Story of the rise and the fall of the Renaissance dynasty.Story of the rise and the fall of the Renaissance dynasty.Story of the rise and the fall of the Renaissance dynasty.
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Give it a chance! This show takes some getting used to (especially if you come after more lavish Showtime production). The first few episodes are heavy with exposition, the mishmash of accents can be jarring and the young Borgia are immature and not very likable. However, it quickly becomes obvious that this is done on purpose: after all, the brothers, Cesare and Juan, are still hot-headed teenagers eager to prove themselves while Lucrezia is just a child. During the course of two seasons, through trials and tribulations, they grow and mature, and Cesare is very believable as a flawed character with conflicting motivations, and the force to be reckoned with, just like his legend suggests. Cesare and Lucrezia not only do they look like their portraits, they are doing a terrific job bring their complex characters to life.
Other cast is superb, too, even Doman, who might lack Irons' expressive voice but brings commanding presence necessary for the most influential man in the Christian world. All in all, the character development is one of the best I've seen on TV (worthy of anything on HBO), even the minor characters seem like real people with their own agendas rather than just the talking heads. This show is also truer to showing life and times: St. Peter is run down, just like it was, in all the night scenes it actually looks like the world lit only by fire.
As far as historical accuracy goes: remember, most of the dark deeds attributed to Borgias are due to the smear campaign of their enemies. I doubt that the real Borgia were really much worse than any other noble family squabbling over Italy at the time. I think Fontana successfully combines some of the legend with the actual historical events, not without some dramatic license, as expected. There's a wealth of details that makes Showtime's show look like Dallas in period costumes. After a somewhat shaky start, it became my favorite adult historic show since Rome.
Other cast is superb, too, even Doman, who might lack Irons' expressive voice but brings commanding presence necessary for the most influential man in the Christian world. All in all, the character development is one of the best I've seen on TV (worthy of anything on HBO), even the minor characters seem like real people with their own agendas rather than just the talking heads. This show is also truer to showing life and times: St. Peter is run down, just like it was, in all the night scenes it actually looks like the world lit only by fire.
As far as historical accuracy goes: remember, most of the dark deeds attributed to Borgias are due to the smear campaign of their enemies. I doubt that the real Borgia were really much worse than any other noble family squabbling over Italy at the time. I think Fontana successfully combines some of the legend with the actual historical events, not without some dramatic license, as expected. There's a wealth of details that makes Showtime's show look like Dallas in period costumes. After a somewhat shaky start, it became my favorite adult historic show since Rome.
Jeremy Irons has the talent and the voice, but he is not Alexander VI. He doesn't look like Rodrigo Borja.- Showtime has success in the suntous technical aspects, the Jordan direction, and a great Cesar Borgia by Francois Arnaud.-
This one has a much better script, more historically accurate (even there some huge historical mistakes) and better actors in the supporting roles.-
Specially great are the ladies Vanossa, Julia and Lucrezia
I love all the intrigues between the cardinals, and the roman families.- People complain about the languages. but real life Rodrigo Borgia probably sound exactly like Pope Francis, speaking an intelligible Italian.
Any way all the actors looks much more the historical figures, than in the show time miniseries. And this is another point in favor.
There are good reasons why this TV was renewed and the Irons was canceled.-
This one has a much better script, more historically accurate (even there some huge historical mistakes) and better actors in the supporting roles.-
Specially great are the ladies Vanossa, Julia and Lucrezia
I love all the intrigues between the cardinals, and the roman families.- People complain about the languages. but real life Rodrigo Borgia probably sound exactly like Pope Francis, speaking an intelligible Italian.
Any way all the actors looks much more the historical figures, than in the show time miniseries. And this is another point in favor.
There are good reasons why this TV was renewed and the Irons was canceled.-
Is it perfect? No. The accents and some displays of over the top drama bothered me at first, but I soon forgot I was watching TV, as I was engrossed in the fascinating politics of the conclave and the presentation of the amazing Spanish family.
