Into the Abyss

Into the Abyss is Herzogs most haunting piece since his 1979 remake of Nosferatu and to me, it would appear to be his most personal work to date. Herzog has always been an outspoken warrior against capitol punishment, so I assumed this would be preachy, overstated, and direct. To my surprise this is one of the most understated documentaries on death row inmates and those around them I have ever had the pleasure of watching.

Centering around the homicides committed by two Texas youths over a car in the early 2000's and the consequences felt by all the people involved, Into the Abyss isn't about guilt or innocence, nor is it about wrong or right. Into the Abyss is about staring the reality of it all in the face.

Herzog leaves no stone unturned as he interviews the perpetrators, the victims families, the wife and father of one of the prisoners, the prison chaplain, a series of acquaintances, the police captain, and a retired prison guard that was once the modern day equivalent of the town executioner. None of whom dwell on the deaths of those killed or the upcoming death of Micheal Perry (the inmate that was given death) but life after the events. How their worlds were effected is the topic and even though Herzog states clearly he opposes the death penalty he never harps on it.

The subjects that are interviewed were obviously hand picked with care and it all amounts to an eerie retrospect on how the world misses the big picture when it comes to taking the life of another for crimes they have committed. Easily the most jaw dropping documentary of the young 2010's decade. I cant think of another film that got me so emotionally involved while seemingly dancing around the main subject. Herzog has done it again, but I cant call it triumphant. No, Into the Abyss isn't a triumph at all. It is an epic tragedy that should be watched by those both pro and anti capitol punishment.

In Conroe, Texas, 2001, Michael Perry and Jason Burkett broke into the home of an acquaintance, Jason Stotler, in the hopes of stealing a new car. When their plan began to unravel, Perry shot and killed Stotler's mother. After dumping the body, they then killed Stotler and another friend in order to regain access to the house inside of a gated community they had been locked out of. Shortly thereafter, the duo was arrested after a haphazard shootout and brought to justice. Perry was sentenced to death, Burkett to life in prison. With Perry's execution right around the corner, filmmaker Werner Herzog journeyed to the maximum security prison in Huntsville, Texas in order to interview the culprits, get the details of the case, and have a look at the concept of the death penalty.

Perhaps the preeminent voice in documentary filmmaking, Herzog has spent the majority of his illustrious career crafting his approach and that shines through once again here. What I love about Herzog's documentaries is that there's never any question as to how he feels about his subject matter and yet you never feel as if he's forcing it down his throat. At the outset of Into the Abyss he states (off-camera) that he is against the death penalty and at times you can tell that his film is sliding toward his side of the argument. A very compelling portion of the film involves Herzog's discussions with a man who spent his entire career strapping the condemned to a gurney until a series of events led him to jump to the other side of the argument. Still, however, Herzog allows the audience to judge for themselves, choosing to let the camera roll while laying out the facts. My impression is that Herzog would like to start a dialogue concerning the matter rather than shame proponents of the death penalty into submission.

At the same time, Into the Abyss pulls no punches in its portrayal of both Perry and Burkett. While both profess their innocence, Herzog quietly points out the holes in their respective stories and makes it clear that there is virtually no evidence to support their claims. These two were morons with a history of bad and violent behavior who finally escalated their actions. Perhaps their greatest mistake was being so stupid as to believe they could get away with their crimes when clearly neither one of them had the mental capacity to outsmart a brain damaged dog, let alone a team of police detectives. The film uses splices of the videos investigators shot at the crime scene and accentuates the footage with interviews with the detective in charge of the case and the family members of the victims. It is a dark light that is shed on Perry and Burkett and Herzog makes no attempt to turn them into the martyrs they would have you believe they are.

