Eaters

Nowadays you can't go a few feet in a video store without seeing a zombie film. Sadly more often than not they end up being forgettable and unwatchable, but there are a select few that step outside the box and deliver something new on some level. The latest to tackle the flesh eating fun comes in the form of Eaters, but does it have the chops to bite into the genre and deliver something new or will it just fill another spot on the shelf?

Eaters follows three men in a world that has been devastated by an epidemic turning most of the world into zombies. Two of them set out on a journey to hunt down some new undead guinea-pigs for the other to experiment on looking for a cure. While on their journey they meet a wide variety of characters leading to a life or death journey that could change everything. The plot here is pretty simple and easy to follow, but for some reason they felt the need to throw so many things into it just became a jumbled mess. The performances were pretty bad, with some of them just down right annoying. While the film has some cool moments, it can't seem to decide if it wants to be a dark comedy or a serious zombie flick, but either way it just never really comes together. The one aspect that it does have going for it is in the effects department. There are some really cool looking zombies and moments that are really cool to look at and work great, but are lost in the world of this mess of a film.

As zombie movies go you could do worse, but at the same time a whole lot better. Luckily this genre offers so much for every fan there is no shortage to get what you're looking for, but if you're looking for a great zombie movie, this might be one you want to pass on by.

One could certainly argue that the modern zombie films owe a great deal to the Italians. They created a time tested formula that worked. Plus they were never ones to skimp on the gore, and I deeply appreciate that. That being said, there are problems with this formula. Namely, that it's old.

Eaters sticks quite well to the old Italian model, with it's clearly defined protagonists and antagonists, steady introduction of new characters, and healthy dose of violence. All of that works pretty well, but as this way of doing things is - perhaps a little too - time tested it feels a lot like you've seen it a million times. Maybe you have, but that doesn't really mean the movie's no good. It certainly has it's faults, but all in all I found it pretty enjoyable. The characters are well developed, the actors do a good job, and the practical special effects are surprisingly good for a film that feels like it was a little light on budget.

Two military/paramilitary guys who work with/for some scientist go out in the country to look for zombies for the scientist. In flashbacks we learn that the wife who is now a zombie used to be a scientist herself working on some project to improve humanity. While they are out there, they run into neo-Nazis for no good reason. These neo Nazis spend their time on some suicidal contest where a couple of them have to face a horde of zombies and the survivor wins. They also have a little Hitler stashed somewhere. While it looks like all youth has been extinguished our heroes rescue a teenage girl who will be the hope of humanity, if she survives her run-in with little Hitler. Our guys also discover truths about the science project and meet the main scientist who know is working for a scientist gone crazy.

Eaters is gory and the effects are very good because they are different than the typical shiny latex used in US special effects. These are cruder which makes them more suited for a zombie movie. Despite the low budget, the movie has a decent look but it's your usual post-apocalyptic colorless look. Our two main characters aren't particularly likable though. There's not much of a main character. The story overall though is interesting and different.

The world is devastated by an epidemic and is overrun by hordes of living dead. Three men, Igor and Alen, hunters of dead and a scientist, Gyno try to find an answer to what has happened to the human race.

Everyone's having a stab at the zombie/virus flick since 28 days Later - Spain with REC, Germany with Rammbock and France Le Horde to name a few.

Although Marmite director Uwe Boll has a producer credit, this shares little if anything with his films. Both writers/ Directors  Luca Boni and Marco Ristori deliver a competently constructed bleak atmospheric zombie horror that is stylishly shot and presented in washed out colour.

Eaters opens with the standard zombie exposition affair of news clips how virus infection has spread. Gyno spins that the zombie epidemic maybe the next step in evolution while the hardened soldiers believe otherwise.

There's some good zombie make up design, lopped off heads, blood, fried zombies, undead torture, skulls and exploding heads. Guns, grenades and machetes are used to dispose and there are some interesting kill scenes as the two hardened soldiers, Igor a likable hard-man played excellently by Alex Lucchesi and Alen notably by Guglielmo Favilla go to section F on a 'corpse hunt'. Notable is chained up Alexis (Rosella Elmi) who is a carrier of the virus. Young actress Elisa Ferretti as Cristina deserves a mention.

Although Igor is likened to Leon it's doctor Gyno played by Claudio Marmugi who is the Jean Reno-alike. He experiments on the dead, shooting them after their used, chopping them up, feeding them scraps reminiscent of Day of the Dead. Interesting the zombies here eat their own body parts, encounters with a Cultist group, slow/fast zombies and armed zombies add to the pleasure.

This serious slick Italian production is grim with a sense of black humour and irony there's characters reading 'corpse and girls' magazine. Crazy Caravaggio painter of dead people. The score is similar to resident evil with electronic heavy beat and it had a few flash backs and eerie dream sequences deliver some jump moments.

Sector b's Nazi group aside the script delivers some tension as madness sets in as the character try to pass time, humour feels unforced and the acting for the most part realistic. Eaters may have it's faults debatably some CGI, editing and pacing issues but for the most part it's a fulfilling ride. Although it borrows from the likes of Resident Evil Apocalypse and 28 Weeks Later to name a few there's enough twists and originality as the leads try to accept their situation to prevent it becoming stale reinforced with an ending that goes against the clichés in the last act.

Gory, bloody and overall more fun than it should be due to it's great execution and grimness.

I first saw this in 2011 on a dvd which I own.

Revisited it recently on a fast forward mode.

There is nothing new in this film but that is ok. What is bothering is that the movie is plain boring.

There is a guy who is shown doing push ups.

Man, those push ups looks so fake.

The makers thot that they will create something unique n in that process they made talkative zombies n zombies who are armed.

Generous with a 2 cos it's not directed by Boll but only financed by him.

The poster of the dvd cover is the only saving grace.

Well, seeing the condition of recent Italian movies or movies directed by Italian filmmakers, I really feel sorry for em.