Borgia (canal +) a very good show. Ambitious, clever, dark, and yet funny, shocking and entertaining. I think it captures really well what it was like to live in these violent times without "modernizing" the characters. It never judges, simply exposing theirs lives and minds, so similar and yet so different from ours. I love Doman's Rodrigo as much as I hate Irons's one in The Borgias (he's more a Della Rovere). Domans portrayal is raw and full of life. Lucrecia, Juan, Vanozza, Gulia, Alessandro, Della Rovere are very well cast and nuanced and complex characters. Mark Ryder is simply incredible as Cesare Borgia,growing from a stubborn, tormented and insecure teenager to the megalomaniac and ruthless genius Machiavel wrote about. The history is very well researched, and never dumbed down to the audience. I find the costumes and the grim settings very appropriate. The show is punctuated by violent scenes which remind us how uncertain personal fortunes were, how lives were easily crushed without remorse. The nudity and the love scenes are very well filmed and feel natural.
I've tried watching The Borgia, but I stopped after the end of the first season. It was pretty but empty, silly (the incest obsession). Like the Kardashians but with people who happened to bear the name of Borgia (the real history is much more interesting). The characters were going nowhere :Irons a sad ghost without will, Cesare plotting his way to his sister bed with no other ambition, Lucrezia was like a annoying kitten and Juan a brainless fool.
Borgia is a very superior show, in my opinion.
Borgia (canal +) a very good show. Ambitious, clever, dark, and yet funny, shocking and entertaining. I think it captures really well what it was like to live in these violent times without "modernizing" the characters. It never judges, simply exposing theirs lives and minds, so similar and yet so different from ours. I love Doman's Rodrigo as much as I hate Irons's one in The Borgias (he's more a Della Rovere). Domans portrayal is raw and full of life. Lucrecia, Juan, Vanozza, Gulia, Alessandro, Della Rovere are very well cast and nuanced and complex characters. Mark Ryder is simply incredible as Cesare Borgia,growing from a stubborn, tormented and insecure teenager to the megalomaniac and ruthless genius Machiavel wrote about. The history is very well researched, and never dumbed down to the audience. I find the costumes and the grim settings very appropriate. The show is punctuated by violent scenes which remind us how uncertain personal fortunes were, how lives were easily crushed without remorse. The nudity and the love scenes are very well filmed and feel natural.
I've tried watching The Borgia, but I stopped after the end of the first season. It was pretty but empty, silly (the incest obsession). Like the Kardashians but with people who happened to bear the name of Borgia (the real history is much more interesting). The characters were going nowhere :Irons a sad ghost without will, Cesare plotting his way to his sister bed with no other ambition, Lucrezia was like a annoying kitten and Juan a brainless fool.
Borgia is a very superior show, in my opinion.
Feels like a cousin to the shows Rome and that Blood and Sand gladiator series. Historical drama with an extra helping of violence and sex!
Like others I was a bit dismayed at hearing a NY accent surrounded by European accents by all other characters. However, after 2 episodes I didn't even notice. The role of Rodrigo was not a perfect casting, but not far off the mark.
It plays as a man between the cloth, love, ambition, and inadequacy. This is not the tragic Shakespearean archetype, but more of an Everyman struggling with life and politics in his 50s. He wants to do good, but got to where he is by doing whatever he could - good or bad. The occasional screams or fist pumps work well to illustrate the point, in my opinion.
The rest of the cast were fine with a beautiful Lolitaesque Lucrecia being a highlight. I would have proffered a more Latin looking Cesare but the actor was not horrible all said and done.
Lastly for fans of Assassins Creed video game, it's amazing to see Rome look remarkably close to the game. From the houses to the costumes, to the hills. In a scene where Cecere scales Castel Sant Angelo - it was déjà vu!
Like others I was a bit dismayed at hearing a NY accent surrounded by European accents by all other characters. However, after 2 episodes I didn't even notice. The role of Rodrigo was not a perfect casting, but not far off the mark.
It plays as a man between the cloth, love, ambition, and inadequacy. This is not the tragic Shakespearean archetype, but more of an Everyman struggling with life and politics in his 50s. He wants to do good, but got to where he is by doing whatever he could - good or bad. The occasional screams or fist pumps work well to illustrate the point, in my opinion.
The rest of the cast were fine with a beautiful Lolitaesque Lucrecia being a highlight. I would have proffered a more Latin looking Cesare but the actor was not horrible all said and done.
Lastly for fans of Assassins Creed video game, it's amazing to see Rome look remarkably close to the game. From the houses to the costumes, to the hills. In a scene where Cecere scales Castel Sant Angelo - it was déjà vu!
