59 reviews
Not exactly what I was expecting at first from a sports movie but in the end it turned out to have the heart I expect from a sports film.
Based on the story of Roberto Duran, a poor street kid from Panama who became that country's symbol of greatest as a boxing champion. It follows his career from his glory days to how his ego caused his fall to his surprising comeback.
Edger Ramirez was fantastic as Duran and Usher Raymond as Sugar Ray Lenard was perfect casting for me hands down.
Also like the connection that Ramirez made with DiNiro who played Ray Arcel. It was very natural them bouncing off one another.
But not the best boxing movie I every seen. Though Ramereiz and Raymond look ready for combat the ring fights could have been better.
Maybe not the point for the film makers as the film documents the rise and fall of a boxing champion that closely mirrors all the other stories of how success corrupts you but if you have the heart and the mindset deep within you you can come back.
Plus the film focus on how Duran's career ran parallel to the state his country was in.
Overall, as a sports movie goes it did not draw me in like they usually do but the outcome was still the same as it plays with my heart to see a man come back from his very worst.
http://cinemagardens.com
Based on the story of Roberto Duran, a poor street kid from Panama who became that country's symbol of greatest as a boxing champion. It follows his career from his glory days to how his ego caused his fall to his surprising comeback.
Edger Ramirez was fantastic as Duran and Usher Raymond as Sugar Ray Lenard was perfect casting for me hands down.
Also like the connection that Ramirez made with DiNiro who played Ray Arcel. It was very natural them bouncing off one another.
But not the best boxing movie I every seen. Though Ramereiz and Raymond look ready for combat the ring fights could have been better.
Maybe not the point for the film makers as the film documents the rise and fall of a boxing champion that closely mirrors all the other stories of how success corrupts you but if you have the heart and the mindset deep within you you can come back.
Plus the film focus on how Duran's career ran parallel to the state his country was in.
Overall, as a sports movie goes it did not draw me in like they usually do but the outcome was still the same as it plays with my heart to see a man come back from his very worst.
http://cinemagardens.com
- subxerogravity
- Aug 28, 2016
- Permalink
Hands of Stone is a rise, fall and rise again story of famed Panamanian boxer Roberto Duran (Ramirez) who leapt into notoriety in the 70's after his first controversial appearance at Madison Square Gardens. By the time of his retirement in 2002 at the age of 50, he had 199 fights under his belt with 103 wins and four titles as a light weight, welter weight, light middle weight and middle weight. The film however focuses on his relationship with legendary boxing trainer Ray Arcel (De Niro) whose own exploits in the boxing world made him the first trainer to be inducted into the Boxing Hall of Fame.
Doing a movie of this nature, a couple of questions arise. How do you accurately and intimately make a film about the life and times of Roberto Duran who in addition to being a legend was also a legendary pre-fight s**t talker? How can one best encapsulate the real life of a man who at one point was the guiding light of an entire nation yet had enough of an ego to name all of his male heirs Roberto? Finally, how do you do make that movie great while siphoning off of cues and themes from inspirations like Rocky (1976) and Raging Bull (1980)?
The answer is of course you can't; but you can make a half-way decent film out of everything. And that's basically what director Jonathan Jakubowicz and Bob and Harvey Weinstein have done. It plods its course, steadily paces itself, jab at the appropriate emotional moments and ducks from the energy-sucking minutia that episodic plot-lines tend to have in abundance. Robert De Niro is fine as Ray Arcel giving a spry, worthwhile performance in the same ballpark as Billy Sunday in Men of Honor (2000). Likewise Edgar Ramirez hits all the right notes as our beleaguered hero giving the screenplay a much better performance than it honestly deserves. Ana de Armas, Usher Raymond, Ruben Blades, Oscar Jaenada and Ellen Barkin are all very good with Reg E. Cathey giving a very small but showstopping performance as infamous boxing promoter Don King. Heck even the balance of languages (English and Spanish) is respectfully and organically done. If a great film is three great scenes and no bad ones, then Hands of Stone is 50% of the way there.
Yet much like the underrated Southpaw (2015), it also has no pivotal, never forget scenes or iconic lines. The brightly colored barrios of Panama City and the glitzy sparkle of Las Vegas, not to mention the atmospherics of locker rooms inexplicably filled with smoke, don't really leave an impact. Neither do the stakes of Duran's life which, much like Billy Hope's, was and probably still is filled with conflict, inner-turmoil and a pride that manifests in nationalistic fervor. It's a shame too because if the film decided to explore that aspect of Duran's life, i.e. his relationship to Panama and its people, it could have been unique enough to recommend strongly.
Yet instead, the film doubles down on the "success is ruination" themes picked up by Raging Bull, while kneading out the supposed nobility of a sport in which two grown men beat the crap out of each other. Yet while watching Hands of Stone, I kept hoping they would change up the kinetic, fast-paced editing of the fight sequences with moments that were, say a little more poetic. For those of you who know what I'm insinuating, congratulations you've seen a "great" scene from a "great" movie about boxing.
The best that can be said about Hands of Stone is it does what it does predictably and well, like a cover band that's been around for years. It's energetic, it's fun to watch, it certainly has talented people who put their heart and soul into the project and it plays all the hits...yet it's not the real thing. Oh well, a tin star still shines, a discount belt still buckles and Hands of Stone is still good. Watch it if you must, otherwise watch Rocky again instead.
Doing a movie of this nature, a couple of questions arise. How do you accurately and intimately make a film about the life and times of Roberto Duran who in addition to being a legend was also a legendary pre-fight s**t talker? How can one best encapsulate the real life of a man who at one point was the guiding light of an entire nation yet had enough of an ego to name all of his male heirs Roberto? Finally, how do you do make that movie great while siphoning off of cues and themes from inspirations like Rocky (1976) and Raging Bull (1980)?
The answer is of course you can't; but you can make a half-way decent film out of everything. And that's basically what director Jonathan Jakubowicz and Bob and Harvey Weinstein have done. It plods its course, steadily paces itself, jab at the appropriate emotional moments and ducks from the energy-sucking minutia that episodic plot-lines tend to have in abundance. Robert De Niro is fine as Ray Arcel giving a spry, worthwhile performance in the same ballpark as Billy Sunday in Men of Honor (2000). Likewise Edgar Ramirez hits all the right notes as our beleaguered hero giving the screenplay a much better performance than it honestly deserves. Ana de Armas, Usher Raymond, Ruben Blades, Oscar Jaenada and Ellen Barkin are all very good with Reg E. Cathey giving a very small but showstopping performance as infamous boxing promoter Don King. Heck even the balance of languages (English and Spanish) is respectfully and organically done. If a great film is three great scenes and no bad ones, then Hands of Stone is 50% of the way there.
