This is a parody of shows about the inner workings of an airport.This is a parody of shows about the inner workings of an airport.This is a parody of shows about the inner workings of an airport.
- Nominated for 1 BAFTA Award
- 1 win & 5 nominations total
Browse episodes
Featured reviews
Holy Cow! Ten stars aren't enough for 'Come Fly With Me'. This Yank discovered it on streaming--and it's truly one of the best comedies I've ever seen. Lucas and Walliams are highly talented, versatile performers, and the material here is as funny as "Little Britain", only less raunchy. It's amazing how many characters the boys portray in the show, and I was nearly at the last episode before I realized a few of them--like Precious Little and Omar Baba--weren't played by other actors. The narration of the episodes, done in a very straight-laced manner, is a perfect contrast to the comic action. I bought the DVD, have watched it several times, and it always makes me LOL.....very few programs can do that. The one regret is that there are only 6 episodes of this gem. Matt, David, how about a 'Come Fly' encore, guys? Please?
I'm an American living abroad in China. I found this show and I love it. I love the Mocumentary style. The Voice over ads that perfect touch of seriousness to a wacky way out show. The production level is very good and the two "main" actors are very talented. I may not get all the jokes since it is geared towards the UK audience but this is OK. The Stereotypes are crude and offensive at times, but this is all played out to be just over the top and not taken serious. The two male leads play so many parts. Both male and female. At times it is so funny to see a hulking man play a women. It pays homage to Monty Python. I often wonder how they gained access to the airport they are in. I look forward to the rest of the season.
Loved the show, I wish they would make more!
It's really enjoyable!
Ashamed to say this but this show is probably only really funny if you've seen the 'fly on the wall' shows that they parody. The characters are pitch perfect send-ups of the hapless 'stars' of the airport based programs.
Less cruel than Little Britain, like many character based comedies, such as The Fast Show, this just gets funnier and funnier. David Walliams and Matt Lucas are top notch comedy actors, in some ways much too good for such light entertainment as this. Thank goodness they've dropped the catch phrases!
The format probably won't last for more than a series but enjoy it will its here.
Less cruel than Little Britain, like many character based comedies, such as The Fast Show, this just gets funnier and funnier. David Walliams and Matt Lucas are top notch comedy actors, in some ways much too good for such light entertainment as this. Thank goodness they've dropped the catch phrases!
The format probably won't last for more than a series but enjoy it will its here.
People compare Little Britain and Come Fly with Me unfavourably. They say the humour is different, or that the latter is not as funny as the former. Having watched the two series' back-to-back in a matter of weeks I have to say I disagree. The humour is essentially the same. The difference is a matter of targets.
Little Britain famously made fun of the disadvantaged and peripheral elements of the UK population: the people that everybody prefers not to see. At the same time it celebrated the English eccentricity in a weird way. We saw the disabled, the flaming queers, the transsexuals, the illegal immigrants, the chavs & council estate skivers as players in the national drama, even if only satirically. That was a first for British telly. The catch, and what made their style of satire acceptable, was that many of these people were not actually what they seemed: Ting Tong was actually a man from Tooting, Andy was actually able bodied, Dafydd was actually a repressed queer-hater, etc., etc.
The characters satirized on LB were freakish, fringe characters who were almost guaranteed not to be part of BBC's viewership. They were people that you would be more likely to see terrorizing the streets and the newsagents, stuffing themselves with cakes over a bodice-ripper or (as I imagine in Lou's case) watching obscure documentaries and re-reading newspapers from the previous decade. It was satire with a large element of "I'm glad that ain't me" humour. Those two styles of comedy are usually incompatible but in LB they found a balance; half the audience seemed to be laughing at the Walliams & Lucas duo while the other half was laughing with them. But the humour in Come fly seems to have sent those two camps scuttling back to their respective sides of the humour divide.
Come Fly With me targets more familiar faces and it's failing seems to be that it is set in an average setting, peopled by average characters. It satirizes people who have the time and money to use airports regularly - people with respectable dayjobs, authority and status; people with a shot at a managerial role. Basically, it targets the half of the audience that laughed AT the freak parade that was Little Britain. They are much more stable, affluent and secure characters than inhabited Little Britain - the kind of people who like to think of themselves as 'average' men and women, and that they should be able to hide behind their averageness.
I suspect that Little Britain fans who dislike Come Fly with me makes me are the same ones who never really understood LB's more satirical elements. They might have laughed at Little Britains' freakshow because, "I'm so glad that's not me" but they never recognized that the joke was also on them, at least in part. Walliams and Lucas took mainstream preconceptions to extremes and subverted them in unexpected ways. Basically, I think that Come Fly with Me hits hits too close to home and has dented the vanity of a certain BBC-watching demographic. That's why less people can take it and it's also exactly why it makes me laugh. I really hope there will be a second season of this!
Little Britain famously made fun of the disadvantaged and peripheral elements of the UK population: the people that everybody prefers not to see. At the same time it celebrated the English eccentricity in a weird way. We saw the disabled, the flaming queers, the transsexuals, the illegal immigrants, the chavs & council estate skivers as players in the national drama, even if only satirically. That was a first for British telly. The catch, and what made their style of satire acceptable, was that many of these people were not actually what they seemed: Ting Tong was actually a man from Tooting, Andy was actually able bodied, Dafydd was actually a repressed queer-hater, etc., etc.
The characters satirized on LB were freakish, fringe characters who were almost guaranteed not to be part of BBC's viewership. They were people that you would be more likely to see terrorizing the streets and the newsagents, stuffing themselves with cakes over a bodice-ripper or (as I imagine in Lou's case) watching obscure documentaries and re-reading newspapers from the previous decade. It was satire with a large element of "I'm glad that ain't me" humour. Those two styles of comedy are usually incompatible but in LB they found a balance; half the audience seemed to be laughing at the Walliams & Lucas duo while the other half was laughing with them. But the humour in Come fly seems to have sent those two camps scuttling back to their respective sides of the humour divide.
Come Fly With me targets more familiar faces and it's failing seems to be that it is set in an average setting, peopled by average characters. It satirizes people who have the time and money to use airports regularly - people with respectable dayjobs, authority and status; people with a shot at a managerial role. Basically, it targets the half of the audience that laughed AT the freak parade that was Little Britain. They are much more stable, affluent and secure characters than inhabited Little Britain - the kind of people who like to think of themselves as 'average' men and women, and that they should be able to hide behind their averageness.
I suspect that Little Britain fans who dislike Come Fly with me makes me are the same ones who never really understood LB's more satirical elements. They might have laughed at Little Britains' freakshow because, "I'm so glad that's not me" but they never recognized that the joke was also on them, at least in part. Walliams and Lucas took mainstream preconceptions to extremes and subverted them in unexpected ways. Basically, I think that Come Fly with Me hits hits too close to home and has dented the vanity of a certain BBC-watching demographic. That's why less people can take it and it's also exactly why it makes me laugh. I really hope there will be a second season of this!
Storyline
Did you know
- TriviaThe sketch in which Rupert Grint is given a script to give to Daniel Radcliffe was based on an actual event in which Matt Lucas was given a script to give to David Walliams.
- ConnectionsFeatured in Breakfast: Episode dated 13 December 2010 (2010)
- How many seasons does Come Fly with Me have?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Дођи да летиш са мном
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content
