Socially inept Miranda always gets into awkward situations; working in her joke shop with best friend Stevie, being hounded by her pushy mother, and around her crush Gary.Socially inept Miranda always gets into awkward situations; working in her joke shop with best friend Stevie, being hounded by her pushy mother, and around her crush Gary.Socially inept Miranda always gets into awkward situations; working in her joke shop with best friend Stevie, being hounded by her pushy mother, and around her crush Gary.
- Nominated for 7 BAFTA Awards
- 8 wins & 18 nominations total
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To tell you the truth, there are not many female comedians that can make me laugh. This is not a sexist opinion, it is just not my type of humor. But I can gladly make an exception for this Miranda Hart-show. Okay, sometimes it is a bit over the top, on a few occasions it is slightly tedious and worn out, but in general this is a very funny and intelligently written situation comedy. I love it when Miranda talks or gestures to the audience, I love the absurd thoughts that go through her head and I love all the characters that surround her, especially Patricia Hodge as Miranda's mother. Of course Hart is a brilliant actress (see also: Not going out) and her self-mockery leaves me in stitches. Although I must confess that I do not look out for a second series, except when there would be an acceptable twist in the concept. There's always the danger that it's going to be dragged out and that we will have seen it all before. But this first series still stands after a second view and it should definitely be in my DVD-collection. Miranda rules!
As this show has collected so few reviews on IMDb, I would like to add my two penn'orth, for what it's worth. I caught this by accident, not being an avid TV watcher - and became hooked. I'd heard a version of it on the radio - I'm not sure which came first in the order of things - but that was mildly amusing, although a lot of Miranda's comedy is visual, and when I heard a repeat of the radio version after seeing the TV show, I could see the problems they were up against.
Any flaws I found in the TV series - we armchair critics have to look for flaws in new things - were cancelled out by the fact that I felt better after each episode I watched. Not just amused, and in some cases, very tickled indeed, but uplifted.
All of the characters are attractive and likable - and despite Miranda's self-deprecating gags about being often mistaken for a man, she's a very feminine, and extremely good-looking lady. Her device of engaging directly with her home-viewing audience, via the camera, works well, and adds to her personal appeal.
The comedy chemistry in the scenes with her diminutive friend, Stevie, played by the also extremely good-looking and funny Sarah Hadland, creates some of the best laughs in the show.
Here's a thought: The last series I watched starring Patricia Hodge, who brilliantly plays Miranda's scatty mum in this, was called The Life and Loves of a She-Devil, from about 1985 (not to be confused with the later Hollywood version). In She-Devil, she played the rival of a character portrayed by another very statuesque brunette, Julie T. Wallace. I wonder if this had any influence on the decision to cast her in Miranda?
Perhaps a lot of this show's appeal is in it's almost childlike presentation. The cast, one by one, wave goodbye to us at the end of the episodes, like human Telly Tubbies. Maybe I'm wrong to feel good about that, but, like Miranda's confidences to us, it tickles me to death.
More, please. The world needs Miranda.
Any flaws I found in the TV series - we armchair critics have to look for flaws in new things - were cancelled out by the fact that I felt better after each episode I watched. Not just amused, and in some cases, very tickled indeed, but uplifted.
All of the characters are attractive and likable - and despite Miranda's self-deprecating gags about being often mistaken for a man, she's a very feminine, and extremely good-looking lady. Her device of engaging directly with her home-viewing audience, via the camera, works well, and adds to her personal appeal.
The comedy chemistry in the scenes with her diminutive friend, Stevie, played by the also extremely good-looking and funny Sarah Hadland, creates some of the best laughs in the show.
Here's a thought: The last series I watched starring Patricia Hodge, who brilliantly plays Miranda's scatty mum in this, was called The Life and Loves of a She-Devil, from about 1985 (not to be confused with the later Hollywood version). In She-Devil, she played the rival of a character portrayed by another very statuesque brunette, Julie T. Wallace. I wonder if this had any influence on the decision to cast her in Miranda?
Perhaps a lot of this show's appeal is in it's almost childlike presentation. The cast, one by one, wave goodbye to us at the end of the episodes, like human Telly Tubbies. Maybe I'm wrong to feel good about that, but, like Miranda's confidences to us, it tickles me to death.
More, please. The world needs Miranda.
'Miranda' manages to succeed with an 'in-your-face' approach where the main lead constantly address her audience and where most of the humor is seen coming miles ahead. This normally would boil down to an utterly tepid experience , but with Miranda Hart the effect is hugely more than the sum of its parts. I'm sure the division is similar to watching the late Tommy Cooper. You will either notice the brilliance or find it utterly boring. I 've no idea why the format of continuously speaking to the audience works within this series. It simply does. All cast members are above average, with Patricia Hodge stealing every scene she is in. A huge factor may be the neck-breaking speed. I like that. Suspect it's simply too much for part of the public..
I love British shows of all kinds, but this has got to be one of the best Britcoms ever! Miranda handles everything with humor and makes lemonade with all the lemons she is dealt. All the day to day troubles we all have are dealt with such humor, that you realize how unimportant they are. The casting is wonderful.
I have enjoyed everything I have every seen Miranda Hart in. Patricia Hodge is funny and irreverent as Miranda's mother, who tries to marry her off at every turn. The friendship between Miranda, Stevie (Sarah Hadland) and Tilly (Sally Phillips) is "bear with...bear with" hysterical. Tom Ellis performance as Gary makes all us tall, plus- sized women hopeful. He is charming, funny and (of course) handsome as ever!
I have enjoyed everything I have every seen Miranda Hart in. Patricia Hodge is funny and irreverent as Miranda's mother, who tries to marry her off at every turn. The friendship between Miranda, Stevie (Sarah Hadland) and Tilly (Sally Phillips) is "bear with...bear with" hysterical. Tom Ellis performance as Gary makes all us tall, plus- sized women hopeful. He is charming, funny and (of course) handsome as ever!
The trailers terribly undersold this series & I almost missed a real gem. Fortunately "Points of View" reported receiving no negative feedback & showed a very funny end credits sequence. When I watched on Catch Up, I just fell in love with Miranda & her world of insanity. I was unfamiliar with Miranda Hart's stand up, but that didn't matter. Far from being a big ego trip, this is a heartwarming comedy that effectively breaks the 4th wall. Miranda shares her insecurities with the audience and pulls us right in with her speeches & glances to the camera. Patricia Hodge as Miranda's disappointed mother is a scene stealer. Miranda's friends are delightfully insane & Gary is a love. While I'm not usually a fan of slapstick, the falling over does work here. I'm delighted that Series 2 has been commissioned. I wouldn't miss it! 10/10
Storyline
Did you know
- TriviaThe series is recorded in front of a live audience.
- GoofsThe details of the ownership/management of the restaurant seem to change from episode to episode. In series one, when Penny plans a party at the restaurant, Gary is pleased, saying he "needs the business" - suggesting he is the owner. However, by series two, when Gary returns from a stint in Hong Kong, it is revealed his contract at the restaurant is still open, suggesting he simply works there. Later in the series, Clive sacks Gary's wife, suggesting he is the one with authority - yet he had previously been unaware of the details of Gary's contract. In series three, Gary buys the restaurant, but it is not clear from whom.
- ConnectionsFeatured in The Wright Stuff: Episode #11.61 (2009)
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