Padre Pio

Not sure why it's called Padre pio, it barely showed him. Even then it showed him in a bad light. Bad music score, camera work, really nothing redeeming about it.

It's like watching a really bad movie with a fee clips of a worse movie popping it.

Why not make a movie that actually shows him, the stigmata, lines of people coming to confess to him, his ability to read what was bothering people at confessions.

Why put in the nudity and profanity? Why use his name to promote this boring garbage.

We thought it would be good after hearing about LaBeouf converting it would be good. It's not remotely that.

Despite the historical events and perhaps leading characters personal dark and heavy route towards becoming who he was that does not mean they film needs to also be so dark.

It seems that lately films are more and more separated into fluff and pop corn blockbusters and then you have these heavy "artistic" or religious or quasi intellectual films where they examine certain characters or events. So that after the viewers and producers can pat each other on the back how smart and deep their introspection is.

While not too long ago, directors knew how to interweave complex, dark or troublesome events with light, with entertainment , with charismatic characters to offput that or moments to balance it out. Intellectual and dark doesnt mean it needs to be heavy and difficult to watch.

Very very few know how to do this nowadays, Lebeoufs films never do. They are just plain dark and uncomfortable to watch. Especially ones like this, where they (unfortunately only) focus on the most heavy part of his journey to becoming Padre Pio everyone knows.

So this has to be by far the most disappointing film I've seen in 2023. Why? I was so looking forward to this film for over a year before its release, expecting some semblance of a Padre Pio biopic. What I got instead? A completely different film whose plot involved the struggle of communists vs fascists in a small provincial Italian town, with Padre Pio being an incidental character who wasn't relevant to the plot AT ALL. In fact, had it not been for the last few seconds of the film's ending where they show him getting the stigmata, Padre Pio could have literally been interchanged with any generic provincial Italian friar. I'd even go a step further: if all his scenes were deleted from the film, it would not have changed the plot in the slightest whit. I would have at least been a bit more forgiving if they had taken 'artistic liberties' with telling Padre Pio's life, as some over-enthusiastic biopics tend to do.... but they didn't even do that! They do not discuss, flesh out, or even relay the tiniest iota of the story of Padre Pio... he is merely an incidental and inconsequential character in a story involving the early struggles of Italian partisans against the nascent fascists. I'm not saying that there is anything inherently wrong with that type of story (though truth be told, even that was bland and uninteresting), but if that was the main point and intent of the film, then the filmmakers should have been up front about it, and shouldn't have duped the audience by disguising this as having anything remotely to do with Padre Pio. Shame, as Padre Pio's story is fascinating on its own, and actually TELLING his story would have been immensely more interesting than this insipid drivel we were given here.

Such a disappointment. Literally 20 minutes of the film contains Padre Pio. This movie focuses on political issues in Italy rather than Padre Pio. The film was boring & lacked any points of interest. Crew had no idea the talent in Shia LeBouf, who did a phenomenal job as Padre Pio. He wasn't given anywhere near enough screen time or enough opportunity to portray Padre Pio. Nudity in a film about the greatest saint of our time is so sacreligious & disrespectful to the man that is Padre Pio as well as his religion. This is an injustice to Padre Pio & such a bust. LeBouf was phenomenal, storyline was awful.

I was not expecting much reverence for the subject matter in a film by Abel Ferrara, whose latest film was about the Vatican blowing up. Ferrara seems to be his own audience these days.

Nevertheless, Shia Labeouf's publicized conversion to Catholicism did spark some interest (though I thought he already did this for "Fury"). However, my nose was still very well plugged, and it remained so. This is not a biography. It is just empty, with no real direction in story, nor any perceivable goal. The shark in "Jaws" was better utilized than Saint Pio was in this film; at least the shark was central to the plot, and his presence was felt- even when he was offscreen.

Ferrara's other films are brutal, unrelenting, dark and negative, and yet utilize Catholic imagery as little more than window dressing. Such is the case with this film, only its also part of the title. Don't waste your time. Watch "Padre Pio: Miracle Man" or "Padre Pio: Between Heaven and Earth," instead.