Yet much like the underrated Southpaw (2015), it also has no pivotal, never forget scenes or iconic lines. The brightly colored barrios of Panama City and the glitzy sparkle of Las Vegas, not to mention the atmospherics of locker rooms inexplicably filled with smoke, don't really leave an impact. Neither do the stakes of Duran's life which, much like Billy Hope's, was and probably still is filled with conflict, inner-turmoil and a pride that manifests in nationalistic fervor. It's a shame too because if the film decided to explore that aspect of Duran's life, i.e. his relationship to Panama and its people, it could have been unique enough to recommend strongly.
Yet instead, the film doubles down on the "success is ruination" themes picked up by Raging Bull, while kneading out the supposed nobility of a sport in which two grown men beat the crap out of each other. Yet while watching Hands of Stone, I kept hoping they would change up the kinetic, fast-paced editing of the fight sequences with moments that were, say a little more poetic. For those of you who know what I'm insinuating, congratulations you've seen a "great" scene from a "great" movie about boxing.
The best that can be said about Hands of Stone is it does what it does predictably and well, like a cover band that's been around for years. It's energetic, it's fun to watch, it certainly has talented people who put their heart and soul into the project and it plays all the hits...yet it's not the real thing. Oh well, a tin star still shines, a discount belt still buckles and Hands of Stone is still good. Watch it if you must, otherwise watch Rocky again instead.
- bkrauser-81-311064
- Aug 22, 2016
- Permalink
"Hands of Stone" (2016 release; 195 min.) is a bio-pic about Panama boxing legend Roberto Duran. as the movie opens, it is"Madison Square Garden, 1971" and we dive straight into a Duran fight, while Ray Arcel (played by Robert de Niro) is checking it out. As Duran makes quick work of his opponent, Arcel's voice over comments "In 66 seconds, Duran changed my life". Arcel is convinced by Duran's manager to train him, to make him the next world champion. We then go to "US Canal Zone, January 9, 1964", as we see little Roberto participate in the social protests surrounding the Panama Canal. At this point we are 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this move is written and directed by little known Venezuelan director Jonathan Jakubowicz. The cast is strong, no doubt about it. De Niro gets to play in yet another boxing film, and he knows the ropes (sorry, no punt intended) like no other. A big surprise was to see Ellen Barkin, playing his wife (and now in her early 60s if you can believe it). Another big surprise was to see the role of Sugar Ray Leonard played by none other than the singer Usher, who does quite well in fact. Edgar Ramirez plays Duran convincingly. Some of the boxing scenes are quite good, but there is nothing that you haven't seen before. The movie's big challenge is that the script seems strictly by-the-numbers. There isn't much that comes as a surprise, the movie brings the required romantic interest, etc. It all feels very straight-forward, and hence there was no emotional investment on my part to feel connected to any of this. I was simply watching it, nothing less, nothing more. Last but not least, there was a nice orchestral score, courtesy of composer Angelo Milli.
The movie opened two weekends ago on a handful of screens here in Cincinnati. The Tuesday evening screening where I saw this at was attended okay but not great, which probably is the norm for a weekday evening. "Hands of Stone" certainly isn't bad per se, but neither is it an unexpected pleasant surprise (such as "Creed" last Fall). If you are into boxing, or boxing moves, this is worth checking out, be it in the theater, on Amazon Instant Video or eventually on DVD/Blu-ray.
Couple of comments: this move is written and directed by little known Venezuelan director Jonathan Jakubowicz. The cast is strong, no doubt about it. De Niro gets to play in yet another boxing film, and he knows the ropes (sorry, no punt intended) like no other. A big surprise was to see Ellen Barkin, playing his wife (and now in her early 60s if you can believe it). Another big surprise was to see the role of Sugar Ray Leonard played by none other than the singer Usher, who does quite well in fact. Edgar Ramirez plays Duran convincingly. Some of the boxing scenes are quite good, but there is nothing that you haven't seen before. The movie's big challenge is that the script seems strictly by-the-numbers. There isn't much that comes as a surprise, the movie brings the required romantic interest, etc. It all feels very straight-forward, and hence there was no emotional investment on my part to feel connected to any of this. I was simply watching it, nothing less, nothing more. Last but not least, there was a nice orchestral score, courtesy of composer Angelo Milli.
The movie opened two weekends ago on a handful of screens here in Cincinnati. The Tuesday evening screening where I saw this at was attended okay but not great, which probably is the norm for a weekday evening. "Hands of Stone" certainly isn't bad per se, but neither is it an unexpected pleasant surprise (such as "Creed" last Fall). If you are into boxing, or boxing moves, this is worth checking out, be it in the theater, on Amazon Instant Video or eventually on DVD/Blu-ray.
- paul-allaer
- Sep 12, 2016
- Permalink
For a biographical movie is good, mainly because, unlike to others in this genre, the actors speaks in the languages of the real people they portraits. But for a boxing movie, at times fails with the romantic drama scenes but mainly for the over egocentric personality of the main character, Roberto Durán. Also the script doesn't show the public enough matches. The highlights of the film, obviously, is Edgar Ramirez performance, but in my opinion, gives me a mixed perspective...in one hand, a confident and charismatic Durán, in the other hand, sadly, a man who blames his father for leaving his family and uses that as an excuse for his hate to U.S.A. is kinda annoying, also he thinks he's unstoppable even with his coach, Ray Arcel, played by Robert de Niro. Despite all this, the simple script is saved by some aspects. One is the costume design, because the movie occurs in many years, and the clothes tells us the time In which the characters live. The good technical aspects, like photography, sound mixing and editing, and film editing too, gives the film a better look. In overall, this movie is better enjoyed if you seek a mix between sports, drama and romance but not at its best.
- stevendbeard
- Aug 26, 2016
- Permalink
In 1971, Roberto Duran (Edgar Ramirez) fights at Madison Square Garden - an incredible accomplishment at a notable venue, considering Duran's humble origins. The eventual lightweight champion's story is narrated by his legendary trainer, Ray Arcel (Robert De Niro), a man who helped thousands of boxers master the sport, and who now must teach the kid strategy and discipline to become a true winner. And taking into account De Niro's own expertise with boxing movies, it's difficult not to trust everything he says about the up-and-comer. But despite star power, a respectable budget, and suitable performances, the film is an utter failure when it comes to visual style, technical execution, and storytelling.
