Six tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon dis... Read allSix tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon discover they are not alone.Six tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon discover they are not alone.
- Awards
- 1 nomination
Pasha D. Lychnikoff
- Doctor
- (as Pasha Lynchnikoff)
Colin Conners
- Humanoid
- (uncredited)
Storyline
Did you know
- TriviaA few characters remark on how nature has reclaimed Pripyat. In fact, nature has adapted so well to the site that in 1991 researchers found a type of fungus growing in Chernobyl that metabolizes radiation for energy, in much the same way that plants use sunlight. Scientists are using the International Space Station to investigate whether these sorts of fungi can function as a sort of radiation shield in space.
- GoofsThe soldiers told the group Pripyat was closed for maintenance, which the group took to mean they would have the place to themselves, but which more logically would mean they'd be caught by maintenance workers. And when they heard noises they thought might be other people--both in the housing buildings and outside the van, they never suspected it might be the fabled maintenance workers.
- ConnectionsFeatured in Maltin on Movies: Men in Black 3 (2012)
- SoundtracksAlright
Written by Gaz Coombes, Danny Goffey and Mick Quinn
Performed by Supergrass
Courtesy of EMI Records Ltd.
Under license from EMI Film & Television Music
Featured review
Chernobyl diaries documents the travels of four American tourists including Chris (played by Jessee McCartney) who stop in Kyiv to visit Chris's brother Paul before recommencing their travels across Europe. After a night out, they propose to explore the abandoned town of Prypiat, the home of the Chernobyl Nuclear Power Plant that previously hosted an infamous disaster. Of course, the horrors that surrounded the Plant have't quite dissipated and therefore something conspicuously sinister awaits these tourists.
Whilst the film doesn't offer anything particularly new to the horror genre, it does offer some genuinely horrifying moments which will serve to sustain the audiences' attention throughout. Though the characters aren't particularly interesting, they do form a likable group throughout the duration of the film and really authenticate the moments of horror. At times, the film verges on resembling a slasher - let's just see what's around the corner - kind of moments which prevent the film from constructing its own narrative based on this unique situation.
Stylistically the film is interesting as it utilises the shaky camera aesthetic in the first half and then seems to divulge into a more traditional way of filming. It's almost as if director Bradley Parker is creating two films concurrently; a shaky-cam experience of Americans stranded in Europe and a film about a group who are terrorised by zombie-like creatures. Producer Oren Peli has definitely made his presence aware, with the film's Paranormal Activity style "gotcha" moments which are often scary but also predictable and unimaginative.
The film could have focused on the origins of the Chernobyl disaster in some detail to provide a context for these creatures, though their behaviour would still have remained an enigma even with this explanation in place. Are they hungry for human flesh or are they merely crazy? These questions are also evoked in the Wrong Turn films which this film is indebted with its depiction of mutants as the result of a radiation catastrophe. Are the mutants the real victims here?
As well as paying homage to Wrong Turn, the film has a very Hostel-like feel with its commentary on Eastern Europe as a space of corruption and danger. The overall creepy, inauspicious atmosphere constructed in the film really lends credence to the horror depicted which compensates for what lacks in terms of the film's antagonists, whatever they are.
If anything is to be learnt from this film, stay the other side of the pond.
Whilst the film doesn't offer anything particularly new to the horror genre, it does offer some genuinely horrifying moments which will serve to sustain the audiences' attention throughout. Though the characters aren't particularly interesting, they do form a likable group throughout the duration of the film and really authenticate the moments of horror. At times, the film verges on resembling a slasher - let's just see what's around the corner - kind of moments which prevent the film from constructing its own narrative based on this unique situation.
Stylistically the film is interesting as it utilises the shaky camera aesthetic in the first half and then seems to divulge into a more traditional way of filming. It's almost as if director Bradley Parker is creating two films concurrently; a shaky-cam experience of Americans stranded in Europe and a film about a group who are terrorised by zombie-like creatures. Producer Oren Peli has definitely made his presence aware, with the film's Paranormal Activity style "gotcha" moments which are often scary but also predictable and unimaginative.
The film could have focused on the origins of the Chernobyl disaster in some detail to provide a context for these creatures, though their behaviour would still have remained an enigma even with this explanation in place. Are they hungry for human flesh or are they merely crazy? These questions are also evoked in the Wrong Turn films which this film is indebted with its depiction of mutants as the result of a radiation catastrophe. Are the mutants the real victims here?
As well as paying homage to Wrong Turn, the film has a very Hostel-like feel with its commentary on Eastern Europe as a space of corruption and danger. The overall creepy, inauspicious atmosphere constructed in the film really lends credence to the horror depicted which compensates for what lacks in terms of the film's antagonists, whatever they are.
If anything is to be learnt from this film, stay the other side of the pond.
- adam-c-scales
- Jun 24, 2012
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Thảm Họa Hạt Nhân
- Filming locations
- WWII Army Bunker, Belgrade, Serbia(underground scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $18,119,640
- Opening weekend US & Canada
- $7,955,307
- May 27, 2012
- Gross worldwide
- $38,390,020
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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