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Clandestine Childhood

Original title: Infancia clandestina
  • 2011
  • Not Rated
  • 1h 52m
IMDb RATING
7.0/10
2.8K
YOUR RATING
Ernesto Alterio, Cristina Banegas, Luciano Cazaux, Elvira Onetto, Natalia Oreiro, Luis Solanas, Benjamín Ávila, César Troncoso, Darío Valenzuela, Douglas Simon, Pablo Cura, Luciana Dulitzky, Marcelo Mininno, Julia Martínez Rubio, Pedro Onetto, Paula Ransenberg, Mayana Neiva, Luciano Ricio, Teo Gutiérrez Moreno, Violeta Palukas, Luis Alí, Romina Michelizzi, Dylan Ezequiel Rodríguez, Lucas García, Lucas Zenone, Candelaria Irigoyen, Rodrigo Romero Odriozola, Florencia Camila Pagliaroli, Franco Defeliche, Pablo Sznitowski, Joel Sebastián Serrano, Luis Ricardo Asensio, Sebastián Carballido, and Ariel Matías Morosín in Clandestine Childhood (2011)
Argentina, 1979. After years of exile, Juan and his family come back to Argentina under fake identities. Juan's parents and his uncle Beto are members of the Montoneros Organization, which is fighting against the Military Junta that rules the country. Because of their political activities they are being tracked down relentlessly, and the threat of capture and even death is constant. However, Juan's daily life is also full of warmth and humor, and he quickly and easily integrates into his new environment. His friends at school and the girl he has a gigantic crush on, Maria, know him as Ernesto, a name he must not forget, since his family's survival is at stake. Juan accepts this and follows all of his parents' rules until one day he is told that they need to move again immediately, and leave his friends and Maria behind without an explanation. This is a story about militancy, undercover life, and love. The story of a clandestine childhood.
Play trailer1:39
1 Video
12 Photos
Drama

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has... Read allJuan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true facts, set in the Argentina of 1979, this film is "one about love... Read allJuan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true facts, set in the Argentina of 1979, this film is "one about love".

  • Director
    • Benjamín Ávila
  • Writers
    • Benjamín Ávila
    • Marcelo Müller
  • Stars
    • Ernesto Alterio
    • Natalia Oreiro
    • César Troncoso
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    2.8K
    YOUR RATING
    • Director
      • Benjamín Ávila
    • Writers
      • Benjamín Ávila
      • Marcelo Müller
    • Stars
      • Ernesto Alterio
      • Natalia Oreiro
      • César Troncoso
    • 13User reviews
    • 97Critic reviews
    • 55Metascore
  • See production info at IMDbPro
    • Awards
      • 22 wins & 18 nominations total

    Videos1

    Theatrical Version
    Trailer 1:39
    Theatrical Version

    Photos12

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    Top cast34

    Edit
    Ernesto Alterio
    Ernesto Alterio
    • Tio Beto
    Natalia Oreiro
    Natalia Oreiro
    • Charo…
    César Troncoso
    César Troncoso
    • Daniel…
    Teo Gutiérrez Moreno
    Teo Gutiérrez Moreno
    • Ernesto…
    Cristina Banegas
    Cristina Banegas
    • Abuela Amalia
    Mayana Neiva
    Mayana Neiva
    • Carmen
    Douglas Simon
    • Gregorio
    Violeta Palukas
    • María
    Candelaria Irigoyen
    • Victoria
    Lucas García
    • Felipe
    Lucas Zenone
    • Esteban
    Dylan Ezequiel Rodríguez
    • Sergio
    Rodrigo Romero Odriozola
    • Claudio
    Florencia Camila Pagliaroli
    • Natalia
    Joel Sebastián Serrano
    • Juan 7 anos
    Franco Defeliche
    • Gonzalo
    Paula Ransenberg
    • Senorita Zulma
    Elvira Onetto
    • Directora
    • Director
      • Benjamín Ávila
    • Writers
      • Benjamín Ávila
      • Marcelo Müller
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    7.02.7K
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    Featured reviews

    9Nibbler007

    Even a kid could realize...

