No One Gets Out Alive

Competent thriller/horror with folk horror overtones. Not groundbreaking in any way but nevertheless some very unique and interesting ideas. Great acting and sensational cinematography. The narrative kept the origins of the box murky which added to the mystery and suspense. The "house" was wonderfully imagined and contributed to the ambiance. A few traditional jump scares but they didn't detract from the film. All in all I thoroughly enjoyed it.

Very slow start, but the pay off in the end is worth it.

Good acting, good writing, good direction and sets overall. The soundtrack was good too.

Overall worth the watch.

Well, reviews are personal to all and that's why some give 1 and others 10. I thought the acting was very good especially Marc Menchaca and Cristina Rodlo. The girl Ambar, had arrived in the US w/o papers, docs or id so she WAS an illegal who wanted an opportunity to better herself. At times I felt so sorry for the girl - she was very naive and trusting, it was obvious really what the African was going to do. That rarity, NO CGI and the 'creature' seemed to be like an autotronic but I'm not sure of that. The house was just horrendously in a world apart- just like Norman Bates house was in Psycho. Certainly worth your time to see.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.

This was an unexpected gem. I went into it not having seen the trailer. It's a modern day gothic horror, except it takes place in a women's only boarding house in Cleveland instead of a mansion. The boarding house has a secret that is gradually revealed. The boarding house has gatekeepers that protect and hide those secrets. It has ghosts and supernatural elements, even some brief gore. Cool things happen in the shadowy areas of the frame to get the attention of the protagonist. She gradually uncovers the secrets piece by piece.

I thought the practical effects were very well made for a film with this kind of budget. I particularly like the eyes. Very nicely done. The CGI could have been better but I was happy that the film had an eerie mystery to be uncovered and it wasn't just another dumb jumpscare film. It has some jumpscares, but it isn't a main feature of the film. It has atmosphere, pace and tension. The symbolism of the butterflies had me wondering until the very end. Then I realized what their significance were. The director landed the ending very well.

I also felt the actresses all played their roles very well, especially Cristina Rodlo. This is definitely worth a watch for gothic horror lovers. I am not saying it will be one of the best horrors of 2021 or blow your socks off, but its not too shabby. I enjoyed it. I've seen lesser horror films with significantly larger budgets and A-listers and not nearly as creepy as this one.

For a small budget film, this one did very well. Dolby Vision HDR & Dolby Atmos is a plus! I've seen some other reviewers give this film a 1 out of 10 and calling it the worse of 2021. As a horror fanatic that watches 3 to 5 horror films a week, this film is far from scrapping the bottom like they are implying. I think they need to watch more horror films to be better judges.