A lonely, neurotic, and hilariously honest middle-aged man reunites with his estranged wife, and meets his teenage daughter for the first time.A lonely, neurotic, and hilariously honest middle-aged man reunites with his estranged wife, and meets his teenage daughter for the first time.A lonely, neurotic, and hilariously honest middle-aged man reunites with his estranged wife, and meets his teenage daughter for the first time.
- Awards
- 1 nomination total
Sandra Lee-Oian Thomas
- Dog Lover
- (as Sandy Oian-Thomas)
Shaun J. Brown
- Laptop Man
- (as Shaun Brown)
Richard Ooms
- Edwin
- (as Richard G. Ooms)
Shawn J. Hamilton
- Attendant
- (as Shawn Hamilton)
Featured reviews
Don't let the negative reviews put you off. I really can't understand what people have against this comedy, it is quite a breath of fresh air since comedy has changed so much in recent years and has become quite lazy.
This is a movie you really have to give a chance. These days if you find it hard to come across a new comedy movie you actually like, this movie had me laughing at more scenes than not. If you feel these days like comedy movies have lost something, like the set up of jokes and lines that are actually smart and funny then this might be the movie for you. If you like satire, sarcastic type humour that pokes fun at today's society and you are not too sensitive to swearing, you will enjoy it.
The plot is simple, but put across in heartfelt yet hysterical way. Wilson is a very blunt lonely man who has fell out of place in today's society, largely down to the fact he is a bit of a technophobe when it comes to computers and smart phones. He prefers good old fashioned human contact and he yearns for it throughout. All he wants is a regular family, which thanks to his ex wife he missed the chance on having years ago.
I'd say the movie seems to be more put towards a British audience with the style of humour, its cracks at religion and the world today and even the strong language used throughout but used intelligently.
The only reason I haven't give this movie a higher rating is due to the rather rushed ending it had. Otherwise I'd have given it a ten.
This is a movie you really have to give a chance. These days if you find it hard to come across a new comedy movie you actually like, this movie had me laughing at more scenes than not. If you feel these days like comedy movies have lost something, like the set up of jokes and lines that are actually smart and funny then this might be the movie for you. If you like satire, sarcastic type humour that pokes fun at today's society and you are not too sensitive to swearing, you will enjoy it.
The plot is simple, but put across in heartfelt yet hysterical way. Wilson is a very blunt lonely man who has fell out of place in today's society, largely down to the fact he is a bit of a technophobe when it comes to computers and smart phones. He prefers good old fashioned human contact and he yearns for it throughout. All he wants is a regular family, which thanks to his ex wife he missed the chance on having years ago.
I'd say the movie seems to be more put towards a British audience with the style of humour, its cracks at religion and the world today and even the strong language used throughout but used intelligently.
The only reason I haven't give this movie a higher rating is due to the rather rushed ending it had. Otherwise I'd have given it a ten.
This film tells the story of a man who believes in human communication through conversation and physical interaction. People think he is a weirdo, but all he really wants is to connect with another soul, and be remembered by after he leaves the mortal world.
"Wilson" sounds like a silly and forgettable comedy, but it actually is way seller and thought provoking than it appears. It points out the fact that people being nice to each other unconditionally is a forgotten art, and even socially unacceptable in some circumstances. Wilson's deep desire to connect with others certainly connected and resonated with me, and I find myself reflecting upon the current state of human interaction in the modern world. The story is bittersweet, and I really enjoyed it. It's a pleasant and unexpected surprise.
"Wilson" sounds like a silly and forgettable comedy, but it actually is way seller and thought provoking than it appears. It points out the fact that people being nice to each other unconditionally is a forgotten art, and even socially unacceptable in some circumstances. Wilson's deep desire to connect with others certainly connected and resonated with me, and I find myself reflecting upon the current state of human interaction in the modern world. The story is bittersweet, and I really enjoyed it. It's a pleasant and unexpected surprise.
A slice of life is how I describe these movies, where one sees the common and mundane in a certain context.
Wilson is the story of an average misunderstood man from another time who is shown as hurting and caring but perseveres to try and find meaning in his otherwise drab existence. An average man who, by today's standards, is the bogeyman but as this poster can attest, speaks of an era where people were unique and opinionated instead of self-absorbed and indifferent.
I am looking forward to a second viewing to further see the depth of Harrelson's Wilson. And if there are other Clowes/Eightball fans out there who haven't seen Wilson yet, I recommend it. I also hope The Death-Ray and Ice Haven are made into movies.
