IMDb RATING
5.1/10
5.2K
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London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.
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The plot: After a new, experimental drug causes people to turn into acrobatic zombies, a brooding bruiser searches for the one person who can provide a cure.
Devil's Playground is a derivative and generic zombie movie, but I still enjoyed it. It's basically a ridiculous excuse to show lots of gore SFX and stunt work, the dialogue and acting are often cheesy, and it's undeniably a ripoff of modern "fast zombie" movies (especially 28 Days Later), but if you're in the mood for a B movie, this will satisfy you. If you're expecting it to be original (or even fast-paced), you're sure to be disappointed. It seems assembled from scenes of other zombie movies, but the scenes are competently directed, even if the dialogue and acting are occasionally a bit cheesy. It doesn't really have anything insightful or original to say, but it does manage to throw in lots of impressive stunts. If you're looking for a movie about flesh-eating acrobats, I think you'd have a difficult time finding a better one than this.
It's difficult to recommend this movie, but undemanding genre fans may enjoy it, despite the flaws. It's worth a view if you don't need anything better than a moody atmosphere, some B movie actors, and a simple plot. It's no classic, but it's a cut above the typical direct-to-video zombie movies that I've been watching lately.
Devil's Playground is a derivative and generic zombie movie, but I still enjoyed it. It's basically a ridiculous excuse to show lots of gore SFX and stunt work, the dialogue and acting are often cheesy, and it's undeniably a ripoff of modern "fast zombie" movies (especially 28 Days Later), but if you're in the mood for a B movie, this will satisfy you. If you're expecting it to be original (or even fast-paced), you're sure to be disappointed. It seems assembled from scenes of other zombie movies, but the scenes are competently directed, even if the dialogue and acting are occasionally a bit cheesy. It doesn't really have anything insightful or original to say, but it does manage to throw in lots of impressive stunts. If you're looking for a movie about flesh-eating acrobats, I think you'd have a difficult time finding a better one than this.
It's difficult to recommend this movie, but undemanding genre fans may enjoy it, despite the flaws. It's worth a view if you don't need anything better than a moody atmosphere, some B movie actors, and a simple plot. It's no classic, but it's a cut above the typical direct-to-video zombie movies that I've been watching lately.
I sat through this bum-fluff at the recent GoreZone Festival in London's West End and almost lost the will to live before the opening credits had rolled. The prologue featuring bargain-basement 'action-man' Craig Fairbrass woodenly spouting even more wooden dialogue at the camera as a prep for the sub '28 Days Later' 'Rollercoaster' to come, made my heart sink faster than 'The Detonator' ride at Thorpe Park, and quickly proved its pedigree as a very bad omen for things to come.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Not a fan of Danny Dyer, his attempts at being an 'ard man are cringeworthy, but he is tolerable in this fun virus infected maniacs film.
I think they did a great job for the low budget. Some good bloody deaths and some attempts at character development too. Human nature and survival, betrayal.
Far worse films out there and for a cheap UK film it's good.
Shot in 25 days!! Well done to cast and crew for getting that much done in such a short time and budget.
It's interesting how influential Danny Boyle's 28 DAYS LATER was . It wasn't apparent at the time but from that point onwards each and every zombie film must feature zombies , sorry "infected" who can outrun Usain Bolt while having the endurance of a marathon runner . It's also noticeable how many zombie films there are with a massive number of short films and films on The Horror Channel featuring zombie apocalypse . Perhaps most notciable of all is how poor most of them are . and with hindsight Boyle's film was much better than I thought it was on first viewing . This inspiration called DEVIL'S PLAYGROUND is better than most of its peers but that's probably down to a simple reason it's a conscious rip off from Boyle's original
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
A very low budget action/horror Brit flick featuring freerunning mutant zombie flesh eaters. Craig (Cliffhanger) Fairbrass and Danny (just about every recent cheapo-diamond-geezer pseudo-Arthur Mullard C-Grade megatrash straight-to-video Brit movie in recent years) Dyer take the leads.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
Storyline
Did you know
- TriviaSean Pertwee makes his cameo as a favor to producer Jonathan Sothcott after having to drop out of Dead Cert at the last minute.
- GoofsNatalie Quye is credited as "Infected Doctor-eating Man", but since she is a woman, that credit should be "Infected Doctor-eating Woman".
- ConnectionsReferenced in Cinemassacre's Monster Madness: Dawn of the Dead (1978) (2013)
- SoundtracksBringing London To A Standstill
By James Edward Barker
Performed by James Edward Barker
Copyright 2010
Published by Veneration Music 2010
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- Sân Chơi Của Quỷ
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- Budget
- $2,400,000 (estimated)
- Runtime1 hour 36 minutes
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- 2.35 : 1
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