The first problem is the narrative, which alternates between the past and the present, hoping to shed some light on the traumatic events that shaped each player. But it goes too far, wasting time on Arcel's personal drama (including estrangement from a daughter) while also focusing pointlessly on the supporting characters that interact with him. This should be Duran's story, but quite routinely, it pays unnecessary attention to Arcel, promoter Carlos Eleta (Ruben Blades), wiseguy Frankie Carbo (John Turturro), childhood pal Chaflan (Oscar Jaenada), and even the primary opponent, Sugar Ray Leonard (Usher Raymond). This is especially detrimental when Duran inevitably falls from grace; it allows the audience to lose interest in - and concern for - the antihero at the heart of it all, since there are so many other characters to follow. Even Roberto's wife Felicidad (Ana de Armas) is more sympathetic and believable (she's also featured in the only amusing scene, involving pleasurable intercourse that shifts into torturous childbirth).
All of the cutting back and forth in the timeline is dreadfully commonplace - as well as irritating - lending to the feeling that this biographical yarn is so familiar and clichéd that twisting up its chronology must surely confuse audiences into thinking that it's modern and fresh. This leads into the second problem: "Hands of Stone" quickly becomes a history lesson disguised as a boxing movie.The 1964 Panama Canal Zone rioting was a significant, potent piece of a longstanding territorial conflict, but it just doesn't fit seamlessly into a film about Duran's rise and fall in the ring. The idea of fighting his whole life becomes comically downplayed when he's shown to literally begin streetfighting as a preteen on the poverty-ridden streets of El Chorrillo, before receiving more formal training by a coach at a local gym. And then there's time for a love story, which follows the typical course of recklessness with wealth and eventually drunken abuse.
It's not enough to be an inspirational sports drama anymore - and definitely not when it comes to boxing, which has seen a tremendous quantity of theatrical efforts in the last few years alone. Just like Duran's immoral choices when it comes to psychological warfare and his motives for controversially (and famously) stopping his rematch against Leonard (depicted here to involve unscrupulous actions by a greedy agent and a mental defeat rather than overconfident slacking), "Hands of Stone" seems to have been made for all the wrong reasons. At times it's a bit of patriotic propaganda for Panama (it regularly resembles advertising or promotion instead of entertainment); at others it's an account of a detestable athlete, incapable of handling riches and celebrity - and certainly written poorly enough that he's irredeemable as a hero (a penultimate redemption bout is portrayed to be painfully trivial). Audiences are also supposed to believe (inconceivably) that this hotheaded brute used superior intelligence to distract his nemesis, rather than merely spitting out insults in the heat of the moment.
In its hastiness to chronicle the singular Panamanian star, the film also can't be bothered with acceptable editing and structuring techniques; fades, cuts, fight choreography, and transitions betray severely amateurish efforts. Sequences are included out of expectation, not creativity; training montages, the segueing of rounds, and even sex/nudity appear because the filmmakers think these moments are anticipated - or required. For viewers unaware of the 1980 "Brawl in Montreal" and the rematch that followed later in the same year, "Hands of Stone" at least presents an unexpected (though not entirely satisfying) third option to that age-old dilemma of any pugilist showdown: the protagonist can only win or lose, and both choices have been previously, repeatedly committed to celluloid.
The first problem is the narrative, which alternates between the past and the present, hoping to shed some light on the traumatic events that shaped each player. But it goes too far, wasting time on Arcel's personal drama (including estrangement from a daughter) while also focusing pointlessly on the supporting characters that interact with him. This should be Duran's story, but quite routinely, it pays unnecessary attention to Arcel, promoter Carlos Eleta (Ruben Blades), wiseguy Frankie Carbo (John Turturro), childhood pal Chaflan (Oscar Jaenada), and even the primary opponent, Sugar Ray Leonard (Usher Raymond). This is especially detrimental when Duran inevitably falls from grace; it allows the audience to lose interest in - and concern for - the antihero at the heart of it all, since there are so many other characters to follow. Even Roberto's wife Felicidad (Ana de Armas) is more sympathetic and believable (she's also featured in the only amusing scene, involving pleasurable intercourse that shifts into torturous childbirth).
All of the cutting back and forth in the timeline is dreadfully commonplace - as well as irritating - lending to the feeling that this biographical yarn is so familiar and clichéd that twisting up its chronology must surely confuse audiences into thinking that it's modern and fresh. This leads into the second problem: "Hands of Stone" quickly becomes a history lesson disguised as a boxing movie.The 1964 Panama Canal Zone rioting was a significant, potent piece of a longstanding territorial conflict, but it just doesn't fit seamlessly into a film about Duran's rise and fall in the ring. The idea of fighting his whole life becomes comically downplayed when he's shown to literally begin streetfighting as a preteen on the poverty-ridden streets of El Chorrillo, before receiving more formal training by a coach at a local gym. And then there's time for a love story, which follows the typical course of recklessness with wealth and eventually drunken abuse.
It's not enough to be an inspirational sports drama anymore - and definitely not when it comes to boxing, which has seen a tremendous quantity of theatrical efforts in the last few years alone. Just like Duran's immoral choices when it comes to psychological warfare and his motives for controversially (and famously) stopping his rematch against Leonard (depicted here to involve unscrupulous actions by a greedy agent and a mental defeat rather than overconfident slacking), "Hands of Stone" seems to have been made for all the wrong reasons. At times it's a bit of patriotic propaganda for Panama (it regularly resembles advertising or promotion instead of entertainment); at others it's an account of a detestable athlete, incapable of handling riches and celebrity - and certainly written poorly enough that he's irredeemable as a hero (a penultimate redemption bout is portrayed to be painfully trivial). Audiences are also supposed to believe (inconceivably) that this hotheaded brute used superior intelligence to distract his nemesis, rather than merely spitting out insults in the heat of the moment.
In its hastiness to chronicle the singular Panamanian star, the film also can't be bothered with acceptable editing and structuring techniques; fades, cuts, fight choreography, and transitions betray severely amateurish efforts. Sequences are included out of expectation, not creativity; training montages, the segueing of rounds, and even sex/nudity appear because the filmmakers think these moments are anticipated - or required. For viewers unaware of the 1980 "Brawl in Montreal" and the rematch that followed later in the same year, "Hands of Stone" at least presents an unexpected (though not entirely satisfying) third option to that age-old dilemma of any pugilist showdown: the protagonist can only win or lose, and both choices have been previously, repeatedly committed to celluloid.
