A teenage Leatherface escapes from a mental hospital with three other inmates, kidnapping a young nurse and taking her on a road trip from hell, while being pursued by a lawman out for reven... Read allA teenage Leatherface escapes from a mental hospital with three other inmates, kidnapping a young nurse and taking her on a road trip from hell, while being pursued by a lawman out for revenge.A teenage Leatherface escapes from a mental hospital with three other inmates, kidnapping a young nurse and taking her on a road trip from hell, while being pursued by a lawman out for revenge.
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Dejan Angelov
- Nubbins
- (as Deyan Angelov)
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Featured reviews
The only good thing about this movie is that it is exceptionally fast paced. The many bad things include
And a chainsaw is seldom seen. Snore.
- Zero subtlety
- Generic and by the numbers story
- terrible acting
- no actual scares
- not much of a point overall.
And a chainsaw is seldom seen. Snore.
Went in with low expectations, and got what was expected. Gore, action and a somewhat alright climax? I love the franchise so much, especially the very first 2. The remake and prequel were excellent too, and I'm glad they didnt continue the storyline after texas chainsaw 3D.
They nailed it with the practical effects and the deaths scenes. Satisfying for a gore lover, after all these toned down sequels in general lately.
All 3 main characters go from one dimensional to "I'm gonna do whatever it takes to escape" and actually become.. smart? Wait... there are smart characters in a slasher?!! Yup, but the problem is once half of these characters are developed, they're either instantly killed off or vanish rate off the radar.
The movie itself feels like it doesn't know what it wants to be. For a fan, you'll be satisfied with the deaths and action it had but you might be disappointed with the choice of pacing and direction.
But there's one scene that just bothers me... you'll find out when you see it.
Leatherface (2017)
** (out of 4)
This origin film tells how a redneck from Texas would turn into the maniac known as Leatherface. We start off seeing him being put into a mental hospital where ten years later he escapes. He was thrown into the hospital and eventually chased by the cop Hal Hartman (Stephen Dorff) and soon bodies begin to pile up.
LEATHERFACE was directed by Alexandre Bustillo and Julien Maury, the duo that were behind the incredibly gory and controversial INSIDE. Reviews of this film have been rather mixed and I must say that I'm somewhere in the middle because a lot of people have enjoyed how different it is while others are screaming bloody murder due to its story and structure. If you're looking for gore it's certainly about as bloody as you're going to get from a mainstream picture but there are many issues here as well.
I think the biggest problem I had with the film is that it just didn't feel like a Texas CHAINSAW movie. I say that because it starts off like ONE FLEW OVER THE CUCKOO'S NEST and then we get some sort of strange NATURAL BORN KILLERS type of road picture. I know this is a origin story but lets be honest for a moment. These type of films rarely work and to me this one just doesn't cut it. I think the biggest issue is the story itself because it's just not all that fascinating seeing the future Leatherface in a mental hospital and it's even less interesting seeing him in a road picture.
Making the character a supporting one was a major mistake for a number of reasons including the fact that out of the five people on the run he's the least interesting. He's also not as interesting as the cop or his own mother (Lili Taylor) so you've got the title character falling to around seventh place in his own movie! As I said, if you're wanting violence and gore then there's plenty of that here but, again, I'm sure many fans of the original film are going to be disappointed because this stuff wasn't in the original Tobe Hooper movie. So, again, why even do a origin movie?
I personally thought the violence and gore was great but I can see why some are turned off by it. I also thought the performances were good for the most part and this is especially true of Dorff and Taylor. It was great seeing them in a movie like this and I thought they both delivered. Technically speaking the film is well-made, features some very good cinematography and the score was nice as well.
LEATHERFACE isn't a complete disaster like THE RETURN OF THE Texas CHAINSAW MASSACRE but I'd say it's the next worst of the series.
** (out of 4)
This origin film tells how a redneck from Texas would turn into the maniac known as Leatherface. We start off seeing him being put into a mental hospital where ten years later he escapes. He was thrown into the hospital and eventually chased by the cop Hal Hartman (Stephen Dorff) and soon bodies begin to pile up.
LEATHERFACE was directed by Alexandre Bustillo and Julien Maury, the duo that were behind the incredibly gory and controversial INSIDE. Reviews of this film have been rather mixed and I must say that I'm somewhere in the middle because a lot of people have enjoyed how different it is while others are screaming bloody murder due to its story and structure. If you're looking for gore it's certainly about as bloody as you're going to get from a mainstream picture but there are many issues here as well.
I think the biggest problem I had with the film is that it just didn't feel like a Texas CHAINSAW movie. I say that because it starts off like ONE FLEW OVER THE CUCKOO'S NEST and then we get some sort of strange NATURAL BORN KILLERS type of road picture. I know this is a origin story but lets be honest for a moment. These type of films rarely work and to me this one just doesn't cut it. I think the biggest issue is the story itself because it's just not all that fascinating seeing the future Leatherface in a mental hospital and it's even less interesting seeing him in a road picture.
