Another important moment in the awards season has come our way today. Yes, the Academy has released their lists of what’s eligible in a few of the Oscar categories. In short, we now know what’s up for Academy Award nominations in the Best Animated Feature, Best Documentary Feature, and Best International Feature categories. Until we get to a shortlist, everything is up for grabs, but now we know what’s at least in the running, and that’s good… Here now are the lists: Animated Feature Film “Accidental Luxuriance of the Translucent Watery Rebus” “Bombay Rose” “Calamity” “The Croods: A New Age” “Demon Slayer -Kimetsu No Yaiba- The Movie: Mugen Train” “Dreambuilders” “Lane” “On-Gaku: Our Sound” “Onward” “Over the Moon” “Red Shoes and the Seven Dwarfs” “Ride Your Wave” “Scoob!” “A Shaun the Sheep Movie: Farmageddon” “Soul” “The SpongeBob Movie: Sponge on the Run” “Terra Willy” “Trolls World Tour...
- 1/28/2021
- by Joey Magidson
- Hollywoodnews.com
The Academy of Motion Picture Arts and Sciences on Thursday released its official entries for 2021 Oscars in the categories of Documentary Feature, Animated Feature and International Films. The takeaway: As expected, the eligible Documentary Feature lineup shatters the record for the most ever.
A total of 238 features are eligible for consideration in the Doc Feature category, breaking the previous record of 170 set in 2017. Last year, by contrast, 159 feature documentaries qualified. The Academy relaxed eligibility rules in light of Covid-19, so that any film that could make a claim of an intended theatrical release was deemed eligible. Earning awards from film festivals was an alternative way to qualify.
For the International Feature race, Lesotho, Sudan and Suriname are first-time entrants among the 93 eligible titles, the same total as last year. Earlier this year, the Academy’s Board of Governors boosted the number of films eligible for the shortlist from 10 to 15. Under the new rules,...
A total of 238 features are eligible for consideration in the Doc Feature category, breaking the previous record of 170 set in 2017. Last year, by contrast, 159 feature documentaries qualified. The Academy relaxed eligibility rules in light of Covid-19, so that any film that could make a claim of an intended theatrical release was deemed eligible. Earning awards from film festivals was an alternative way to qualify.
For the International Feature race, Lesotho, Sudan and Suriname are first-time entrants among the 93 eligible titles, the same total as last year. Earlier this year, the Academy’s Board of Governors boosted the number of films eligible for the shortlist from 10 to 15. Under the new rules,...
- 1/28/2021
- by Patrick Hipes and Matthew Carey
- Deadline Film + TV
The number of films available to Oscar voters in a screening room devoted to the Best Picture category hit the 200 mark on Wednesday, which means that $2.5 million has entered the Academy coffers from films paying $12,500 each to be represented in the screening room.
The members-only Academy Screening Room hit the milestone with the addition of more than a dozen movies this week, including Fisher Stevens’ “Palmer,” Lee Daniels’ “The United States vs. Billie Holiday,” John Lee Hancock’s “The Little Things,” the Russo brothers’ “Cherry,” Josh Trank’s “Capone,” the documentary “Coup 53,” the Studio Ghibli animated film “Earwig and the Witch,” the international films “Funny Boy” and “Bacarau” (neither eligible in the Oscars’ Best International Feature Film category) and some off-the-wall selections, including “Snake White – Love Endures” and “Soorarai Pottru.”
Other late additions to the screening room have included “Minari,” “Promising Young Woman,” “The White Tiger” and “Cherry,” which were not added until January.
The members-only Academy Screening Room hit the milestone with the addition of more than a dozen movies this week, including Fisher Stevens’ “Palmer,” Lee Daniels’ “The United States vs. Billie Holiday,” John Lee Hancock’s “The Little Things,” the Russo brothers’ “Cherry,” Josh Trank’s “Capone,” the documentary “Coup 53,” the Studio Ghibli animated film “Earwig and the Witch,” the international films “Funny Boy” and “Bacarau” (neither eligible in the Oscars’ Best International Feature Film category) and some off-the-wall selections, including “Snake White – Love Endures” and “Soorarai Pottru.”
Other late additions to the screening room have included “Minari,” “Promising Young Woman,” “The White Tiger” and “Cherry,” which were not added until January.
- 1/28/2021
- by Steve Pond
- The Wrap
The Oscars Best Documentary Feature race, which set a new record for entries in December when it passed the previous record of 170, has now left all previous years in the dust with 240 eligible films.
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
- 1/17/2021
- by Steve Pond
- The Wrap
The Academy has added 93 more films to the members-only screening room devoted to entries in the Best Documentary Feature category, bringing the total number of eligible contenders to a record-shattering 215.
The previous record for entries was 170 in 2017. And this year’s crop of nonfiction films is expected to pass that number by an even bigger margin — at least 50 — once a final, smaller group of films is added to the screening room in January.