- The Massie Twins (GoneWithTheTwins.com)
- GoneWithTheTwins_com
- Aug 24, 2016
- Permalink
"In 66 seconds Roberto Durand changed my life." Ray Arcel (De Niro) was one of the best boxing managers in history until he crossed the mob. He promised to step away from the game, but then he met Roberto Durand (Edgar Ramírez). Both lives, and the sport of boxing is changed forever and the only person that can stop Durand's rise is himself. I was looking forward to watching this movie since I am a huge sports movie fan and it had De Niro in it. First of all this was a very very good movie that had great drama and great acting. The fact that this is a true story made this even better and I do recommend this movie. That being said, I watched the ESPN 30 for 30 documentary about this subject a few years ago, and to me that was better than this. That being said, the movie is still very good and if you haven't seen the documentary you will love this, as for me I really really liked it. I think my problem was that the movie stayed so true to the actual story, even the fights are shot for shot how they actually happened, that it didn't really add anything that I hadn't known already. Overall, a great movie that is worth seeing because the story is full of everything a movie should have. The documentary, however, was better and it hurt the movie for me a little bit. I give this a B.
- cosmo_tiger
- Nov 20, 2016
- Permalink
"Hands of Stone" is a pretty average biopic/boxing movie. It tells the story of Duran's life, skimping on quite a few details, and throws in de Niro as legendary trainer Ray Arcel to sweeten the deal, and a miscast Usher (the R&B star) as Sugar Ray Leonard.
It is, at least, a good late career performance from de Niro, who seemed to have quit trying in his performances some twenty years ago, and just started sleepwalking through his roles. Here, he downplays it, but that feels like a conscious decision, and one that pays off in an impressive, understated performance.
I think the problem is that the movie tries to show too much, and ends up feeling light on the ground. A better decision may have been to focus on Duran's famous rivalry with Leonard. Instead we get a predictable rags to riches boxing story, and the attempt to blame the infamous "No Mas" fight on Duran's history with the US seems unconvincing. I still don't know what really happened in that fight. Perhaps the filmmakers know, or perhaps not.
It is, at least, a good late career performance from de Niro, who seemed to have quit trying in his performances some twenty years ago, and just started sleepwalking through his roles. Here, he downplays it, but that feels like a conscious decision, and one that pays off in an impressive, understated performance.
I think the problem is that the movie tries to show too much, and ends up feeling light on the ground. A better decision may have been to focus on Duran's famous rivalry with Leonard. Instead we get a predictable rags to riches boxing story, and the attempt to blame the infamous "No Mas" fight on Duran's history with the US seems unconvincing. I still don't know what really happened in that fight. Perhaps the filmmakers know, or perhaps not.
The sad thing is, this is a movie that every American should see and understand, but that that is almost impossible, there's just too much disinformation standing between us and the truth.
This is not a big film but that Robert De Niro was willing to lend his considerable talents to it speaks volumes about its worth. The story is a true one more than difficult to find in news reports at the time and so all the more jarring when told with the passionate clarity that it gets here.
I admit I have a very personal point of view about this movie. I was stationed in Panama when Duran was fighting. I wish I could have seen him fight, but the closest I came was being outside a stadium and being stunned at the uproar coming from it. I asked someone what was going on and they said Roberto Duran was fighting. Roberto was more than just a fighter to Panamanians, he was their hero. The Chorrillo district he grew up in was mostly slum. To come up from such poverty seems more than heroic to anyone familiar with the area, it's downright miraculous.
As Ray Arcel, his trainer, said, Roberto had some of the best instincts he'd ever seen. He was a natural fighter. His weakness was he was also a man prone to excess and excessive pride and the film does not shrink from those flaws. But to its credit it also doesn't shrink from putting the US in a less than admirable light.
There's more that isn't mentioned in this film, such as the highly suspicious way General Torrijos, president of Panama, died, or the extensive prostitution our military base promotes which Roberto would have witnessed. Still this movie is a vast improvement over the usual way Hollywood portrays Central America.
The acting is excellent throughout though I especially enjoyed Ana de Armas' portrayal of Roberto's wife, Felicidad, for the memories it gave me.
This is not a big film but that Robert De Niro was willing to lend his considerable talents to it speaks volumes about its worth. The story is a true one more than difficult to find in news reports at the time and so all the more jarring when told with the passionate clarity that it gets here.
I admit I have a very personal point of view about this movie. I was stationed in Panama when Duran was fighting. I wish I could have seen him fight, but the closest I came was being outside a stadium and being stunned at the uproar coming from it. I asked someone what was going on and they said Roberto Duran was fighting. Roberto was more than just a fighter to Panamanians, he was their hero. The Chorrillo district he grew up in was mostly slum. To come up from such poverty seems more than heroic to anyone familiar with the area, it's downright miraculous.
As Ray Arcel, his trainer, said, Roberto had some of the best instincts he'd ever seen. He was a natural fighter. His weakness was he was also a man prone to excess and excessive pride and the film does not shrink from those flaws. But to its credit it also doesn't shrink from putting the US in a less than admirable light.
There's more that isn't mentioned in this film, such as the highly suspicious way General Torrijos, president of Panama, died, or the extensive prostitution our military base promotes which Roberto would have witnessed. Still this movie is a vast improvement over the usual way Hollywood portrays Central America.
The acting is excellent throughout though I especially enjoyed Ana de Armas' portrayal of Roberto's wife, Felicidad, for the memories it gave me.
- socrates99
- Dec 12, 2016
- Permalink
- stevenrotherforth
- Sep 8, 2019
- Permalink
By the last half an hour mark of Hands of Stone, I was thinking about my grocery list. By the last ten minutes, I was checking my watch to see how much longer it would be until I could use the restroom. As I watched this movie, I was sure of what the film was going for. It was trying to be a typical inspirational sports movie about the little guy who starts out with a big ego and nothing but the clothes on his back who becomes somebody that the kiddies can look up to. What I was unsure of was how the film chose to get there. This is the cinematic equivalent of a Pinball game. Story starts here, goes over there for a few seconds, shoots to the top for a second, falls down to the bottom in a flash, while there is little aim or consistency in the game-play.
The film starts as famous boxer trainer, Ray Arcel (Robert De Niro), walks into the sepia-lit boxing ring of Madison Square Garden. He is there to observe Panamanian competitor Roberto Duran (Edgar Ramirez) at the request of his manager. Arcel is there to make Roberto a "champion" as Roberto is described as "wild" and in need of direction. He is a highly skilled boxer, but is somehow not champ material for reasons that we ironically do not see until later. Why ironically? Because the whole reason Ray Arcel is supposed to train him is to get Roberto's career on track, yet somehow causes his social-thereby professional-decline as the movie goes on. I have seen plenty of biopics where at some point the lead character falls on hard times and needs reassurance to never give up (half the time, that's why they have a lead love interest). But I have never seen a biopic where the character falls into that state because of the very reason that is supposed to make him better and inspirational to the audience. From my point of view, that makes Hands of Stone fairly pointless. Maybe even more like the plot to an episode of South Park than to a Hollywood sports movie.
