75
Metascore
17 reviews · Provided by Metacritic.com
- 100ColliderMarco Vito OddoColliderMarco Vito OddoWith eye-popping animation, a fresh story that challenges tropes, and an energetic voice performance by Chloë Grace Moretz as the titular character, Nimona is nothing less than a triumph.
- 100San Francisco ChronicleBob StraussSan Francisco ChronicleBob StraussAmid scattershot pop culture references, flying cars and squads of armored knights with laser-guided crossbows, Nimona makes a cry for acceptance that has mythic resonance.
- 90IGNSamantha NelsonIGNSamantha NelsonIt’s a beautifully animated film that never loses sight of its goals as it seamlessly blends goofy humor and action, an imaginative setting, and powerful emotional moments to produce a memorable and highly relevant family film.
- 80SlashfilmRafael MotamayorSlashfilmRafael MotamayorNimona lives and dies by its main character, and it greatly succeeds in adding to the canon of great animated protagonists. Despite some rocky visual choices, this is a film worth the wait.
- 80EmpireBen TravisEmpireBen TravisBoth enthusiastically irreverent and deeply sincere, Nimona is a revisionist fairytale that forges its own path visually and narratively to beautiful effect. Insert celebratory shark-dance here.
- 80The Observer (UK)Wendy IdeThe Observer (UK)Wendy IdeIt’s a rambunctious adventure, certainly. But it’s also a film that argues for tolerance and LGBTQ+ acceptance.
- 75The Associated PressLindsey BahrThe Associated PressLindsey BahrA powerful, shapeshifting teenage girl and a disgraced knight-in-training suspected of killing a beloved queen are at the heart of Nimona, a vibrant and irreverent animated adventure set in a futuristic fantasy kingdom.
- 75IndieWireChristian ZilkoIndieWireChristian ZilkoWhat could have been a generic piece of standard Netflix fare in less skillful hands ends up being a nuanced story of belonging that’s slightly less cliche-ridden than you might expect.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawNimona is likable and engaging entertainment that finds its way through self-created chaos to some humane life-lessons.
- 60The New York TimesAmy NicholsonThe New York TimesAmy NicholsonAttention has been paid; it’s just not equally distributed. The tone is uneasy teetering on anarchic, veering from giddily moronic one-liners to — more shockingly — a climax with deep empathy and visual awe.