This show is probably confusing a lot of people. Showtime just did "The Borgias" with Jeremy Irons, but this isn't it. It is an original production by Canal+, which appears to be like a European version of HBO.
Despite being made by a French company, the show is totally in English, and stars an American. What's most surprising, though, is how tame the Showtime series seems in comparison to this.
Despite being on "Premium Cable" in America, the Showtime series is very TV-14. The violence is tame, the sex is mainly suggested, and there is very little foul language. A few cuts and it could easily air on any network in the US.
"Borgia", on the other hand, feels much more like HBO's groundbreaking series "Rome". The violence is brutal, graphic and unflinching. Sex is frequent, full frontal nudity a matter of fact. I suspect this is an authentic depiction of life in Rome around 1500.
Speaking of "Rome", the first thing I noticed, besides visual similarities, is that Anne Thomopolous is an executive producer. That name seemed very familiar, and sure enough, she was one of the producers of "Rome". I'd call that a good sign.
She's not alone in the behind the scenes talent, two other noteworthy names pop up: Tom Fontana and Barry Levinson. Levinson is a well known Hollywood director, with credits like "Rain Man" and "Sleepers". Fontana is the creator of HBO's "OZ", the first hour long drama produced by that company. One might argue that Fontana invented the "R-rated premium cable TV series" that is so popular now. He paved the way for stuff like The Wire, Rome, Dexter, and The Sopranos.
That's a pretty big talent line up for a European TV series. In terms of name actors, however, this show unfortunately can't compete with Showtime. They have Jeremy Irons playing Borgia, where this show has John Doman.
Doman is a good character actor, and his performance as the sarcastic, mean-spirited police captain in "The Wire" is legendary. That said, he feels very out of place in this otherwise extremely authentic looking show, mainly due to his unapologetic American accent. It's like Kevin Costner as Robin Hood, the producers apparently just decided to suspend disbelief and dump a modern American accent in the middle of the Vatican. You get used to it, but it's a little off-putting at the start.
The kid playing Cesare Borgia is capable, but there are times he seems to be pushing into melodrama territory, particularly any time he gets angry. The guy in the Showtime series was cool as a cucumber, yet viscous and brooding at the same time.
The men at least aren't up to Showtimes standards, but the women are a different story. Lucrezia and Julia Farnese are both much better in this show than Showtime's. Julia is a total sex goddess in this, someone who is used to getting her way by any means necessary. And Lucrezia is her young counterpart, inexperienced but curious. The two women both nail the parts and are totally convincing, more so than the depictions of these characters on Showtime.
I recognized a few other actors, most notably the actor who plays Samwell Tarly in HBO's "Game of Thrones" as a young Cardinal. The "bit parts" are played by unknown Europeans, and are usually great.
I won't spoil the plot, but it is basically the same as "The Borgias": The rise to power of a corrupt pope and his family. Of course, is it based on actual history, so spoilers are easy to come by if you want them. The main difference between the plotting of this show and the Showtime version is that this show manages to remain interesting all the time, where I felt it was somewhat of a struggle to get through the Showtime series. I just didn't care about anyone except Cesare and Rodrigo in the Showtime version, all the other characters were boring.
This version places lesser characters like Julia Farnese and Juan Borgia in the limelight as well, so we actually spend time with them away from the Pope. Additionally, the Showtime series concentrated on the Pope's arch enemy Della Rovre to a much greater degree, where this show seems focused on the family and their friends. I find that to be much more effective, since the enemy is now viewed through their eyes only, the audience is essentially placed on the Borgia side of the table permanently. It's like you're part of the family.
I would highly recommend this to any fan of historical drama, with a special emphasis on HBO's "Rome". This is almost like an unofficial successor to it, it has the same feel of authenticity.
"Borgia" is available on Netflix instant watch, and as far as I know this is currently the only way to see it in the US.
Despite being made by a French company, the show is totally in English, and stars an American. What's most surprising, though, is how tame the Showtime series seems in comparison to this.
Despite being on "Premium Cable" in America, the Showtime series is very TV-14. The violence is tame, the sex is mainly suggested, and there is very little foul language. A few cuts and it could easily air on any network in the US.
"Borgia", on the other hand, feels much more like HBO's groundbreaking series "Rome". The violence is brutal, graphic and unflinching. Sex is frequent, full frontal nudity a matter of fact. I suspect this is an authentic depiction of life in Rome around 1500.