But back to the game of Pinball. Let me preface this little analysis by acknowledging that the screenwriter/director Jonathan Jakubowicz evidently knew a great deal about the lives of these characters out of passion for their stories. The problem was either he was attempting to put focus on too many little aspects that he in the long run he should have cut or he started with a longer, more flowing narrative and cut too much of what he should have kept in order to shorten the running time. Instead of a story propelled by the relationship of Duran and Arcel, we got maybe five scenes of the two of them during Duran's training and a hundred other scenes that did not add up to anything.
Case in point, in the beginning of Duran's training with Arcel, Arcel takes the time to explain the difference between technique and strategy. As Arcel describes it, technique is the name for how you implement strategy and strategy is the overall battle plan for the fight. In a later scene, we see a little bit of what Arcel is talking about. During their first fight as a team, Duran goes to the corner of the ring to take a break and get coached like any other boxer. But right before he continues the fight, Arcel always combs back Duran's hair. Why is this? We find out later that it's to make Duran look like he "just got out of the shower"; if he looks "fresh" during a fight, it will drive the other fighter crazy every time. "Ahh strategy" Duran replies impressed.
These are the kinds of scenes and moments that the film should have spent more time with. Instead, we got the obligatory love interest, an out-of-nowhere hospital scene, an unnecessary death scene, a sub-conflict with the mafia, a meeting of the long-lost father scene, and hundreds of other moments that added up to nothing substantial leaving for a confused and boring product.
If I were to watch this movie again, it would be for one reason; the boxing scenes. Here is where the direction and cinematography truly shine. The pacing, the editing, and the acting are all exactly appropriate to reflect Duran's frame of mind during each individual fight. In the beginning when he is confident (bordering on conceited) of his ability, the pacing is quick yet the shots are observant. And when Duran hits his lowest professional point, the shots are longer, slower, but still carrying the same level of intensity. I would love to put this movie on again for those scenes alone, I would just keep the fast forward button nearby.
For more movie reviews, check out my blog, Art Scene State at the following link http://cinemasmarts.blogspot.com/
The film starts as famous boxer trainer, Ray Arcel (Robert De Niro), walks into the sepia-lit boxing ring of Madison Square Garden. He is there to observe Panamanian competitor Roberto Duran (Edgar Ramirez) at the request of his manager. Arcel is there to make Roberto a "champion" as Roberto is described as "wild" and in need of direction. He is a highly skilled boxer, but is somehow not champ material for reasons that we ironically do not see until later. Why ironically? Because the whole reason Ray Arcel is supposed to train him is to get Roberto's career on track, yet somehow causes his social-thereby professional-decline as the movie goes on. I have seen plenty of biopics where at some point the lead character falls on hard times and needs reassurance to never give up (half the time, that's why they have a lead love interest). But I have never seen a biopic where the character falls into that state because of the very reason that is supposed to make him better and inspirational to the audience. From my point of view, that makes Hands of Stone fairly pointless. Maybe even more like the plot to an episode of South Park than to a Hollywood sports movie.
But back to the game of Pinball. Let me preface this little analysis by acknowledging that the screenwriter/director Jonathan Jakubowicz evidently knew a great deal about the lives of these characters out of passion for their stories. The problem was either he was attempting to put focus on too many little aspects that he in the long run he should have cut or he started with a longer, more flowing narrative and cut too much of what he should have kept in order to shorten the running time. Instead of a story propelled by the relationship of Duran and Arcel, we got maybe five scenes of the two of them during Duran's training and a hundred other scenes that did not add up to anything.
Case in point, in the beginning of Duran's training with Arcel, Arcel takes the time to explain the difference between technique and strategy. As Arcel describes it, technique is the name for how you implement strategy and strategy is the overall battle plan for the fight. In a later scene, we see a little bit of what Arcel is talking about. During their first fight as a team, Duran goes to the corner of the ring to take a break and get coached like any other boxer. But right before he continues the fight, Arcel always combs back Duran's hair. Why is this? We find out later that it's to make Duran look like he "just got out of the shower"; if he looks "fresh" during a fight, it will drive the other fighter crazy every time. "Ahh strategy" Duran replies impressed.
These are the kinds of scenes and moments that the film should have spent more time with. Instead, we got the obligatory love interest, an out-of-nowhere hospital scene, an unnecessary death scene, a sub-conflict with the mafia, a meeting of the long-lost father scene, and hundreds of other moments that added up to nothing substantial leaving for a confused and boring product.
If I were to watch this movie again, it would be for one reason; the boxing scenes. Here is where the direction and cinematography truly shine. The pacing, the editing, and the acting are all exactly appropriate to reflect Duran's frame of mind during each individual fight. In the beginning when he is confident (bordering on conceited) of his ability, the pacing is quick yet the shots are observant. And when Duran hits his lowest professional point, the shots are longer, slower, but still carrying the same level of intensity. I would love to put this movie on again for those scenes alone, I would just keep the fast forward button nearby.
For more movie reviews, check out my blog, Art Scene State at the following link http://cinemasmarts.blogspot.com/
- baileykerr
- Aug 17, 2016
- Permalink
Roberto Duran's (Edgar Ramirez) story goes beyond his rise, fall and comeback to the ring. Its shaped by the political turmoil in Panama during the 70's and the early 80's so when he confronts Sugar Ray Leonard (Usher), his stakes are as high as to carry along his nation's pride with him. His trainer Ray Arcel (DeNiro), shapes him from a bully in search for revenge, into a Champion who's at his best after he realizes dignity is much more than just winning the belt. Many have won fights but few fighters have won the respect of their foes as did Duran and Sugar Ray back in the days. True heroes with Hands Of Stone and Hearts of Gold.
The first time I saw Roberto Duran fight was the Duran v Leonard fight...... Part 2. Where Sugar Ray Leonard was showboating, doing the Ali shuffle and basically humiliating Duran. I turned to my older brother and said that Duran is a bit rubbish only to be met with a reply, he is the world champion and usually a bit of a an animal but Leonard is on another plane tonight.
Hands of Stone tells the story of Roberto Duran (Edgar Ramirez) told through the eyes of veteran trainer Ray Arcel (Robert De Niro.) Ramirez is frankly to old for the teenage Duran, a wild kid brought up in poverty in Panama who becomes maybe the best lightweight ever.
