74
Metascore
30 reviews · Provided by Metacritic.com
- 100Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertInto the Abyss may be the saddest film Werner Herzog has ever made. It regards a group of miserable lives, and in finding a few faint glimmers of hope only underlines the sadness.
- 90MovielineMovielineInto the Abyss, which bears the subtitle "A Tale of Death, A Tale of Life," reveals itself to be an outlandish, compassionate and, at times, improbably buoyant film about life's capacity for grief and horror and about how it bubbles on miraculously in the face of such things. It's the best thing Herzog's done in years.
- 88Slant MagazineBill WeberSlant MagazineBill WeberUnderlying the occasionally harrowing, consistently mournful tone is a philosophy that, more than being explicitly anti-capital punishment, puts both family ties and the social contract at the center of people's self-worth.
- 83The A.V. ClubScott TobiasThe A.V. ClubScott TobiasHis film powerfully suggests that violent death of any kind, whether personal or state-mandated, transforms everyone in its vicinity.
- 80The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenBut above all it's a portrait of stunned grief, of the devastation families endure, whether through violence, accidents, illness or incarceration.
- 80Time OutJoshua RothkopfTime OutJoshua RothkopfInto the Abyss is too self-admiring of its own loose ends to come to the indictment that would put it in the company of "The Thin Blue Line," but these personalities stay in your head - which is the whole point.
- 80Village VoiceVillage VoiceAn egalitarian study of crime and punishment in a small Southern town, Into the Abyss is also an unmistakably Herzogian inquiry into the lawlessness of the human soul.
- 80Chicago ReaderJ.R. JonesChicago ReaderJ.R. JonesHerzog's wrenching interviews with the victims' relatives, may not turn anyone against capital punishment, but they're gripping nonetheless. Incidentally, the spiritual inquiry Herzog aims for here has already been rendered onscreen, in Steve James and Peter Gilbert's powerful documentary "At the Death House Door" (2008).
- 75Chicago TribuneMichael PhillipsChicago TribuneMichael PhillipsThe film is a river of pain, weirdly funny in places, as are all of Herzog's filmic essays.