An ambitious journalism student falls under the thrall of an esteemed yet cutthroat news reporter whom she's desperate to impress, even if it means manipulating her latest story - and the ve... Read allAn ambitious journalism student falls under the thrall of an esteemed yet cutthroat news reporter whom she's desperate to impress, even if it means manipulating her latest story - and the very idea of truth itself.An ambitious journalism student falls under the thrall of an esteemed yet cutthroat news reporter whom she's desperate to impress, even if it means manipulating her latest story - and the very idea of truth itself.
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I loved Tracee Ellis Ross in this! Aside from looking captivating, I couldn't hate her even though I should. The storyline was great! And, although I disliked the lead's character and actions, she played her part well, and kept me wondering what would happen next! The film displays the reality of the extent someone who needs life validation would go to get ahead or to stifle someone else's success. We've all come across a character like the lead, where even in her facial expressions, she can't hide her evident misery at another's progress. It's cringe, but I love that it shows what goes around comes eventually around. I liked how the movie ended. With all the junk movies out there, this one was a worthy watch!
Unlike some other reviewers here, I did not at any point sense that the filmmakers were trying to get me to root for the main character, nor did I think she "suddenly" turned evil. She seemed rather unscrupulous from the first moment she appeared on the screen.
I guess that indicates decent acting from Bel Powley, and I do like her quite a bit in general and would say she's the strongest part of this film. Tracee Ellis Ross, not so much. One gets the sense she watched The Devil Wears Prada one too many times and essentially traced over Streep's Miranda Priestly to create her character. Unlike Streep's, however, her performance was WAY too "affected" to feel believable. The other acting was overall serviceable but not good, and sometimes even bad.
The most disappointing thing, however, is how unrealistic the plot is. They want you to take this journey of twists and turns, but this kind of thing just would never happen outside grade school. Without giving up spoilers, let's just say, for example, that if you submitted to a news station a recording of someone's voice that contains serious, career-ending allegations, the burden of proof would be on you to substantiate that the raw, unedited footage matched the final version. Any real journalist would not just accept an mp3 as being accurate and uncut -- in fact, in today's world they'd have someone closely listening into it to detect any flaws that indicated it had been manipulated or even generated by AI.
That's not to say you couldn't fake an audio recording and post it to social media, and destroy someone's career just by the lie going around fast enough to do the job before fact-checkers corrected things. So, since this movie was released in 2023, the filmmakers should have made the necessary tweaks so that the plot (which COULD have actually been pretty good) was believable.
Powley's character also didn't quite match up to that of a journalism STUDENT. She acted like she was at a stage of her career where she could just skip straight to the top and have a career-defining story... when her career hadn't even actually BEGUN. This was a bridge too far for the viewer to accept. I get that her character is rather unhinged, but couldn't we at least have her be a LITTLE bit in touch with reality? Either that or just make her completely bonkers... but they didn't do that. They had her both ambitious and smart, and completely unaware of how her industry (or any career?) works. Just another example of lack of realism.
It also takes almost half the film for the plot to begin to take off. I was bored and pausing to read synopses, to see whether I wanted to continue to watch. It does pick up the pace a little after the halfway point, but it needn't have put us through all the slow, plodding scenes up to that point, which didn't ultimately service the plot anyway. The relationship between Tremblay's and Powley's characters was developed to no real end, for instance, in terms of what they or the viewer might learn about themselves.
I would love to have seen this story done with more realism in both plot and acting -- and also, there was a perfect opportunity to add a REALLY sinister twist (they could have revealed a very deep, dark secret about the main character's past, or at least hinted at it heavily) that would have made it much more memorable. They then should have given the story some kind of satisfying "moral" for lack of a better word. Even if it was a negative one. Instead they almost tried to make it (again) Devil Wears Prada-esque, but in this they failed because so many other components of that very good film were missing here.
Despite all this, it was watchable. For a one-time viewing at least. Just keep your expectations low!
I guess that indicates decent acting from Bel Powley, and I do like her quite a bit in general and would say she's the strongest part of this film. Tracee Ellis Ross, not so much. One gets the sense she watched The Devil Wears Prada one too many times and essentially traced over Streep's Miranda Priestly to create her character. Unlike Streep's, however, her performance was WAY too "affected" to feel believable. The other acting was overall serviceable but not good, and sometimes even bad.
The most disappointing thing, however, is how unrealistic the plot is. They want you to take this journey of twists and turns, but this kind of thing just would never happen outside grade school. Without giving up spoilers, let's just say, for example, that if you submitted to a news station a recording of someone's voice that contains serious, career-ending allegations, the burden of proof would be on you to substantiate that the raw, unedited footage matched the final version. Any real journalist would not just accept an mp3 as being accurate and uncut -- in fact, in today's world they'd have someone closely listening into it to detect any flaws that indicated it had been manipulated or even generated by AI.