Duran took two big money fights with Sugar Ray Leonard (Usher) the golden boy of boxing and Duran won the first fight by taunting Leonard to brawl with him, a mistake Leonard did not make the second time.
Still Duran came back after this defeat where he allegedly said 'no mas' and quit the fight. Duran would go on to become world champion in two further weight divisions.
A lot of the film is actually in Spanish for the Panama based scenes, it is a competent and entertaining film of a legendary boxer who retired from boxing at the age of 50 in 2002.
There is nothing in the film though that elevates it to greatness. If you have De Niro in the cast and it is a boxing film your mind turns to Raging Bull, a landmark boxing film. This is not in that league.
Hands of Stone tells the story of Roberto Duran (Edgar Ramirez) told through the eyes of veteran trainer Ray Arcel (Robert De Niro.) Ramirez is frankly to old for the teenage Duran, a wild kid brought up in poverty in Panama who becomes maybe the best lightweight ever.
Duran took two big money fights with Sugar Ray Leonard (Usher) the golden boy of boxing and Duran won the first fight by taunting Leonard to brawl with him, a mistake Leonard did not make the second time.
Still Duran came back after this defeat where he allegedly said 'no mas' and quit the fight. Duran would go on to become world champion in two further weight divisions.
A lot of the film is actually in Spanish for the Panama based scenes, it is a competent and entertaining film of a legendary boxer who retired from boxing at the age of 50 in 2002.
There is nothing in the film though that elevates it to greatness. If you have De Niro in the cast and it is a boxing film your mind turns to Raging Bull, a landmark boxing film. This is not in that league.
- Prismark10
- Mar 20, 2017
- Permalink
The film never recovers from my reluctance to accept the actor in the title role as Roberto Duran.
The genuine boxer was a small, skinny rat-like character in his early lightweight days.
However, the actor is tall, strapping, chisel-jawed and above all far too clean-cut to pull off the sinister Duran persona.
I also do not buy the 'pretty boy' Sugar Ray Leonard character because 1) the actor looks like he's about forty years-old and 2) he's not good-looking.
I wanted to see filth, poverty, violence in Duran's early days because this is what I've heard his background is, but where was the grit? the pain?
Nobody else is going to make a film about this legendary boxer so we are stuck with this disappointing effort.
The genuine boxer was a small, skinny rat-like character in his early lightweight days.
However, the actor is tall, strapping, chisel-jawed and above all far too clean-cut to pull off the sinister Duran persona.
I also do not buy the 'pretty boy' Sugar Ray Leonard character because 1) the actor looks like he's about forty years-old and 2) he's not good-looking.
I wanted to see filth, poverty, violence in Duran's early days because this is what I've heard his background is, but where was the grit? the pain?
Nobody else is going to make a film about this legendary boxer so we are stuck with this disappointing effort.
- tonymikejoe
- Nov 19, 2016
- Permalink
'HANDS OF STONE': Three and a Half Stars (Out of Five)
A sports biopic, based on the life of professional boxing legend Roberto Duran. The film stars Edgar Ramirez, Robert De Niro, Ana de Armas, Usher Raymond IV, Ellen Barkin and Ruben Blades. It was written and directed by Venezuelan filmmaker Jonathan Jakubowicz (in his English-language film debut). The movie has received mixed reviews from critics, and it's been a bomb at the Box Office. I think it's a decent boxing film, and biopic, but nothing spectacular.
The story focuses on the relationship between professional boxer Roberto Duran (Ramirez), and his trainer (who's equally legendary) Ray Parcel (De Niro). The two had a troubled relationship (at times), but one that equally involved a lot of respect; and both men learned a lot from each other. The movie begins with Parcel discovering Duran, in an early fight, it then goes to flashbacks of Duran growing up in Panama. The film also focuses on Duran's relationships with his estranged father (Eliud Kauffman), his wife Felicidad Iglesias (Armas), and legendary boxer Sugar Ray Leonard (Raymond IV). It also (very dramatically) depicts the two epic fights between Duran and Leonard.
The movie is about as slow-paced, and aimless feeling, as most biopics; but it does have it's moments. The fight scenes, between Duran and Leonard, are pretty well done; they're both intense and involving. The performances are mostly decent (especially Ramirez and De Niro), but Duran was not a very likable guy (not according to this movie). It's hard to root for someone like that; but the film does do a pretty good job of showing all the hardships he had to go through (so some of his unpleasantness is understandable).
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=hIFMQ3xbt9g
A sports biopic, based on the life of professional boxing legend Roberto Duran. The film stars Edgar Ramirez, Robert De Niro, Ana de Armas, Usher Raymond IV, Ellen Barkin and Ruben Blades. It was written and directed by Venezuelan filmmaker Jonathan Jakubowicz (in his English-language film debut). The movie has received mixed reviews from critics, and it's been a bomb at the Box Office. I think it's a decent boxing film, and biopic, but nothing spectacular.
The story focuses on the relationship between professional boxer Roberto Duran (Ramirez), and his trainer (who's equally legendary) Ray Parcel (De Niro). The two had a troubled relationship (at times), but one that equally involved a lot of respect; and both men learned a lot from each other. The movie begins with Parcel discovering Duran, in an early fight, it then goes to flashbacks of Duran growing up in Panama. The film also focuses on Duran's relationships with his estranged father (Eliud Kauffman), his wife Felicidad Iglesias (Armas), and legendary boxer Sugar Ray Leonard (Raymond IV). It also (very dramatically) depicts the two epic fights between Duran and Leonard.
The movie is about as slow-paced, and aimless feeling, as most biopics; but it does have it's moments. The fight scenes, between Duran and Leonard, are pretty well done; they're both intense and involving. The performances are mostly decent (especially Ramirez and De Niro), but Duran was not a very likable guy (not according to this movie). It's hard to root for someone like that; but the film does do a pretty good job of showing all the hardships he had to go through (so some of his unpleasantness is understandable).
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=hIFMQ3xbt9g
In 1971, manager Carlos Eleta (Rubén Blades) introduces his fighter Roberto Durán (Edgar Ramírez) to legendary trainer Ray Arcel (Robert De Niro). The anti-American Durán rejects Arcel at first. He grew up hating America over the Panama canal and being abandoned by his American soldier father. Plomo is his street level trainer and Chaflan is his outlandish friend. He chases after beautiful Felicidad Iglesias (Ana de Armas) and marries her. Arcel had been forced to retire by mobster Frankie Carbo (John Turturro) and is longtime married to Stephanie (Ellen Barkin). Durán's nemesis becomes American darling Sugar Ray Leonard (Usher Raymond). He gets Sugar Ray by insulting his wife Juanita (Jurnee Smollett-Bell) before the first fight. However, he is out of shape for the second fight which ends in "No más".