Wilson is the story of an average misunderstood man from another time who is shown as hurting and caring but perseveres to try and find meaning in his otherwise drab existence. An average man who, by today's standards, is the bogeyman but as this poster can attest, speaks of an era where people were unique and opinionated instead of self-absorbed and indifferent.
I am looking forward to a second viewing to further see the depth of Harrelson's Wilson. And if there are other Clowes/Eightball fans out there who haven't seen Wilson yet, I recommend it. I also hope The Death-Ray and Ice Haven are made into movies.
In 1944, legendary Hollywood producer Daryl F. Zanuck made a movie called "Wilson", a biopic about our highly educated, dignified and visionary 28th President – and the film went on to win the Academy Award for Best Picture. 2017's "Wilson" (R, 1:34) is NOT a remake of that film. Not even a little. The more recent "Wilson" is also not a spin-off of "Cast Away". The title character in 2017's "Wilson" doesn't have any of the qualities of that President who led us through World War I and who established the forerunner of the United Nations (except maybe for
honesty). And this Wilson has much more personality that Tom Hanks' famous volleyball buddy. This Wilson is more like a less volatile cousin of Michael Douglas' character in 1993's "Falling Down"
and is like a half-brother to Bill Murray's character in 2014's "St. Vincent". But, notwithstanding those cinematic comparisons, "Wilson", as portrayed by Woody Harrelson, is an original and unique character and one who I wish I could be like
sometimes.
Wilson is a lonely middle-aged man with a lot of faults, but he doesn't mean any harm. Wilson is honest to a fault. He's impulsive to a fault. He's even empathetic to well, you get the point. You see, it's Wilson's world and we're just living in it. He'll stop a stranger walking her dog, talk only to the dog – in a cutesy animal voice – and then act confused when the woman yanks her dog away and looks at Wilson like he's a weirdo. Wilson will ride a virtually empty train, sit right next to a businessman wearing earbuds, interrogate him about his life and not feel the least bit uncomfortable when the man forcefully asks Wilson to go sit somewhere else. Wilson is also the kind of person who will go visit an old friend in hopes of renewing their relationship but then change his mind and calmly tell his friend that he had forgotten what a joyless and unkind person his friend really is. But in spite of all this, the most important thing to know about Wilson is that he just wants to be loved on his own terms, of course.
One fine day, Wilson decides to go looking for his ex-wife, Pippi (Laura Dern). He remembers Pippi as basically a crack whore – and that's how he describes her to everyone he encounters who he thinks might know her. With the help of Pippi's very WASPy sister (Cheryl Hines), Wilson is able to track Pippi down to her waitress job, where she is using a different name, but is still kind of a mess. Pippi is none too happy to see Wilson – or to endure the problems that his presence causes for her at work – but she still falls right back into bed with him. That's when she reveals that she had Wilson's baby sixteen years before and put her up for adoption. Wilson is beyond excited that he's a father and talks Pippi into coming with him to find their daughter, a surly, heavy-set girl named Claire (Isabella Amara). Claire lives with upper-middle-class adopted parents who neglect her but she's still not thrilled to meet and be stalked by Wilson and Pippi. Nevertheless, Wilson is thrilled to have an "instant family" and won't give up on Pippi or Claire. And with a man like Wilson driving this train what could possibly go wrong?? "Wilson" is wonderfully crude, funny and heart-felt. Wilson acts like we all wish we could act sometimes. Personally, I envy his fearlessness and his ability to be himself and not care what other people think. Of course, he's also a jerk, he knows it and he doesn't care, so that part not quite as admirable. In adapting his own innovative graphic novel of the same name, American cartoonist Daniel Clowes gives us a fully-drawn character who never really changes who he is as a person, but who still manages some growth. As directed by Craig Johnson ("The Skeleton Twins") and starring the versatile Harrelson, we get a fully realized character who is equal parts funny and obnoxious, but who still comes off as sympathetic. Besides the usual great work by the star, Dern gives a transformative performance and Amara shines in her most significant role to date. Margo Martindale, Mary Lynn Rajskub, Brett Gelman and (especially) Judy Greer contribute strong supporting performances. "Wilson" is an enjoyable foray into an uninhibited mind – and a reminder why we wouldn't really want to live that way. "A-"
Wilson is a lonely middle-aged man with a lot of faults, but he doesn't mean any harm. Wilson is honest to a fault. He's impulsive to a fault. He's even empathetic to well, you get the point. You see, it's Wilson's world and we're just living in it. He'll stop a stranger walking her dog, talk only to the dog – in a cutesy animal voice – and then act confused when the woman yanks her dog away and looks at Wilson like he's a weirdo. Wilson will ride a virtually empty train, sit right next to a businessman wearing earbuds, interrogate him about his life and not feel the least bit uncomfortable when the man forcefully asks Wilson to go sit somewhere else. Wilson is also the kind of person who will go visit an old friend in hopes of renewing their relationship but then change his mind and calmly tell his friend that he had forgotten what a joyless and unkind person his friend really is. But in spite of all this, the most important thing to know about Wilson is that he just wants to be loved on his own terms, of course.
