Close to Home: Murder in the Coalfield

Each episode begins with a melancholy, deep voice, accompanied by images captured in warm yellow tones, ranging from wildly romantic to excerpts of a mysterious murder. The action takes place against the backdrop of a disused coal mine in Lusatia, which symbolizes environmental pollution and the downfall, the past of the GDR. Quote from Lauchhammer: "one of the most expensive disposable items of reunification".

As German productions like to attach great importance to conveying a message, classic old and current clichés are used here once again to raise a warning finger. So you can already guess that we have to deal with East German frustration and the climate stickers, whether we like it or not. Unfortunately, the moral ambitions are usually so high that it sometimes seems overloaded.

Unfortunately, German productions lack the courage to go their own way, so they follow in the footsteps of tried and tested colleagues from abroad. As a result, the two main investigators are made up of a quiet, emphatic man and a mostly newly assigned socially incompetent female colleague, as is currently very popular. He has his roots where the murder took place and has to come to terms with his past. As a result, the story is spread across different timelines and an earlier murder and several social stories are told in parallel. On the one hand, this makes for a multi-layered story, but it also distracts more and more from the actual murder case, which fades into the background.

The story unfolds slowly but builds up the suspense constantly, despite a few "social" gap fillers, some of which drag on a little. There are always enough suspects to keep you guessing until the case is finally solved.

The entire cast does a solid job. Little Dustin, who took my heart by storm, is particularly endearing. Lucas Gregorowic, who I really like, was absolutely convincing in his role. The dialog also stands out positively overall. The technical realization is excellent, capturing a great melancholic mood with a beautiful image and color design. The camera, lighting and editing deserve praise here, they are much better than the average German series.

Unfortunately, the characterization is too negative, clichéd and flat for me. The old East Germans who weep for their GDR, the drug-addicted mother in cheap "Berlin-Marzahn" clothes with a child without a father. And of course the Fridays for Future group of the vegan granddaughter with protests and "forest occupation". This gives the whole series the feel of an environmental protection lecture with a 4.1/2 hour message: "Coal is bad, meat is bad, save the planet". Which is basically not a bad thing if you don't just keep asking yourself the question, "Who else was the murder victim?"

------------- Conclusion:

So-so - For fans of German crime thrillers, this is a high-quality production worth seeing that stands out from the classic Tatort, is multi-layered and wonderfully shot.

This first-rate noir production puts a fresh spin on the shopworn plot tripod involving a mysterious murder (yes, the victim is tragically young and very pretty), the detective(s) with a screwed up life, and "evil business"...oh, I forgot the corrupt cop, so that makes four legs. Yet, character development via superb writing and acting (female cop costar is a genius IMO), make it a most gripping and satisfying watch. The music is likewise as pitch perfect as the script. As an aside, one wonders for the millionth time why the writing for and acting by American child actors is so mundane/awful/unimaginative? Dustin, younger brother of the deceased, gives an amazing performance of a poignant character you won't forget.

This series is interesting enough to watch, but unfortunately is not told in a very coherent manner. The scenes do not flow in a manner that enables viewers to understand the events. There is little context provided so the dots do not always connect up in a way to produce a smoothly flowing narrative. Some scenes just seem to be out of sequence and irrelevant to the main plot. The constant use of flashbacks at very awkward moments is distracting and confusing. The series is watchable but does tend to drag a bit. It is the lack of connectivity between the scenes that make the series incomprehensible at times!

This was a cop drama that had several strands with some of them having happened in the past and retold as flashbacks. This didn't make for a particularly cohesive story even though events in the past impinged greatly on the present-day investigation. At times it was rather hard to get the various timelines and events meshed together and melded in one's head.

There were a few loose ends too - we never got to know who the top dog was for instance. Where did the junkies go after eviction? And a couple of scenes were not credible - falling from a very tall building is fatal but not in the series - the guy was out of bed within a couple of weeks. These aren't strong enough hooks to be cliffhangers.

However the plot moved on at a fast pace involving input from family members as well as normal and methodical police work. On balance I'd say that I enjoyed the show.

Edit: There are no "spoilers" here in the sense used by this site. Please don't flag it again.

I had zero expectations from this show, as I just wanted to pick up some average-looking German show to hone my German skills. 6 episodes, some kind of crime-mistery; why not? I lgenerally like those.

Oh boy, was I in for a great surprise! The whole show is basically a lecture about environment protection. Yes, you guessed it: a teenage girl completely stomps her parents and grandparents, because she's vegan and she hates coal, and she is the future and she's cool, unlike her lame and stupid parents and grandparents. Very cool. I just had one question: what does it have to do with the murder? Let me help you out in advance: nothing. This is pretty much a 6 episode long "coal is bad, meat is bad, save the planet" message, which needed something else going on to stretch the screentime, so throw in a murder, why not! Extremely dumb, extremely condescending. Don't worry, the final reveal about the murder is even worse! I had to pause the show because I had so much second-hand embarassment.

And I'm not even for coal or anything. I support a healthy environment, but either make a series about that, or a murder-mistery. These amateurs fused these in the worst possible way imaginable, which backfired horribly. I don't think I have ever had this much sympathy to evil coal-moguls than after watching this preachy show.

The skeleton of the whole series is bang average as well. Someone died ---> who done it? ---> the plot thickens ---> finale. It's extremely boring and holds no surprises. In fact, we are constantly being introduced to new characters, which absolutely destroys the fun of a show like this: the whole point would be to meet the cast early, and try to figure out who could've been the murderer and why.

The writing is atrocious. There are several sub-plots which go nowhere, gets unresolved, or has a random, unsatisfying endings.

The characters are boring, wooden, and other than the little boy, it's hard to care about them. The only character which was decently written was André. The male protagonist is as interesting as watching a paint try, though he has screen presence, I give him that.

The female lead was pretty much a cheap copy of the lead from The Bridge. She's on the spectrum, has bad social skills, but a great cop. Sadly, this cop is nothing special in her field, and her bad social skils are just awkward without any payoff. I was willing to bet my left leg after the first episode, that these terrible writers will copy the scene from The Bridge, where the detective woman whom they copied here, casually walks into a bar and asks a stranger if he wants to have sex with her. That was really funny in The Bridge. Don't worry, these writers totally butchered it here.

Honestly, I can't give a single reason why anyone should watch this. It does a terrible job at making you care about the environment, in fact, it makes you want to strangle that smug, condescending teenage girl, but it is also an extremely boring and slow murder-mistery with no surprises whatsoever.