This is no jab at De Niro but the movie would be fine with less Arcel. This must be Durán's movie and it must be about "No más". We're given a formulaic portrait of a brash, arrogant, troubled Durán. Most of Arcel's story could be cut out. "No más" remains a mystery. He does give an explanation to his wife but continues to have conflicting narrative. This needs a tighter script which could zoom in on the most important aspect of Durán's journey.
This is no jab at De Niro but the movie would be fine with less Arcel. This must be Durán's movie and it must be about "No más". We're given a formulaic portrait of a brash, arrogant, troubled Durán. Most of Arcel's story could be cut out. "No más" remains a mystery. He does give an explanation to his wife but continues to have conflicting narrative. This needs a tighter script which could zoom in on the most important aspect of Durán's journey.
- SnoopyStyle
- Apr 28, 2017
- Permalink
A biographical sports film directed by some Venezuelan filmmaker and actor Edgar Ramirez in the lead with De Niro in a supporting role. This is the story of a famous boxer from Panama, Roberto Duran. Takes place during the 1980s, when protest was intensified to free Panama canal from the US control. Duran was interested in boxing since he was a little and then he was helped by a local small time coach. But when his professional fight begins to take off big, he required someone who can handle him at the big stages. So that's where a former American boxer comes in and what happens between them, followed by how Duran's life turns out is what covered in the rest.
Biographies are always good to watch. Sometimes it inspires, how those persons struggled to achieve something big. But this film was just okay, similar to most of the sports films. I did not dislike the story, I did not like how it was made. All I wanted was a better screenplay and it kind of failed on that part. The actors are the best thing in this. Both De Niro and Ramirez were decent, though expected big. Those 80s atmospheres were so good, but the stunt choreography was average. As based on a real person, it is a good film, though watching it for entertainment is a little disappointment. Overall, definitely worth a try.
7/10
Biographies are always good to watch. Sometimes it inspires, how those persons struggled to achieve something big. But this film was just okay, similar to most of the sports films. I did not dislike the story, I did not like how it was made. All I wanted was a better screenplay and it kind of failed on that part. The actors are the best thing in this. Both De Niro and Ramirez were decent, though expected big. Those 80s atmospheres were so good, but the stunt choreography was average. As based on a real person, it is a good film, though watching it for entertainment is a little disappointment. Overall, definitely worth a try.
7/10
- Reno-Rangan
- Nov 13, 2016
- Permalink
First of all, I am a big boxing fan so there was no chance I was going miss this one. Came out in the cinemas and got my tickets to go watch it. Roberto Duran was a member of what people called the "Fantastic four" (Duran, Hearns, Hagler, Leonard). A bunch of unique fighters who met in the late 70's and early 80's and had some of the most entertaining fights in boxing history. Roberto Duran was the smallest of them all and went from lightweight to middleweight to challenge them and gave a tremendous account of himself. The movie is fun to watch whether you like boxing of not. Its shows the tough upbringings of the life of this magnificent champion, how he never goes to school but ends marrying a well educated women, the needs to prove himself in every outing not only for him but also for his country which was undermined by the power of the US. Duran was a great fighter and somehow justice has been done by giving this man a movie that confirms him as one of the true greats in boxing history.
- santiagocosme
- Dec 9, 2016
- Permalink
Caracas, Venezuela, born Director/Writer/Producer Jonathan Jakubowicz (Secuestro express - 2005), along with producing wife Claudine (Epicentral Studios) leap from the Latin film arena to tell the true story of the raise/fall and raise again of showy Panamanian boxer Roberto Duran, portrayed by the outstanding Edgar Ramirez (Zero Dark Thirty). With childhood sweetheart Felicidad (Ana de Armas - War Dogs) by his side, Duran (known as "Manos de Piedra" Hands of Stone) claims the WBC welterweight title in 1980 over state-side favorite Sugar Ray Leonard (well portrayed by the at times too pretty Usher - The Voice), only to later utter the words "No mas" (no more), walking away from a rematch. Superbly guiding Duran through his life/career is training great Ray Arcel (the always terrific Robert De Niro), money man Carlos (Ruben Blades - Safe House) and childhood funny man Chaplain (Oscar Jaenada - Cantinflas). While several side stories are briefly presented, they help Jakubowicz elevate the film from just a boxing movie. Music by Angelo Mili, cinematography (Miguel Loann Litton Menz), costumes (Bina Daigeler) and set decoration by Denise Camargo and Amy Williams (especially the Disco scene) bring the film to life. Reg E. Cathey (Don King) and the younger Duran (David Arosemena) have nice smaller roles, as does one of my all time favorites Ellen Barkin (Animal Kingdom) as Ray's wife. "Get into the ring" with this elevated boxing film.
- ccorral419
- Aug 30, 2016
- Permalink
- classicsoncall
- Mar 14, 2019
- Permalink
Robert De Nero is one of my favorite actors and he is a great actor. He already won two Oscars and nominated for at least 5 times. This movie's theme is boxing and this a biography movie. So my expectation was very high and for me, it is a highly anticipated movie because Robert de Nero starring Raging bull is also a boxing- themed movie which's success is known by all. But this movie is pathetic. Total mess and very poor performance by all the lead cast.
I think the biggest flaw of this movie is the script. very poorly written and may be not researched well by its contents. It is a biography movie and there are lots of opportunities to show plots and subplots with interesting incidents. You have to choose the best true incidents with transparent history, not the fantasy. But there are no such things in this movie which will be interesting or transparent.
The most important thing of a sports biography movie is its twist or the turning points which are completely missing in this movie. The story writer surely missed the opportunities to show the actual suspense and the originality. This is the story of Roberto Durán Samaniego (born June 16, 1951), he is a Panamanian former professional boxer regarded as one of the greatest boxers of all time his nickname is "Manos de Piedra" ("Hands of Stone"). He won many historic matches and in these matches, there are lots of thrill and suspense. At least 15 incidents in his life are happened which are turning points of his career and for his life also. I cannot spoil this and cannot reveal for the known reason. The script and the screenplay are written in a very lazy way and they missed these incidents. The direction is not up to the mark and the director completely failed to maintain the pace which is very important for a biographical drama movie. The script is poorly written and at least 5-6 times I failed to follow the subplot. Content could have been better and the theme is very confusing for realizing and several subplots created over the top impacts.
Watch at your own risk and It will be good if you expect nothing from this biographical drama.
