The Ritual Killer

Poor storyline, poor execution. I'm very suprised that Freeman accepted this role. Nothing makes sense, script very badly written, no swat called, no observation, no communication between officers, bad searches and forensic evidence, nothing makes sense. Whole movie looks fake and it is just a waste of time badly directed and acted. Could be so much better if there was more suspension, real police work etc they didn't even bother to watch police activity on YouTube to see how to walk with a gun or watch some real good movies to at least try to make it more professional and concentrate on the quality of the outcome.

Wow, where to start?

This is bad.

1. Writing-The dialogue is stilted, monotonic, and only serves the purpose to provide exposition to the user. Very few of the writing seems natural or what two people in a conversation would say. In many scenes, it consists of two sentences and then move on to next scene.

2. Editing-The movie jumps from scene to scene without the cohesion between them. They are at a crime scene, at a bar, in Italy, at a university, in New Orleans etc , without explaining how or why they got there. The way the Cole Hauser's character and Morgan Freeman meet is not really explained, just thrown together.

3. Acting-Outside of Freeman, no one seems to have any emotions or facial expressions that matches the scene. Everyone has this 'serious' look regardless of the context.

4. Ending-Seems tacked on. Feels like they were running out of money and said, 'let's finish the finale in next two days'. It was rushed, again no cohesion with the final scene being so illogical or stupid that you want to throw something at the TV.

In short, this is a hard pass.

In the past serial killer - thriller movies there has always been some sort of tension or high drama to keep the movie flowing and interesting. Not in this one. Morgan mostly has bit parts here and there and is basically guest starring in this role for hype only.

His history of good performances is used to bolster this film but there just isn't enough action in this to carry much water. A few chase scenes and that's about it.

A decent story and good opening, but fizzles out rather quickly and all the actors are just going through the motions. Predictable and straightforward and not much really to write about. Could have been a lot worse, but held my interest for a while. No twists, no turns, just a basic a-b-c cop vs killer movie. 3/10, no more than that.

I watched this movie because Freeman was in it & stuck through to the end hoping that it would be good - but it was a complete waste of time. Script, dialogue, acting and pretty much everything was just so bad! Nothing made sense & there was no flow to the movie with the jump from one scene to the other being totally confusing. Sorry I've never heard or seen the main actor & after watching the movie all the way through I know why - he was just terrible! The ending was so ridiculous that we all burst out laughing. I suggest that you give this movie a miss and spend your time watching something else.

Right from the start, I realized this film would be a flop due to the frustratingly amateur-hour directing by George Gallo. The constant back and forth location transitions from Europe to America were poorly executed and edited, and almost every scene screamed inexperienced directing. Gallo also failed miserably to direct his cast effectively, that is seemed like this was Cole Hauser's first ever acting job. His entire tone, demeanor and dialogue was too monotonic. Sure, part blame goes to the actor, but it's the directors job to know when an actor needs to act better or in a certain way. Only seasoned actors like Freeman rarely need cast direction, as he was the only one that was somewhat convincing in his character. Everyone else seemed inconvenienced to be on set.

The next huge disappointment was how three writers couldn't get a fairly decent premise, executed properly. Aside from the writing being cliched and having elements from pretty much every film in this genre with little to no originality, it was the ridiculous ending that the three writers, Bob Bowersox, Francesco Cinquemani and Luca Giliberto gave their viewers. It was by far the laziest, asinine, and idiotic ending I've ever seen. A fifth grade drama class could've done better.

Almost every element of this film - except the score, which was surprisingly fitting, should be examined in film schools on what not to do. It's a generous 3/10 from me, mostly as pity that Freeman has to live with this mess on his resume.