New eligibility rules that were passed in the wake of the Covid-19 theater closings made it easier for documentaries to qualify this year by allowing them to do so by playing at film festivals, even virtual ones, and by easing requirements for theatrical runs. In an email to members detailing the new additions, the Academy said, “The Documentary Branch Executive Committee felt it was important to be inclusive and supportive of documentary filmmakers in this unprecedented and challenging year.
The previous record for entries was 170 in 2017. And this year’s crop of nonfiction films is expected to pass that number by an even bigger margin — at least 50 — once a final, smaller group of films is added to the screening room in January.
New eligibility rules that were passed in the wake of the Covid-19 theater closings made it easier for documentaries to qualify this year by allowing them to do so by playing at film festivals, even virtual ones, and by easing requirements for theatrical runs. In an email to members detailing the new additions, the Academy said, “The Documentary Branch Executive Committee felt it was important to be inclusive and supportive of documentary filmmakers in this unprecedented and challenging year.
- 12/22/2020
- by Steve Pond
- The Wrap
Framed as a ticking clock political thriller, Iranian director Taghi Amirani’s documentary “Coup 53” plays as an enthralling look at the 1953 overthrow of Iranian Prime Minister Mossadegh by U.S. and U.K. intelligence agencies, in an effort to reinstate the Shah, a figure who was sympathetic to US and British oil interests in the region. Mixing traditional documentary talking-heads with Amirani’s own self-reflexive efforts to make the film, “Coup 53” is a thrilling film that contextualizes a major historical event through a global and personal lens.
Continue reading ‘Coup 53’ Is A Thrillingly Personal Documentary About The 1953 Iranian Coup D’état [Review] at The Playlist.
Continue reading ‘Coup 53’ Is A Thrillingly Personal Documentary About The 1953 Iranian Coup D’état [Review] at The Playlist.
- 9/7/2020
- by Christian Gallichio
- The Playlist
At a time when American moviegoers’ concerns are firmly focused on domestic issues, or on international players like Russia and China, it may seem odd to have two documentaries come out in the same week about events that happened decades ago in Iran. But Taghi Amirani’s “Coup 53” and Barbara Kopple’s “Desert One,” which open in select markets and in virtual cinemas on Aug. 21, have something to say about our current predicament even as they delve deeply into past collisions between the West and the Islamic world.
The films are set decades apart, Amirani’s in 1953 and Kopple’s in 1980. But they are inextricably linked, because the coup that overthrew the democratically-elected prime minister and strengthened the rule of Mohammad Reza Pahlavi, the Shah of Iran, in 1953 led inexorably to the Islamic revolution that toppled the Shah in 1979 and led to Iranian college students taking U.S. diplomats...
The films are set decades apart, Amirani’s in 1953 and Kopple’s in 1980. But they are inextricably linked, because the coup that overthrew the democratically-elected prime minister and strengthened the rule of Mohammad Reza Pahlavi, the Shah of Iran, in 1953 led inexorably to the Islamic revolution that toppled the Shah in 1979 and led to Iranian college students taking U.S. diplomats...
- 8/21/2020
- by Steve Pond
- The Wrap
It’s complicated.
Well, not so much ethically. Taghi Amirani’s documentary Coup 53 is pretty clear-cut in that way. Instead, it is complicated simply because it’s so dense, bursting at the seams with historical context and information. And despite its imperfections, that’s understandable. Having first spoken about making Coup 53 in 2012, Amirani’s project has gestated for around a decade now. “My film has taken so long to finish that some of the people I’ve interviewed have since died,” he says in the first two minutes. It’s clear he’s in a race against time to get the story and, for better or for worse, it’s hard to fault him for it.
The tale he weaves concerns the 1953 coup against Mohammad Mosaddegh, Iran’s first democratically elected Prime Minister. The job was a staged effort between the CIA and MI6. America––not Britain––had...
Well, not so much ethically. Taghi Amirani’s documentary Coup 53 is pretty clear-cut in that way. Instead, it is complicated simply because it’s so dense, bursting at the seams with historical context and information. And despite its imperfections, that’s understandable. Having first spoken about making Coup 53 in 2012, Amirani’s project has gestated for around a decade now. “My film has taken so long to finish that some of the people I’ve interviewed have since died,” he says in the first two minutes. It’s clear he’s in a race against time to get the story and, for better or for worse, it’s hard to fault him for it.
The tale he weaves concerns the 1953 coup against Mohammad Mosaddegh, Iran’s first democratically elected Prime Minister. The job was a staged effort between the CIA and MI6. America––not Britain––had...
- 8/19/2020
- by Matt Cipolla
- The Film Stage
"How did it come to this." Amirani Media has released a teaser trailer (which basically plays as a full trailer) for an acclaimed documentary titled Coup 53, which first premiered at the Telluride Film Festival last year. While making a documentary about the Anglo-American coup in Iran in 1953, director Taghi Amirani and editor Walter Murch discovered a lot of extraordinary, never-before-seen archival material that had been hidden for decades. The 16mm footage & documents they uncovered not only allow them to tell the story of the overthrow of the Iranian government in unprecedented detail, but it also led to revelations about dark secrets buried for 67 years. Working with Ralph Fiennes to help bring the lost material to life, what begins as a historical documentary about four days in August 1953 turns into a live investigation, taking the filmmakers into uncharted cinematic waters. This docu is the result of all ...