I think the biggest flaw of this movie is the script. very poorly written and may be not researched well by its contents. It is a biography movie and there are lots of opportunities to show plots and subplots with interesting incidents. You have to choose the best true incidents with transparent history, not the fantasy. But there are no such things in this movie which will be interesting or transparent.
The most important thing of a sports biography movie is its twist or the turning points which are completely missing in this movie. The story writer surely missed the opportunities to show the actual suspense and the originality. This is the story of Roberto Durán Samaniego (born June 16, 1951), he is a Panamanian former professional boxer regarded as one of the greatest boxers of all time his nickname is "Manos de Piedra" ("Hands of Stone"). He won many historic matches and in these matches, there are lots of thrill and suspense. At least 15 incidents in his life are happened which are turning points of his career and for his life also. I cannot spoil this and cannot reveal for the known reason. The script and the screenplay are written in a very lazy way and they missed these incidents. The direction is not up to the mark and the director completely failed to maintain the pace which is very important for a biographical drama movie. The script is poorly written and at least 5-6 times I failed to follow the subplot. Content could have been better and the theme is very confusing for realizing and several subplots created over the top impacts.
Watch at your own risk and It will be good if you expect nothing from this biographical drama.
- fillerruth
- Aug 15, 2016
- Permalink
Hands of Stone is a pleasant surprise for those willing to regress in time to experience the heights of boxing. Way before internet, there was a time and a place when events like boxing happened, specially when Roberto Duran fought, Panama would come to a stand still. Everyone was tuned into their television for the occasion. When he won, you would hear the country erupt in glee of victory with people sounding their pots & pans. The film showcases those days in an adequate manner. Yes there is the usual clichés happening, but the film's energy transcends those usual predictable story plot point to keep you engage enough to care for the characters. The time capsule through the production design and soundtrack made this film a delight to watch. There is a vast array of subliminal messages from the director, Well come to think of it, its not so subliminal as you see in the ring corners advertising to "Invest in Venezuela". Im sure this obvious product placement was a plea by the director and/or the Venezuelan team working on the film for the audience to take notice of the current situation Venezuelans are living. This strategy has been duly noted. The international cast serves the film well and brings the essence of Duran journey to life. Ruben Blades vintage soundtracks adds an unequal energy to the scenes boosting the film above your usual boxing flick. Hands of Stone is better served watching it on the big screen to truly appreciate the scope of the film.
- sinnerofcinema
- Aug 25, 2016
- Permalink
Durans biography is a great story and for the most part is a good movie, but it could of been so much better, one of the greats even...
And it all comes down to the directing... The movie is hard to connect with in the first 20 minutes and the voice audio is somewhat drowned out by the background audio, which obviously doesn't help in that regard either...
It does slowly start getting better and a lot more engaging...
The biggest downfall is the fights unfortunately, which is meant to be the best part of a fight movie, the camera is zoomed in that close you can't really tell whats going on half the time...?
Honestly how can anyone think its good to film fight scenes like that is beyond me...
And it all comes down to the directing... The movie is hard to connect with in the first 20 minutes and the voice audio is somewhat drowned out by the background audio, which obviously doesn't help in that regard either...
It does slowly start getting better and a lot more engaging...
The biggest downfall is the fights unfortunately, which is meant to be the best part of a fight movie, the camera is zoomed in that close you can't really tell whats going on half the time...?
Honestly how can anyone think its good to film fight scenes like that is beyond me...
for everyone out there hoping for yet another solid 'boxing movie' - there is something wrong with this one from the get go - the way the characters are introduced and the events start to take shape seems just odd.
first of all, there is no single likable character, which is kinda odd given how 'easy' it is to work on the well known pattern of a rookie who - despite various odds - aspires for the greatness. both Duran and Arcel appear like strangers to each other, there is absolutely no chemistry between the two, and arguably, no sort of drawing you to the action as it just runs along.
there's no suspense or agitation either. the way the events are shown reminds me of going through a photo album or a (rather shallow though full of nice pictures) reportage in a newspaper. during the whole film I had no sense of involvement with characters or the events whatsoever.
so what went wrong? well, mr. Jakubowicz - the director - clearly wasn't up to the task. in many moments it feels very amateur-ish, take the way the 'meeting/falling in love' moments, the night club scenes or Duran's flashbacks are filmed. I just face-palmed with disbelief it's actually a serious movie with ambitions and not an Asylum production.
the script also doesn't provide us with much. it sort of rolls on like you know it would, the events just 'happen' and the characters just 'act' on them - often God knows why. as I said none of main characters is even remotely interesting, and some seem to serve no purpose at all (like the mob boss played by Torturro). and the ending - there should be a separate place in hell for filmmakers who end their flicks so cluelessly.
being a huge fan of 'fighter' movies and series (Ali, Warrior, Kingdom) I'm staggered how one could have so much on paper - nice story, decent characters, very solid actors - and actually turned it all into a tasteless mush.
seriously, it's not worth your time and don't kid yourself De Niro's presence at least guarantees some level of decency. it doesn't, better go watch Ali again or just have an evening walk. it's that bad..
first of all, there is no single likable character, which is kinda odd given how 'easy' it is to work on the well known pattern of a rookie who - despite various odds - aspires for the greatness. both Duran and Arcel appear like strangers to each other, there is absolutely no chemistry between the two, and arguably, no sort of drawing you to the action as it just runs along.
there's no suspense or agitation either. the way the events are shown reminds me of going through a photo album or a (rather shallow though full of nice pictures) reportage in a newspaper. during the whole film I had no sense of involvement with characters or the events whatsoever.
so what went wrong? well, mr. Jakubowicz - the director - clearly wasn't up to the task. in many moments it feels very amateur-ish, take the way the 'meeting/falling in love' moments, the night club scenes or Duran's flashbacks are filmed. I just face-palmed with disbelief it's actually a serious movie with ambitions and not an Asylum production.
the script also doesn't provide us with much. it sort of rolls on like you know it would, the events just 'happen' and the characters just 'act' on them - often God knows why. as I said none of main characters is even remotely interesting, and some seem to serve no purpose at all (like the mob boss played by Torturro). and the ending - there should be a separate place in hell for filmmakers who end their flicks so cluelessly.
being a huge fan of 'fighter' movies and series (Ali, Warrior, Kingdom) I'm staggered how one could have so much on paper - nice story, decent characters, very solid actors - and actually turned it all into a tasteless mush.
seriously, it's not worth your time and don't kid yourself De Niro's presence at least guarantees some level of decency. it doesn't, better go watch Ali again or just have an evening walk. it's that bad..
- janzjaniny
- Nov 26, 2016
- Permalink
- jremigio2001
- Sep 14, 2020
- Permalink