Directed by
Mark Nuttall |
Writing Credits (in alphabetical order)
Nigel Horne |
Cast (in credits order)
Produced by
Gordon Birchley | ... | executive producer |
Miriam Cooke | ... | associate producer |
Gil Darnell | ... | executive producer |
Don Horne | ... | executive producer |
Jilly Horne | ... | executive producer |
Nigel Horne | ... | executive producer / producer |
Adrian Lord | ... | executive producer |
Mark Nuttall | ... | executive producer |
Richard Parkinson | ... | executive producer |
Andre Relis | ... | executive producer |
Stephen Rigg | ... | executive producer / producer |
Music by
Tug |
Cinematography by
James Martin |
Editing by
Tom Grimshaw | ||
Ian Moore |
Production Design by
Tabitha Quitman | ... | (as Tabby Quitman) |
Costume Design by
Kim Tizard-Lee |
Makeup Department
Rebecca Hall | ... | special effects makeup department head |
Nicola Pope | ... | hair design department head / makeup department head |
Second Unit Director or Assistant Director
Jo Buckman | ... | second assistant director |
Alice Caronna | ... | first assistant director |
Michael Lo Duca | ... | third assistant director |
Art Department
David Broadfoot | ... | lead rigger |
Ross Davidson | ... | property master / set dresser |
Daneka Etchells | ... | art department assistant |
Chris Heap | ... | art department assistant |
Adrian Lord | ... | set construction |
Stephen Martin | ... | set construction |
Colin Waterworth | ... | set construction |
Sound Department
Dafydd Archard | ... | re-recording mixer |
Dillon Bennett | ... | supervising sound editor |
Dean Covill | ... | adr mixer |
Robin Cowap | ... | additional re-recording mixer |
Thomas Griffiths | ... | assistant adr mixer |
Simon Norman | ... | sound mixer |
Keith Partridge | ... | foley engineer / foley recordist |
Gavin Rose | ... | dialogue editor |
Barnaby Smyth | ... | foley artist / foley editor |
James Witcomb | ... | boom operator |
Special Effects by
Andrew Ball | ... | special effects technician |
Darren Wallis | ... | pyrotechnician |
Visual Effects by
Robert Angol | ... | digital effects artist |
Shrewd Ape | ... | visual effects supervisor |
Alex Guia | ... | digital effects artist |
Tanvir Hanif | ... | digital effects artist |
Max Horton | ... | colourist |
Mark Jackson | ... | digital effects artist |
Lindford Lowe | ... | digital effects artist |
Paul Martin | ... | digital effects artist |
Pekka Saari | ... | digital effects artist |
Paul Senior | ... | digital effects artist |
James Torry | ... | digital effects artist |
Alex Vuong | ... | digital artist |
Stunts
Kenan Ali | ... | fight director |
Camera and Electrical Department
Andonis Anthony | ... | videographer |
Adrian Atkinson | ... | gaffer |
Michael Hannides | ... | first assistant camera |
Erika Tanith | ... | still photographer |
Casting Department
Nick Gordon | ... | extras casting |
Costume and Wardrobe Department
Calli Mayers | ... | costume assistant |
Ronnie Papaleo | ... | costume supplier |
Sousila Pillay | ... | costume assistant |
Felicity Tibbles | ... | costume maker |
Kim Tizard-Lee | ... | costumer designer |
Editorial Department
Tom Chapman | ... | first assistant editor |
Max Horton | ... | colorist |
Alexis Nelson | ... | post-production supervisor |
Mark Stokes | ... | additional editor |
Music Department
Nicholas Larrabure | ... | music editor (uncredited) |
Script and Continuity Department
Francesca Brooks | ... | script supervisor |
Transportation Department
Ronnie Papaleo | ... | picture vehicle coordinator |
Additional Crew
Stuart Bannerman | ... | publicist |
Nora L. Ferris | ... | insurance broker |
Micah Harbon | ... | runner |
Chris Heap | ... | runner |
Andrew P. Kirkham | ... | dvd producer [gb] |
Matt Lewicki | ... | runner |
Adrian Lord | ... | unit security |
Ronnie Papaleo | ... | armoury supervisor / military adviser |
David the Spaniard | ... | runner |
Thanks
Robert Aldrich | ... | in memory of |
David Fisher | ... | thanks |
Jane Osborne | ... | the producers wish to thank |
Kate Walshe | ... | special thanks |