Schutzengel
- 2012
- 2h 10m
IMDb RATING
5.7/10
4.5K
YOUR RATING
A troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.A troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.A troubled veteran from the war in Afghanistan works to protect an orphaned teenager who witnessed a murder from the killer's henchmen.
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- Awards
- 1 win & 2 nominations total
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Featured reviews
A powerful man kills a young guy; but his young orphan girlfriend witness everything. The witness must be kill. An ex-soldier protects the girl. Looks like a typical action movie but it is not exact;u that.
There very violent shootouts scenes and body count in the hundreds; but also overlong dramatic scenes with others probably oversweet for its own good; but however the movie works. Even when 10 to 15 trimming will make it almost perfect; you cannot stop watching it.
Til Schweiger (who also directs and produce) is more a tormented man than a killer machine. He can carry the movie easily; but Moritz Bleibtreu is who really steal the movie even in a very short part.
Luna Schweiger (Til's real life daughter ) is quite credible as the girl; but we never see her as a truly rebel as originally depicted.
In brief; it is not a great movie; but not a "macho" movie either. You can see with your wife and she will enjoyed too.
There very violent shootouts scenes and body count in the hundreds; but also overlong dramatic scenes with others probably oversweet for its own good; but however the movie works. Even when 10 to 15 trimming will make it almost perfect; you cannot stop watching it.
Til Schweiger (who also directs and produce) is more a tormented man than a killer machine. He can carry the movie easily; but Moritz Bleibtreu is who really steal the movie even in a very short part.
Luna Schweiger (Til's real life daughter ) is quite credible as the girl; but we never see her as a truly rebel as originally depicted.
In brief; it is not a great movie; but not a "macho" movie either. You can see with your wife and she will enjoyed too.
I've been trying to sort my feelings out about this film for about two years. When I saw it for first time, I've had my "shooter's ID" already (I'm from Czech republic). I wasn't able to CC yet but I've expanded my "SID" shortly afterward and I started to see the world of guns in an entirely different light and started to learn some skills and develop habits which I didn't need before.
However, this isn't just about my relationship with guns, it's also about my relationship with Germans and Germany. You could say that my dislike for Germans was (I repeat, was) as old as my knowledge of the history of my own country. As I grew older, my dislike for them abated and I've come to realize that that it isn't important what did they do to my country in past but what can their influence mean for Europe, especially for my country and our guns in future. In other words, this film spoke to me on two personal levels. One is the deteriorating political situation in Germany. The other is the attitude of German politicians towards guns. I believe that this film is raising some important points in both regards.
However, there's a third level which I've began to see only after repeated watching and increase in my own aptitude. There's something very important about the gunfight scenes: They have a very high degree of fidelity. It's obvious that Til Schweiger is either a recreational shooter or that he underwent some kind of a crash course. Everything from drawing, shooting, and reloading to using a cover or shooting from various positions. There was even a scene involving an empty shell jammed during ejection. One might say that the shooter took a little bit long to correct the malfunction but let's be honest, I would completely freak out in such a situation (as a matter of fact, such a thing has never happened to me because I'm using guns from Uhersky Brod). I've discussed this film with one of my instructors and he agreed that about 80 percent of the film is accurate.
I don't know why Americans don't bother with this in their films. After all, they have even closer relationship with guns than we do. Maybe that's the reason - the have personal experience with guns and don't need accurate films as a result. They just want to kick their shoes off and watch fairy tales about heroes with absolutely terrible technique.
On a side note, I've found the acting and everything else quite good. The interactions between the Schweigers was simply magical. What does it matter that she's actually his daughter in real life? It's the result that counts!
However, this isn't just about my relationship with guns, it's also about my relationship with Germans and Germany. You could say that my dislike for Germans was (I repeat, was) as old as my knowledge of the history of my own country. As I grew older, my dislike for them abated and I've come to realize that that it isn't important what did they do to my country in past but what can their influence mean for Europe, especially for my country and our guns in future. In other words, this film spoke to me on two personal levels. One is the deteriorating political situation in Germany. The other is the attitude of German politicians towards guns. I believe that this film is raising some important points in both regards.
However, there's a third level which I've began to see only after repeated watching and increase in my own aptitude. There's something very important about the gunfight scenes: They have a very high degree of fidelity. It's obvious that Til Schweiger is either a recreational shooter or that he underwent some kind of a crash course. Everything from drawing, shooting, and reloading to using a cover or shooting from various positions. There was even a scene involving an empty shell jammed during ejection. One might say that the shooter took a little bit long to correct the malfunction but let's be honest, I would completely freak out in such a situation (as a matter of fact, such a thing has never happened to me because I'm using guns from Uhersky Brod). I've discussed this film with one of my instructors and he agreed that about 80 percent of the film is accurate.
I don't know why Americans don't bother with this in their films. After all, they have even closer relationship with guns than we do. Maybe that's the reason - the have personal experience with guns and don't need accurate films as a result. They just want to kick their shoes off and watch fairy tales about heroes with absolutely terrible technique.
On a side note, I've found the acting and everything else quite good. The interactions between the Schweigers was simply magical. What does it matter that she's actually his daughter in real life? It's the result that counts!
Except the weird humor here and there this movie is as bland as they come. Extreme shootouts followed by long and repetitive quasi-philosophical conversations numb the viewer to the genre. There are a number of tense moments which you couldn't care less as to how they are resolved. The bad guys are way too bad, the good guys are way too (allegedly) good. The flick is predictive, moralizing, woke, and, no, Germany is not a free country (in response to the girls when she answers "This is a free country" to one of the characters asking her for the remote.) Also too many guns in a German movie while in Germany you need permission from the state to own a BB-gun. Unrealistic even for its stated tribute to Afghanistan veterans. How is this flick a tribute to the veterans remained a mystery to me.
Der Untergang, Das Boot and few others are very excellent German movies.
This is a 2hours 12minutes of pure garbage! Fast Forward pleeeaaase....
Deutschland uberalles, please, just play Soccer, invade Poland, Russia and all, make excellent weapons or provoke World War III, not this!
Storyline
Did you know
- GoofsWhenever a police siren is heard, it sounds like an American-style siren. However, this kind of siren is used nowhere in Germany.
- ConnectionsFeatures The Town (2010)
- SoundtracksFeel Again
Performed by OneRepublic
Written by Ryan Tedder, Brent Kutzle, Andrew Brown and Noel Zancanella
- How long is Schutzengel?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Янгол-охоронець
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,500,000 (estimated)
- Gross worldwide
- $8,530,346
- Runtime2 hours 10 minutes
- Color
- Aspect ratio
- 2.35 : 1
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