    Infancia Clandestina is a very touching movie.

    This review is written by an Argentinian so I felt it as a very interesting film in terms of script and acting, but more interesting as a historical testimony of our "dark ages" in terms of dictatorship and guerrilla. It would be fair to write the review in Spanish in order to put my feelings properly, but IMDb is mostly an English language site so I want to give other people from foreign countries my point of view with the little English I speak.

    From my perspective, the movie is accurately told in terms of storyline. I would recommend it as a documentary, because Benjamín Avila relived his own experience on this movie, and because most of the facts really happened (with the names changed and that sort of thing).

    The fact that underlines the tragic story of Juan/Ernesto, is that he is, as a child, forced to live in a world of fear, constantly missing what we think a normal childhood should be. His parents are loving ones but put him in abnormal situations in terms of caring for their livings and raise their children in those violent conditions. In fact, the story of the 70's here was that fearful and violent. You are obliged to take a part in the story. That's what the film left me. It's a thought- provoking one. And asks a lot of questions more than it tells answers.

    Ernesto Alterio (very good in his role) as Tío Beto is the bond of Juan/Ernesto to a happy childhood; but even with knowing how his life could end from one moment to another, tried to remind Juan/Ernesto and the rest of the family, those little moments of humanity that could have been forgotten in the middle of tragedy. There is plenty of humanity, but that feeling is volatile and more close to self-indulgence than true happiness, knowing the curse of events.

    On the other hand, the guiding line of Juan/Ernesto's family is that he 'd become one of their "soldiers" when he'd grown up. Rootless, full of hate for losing one by one his loved ones, Juan/Ernesto becomes an adult from one day to another.

    But this review is not complete if I don't give you a personal opinion of the whole situation.

    Ideologies, partidisms, dogma, they all conceived death as a part of them. During the movie I often compared the situation with Islamic children (or whoever is forced to live in war since a child). They are children, and they are manipulated taking part on massacres, kidnaps, war and dismemberance of their families. They are brutally witnessing the grown-ups stupidity, the absurd sacrifice. Yes, it was absurd then and it's absurd now. And that's the thing with the title of this review. Even a kid could realize the barbarism, the destruction of life that is presented in the movie. Unfortunately there is little room for choice.

    I'm not in position to judge the events since I was born after the dictatorship. I'm a son of democracy (whatever that means) and those stories are told to me, but fortunately I didn't have to live those tragic times. But I feel sorry for those kids who had a sad childhood and couldn't choose for a better life. And I blame the dictatorship as well as the contraire ideologies that put them in those awful and despicable situations.

    Coming back to the movie, it's a must. Even if you're not Argentinian. It's beautiful and a bit surrealistic. And it makes you think that some things can never be repeated for our children's sake.

    Greetings from Argentina!
    9jaevlamor

    One of the best scenes I've ever seen

    I don't feel like talking about the movie a lot, rather than saying that I genuinely found it entertaining as of heartbreaking and tough: to see a kid not only has had a normal childhood and a regular parenting, and also doesn't really know how the common world works, but lives in a cartel-like undercover runaway suspense film that he sadly calls life. And that just rots within time.

    The combo between main character and his uncle, in B&W its to my opinion one beautiful scene. Tough, meaningful, sad, and creative as well as visually pleasing.
    9mattkocian

    Benjamín Ávila delivers unique perspective on Argentine dictatorship of 70's

    The movie is an emotional journey that takes its spectators to Argentina's military dictatorship of 1970's. Juan is a boy who struggles with his double identity he obtained for security purposes, as his parents are involved in combat against the regime. Ávila's script collaboration with Müller brings an amazing story that balances between fear of being discovered by military and love in the family, and consequently love of Juan and his classmate María.

    Altogether with the script, the movie has absolutely engaging music, art direction and cinematography. Ávila's way of filming brings attention to every single detail and delivers unified piece of cinematographic art.

    Actor Teo Gutiérrez Moreno is absolutely superb in his performance of the young boy and his life's struggle. Actress Natalia Oreiro delivers thrilling performance of revolutionary fighter and proves that she can portray a character that is as gentle as a mother to her son, as well as someone determined to fight the military regime. Moreover, actor Ernesto Alterio brings moments of humor into the story as his well-written character of uncle Beto.