Making the character a supporting one was a major mistake for a number of reasons including the fact that out of the five people on the run he's the least interesting. He's also not as interesting as the cop or his own mother (Lili Taylor) so you've got the title character falling to around seventh place in his own movie! As I said, if you're wanting violence and gore then there's plenty of that here but, again, I'm sure many fans of the original film are going to be disappointed because this stuff wasn't in the original Tobe Hooper movie. So, again, why even do a origin movie?
I personally thought the violence and gore was great but I can see why some are turned off by it. I also thought the performances were good for the most part and this is especially true of Dorff and Taylor. It was great seeing them in a movie like this and I thought they both delivered. Technically speaking the film is well-made, features some very good cinematography and the score was nice as well.
LEATHERFACE isn't a complete disaster like THE RETURN OF THE Texas CHAINSAW MASSACRE but I'd say it's the next worst of the series.
When the directors of 2007's gore-spectacle 'Inside' (Alexandre Bustillo & Julien Maury) took over the reins of a supposed prequel to 1974's Tobe Hooper classic 'The Texas Chainsaw Massacre', expectations had indeed sky-rocketed. But what we get isn't even worthy of being called a tribute to the TCM franchise, let alone be regarded as its worthy canon prequel.
The screenplay offers very little in terms of the surprises it throws at the viewers (and TCM fans), thereby ending up strictly ho-hum. We see a bunch of eccentrics creating a riot at a mental health facility and escaping, with tidbits of the Sawyer family thrown in to engage the viewer. In fact, the makers are trying to sell this movie around the mystery of which character amongst the the leads ultimately evolves into 'Leatherface'. Well, much to our dismay, even this stretch appears annoyingly contrived (and to be honest, the poster kinda spoils it already!).
What we're subjected to for most part, is literally a lunatic couple shotgun-killing their way to notoriety on their supposed escape (even the big chainsaw-kill comes in too late) with a helpless nurse named Lizzy (Vanessa Grasse) who has unnecessarily been dragged along with them while also being accompanied by a duo of brothers (the somewhat compassionate Jackson and the bulky Bud). Lizzy is the character we're supposed to root for, but sadly this does not work. We know as little about her as we know about the rest of the zany troupe.
The directors who're known to stage horrifically-exciting set- pieces, resort to cheap tricks here (like a partial necro scene) in order to augment the shock-value. The shot of a woman's derriere walking into a barn surrounded by badlands (during one of the opening segments, clearly reminding us of previous TCM films including the Michael Bay funded remake) had just about raised my hopes a teeny weeny bit before everything came crashing down.
With no real thunderbolts in store for fans or non-fans, this prequel falls head first into a pit of quick-sand, the real difference-maker in the story being the weapons (shotguns, knives) that the characters possess and not their personalities. You're bound to forget this movie as soon as the credits roll.
Verdict: Terrible!
The screenplay offers very little in terms of the surprises it throws at the viewers (and TCM fans), thereby ending up strictly ho-hum. We see a bunch of eccentrics creating a riot at a mental health facility and escaping, with tidbits of the Sawyer family thrown in to engage the viewer. In fact, the makers are trying to sell this movie around the mystery of which character amongst the the leads ultimately evolves into 'Leatherface'. Well, much to our dismay, even this stretch appears annoyingly contrived (and to be honest, the poster kinda spoils it already!).
What we're subjected to for most part, is literally a lunatic couple shotgun-killing their way to notoriety on their supposed escape (even the big chainsaw-kill comes in too late) with a helpless nurse named Lizzy (Vanessa Grasse) who has unnecessarily been dragged along with them while also being accompanied by a duo of brothers (the somewhat compassionate Jackson and the bulky Bud). Lizzy is the character we're supposed to root for, but sadly this does not work. We know as little about her as we know about the rest of the zany troupe.
The directors who're known to stage horrifically-exciting set- pieces, resort to cheap tricks here (like a partial necro scene) in order to augment the shock-value. The shot of a woman's derriere walking into a barn surrounded by badlands (during one of the opening segments, clearly reminding us of previous TCM films including the Michael Bay funded remake) had just about raised my hopes a teeny weeny bit before everything came crashing down.
With no real thunderbolts in store for fans or non-fans, this prequel falls head first into a pit of quick-sand, the real difference-maker in the story being the weapons (shotguns, knives) that the characters possess and not their personalities. You're bound to forget this movie as soon as the credits roll.
Verdict: Terrible!
I've seen complaints that this film contributes very little to the origins of Leatherface, which is true. However if you go into this without that expectation you have a very solid slasher flick, which is surprisingly well shot might I add. A fun movie intended for lovers of the genre.
Storyline
Did you know
- TriviaThe Sawyer House seen in the 1974 original film was rebuilt for the filming of "Leatherface".
- GoofsThe credits incorrectly list one of the songs as " 'It's Over' Performed by Patti Ma Salle." The artist's name is not "Patti Ma Salle"; it is "Patti La Salle."
- Quotes
Hal Hartman: You take one of mine, and I'll take all yours, Verna. All of 'em.
- Alternate versionsThe German version was cut for violence by 3 minutes to secure the FSK-18 rating. Uncut version has later been released with SPIO/JK approval.
- ConnectionsFeatured in The Kill Count: Leatherface (2017) Kill Count (2019)
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Details
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- Also known as
- Leatherface: la máscara del terror
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,476,843
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.35 : 1
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