A documentary about two different searches conducted in the Chilean Atacama Desert: one by astronomers looking for answers about the history of the cosmos, and one by women looking for the r... Read allA documentary about two different searches conducted in the Chilean Atacama Desert: one by astronomers looking for answers about the history of the cosmos, and one by women looking for the remains of loved ones killed by Pinochet's regime.A documentary about two different searches conducted in the Chilean Atacama Desert: one by astronomers looking for answers about the history of the cosmos, and one by women looking for the remains of loved ones killed by Pinochet's regime.
- Awards
- 13 wins & 20 nominations
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Storyline
Did you know
- TriviaIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- Quotes
[last lines]
[in Spanish, using English subtitles]
Gaspar Galaz - Astronomer: [voiceover] I am convinced that memory has a gravitational force. It is constantly attracting us. Those who have a memory are able to live in the fragile present moment. Those who have none don't live anywhere. Each night, slowly, impassively, the centre of the galaxy passes over Santiago.
- ConnectionsEdited into P.O.V.: Nostalgia for the Light (2012)
Yet both ignore the significance of an "insignificant" massacre that is conveniently concealed by Chilean society. The Pinochet regime. A military dictatorship that detained and slaughtered thousands of Chileans, obscuring the remaining evidence by moulding mass graves in the midst of the wilderness. A particulate in history that the modern Chilean populous have audaciously decided to ignore. However, a selection of zealous women scout the Atacama landscape foraging for fragments of shattered bones, in the glimmering hope that the remnants of their beloved will be uncovered. The human tenacity tested. A near impossible task for peace and solace. Scouring the desertification of the past, to seek comfort for the future. Much like astronomers and archeologists, these women are on the same emphatic journey for answers. All delving into the past to establish a greater understanding.
Guzmán's cinematic diary, whilst tackling the sociopolitical ignorance of the Pinochet dictatorship, existentially challenges the national application of insufficient accountability through the metaphoric connectivity between the regime's outlook and astronomy. Two initially diverse subjects somehow manufacturing a multitude of succinct links that convey the ferocious human spirit. Transitioning between various professions, utilising articulate interviews and profound commentary, to devise various associations that elude to a thematic symbiotic relationship. The female individuals foraging the desert for splinters of calcium, in the form of bone fragments, whilst astronomers scan calcium levels within the remnants of stars. Guzmán visually comparing the two through the usage of still slides. Commencing with close-ups of asteroids and moons before metamorphosing the images to bone fragments, assimilating an indistinguishable identical form. Cinematic examples such as the aforementioned further enhance the interchangeable thematic quest, searching for fractured past life in the present.
Various connections may initially seem tenuous, especially when focusing on the survivors from the Chacabuco concentration camp, but that's where Guzmán's enlightening commentary comes into fruition. Describing Lawner's time at Chacabuco, whom was referred to as an "architect" for his acute ability in memorising the prison's infrastructure by systematically counting how many steps dictated each wall, may originally seem insubstantial. Until Guzmán concludes his interview with a scholarly comment regarding Lawner's wife. The couple are a metaphor for Chile. He remembers the past, she, whom is suffering with Alzheimer's disease, is forgetting.
Circling back to the primary purpose of Nostalgia For The Light. We should never forget, but instead remember. To educate ourselves into uncovering our own origins. Bolstered by provocative imagery, with much applause aimed towards Dijon's exquisite cinematography (except the commonly used stardust filter that cheapened the cinematic quality of the documentary), and poetic narrative flow, Guzmán relentlessly tackles the parallels time offers to humanity. Physically transporting us on a self-discovering journey across the cosmos and the sprawling ground beneath our ignorant feet. We expend substantial amounts of time surveying remnants of remnants in a bid to discover answers, yet those who do not are unable to understand their past. There is no beginning or future to them. Only existence as a shell. "Compared to the immensity of the cosmos, the problems of the Chilean people might seem insignificant. But if we laid them out on a table, they would be as vast as a galaxy".
- TheMovieDiorama
- Jun 14, 2020
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Nỗi nhớ những vì sao
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $163,962
- Opening weekend US & Canada
- $5,664
- Jan 16, 2011
- Gross worldwide
- $410,903
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1