The only real issue I had with Into the Abyss is that it simultaneously tries to cover too much ground and doesn't reach quite far enough. Herzog takes the time to highlight a fairly extensive interview with Burkett's father, himself in prison, in an effort to illuminate Burkett's difficult childhood but then doesn't do anything with this information. It seems as if the film goes halfway toward building a bit of sympathy for at least Burkett, if not Perry, and then abandons the idea. There are also a handful of interviews that don't seem to serve much of a purpose. At the same time, because of the nature of how Herzog shot the film, his "turn on the cameras and see what happens" style, there are times when Into the Abyss seems a bit purposeless. There's no great statement made and again, while I appreciate that he didn't take to the heavy-handed preaching tactic used too often in these documentaries, this leaves the film devoid of a lasting impression. It's a good film and one that is certainly worth watching if for no other reason than the conversation it could lead to but it lacks the punch that I would have expected it to display.

Please see my reviews at thesoapboxoffice.com

Filmmaker Werner Herzog does a documentary about Michael James Perry. He's on death row in Livingston, Texas scheduled to be executed in 8 days. He was convicted along with his friend Jason Burkett for a triple homicide. They killed a housewife in her home to steal a car and then killed two young people to get passcode for the community gate. This is not really a whodunit unless you believe Burkett or even Perry. It's not impossible to believe them and there are certainly people willing to do that. This is really about the whole society in general. It is about the victims. It is about the daughter who lost her family. It is about Burkett's father who watches his various family members get incarcerated along with him. It is about the friend and Herzog who is more interested in him learning to read as an adult. It is about the executioner who had to quit. This is quite a tapestry of Texan life.

Herzog's work may lend itself to interpretation more than most. And while it may just be a quibble of emphasis, I would not, as the other two reviewers here have, say this is essentially a documentary about 'capital punishment'. Just as I would not say "grizzly man" was really a documentary about bear attacks. Herzog lets it be known he doesn't approve of the death penalty, but mostly, like most Herzog documentaries, this just struck me as a portrait of (as another reviewer put it well) the "ill-fated".

Certainly, if you go into this thinking you're going to get Michael Moore style anti-death penalty agitprop, you're going to be disappointed. This is a series of interviews with a Texas death row inmate scheduled for imminent execution (an inmate Herzog has characterized in interviews as a "truly frightening" human being) and the lives of some of those either the case, or the Texas Death Penalty system generally, have touched upon. It is probably the least sensationalistic account of its sort put on film. And for that alone, Herzog deserves praise.

Having lived in Houston for many years and knowing this area just north of it pretty well, I can say Herzog is able convey a lot about the area and its people, through the lens of this horrific act, very well.

Well, once more, what is it about, if not capital punishment.... I think Herzog in a related context (his "On Death Row" documentary series) may have put it best when an attorney he was interviewing noted 'we all have a need to humanize' and rationalize these people who have done terrible things, and Herzog stopped them to say "I don't humanize them. I don't want to humanize. They simply are human beings". And that's kind of how I saw 'into the abyss'. It's not an attempt to rationalize or humanize a triple-murderer, nor is it an attempt rationalize, demonize, or humanize state sanctioned execution. It's just portrait of a piece of life as it is now lived.

I have seen many Herzog films: Encounters at the End of the World, Rescue Dawn, Grizzley Man, and Aguirre: The Wrath of God, just to name a few. I have always been fascinated with his work.

Herzog documentaries are notable for using locals instead of professionals to give it a ring of truth. It makes for a more interesting story.

This film was made 8 days before Michael Perry, a man on death row convicted of murdering Sandra Stotler, a fifty-year-old nurse, was to be executed. He was suspected, but never charged, in two other murders which occurred in Conroe, Texas, with his accomplice Jason Burkett. Perry was convicted eight years earlier of the October 2001 murder, apparently committed in order to steal a car for a joyride. Perry denies that he was responsible for the killings, blaming Burkett (also appearing in the film) who was convicted of the other two murders. Burkett, who received a lesser life sentence for his involvement, likewise blames Perry.

The tales of all involved, especially the inmate's father, and the warden, were fascinating.