One fine day, Wilson decides to go looking for his ex-wife, Pippi (Laura Dern). He remembers Pippi as basically a crack whore – and that's how he describes her to everyone he encounters who he thinks might know her. With the help of Pippi's very WASPy sister (Cheryl Hines), Wilson is able to track Pippi down to her waitress job, where she is using a different name, but is still kind of a mess. Pippi is none too happy to see Wilson – or to endure the problems that his presence causes for her at work – but she still falls right back into bed with him. That's when she reveals that she had Wilson's baby sixteen years before and put her up for adoption. Wilson is beyond excited that he's a father and talks Pippi into coming with him to find their daughter, a surly, heavy-set girl named Claire (Isabella Amara). Claire lives with upper-middle-class adopted parents who neglect her but she's still not thrilled to meet and be stalked by Wilson and Pippi. Nevertheless, Wilson is thrilled to have an "instant family" and won't give up on Pippi or Claire. And with a man like Wilson driving this train what could possibly go wrong?? "Wilson" is wonderfully crude, funny and heart-felt. Wilson acts like we all wish we could act sometimes. Personally, I envy his fearlessness and his ability to be himself and not care what other people think. Of course, he's also a jerk, he knows it and he doesn't care, so that part not quite as admirable. In adapting his own innovative graphic novel of the same name, American cartoonist Daniel Clowes gives us a fully-drawn character who never really changes who he is as a person, but who still manages some growth. As directed by Craig Johnson ("The Skeleton Twins") and starring the versatile Harrelson, we get a fully realized character who is equal parts funny and obnoxious, but who still comes off as sympathetic. Besides the usual great work by the star, Dern gives a transformative performance and Amara shines in her most significant role to date. Margo Martindale, Mary Lynn Rajskub, Brett Gelman and (especially) Judy Greer contribute strong supporting performances. "Wilson" is an enjoyable foray into an uninhibited mind – and a reminder why we wouldn't really want to live that way. "A-"
Not sure why this movie would even be considered a comedy, when in fact it had a very surreal flow to the story. I love movies like this because in the world in my head, I would love to be unfiltered like Woody was, with a heart of gold and speak my mind and, not have to worry about how other people my feel. Especially with my dickhead employer. For me this was a nice dramadey, and I don't agree with the other reviews about Harrelson not be able to save this film. In my opinion I loved his character and the rest of the cast. For a man to find out he has a child giving up to adoption and then trying to build a relationship with her, and for the child not to have a built up resentment towards their biological parents, is a very powerful message of relationship on the big screen. I have a on going visitation battle right now with my ex-wife from hell, and I swear, I'm fighting everyday to keep the relationship between me and my daughter alive. So to all you reviewers who didn't like Woody's role. I'm sorry this movie spoke volume to me. And to all you mothers and fathers out there that are not in your child's life they way you should be, Its time to really step up and man up....Great film
Storyline
Did you know
- TriviaSeveral scenes were filmed at the Ramsey County Correctional Facility in St. Paul, Minnesota, USA which is a working correctional facility. While filming in the jail, Woody Harrelson asked for the air conditioning to be turned off. This request was denied due to the inconvenience that it would place on the officers, staff, and inmates of the facility.
- GoofsWilson's cellmate is reading Psalm 23 (and Wilson repeats after him) from the Good News Bible (Good News Translation), but the words they are speaking are the King James Version: "...he maketh me lie down in green pastures, he leadeth me beside the still waters, he restoreth my soul." (1:04:53-1:05:10) Also the cellmate is holding the Bible open to about 1/3 of the way through, but the Psalms are around the midpoint of the Bible.
- SoundtracksMe And You
Written by Len Brunson and Richard White
Performed by Richard White
Courtesy of Crucial Music Corporation
- How long is Wilson?Powered by Alexa
Details
Box office
- Gross US & Canada
- $653,951
- Opening weekend US & Canada
- $336,227
- Mar 26, 2017
- Gross worldwide
- $848,646
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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