De Palma

You know, I went into this experience thinking I what was a big fan of De Palma, but was really cool is, I knew nothing, but learned a lot.

I was expecting this movie to be all about Carrie, the Untouchables, Mission Impossible, but for those of us who De Palma became a big name for because your of the generation that group up with Hip hop artist who loved Scarface, that movie and many of his mainstream hits play an important part in this sit down interview, but a small one, as De Palma talks with great personal depth a careering touching 50 years.

He's tells the story from his perspective and it's told with an honest feel, and it gives you perfect insight on his film style. He's a guy who loves indie films for the freedom it allows but needed to prove to himself that he can make a mainstream hit. He defends his disturbing images, by revealing to us how he did not realize it was disturbed.

Though focus on his movies, De Palma does give you personal insight on his upbringing and the state of mind he was in when he made those movies (like during the early 80s when he constantly cast his then wife, Nancy Allen, which he knew as damaging to their relationship).

A few times in the film, his treatment of women in his films came up and once again this is where his honesty of what he was trying to do came up. The interview is intertwine with clips from his movies and other movies that inspire him, and I think every nude scene De Palma has ever filmed was used here. Another contemporary subject was War in which he was able to give his two cents on what's going on now by talking about the two war movies he did do.

It's a great sit down for not just De Palma fans but for film fans everywhere. The man was enjoyable to listen to for almost two hours and he told great stories about the development for his long list of film credits.

Now I have to go out and find the movies I never seen.

Greetings again from the darkness. A self-inflicted career retrospective … that's my most fitting description of this project from co-directors Noah Baumbach and Jake Paltrow. Rather than line-up a slew of third-party observers and collaborators, we get the famed director himself walking us film-by-film through his resume. That's right, Brian De Palma discusses the De Palma film canon … and we movie lovers couldn't ask for anything better.

Beginning with a clip of Vertigo, the doc leads with the Hitchcock influence, almost as a form of disclosure. It's as if everyone associated is saying, Yes we admit it … Director De Palma has been heavily influenced and inspired by the works of Alfred Hitchcock. Now pay attention to what he's done with his career – some really good, some not so good, some downright awful. "Underappreciated" might be the best label for De Palma. He was part of the "New Hollywood" with Spielberg, Scorcese, Coppola, and Lucas, yet they are worshiped, while De Palma is mostly ignored.

Mr. De Palma speaks directly to the camera and seems to thoroughly enjoy this opportunity to analyze (and at times defend) his career, providing a self guided reflective approach - a chronological retrospective that doesn't shy away from his inability to put together a streak of successful films. This is direct talk (describing a particular bomb as "one of many disasters") with no apologies from a filmmaker who has worked for five decades. He tells behind the scenes stories in a matter-of-fact manner, not always complimentary of himself, actors or the industry.

The stories and recollections are the highlight here. De Palma speaks highly of Wilford Leach (his mentor and professor at Sarah Lawrence), composer Bernard Hermann and Robert DeNiro, with less than flattering tales of Cliff Robertson (Obsession), Sean Penn (Casualties of War), and Oliver Stone (Scarface). It's fascinating to hear De Palma explain the box office failure of his version of The Bonfire of the Vanities, address the scandal of Body Double, and describe in detail the simultaneous casting (with Spielberg) of Star Wars and Carrie. Even more eye-opening is his reminiscing on the back-and-forth with director Sidney Lumet as they played hot-potato with Scarface and Prince of the City.

Brian De Palma was Columbia University educated (math and physics), and has directed some of the most creative, colorful and controversial films – some of which never received their "due". This may be mostly a film for those who want more inside-industry scoop, but it's a man who takes pride in the fact that famed film critic Pauline Kael was a fan of his work, and that few directors have a more varied canon of film.

His patented "holy mackerel" is on full display as he takes us on the journey of De Palma films, and it's a reminder that "talking head" documentaries can still work … provided the talking head doing the talking is saying something worth listening to.

This interview/documentary on Brian DePalma's work is completely fascinating - it's not bloated with expert perspectives or critical assessment of DePalma's work. Rather we get an unfiltered story from the director himself which works its way through the last 50 years of cinema and discusses in much candor the highs and lows of a directing career. Particularly compelling are the practical steps DePalma took to stay relevant in a rapidly changing industry, as well as his pragmatic approach of dealing with hard-nosed movie executives, difficult actors and minuscule budgets. Throughout the DePalma's interview narrative is supplemented with clips from his own movies as well as other contemporary pieces, which convey the story line brilliantly. The documentary was filmed over the course of a view days based on dinner- time conversations between DePalma and Bombauch/Paltrow. Wonderful editing, amazing perspective; a must-see for any film lover or aspiring director.

For those with in interest in De Palma's films and long career, or just cinema in general, this is a highly entertaining and informative visit with one of the most interesting, controversial and eclectic American film makers of the last 50 years.

The form couldn't be simpler. Just Brian De Palma sitting in a chair telling stories about each of his films in chronological order, from his first shorts in the mid 1960s to "Passion" in 2013 – an amazing span of almost 50 years. His comments are interspersed with well chosen clips from his own work, and – when he makes a reference – those of other film-makers as well.

What makes this form work so well is that De Palma is a terrific interview subject. He's funny, thoughtful, insightful, and sometimes very entertainingly snarky. He is also tremendously honest. He saves many of his toughest criticisms for himself, analyzing with surgical precision why certain of his films could have been better, and his part in those lapses. Very few directors are willing to talk at length about choices and moments they regret, usually choosing only to blame others for artistic goals falling short. But by acknowledging his own choices that didn't work out he makes himself very human, empathetic and trustworthy as a subject. He's not interested in self-glorification as much as he is in sharing a lifetime of wisdom won by mostly hard experience (few of De Palma's films got the support and attention they deserved at the time of their release – some, like 'Scarface' only became iconic years later). And he also talks with a touching wistfulness about those films he is truly proud of that never got the support – critical, commercial or both – that they deserved.

Overall you end up with a real sense of what it's like to be tremendously talented, protean, rule-breaking film-maker over 50 years – the ridiculous highs and lows, the multiple struggles, hard times and occasional triumphs of a high-profile artistic life in the weirdness that is the American film scene.

Brian De Palma is one of those directors whose films are very polarizing (with a few exceptions, of course). Being that he no longer works within the Hollywood establishment and his output has been drastically reduced, I guess a documentary will have to do. And boy, what a documentary! Still, the word 'documentary' doesn't really describe this film that well, since it's more like a one-on-one conversation. De Palma is very candid about his past and doesn't shy away from emphatically stating his opinions on people he's worked with and his own work. One thing that did surprise me was how little Hitchcock, his clearest influence, was brought up. Not a criticism, just an observation. Clips from VERTIGO, NORTH BY NORTHWEST, and REAR WINDOW are shown, though, in the context of techniques or stylistic features that De Palma learned from them. If anything, the range of artistic influences was much wider than I had ever realized before. Even if he never made another film, De Palma has left behind an incredible body of work that deserves serious study and consideration, and this documentary fills a void for everyone. It provides a nice retrospective for those already familiar and, for those not, a great place to start.