That's not to say you couldn't fake an audio recording and post it to social media, and destroy someone's career just by the lie going around fast enough to do the job before fact-checkers corrected things. So, since this movie was released in 2023, the filmmakers should have made the necessary tweaks so that the plot (which COULD have actually been pretty good) was believable.
Powley's character also didn't quite match up to that of a journalism STUDENT. She acted like she was at a stage of her career where she could just skip straight to the top and have a career-defining story... when her career hadn't even actually BEGUN. This was a bridge too far for the viewer to accept. I get that her character is rather unhinged, but couldn't we at least have her be a LITTLE bit in touch with reality? Either that or just make her completely bonkers... but they didn't do that. They had her both ambitious and smart, and completely unaware of how her industry (or any career?) works. Just another example of lack of realism.
It also takes almost half the film for the plot to begin to take off. I was bored and pausing to read synopses, to see whether I wanted to continue to watch. It does pick up the pace a little after the halfway point, but it needn't have put us through all the slow, plodding scenes up to that point, which didn't ultimately service the plot anyway. The relationship between Tremblay's and Powley's characters was developed to no real end, for instance, in terms of what they or the viewer might learn about themselves.
I would love to have seen this story done with more realism in both plot and acting -- and also, there was a perfect opportunity to add a REALLY sinister twist (they could have revealed a very deep, dark secret about the main character's past, or at least hinted at it heavily) that would have made it much more memorable. They then should have given the story some kind of satisfying "moral" for lack of a better word. Even if it was a negative one. Instead they almost tried to make it (again) Devil Wears Prada-esque, but in this they failed because so many other components of that very good film were missing here.
Despite all this, it was watchable. For a one-time viewing at least. Just keep your expectations low!
Journalism student Mia Scott is desperate to impress the hard nosed, but influential journalist
Diane Heger, even if it means breaking the rules to land the perfect story.
It has a made for TV feel to it, so don't expect slick production values or a film full of A-listers, but do expect a good story, and some very competent acting.
The story is quite a good one, and it will hold your attention from the start, unlike many similar films it does actually end quite well, an unexpected climax, it becomes a story of revenge. A few poignant scenes throughout, Mia opening up about her past, very good.
Heger truly is a monster, but an interesting villain, Tracee Ellis Ross is excellent, but Bel Powley steals thr show, she's great, and acted as producer.
8/10.
It has a made for TV feel to it, so don't expect slick production values or a film full of A-listers, but do expect a good story, and some very competent acting.
The story is quite a good one, and it will hold your attention from the start, unlike many similar films it does actually end quite well, an unexpected climax, it becomes a story of revenge. A few poignant scenes throughout, Mia opening up about her past, very good.
Heger truly is a monster, but an interesting villain, Tracee Ellis Ross is excellent, but Bel Powley steals thr show, she's great, and acted as producer.
8/10.
In dramatic thriller "Cold Copy" journalism student Bel Powley (strong rising star) scratches a place in the class of her idol Tracee Ellis Ross (slightly over the top) - a hard-hitting interviewer at the height of her game & fame. To stay, learn & thrive tho, Powley must take tough advice, especially on the story she's on about her teen 'friend' Jacob Tremblay (meh) whose famous author mum died some years earlier. It follows a predictable path, but with little tension and scant twistiness, ending somewhat satisfyingly yet still with many loose ends untied. Debut writer / director Roxine Helberg aimed for a "Wall Street"-lite... and just about made it... albeit VERY litely. Mediocre.
This movie certainly wasn't intent on doing any favours for the journalism industry. Every character is an absolute monster and it's not even all that subtle about it. I get that it's a cut-throat industry and what this film is portraying probably isn't all that far from accurate. It doesn't change the fact that it makes for a pretty tough watch though.
Even still, the movie feels very flat. I never really felt like I'd been given a reason to keep watching or to stay invested. The story just kind of ticks along and then there's a decent, if quite cliche, ending and that's that. It's all very forgettable stuff.
I don't know, I just didn't feel like the film had enough to offer. I'm not going to remember this one a week from now. 5/10.
Even still, the movie feels very flat. I never really felt like I'd been given a reason to keep watching or to stay invested. The story just kind of ticks along and then there's a decent, if quite cliche, ending and that's that. It's all very forgettable stuff.
I don't know, I just didn't feel like the film had enough to offer. I'm not going to remember this one a week from now. 5/10.
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- Холодное копирование
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- Runtime1 hour 36 minutes
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- 2.35 : 1
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