Speaking of "Rome", the first thing I noticed, besides visual similarities, is that Anne Thomopolous is an executive producer. That name seemed very familiar, and sure enough, she was one of the producers of "Rome". I'd call that a good sign.
She's not alone in the behind the scenes talent, two other noteworthy names pop up: Tom Fontana and Barry Levinson. Levinson is a well known Hollywood director, with credits like "Rain Man" and "Sleepers". Fontana is the creator of HBO's "OZ", the first hour long drama produced by that company. One might argue that Fontana invented the "R-rated premium cable TV series" that is so popular now. He paved the way for stuff like The Wire, Rome, Dexter, and The Sopranos.
That's a pretty big talent line up for a European TV series. In terms of name actors, however, this show unfortunately can't compete with Showtime. They have Jeremy Irons playing Borgia, where this show has John Doman.
Doman is a good character actor, and his performance as the sarcastic, mean-spirited police captain in "The Wire" is legendary. That said, he feels very out of place in this otherwise extremely authentic looking show, mainly due to his unapologetic American accent. It's like Kevin Costner as Robin Hood, the producers apparently just decided to suspend disbelief and dump a modern American accent in the middle of the Vatican. You get used to it, but it's a little off-putting at the start.
The kid playing Cesare Borgia is capable, but there are times he seems to be pushing into melodrama territory, particularly any time he gets angry. The guy in the Showtime series was cool as a cucumber, yet viscous and brooding at the same time.
The men at least aren't up to Showtimes standards, but the women are a different story. Lucrezia and Julia Farnese are both much better in this show than Showtime's. Julia is a total sex goddess in this, someone who is used to getting her way by any means necessary. And Lucrezia is her young counterpart, inexperienced but curious. The two women both nail the parts and are totally convincing, more so than the depictions of these characters on Showtime.
I recognized a few other actors, most notably the actor who plays Samwell Tarly in HBO's "Game of Thrones" as a young Cardinal. The "bit parts" are played by unknown Europeans, and are usually great.
I won't spoil the plot, but it is basically the same as "The Borgias": The rise to power of a corrupt pope and his family. Of course, is it based on actual history, so spoilers are easy to come by if you want them. The main difference between the plotting of this show and the Showtime version is that this show manages to remain interesting all the time, where I felt it was somewhat of a struggle to get through the Showtime series. I just didn't care about anyone except Cesare and Rodrigo in the Showtime version, all the other characters were boring.
This version places lesser characters like Julia Farnese and Juan Borgia in the limelight as well, so we actually spend time with them away from the Pope. Additionally, the Showtime series concentrated on the Pope's arch enemy Della Rovre to a much greater degree, where this show seems focused on the family and their friends. I find that to be much more effective, since the enemy is now viewed through their eyes only, the audience is essentially placed on the Borgia side of the table permanently. It's like you're part of the family.
I would highly recommend this to any fan of historical drama, with a special emphasis on HBO's "Rome". This is almost like an unofficial successor to it, it has the same feel of authenticity.
"Borgia" is available on Netflix instant watch, and as far as I know this is currently the only way to see it in the US.
Portrayals of the Pope On Screen
Portrayals of the Pope On Screen
Take a look at actors who have portrayed the Pope in movies and on television. And no, we're not going to spoil Conclave if you haven't watched it yet.
Storyline
Did you know
- TriviaNearly all of the principal actors and actresses were using their natural accents (be they American, Russian, Czech, Italian, et cetera) with a few notable exceptions. Mark Ryder (Cesare Borgia) and Diarmuid Noyes (Alessandro Farnese) are Irish but used English accents on the show. Even Stanley Weber (Juan Borgia) moderates his French accent, though he doesn't sound as English as his on-screen brother. This is because the series was intended for dubbing into non-English European languages (French, German, et cetera).
- GoofsA choke pear (called "Pope's pear") is used to torture a convicted homosexual in the 2nd season. Choke pears were unknown before the 17th century, more than 100 years after the show's time frame. 15th century's punishments for pederasty were not so cruel (penalty, branding).
- ConnectionsReferenced in Vsechnopárty: Episode dated 18 March 2016 (2016)
Details
- Runtime52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 16:9 HD
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