and unfettered, leaving the viewer with more than, drainpipes and a gutter.

James McAvoy is brilliant, alas the ending isn't - watch the Danish version for that.

While this version had scenes of good suspense and tension like the original, it seriously fell down in the last quarter and turned into a teen horror film with drawn out and boring cat and mouse scenes that culminated in a lot of nothing. A very predictable and uninspiring ending in the rewrite, collapsing the same way every American horror movie does. Ultimately this movie had very little to say and won't linger in your memory the way the original does. All it has to offer is the promise of a family secret, which once revealed, and in such a desperate way, has no idea where to go and falls flat.

I just watched the new version of Speak No Evil and in typical fashion the Americanized version just had to change the ending that made the original absolutely incredible to watch as a horrorholic.

I didn't hate the 2024 version but it didn't have nearly the tension of the first. It didn't make you as angry as the first. It didn't make you wanna strangle all the actors like the first. And it didn't make you feel anything for the characters like the first.

As much as you can hate stupid naivety or pure evil in characters you still felt something for all of them in the first. The first 10/10 the second 6/10. And that's generous because it wasn't as awful as it could have been but really watch the original if you really want a good movie experience that will leave you reeling instead of oh well that happened.

Speak No Evil is a 2024 psychological horror remake starring James Mcavoy as Paddy, a English father who invites a American family to come to their house and relax, however not everything is all it seems from the new Blumhouse feature.

While getting most of the aspects on point from the 2022 foreign film of the same name, Speak No Evil does create a good level of tension while exploding into a violent climax which is a good aspect regarding the film's strong point as a psychological horror flick. The American family are very likable and very realistic when it comes to some of the more tense scenes of threat, you do really sympathise with them in general and throughout most of the runtime you do also get to see some of what there views are on the other English family. At first they think it's a new way of bonding with their new home but as the film progresses there perspectives slowly change and it makes you think if they will ever recover from the horrific things they have witnessed so far which does add a level of clarity and dread to the film's dark tone and that's very good.

Acting-wise, very top notch for a Blumhouse feature nowadays as James Mcavoy really is quite terrifying but funny at the same time. He is very identical. He reminds me of Jack Torrance from The Shining, very maniacal and twisted figure that has his comedic elements scattered throughout, I thought this was quite a interesting thing that I might notice but I think Paddy was a little bit different though just because of his charming aspect rather than a downward spiral of Jack's character's.

Overall, while quite a solid entry into the Blumhouse library, the fatal flaw of this thriller is the lack of homage to the original film which really should be respected, but it seems like this entry does completely avoid some aspects which a remake shouldn't do unless it has a good reason to. But it's still a worthy, fun watch for a evening night.

Grade: A Next film: Big shark.