    The story is based on true events and the love the director dedicated to this movie can be felt in every single second. This outstanding movie will touch not only those familiar with Argentine regime of 70's, yet it will find its way to hearts of many cinema lovers too.
    8Reno-Rangan

    To be a child of the revolutioners must be hard.

    This was the Argentina's submission for last year's American Academy Awards and failed to make into the final five. But it was a clean sweep in Argentinian Academy Awards in the same year. Forget that past sad occurrence, I mean the Oscars, this movie was great and I liked it very much. After a very long gap I saw an Argentinian movie reckoning to be a good and it was. I am satisfied and glad I saw it which was loosely based on the director's real life story when he was a child.

    This story was told from the perspective of a kid called Juan. His parents are the activists during the Cold War known as the Dirty War. After their return to the home country with different names, Juan joins the school known as Ernesto. He finds hard to understand his parents' behaviour, but comfortably settles with his new fake name with a little help from his uncle. The problem arises when his true identity matters the most. Whether he reveals or not is the crux of the movie's end.

    In my recent watch I had seen the people who struggle while protesting in a country's revolution. It might be based on real like 'NO' or fictional like 'Night Train to Lisbon', but majority of them end in heartbreak tragedy. Similarly, this movie opened its account in a simple manner like most of the drama that based on the revolution theme. Yes, of course it confuses at first about what's going on then slowly explain the situation. But all the difference and racy pace emerge suddenly in the last quarter of the movie. Till then I was in the movie trying to concentrate, but then instantly put me on the edge of my seat with cute romance and followed by thriller. That, the end portion of the story of last 10-15 minutes took the movie to the heights.

    Yes, like I said the movie kicks off with a slow and boring pace with nothing much to enjoy earlier and ends in a style. Some movies are largely depends on the story's end solution and so this. To me it looked fine movie, different people will have different opinions, so watch it by yourself and express yours.
    8DogeGamer2015

    A faithful portrait of reality

    A totally dramatic, deep and emotional film, I highly recommend it.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Official submission of Argentina for the 'Best Foreign Language Film' category of the 85th Academy Awards in 2013.
    • Soundtracks
      Sueños de juventud
      Written by Enrique Santos Discépolo and Warner Chappell

      Performed by Natalia Oreiro

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    FAQ18

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    Details

    Edit
    • Release date
      • September 20, 2012 (Argentina)
    • Countries of origin
      • Argentina
      • Spain
      • Brazil
    • Official sites
      • Official Facebook
      • Official site (Argentina)
    • Languages
      • Spanish
      • Portuguese
    • Also known as
      • Also Known As
    • Filming locations
      • Burzaco, Buenos Aires, Federal District, Argentina
    • Production companies
      • Historias Cinematograficas
      • Habitacion 1520 Producciones
      • RTA Radio y Televisión Argentina
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,009,653 (estimated)
    • Gross US & Canada
      • $9,017
    • Opening weekend US & Canada
      • $8,137
      • Jan 20, 2013
    • Gross worldwide
      • $1,212,354
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 52 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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    Ernesto Alterio, Cristina Banegas, Luciano Cazaux, Elvira Onetto, Natalia Oreiro, Luis Solanas, Benjamín Ávila, César Troncoso, Darío Valenzuela, Douglas Simon, Pablo Cura, Luciana Dulitzky, Marcelo Mininno, Julia Martínez Rubio, Pedro Onetto, Paula Ransenberg, Mayana Neiva, Luciano Ricio, Teo Gutiérrez Moreno, Violeta Palukas, Luis Alí, Romina Michelizzi, Dylan Ezequiel Rodríguez, Lucas García, Lucas Zenone, Candelaria Irigoyen, Rodrigo Romero Odriozola, Florencia Camila Pagliaroli, Franco Defeliche, Pablo Sznitowski, Joel Sebastián Serrano, Luis Ricardo Asensio, Sebastián Carballido, and Ariel Matías Morosín in Clandestine Childhood (2011)
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