Bad Behaviour

How can a movie be this bad? Especially with Jennifer Connelly and Ben Whishaw as two of its leads.

The movie starts off with a woman, played by JCon, calling her daughter as she's about to go to a retreat with limited ability to contact the outside world. The leader of the retreat is played by Whishaw, who - as far as I can tell - has never given a bad performance in his life, and isn't about to start now.

Visually, it's a decent enough film. Some of the color grading (like in a hotel scene) can get a bit rough, but it's mostly at least competent, and some shots are very well done.

Where the film fails is in literally everything else. The characters are shallow nonsense; Connelly's character just kind of does things to move the plot forward, Whishaw's character is basically a big bag of nothingness, etc. The story veers off in a strange way that doesn't add to or advance anything that came before. The film has nothing going on upstairs and nothing to say beyond, "Influencers bad".

Add to that the complete lack of anything interesting going on... it's not just a bad movie; it's a painfully bad movie. Something like The Room or Birdemic can at least provide some entertainment while being bad; this doesn't even have that. It drags and drags and drags. It feels like it should end wayyy before it does. It's truly a terrible movie. Easily one of the worst I've seen.

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"Bad Behaviour boasts an all-in, powerful performance from Jennifer Connelly, but it's too messy, tonally unbalanced, and narratively all-over-the-place to connect with. It wastes too much time being nonsensical before the mother-daughter relationship gets interesting. Disappointing.

I'm unaware of how much of a personal project this is or even if it's personal at all. Still, Bad Behaviour is one of those films I just couldn't connect with in any shape or form. There's a layer of exaggeration and overdramatization that makes it all feel fictional and less grounded. And that, to me, turns into a massive obstacle to overcome. I hope others can feel the opposite."

Rating: D+

Starts out as a subtle, but very efficient witty satire about people trying to heal themselves in a meditative retreat weekend, but then suddenly half way through (just as I was wondering if anything dramatic would happen) things turn bleak with an out of wack violent plot turn that I really hadnt seen coming.

The good: a truly brilliant acting performance by Jennifer Connelly, whom we all know from her pretty face roles in the nineties and on (Top Gun), but Top Gun fans stay away from this movie, because this is serious hardhitting drama and no fluffy action romance.

Jennifer Connelly now shows her real acting capabilities with a devestating performance as a mother, who is "DEAD INSIDE" and cant stand to live in her own skin and who has passed her mental pain on to her daughter with a lot of soul wrecking negative fallout. And that is the core of this subtle, bleak drama.

Art house movie fans beware, this is one solid acting gem, with long unedited takes, beautiful photography and sound. I truly applaud the direction by Alice Englert!

Slow, but gripping. Bleak, yet still warm and endearing. Cold, but so humanlike. I am impressed!

Saw this at the 2023 Sundance Film Festival

"Bad Behaviour" is a story about Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. This is Actor Alice Englert first directing feature and Englert seems to be passionate about this project from what I have seen from her Q&A session. However, the film really struggles with poor writing and really unlikeable characters.

The main narrative about a mother and daughter relationship and finding enlightenment seems interesting but unfortunately the writing takes way too long to get to the point and many elements that were included felt like filler. The film contains a great cast and the performances are really good as Jennifer Connelly does a fantastic job with her performance alongside with Ben Whishaw. There are also some great camerawork and sound designs used throughout the film. But the messy writing doesn't help the film to be interesting as the writing drags the story and makes the characters really unlikable. The main character was pretty insufferable and moments between her daughter felt undeveloped or rushed.

The dialogue moments were pretty silly, some of the lightening was really awful and distracting, and the direction was pretty messy as it's clear that Englert isn't sure if the film should be a drama or a dark comedy. There were some moments that were unintentionally hilarious as well. Englert clearly has talent on directing but this film isn't really the best feature to begin with a debut. Overall, it's one of the weaker films I had seen at Sundance.

Rating: C-

This movie was well written. The acting was extremely good. This movie won't serve most people because it doesn't have aliens, gangsters, monsters zombies, or major crisis that needs to be averted.

The backdrop isn't the predictable NYC nor any other major city. The characters are average people. No high profile, rich, and powerful careers. This film was about a woman struggling with indifference, regret, guilt, and shame. She harbored anger for the way her mother treated her. Now, she's coming to grips that she treated her own daughter just as harshly.

Mom went to a retreat to reconnect to an inner peace. Emotions were brought to the surface that we're dormant for so long. I know a few women in my life that act just like the mom did here played by Jennifer Connelly. The daughter, played by Alice Englert was equally impressive. She also wrote and directed the movie at the whopping age of 28.

A great story about people suffering but trying to do their best. Some may say it's a movie about a mother and daughter dealing with mental health issues. Perhaps. However, I saw it more as two women dealing with their past while contemplating how they want their futures to look so the pain inflicted onto them doesn't continue getting projected onto others any longer. It's in the present moments when they become aware how they've been hurt and have hurt the ones who matter the most.

This film captured real struggles every day people internalize. The dialog was very authentic. This is real life family interaction.

I'm not sure audiences can handle common people doing typical things, wrestling with their own sufferings without an alien invasions, car chases, espionage, monsters, tragedy, overcoming extreme odds, or radical shootouts.

You see, it's the audience that's most basic in their own thoughts, feelings, and actions that prevents them from seeing and appreciating the depths of this marvelous presentation.