- 8/11/2020
- by Alex Billington
- firstshowing.net
The nominations for the 2019 British Independent Film Awards have been revealed, and it was a huge morning for Armando Iannucci’s Charles Dickens adaptation “The Personal History of David Copperfield” and Tom Harper’s musical drama “Wild Rose.” “Copperfield” led all movies with 11 nominations, including Best British Indie Film, Best Actor for Dev Patel, and Best Screenplay for Iannucci and co-writer Simon Blackwell. Fox Searchlight has U.S. distribution rights to the movie and has announced a 2020 theatrical release.
“Wild Rose,” which earned a second-best 10 nominations, will also compete for Best British Indie Film against “Bait,” “For Sama,” and “The Souvenir.” “Wild Rose” breakout Jessie Buckley landed a Best Actress nomination opposite Renee Zellweger for “Judy,” which Buckley just so happens to have a supporting role in.
While Zellweger landed in the Best Actress field (which she is widely expected to do all awards season thanks to her acclaimed leading...
“Wild Rose,” which earned a second-best 10 nominations, will also compete for Best British Indie Film against “Bait,” “For Sama,” and “The Souvenir.” “Wild Rose” breakout Jessie Buckley landed a Best Actress nomination opposite Renee Zellweger for “Judy,” which Buckley just so happens to have a supporting role in.
While Zellweger landed in the Best Actress field (which she is widely expected to do all awards season thanks to her acclaimed leading...
- 10/30/2019
- by Zack Sharf
- Indiewire
Armando Iannucci’s take on the Charles Dickens classic “David Copperfield” is a strong front-runner in the British Independent Film Awards, scoring 11 nominations.
Dev Patel is up for best actor for his starring role in “The Personal History of David Copperfield,” and his co-stars, Tilda Swinton and Hugh Laurie, compete in their respective supporting categories.
“Wild Rose,” featuring Jessie Buckley as a rising singer, is also a major contender, with 10 nominations. Horror thriller “In Fabric” follows with nine, and Joanna Hogg’s “The Souvenir” with eight. Dance music feature “Beats,” biopic “Judy,” and documentaries “For Sama” and “Diego Maradona” landed five nods apiece.
British actors Naomi Ackie and Joe Cole unveiled the 2019 nominations in London on Wednesday.
Renee Zellweger gets a best actress nom for her turn as late-career Judy Garland. She will vie with Buckley, Holliday Grainger, Sally Hawkins and Vicky Knight for the award.
For the best actor prize,...
Dev Patel is up for best actor for his starring role in “The Personal History of David Copperfield,” and his co-stars, Tilda Swinton and Hugh Laurie, compete in their respective supporting categories.
“Wild Rose,” featuring Jessie Buckley as a rising singer, is also a major contender, with 10 nominations. Horror thriller “In Fabric” follows with nine, and Joanna Hogg’s “The Souvenir” with eight. Dance music feature “Beats,” biopic “Judy,” and documentaries “For Sama” and “Diego Maradona” landed five nods apiece.
British actors Naomi Ackie and Joe Cole unveiled the 2019 nominations in London on Wednesday.
Renee Zellweger gets a best actress nom for her turn as late-career Judy Garland. She will vie with Buckley, Holliday Grainger, Sally Hawkins and Vicky Knight for the award.
For the best actor prize,...
- 10/30/2019
- by Stewart Clarke
- Variety Film + TV
For many Americans unaware of its origins, the critical chapter of Iran-u.S. relations has started in 1979 with the Iranian hostage crisis. In “Coup 53,” veteran documentarian Taghi Amirani goes further back in time, all the way to the summer of 1953, which marked the real beginnings of the discord. , orchestrated by the U.S. and U.K. Under the code name Operation Ajax, the two nations collaborated to overthrow the democratically elected Prime Minister Mohammad Mosaddegh (who alarmed them by nationalizing Iran’s oil industry) and to reinstall the Shah.
In a past interview, the filmmaker Amirani himself has jokily referred to his years-in-the-making effort as “a prequel to Ben Affleck’s ‘Argo’” — an accurate enough description, except, rather than a swift political thriller, “Coup 53” often plays like a lengthy lecture or a formal procedural delivered by what feels like an endless string of talking heads. This educational approach is...
In a past interview, the filmmaker Amirani himself has jokily referred to his years-in-the-making effort as “a prequel to Ben Affleck’s ‘Argo’” — an accurate enough description, except, rather than a swift political thriller, “Coup 53” often plays like a lengthy lecture or a formal procedural delivered by what feels like an endless string of talking heads. This educational approach is...
- 9/4/2019
- by Tomris Laffly
- Variety Film + TV
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